Motion Picture Review (Dec 1926)
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Herbert Brenon Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Herbert Brenon 电影 串行 (大全) Quinneys https://zh.listvote.com/lists/film/movies/quinneys-7272298/actors The Clemenceau https://zh.listvote.com/lists/film/movies/the-clemenceau-case-3520302/actors Case Yellow Sands https://zh.listvote.com/lists/film/movies/yellow-sands-8051822/actors The Heart of Maryland https://zh.listvote.com/lists/film/movies/the-heart-of-maryland-3635189/actors The Woman With Four https://zh.listvote.com/lists/film/movies/the-woman-with-four-faces-17478899/actors Faces Empty Pockets https://zh.listvote.com/lists/film/movies/empty-pockets-62333808/actors Honours Easy https://zh.listvote.com/lists/film/movies/honours-easy-12124839/actors Wine, Women and https://zh.listvote.com/lists/film/movies/wine%2C-women-and-song-56291174/actors Song The Custard Cup https://zh.listvote.com/lists/film/movies/the-custard-cup-62595387/actors Moonshine Valley https://zh.listvote.com/lists/film/movies/moonshine-valley-6907976/actors The Eternal Sin https://zh.listvote.com/lists/film/movies/the-eternal-sin-21869328/actors Life's Shop Window https://zh.listvote.com/lists/film/movies/life%27s-shop-window-3832153/actors Laugh, Clown https://zh.listvote.com/lists/film/movies/laugh%2C-clown-1057743/actors God Gave Me Twenty https://zh.listvote.com/lists/film/movies/god-gave-me-twenty-cents-15123200/actors Cents The New Magdalen https://zh.listvote.com/lists/film/movies/the-new-magdalen-15865904/actors The Passion Flower https://zh.listvote.com/lists/film/movies/the-passion-flower-16254009/actors Sin https://zh.listvote.com/lists/film/movies/sin-16908426/actors -
Catalogo Giornate Del Cinema Muto 2011
Clara Bow in Mantrap, Victor Fleming, 1926. (Library of Congress) Merna Kennedy, Charles Chaplin in The Circus, 1928. (Roy Export S.A.S) Sommario / Contents 3 Presentazione / Introduction 31 Shostakovich & FEKS 6 Premio Jean Mitry / The Jean Mitry Award 94 Cinema italiano: rarità e ritrovamenti Italy: Retrospect and Discovery 7 In ricordo di Jonathan Dennis The Jonathan Dennis Memorial Lecture 71 Cinema georgiano / Georgian Cinema 9 The 2011 Pordenone Masterclasses 83 Kertész prima di Curtiz / Kertész before Curtiz 0 1 Collegium 2011 99 National Film Preservation Foundation Tesori western / Treasures of the West 12 La collezione Davide Turconi The Davide Turconi Collection 109 La corsa al Polo / The Race to the Pole 7 1 Eventi musicali / Musical Events 119 Il canone rivisitato / The Canon Revisited Novyi Vavilon A colpi di note / Striking a New Note 513 Cinema delle origini / Early Cinema SpilimBrass play Chaplin Le voyage dans la lune; The Soldier’s Courtship El Dorado The Corrick Collection; Thanhouser Shinel 155 Pionieri del cinema d’animazione giapponese An Audience with Jean Darling The Birth of Anime: Pioneers of Japanese Animation The Circus The Wind 165 Disney’s Laugh-O-grams 179 Riscoperte e restauri / Rediscoveries and Restorations The White Shadow; The Divine Woman The Canadian; Diepte; The Indian Woman’s Pluck The Little Minister; Das Rätsel von Bangalor Rosalie fait du sabotage; Spreewaldmädel Tonaufnahmen Berglund Italianamerican: Santa Lucia Luntana, Movie Actor I pericoli del cinema / Perils of the Pictures 195 Ritratti / Portraits 201 Muti del XXI secolo / 21st Century Silents 620 Indice dei titoli / Film Title Index Introduzioni e note di / Introductions and programme notes by Peter Bagrov Otto Kylmälä Aldo Bernardini Leslie Anne Lewis Ivo Blom Antonello Mazzucco Lenny Borger Patrick McCarthy Neil Brand Annette Melville Geoff Brown Russell Merritt Kevin Brownlow Maud Nelissen Günter A. -
Herbert Brenon Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ)
Herbert Brenon Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Quinneys https://bg.listvote.com/lists/film/movies/quinneys-7272298/actors The Clemenceau Case https://bg.listvote.com/lists/film/movies/the-clemenceau-case-3520302/actors Yellow Sands https://bg.listvote.com/lists/film/movies/yellow-sands-8051822/actors The Heart of Maryland https://bg.listvote.com/lists/film/movies/the-heart-of-maryland-3635189/actors The Woman With Four Faces https://bg.listvote.com/lists/film/movies/the-woman-with-four-faces-17478899/actors Empty Pockets https://bg.listvote.com/lists/film/movies/empty-pockets-62333808/actors Honours Easy https://bg.listvote.com/lists/film/movies/honours-easy-12124839/actors Wine, Women and Song https://bg.listvote.com/lists/film/movies/wine%2C-women-and-song-56291174/actors The Custard Cup https://bg.listvote.com/lists/film/movies/the-custard-cup-62595387/actors Moonshine Valley https://bg.listvote.com/lists/film/movies/moonshine-valley-6907976/actors The Eternal Sin https://bg.listvote.com/lists/film/movies/the-eternal-sin-21869328/actors Life's Shop Window https://bg.listvote.com/lists/film/movies/life%27s-shop-window-3832153/actors Laugh, Clown https://bg.listvote.com/lists/film/movies/laugh%2C-clown-1057743/actors Sorrell and Son https://bg.listvote.com/lists/film/movies/sorrell-and-son-1058426/actors God Gave Me Twenty Cents https://bg.listvote.com/lists/film/movies/god-gave-me-twenty-cents-15123200/actors Peter Pan https://bg.listvote.com/lists/film/movies/peter-pan-1537132/actors The Case of Sergeant Grischa https://bg.listvote.com/lists/film/movies/the-case-of-sergeant-grischa-1548848/actors -
The Picture Show Annual (1928)
Hid •v Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannuaOOamal Corinne Griffith, " The Lady in Ermine," proves a shawl and a fan are just as becoming. Corinne is one of the long-established stars whose popularity shows no signs of declining and beauty no signs of fading. - Picture Show Annual 9 rkey Ktpt~ thcMouies Francis X. Bushman as Messala, the villain of the piece, and Ramon Novarro, the hero, in " Ben Hut." PICTURESQUE PERSONALITIES OF THE PICTURES—PAST AND PRESENT ALTHOUGH the cinema as we know it now—and by that I mean plays made by moving pictures—is only about eighteen years old (for it was in the Wallace spring of 1908 that D. W. Griffith started to direct for Reid, the old Biograph), its short history is packed with whose death romance and tragedy. robbed the screen ofa boyish charm Picture plays there had been before Griffith came on and breezy cheer the scene. The first movie that could really be called iness that have a picture play was " The Soldier's Courtship," made by never been replaced. an Englishman, Robert W. Paul, on the roof of the Alhambra Theatre in 18% ; but it was in the Biograph Studio that the real start was made with the film play. Here Mary Pickford started her screen career, to be followed later by Lillian and Dorothy Gish, and the three Talmadge sisters. Natalie Talmadge did not take as kindly to film acting as did her sisters, and when Norma and Constance had made a name and the family had gone from New York to Hollywood Natalie went into the business side of the films and held some big positions before she retired on her marriage with Buster Keaton. -
Dracula As Inter-American Film Icon: Universal Pictures and Cinematográfica ABSA
University of Mary Washington Eagle Scholar English, Linguistics, and Communication College of Arts and Sciences 2020 Dracula as Inter-American Film Icon: Universal Pictures and Cinematográfica ABSA Antonio Barrenechea Follow this and additional works at: https://scholar.umw.edu/elc Part of the Film and Media Studies Commons, Latin American Languages and Societies Commons, and the Literature in English, British Isles Commons Review of International American Studies VARIA RIAS Vol. 13, Spring—Summer № 1 /2020 ISSN 1991—2773 DOI: https://doi.org/10.31261/rias.8908 DRACULA AS INTER-AMERICAN FILM ICON Universal Pictures and Cinematográfca ABSA introduction: the migrant vampire In Bram Stoker’s Dracula (1897), Jonathan Harker and the Tran- Antonio Barrenechea University of sylvanian count frst come together over a piece of real estate. Mary Washington The purchase of Carfax Abbey is hardly an impulse-buy. An aspir- Fredericksburg, VA ing immigrant, Dracula has taken the time to educate himself USA on subjects “all relating to England and English life and customs https://orcid.org/0000-0003-1896-4767 and manners” (44). He plans to assimilate into a new society: “I long to go through the crowded streets of your mighty London, to be in the midst of the whirl and rush of humanity, to share its life, its change, its death, and all that makes it what it is” (45). Dracula’s emphasis on the roar of London conveys his desire to abandon the Carpathian Mountains in favor of the modern metropolis. Transylvania will have the reverse efect on Harker: having left the industrial West, he nearly goes mad from his cap- tivity in the East. -
Finding Aid for the Fritz Lang Collection
Finding Aid for the Fritz Lang Collection Special Collections #4 Collection Processed by: Sarah Blankfort Clothier, 9.10.12 Revised, Emily Wittenberg, 10.18.18 Finding Aid Written by: Sarah Blankfort Clothier, 9.10.12 Revised, Emily Wittenberg,10.18.18 OVERVIEW OF THE COLLECTION: Origination/Creator: Lang, Fritz Title of Collection: Fritz Lang Collection Date of Collection: 1934 -- 1953 Physical Description: 19 boxes; 7.92 linear feet Identification: Special Collection #4 Repository: American Film Institute Louis B. Mayer Library, Los Angeles, CA RIGHTS AND RESTRICTIONS: Access Restrictions: Collection is open for research. Copyright: The copyright interests in this collection remain with the creator. For more information, contact the Louis B. Mayer Library. Acquisition Method: Donated by Michael Nesmith in 1990. BIOGRAPHICAL/HISTORY NOTE: Fritz Lang was a noted filmmaker who immigrated to Hollywood via France during WWII in 1934, in protest against the Nazi regime, becoming a United States citizen in 1939. Lang was born Friedrich Christian Anton Lang in Vienna, Austria, on December 5, 1890 to parents Anton and Paula Lang. He briefly attended the Technical University of Vienna where he studied civil engineering before switching to art; he studied painting under teachers in Vienna, Munich, and Paris. In WWI Lang served in the Austrian Army where he was wounded three times and decorated four times while fighting in Russia and Romania. His German Expressionist films, including METROPOLIS (1927) and M (1931), are considered precursors to the film noir style of filmmaking that was popular in Hollywood from the early 1940s to late 1950s. Upon his move to the United States, Lang was employed at Metro- Goldwyn-Mayer Studios (M-G-M), where he rose to prominence by directing FURY (1936). -
Izrael Zespoda O Fotografické Výstavě, Která Představuje Izrael Z Nezvyklého Úhlu, Čtěte Na Straně 5
4 ročník 17 tevet 5778 prosinec 2017 – leden 2018 www.maskil.cz Izrael zespoda O fotografické výstavě, která představuje Izrael z nezvyklého úhlu, čtěte na straně 5 Chanuka a zajímavé pasáže z knih Měli jsme to štěstí setkat se Chatam Sofer . 10 Jews News Makabejských (2.) . 2 s brontosaury (za Ruth Bondyovou) . 7 Někde ještě svítí slunce: (Rozhovor s Pavlem Štinglem) . 14 Donald Trump: „Jeruzalém je hlavním Dětství ve stínu holokaustu . 11 Apikojres . 8 Franz Kafka: Řeč o jazyce jidiš . 16 městem Státu Izrael“. 4 Haličské muzeum uchovává památku Anketa na aktuální téma . .4 Staronová Tóra v Olomouci . 8 na bohatý život polského židovstva . 12 Kulturní program . 18 Teplický cimes: pro každého něco . 6 Půdní divadlo v domě č. p. 266 . 9 Minikurz hebrejského jazyka. 13 Ma’oz cur . 20 Fotografie na titulní straně: Ručně sekané dobývky měděných dolů připomínají tvarem jeskyně, ale jde o lidské dílo. (foto: L. Falteisek) úvodník židovský rok Chanuka a zajímavé pasáže 2. část z knih Makabejských V úterý 12. prosince večer jsme zažehnutím první svíce a pronesením tří požehnání zahájili náš osmidenní svátek Chanuka. Chanuka místo svátku Sukot – Chybí zázrak s olejem – 1. Makabejská 2. Makabejská 10,5-8 4,38–59 „K očištění chrámu došlo ve výročí V těchto verších se popisuje postup dne, kdy cizáci chrám poskvrnili: dvacá- prací, které Židé museli vykonat při očistě tého pátého dne měsíce kislevu. Slavnost Chrámu, než mohlo dojít k znovuzasvě- .חנוכת המזבח (הבית) – (trvala osm dní s veselím jako o slavnosti cení oltáře (Chrámu stánků, kterou, jak vzpomínali, trávili Verš 50 uvádí, že na oltáři zapálili kadidlo ještě před krátkým časem v horách a jes- a zažehli světla na svícnu, aby osvětlovala Chanuka sameach! Veselé Vánoce! kyních jako divá zvěř. -
Weimar Cinema
WEIMAR CULTURE: FILM, ART AND DEATH WEIMAR CINEMA The directors, actors, and films of Weimar-era Germany are among the most famous in cinema history. The new expressionist style they perfected “revolutionized the emerging language of film and established German cinema in the 1920s as a major force of high art in world cinema.”1 Weimar directors wanted to distinguish their work from that which was coming out of Hollywood. Their goal was to harness the artistic potential of film and “to prove to the educated middle class that cinema could indeed be art.”2 Rather than adhere to the Hollywood method, which emphasized narra- tive, suspense, montage, and action, Weimar-era directors opted for atmo- sphere, scene composition, camera movement, and character gaze.3 The efect was the supremacy of the visual: fantastical sets, dramatic lighting, and theatrical gestures. When it worked, such as in Fritz Lang’s M, the re- sults were haunting. The social and political atmosphere of Weimar influenced much of the films’ content. Many followed the attitude of what they called the New Objectivity and directors “ventured out into the streets to capture social reality.”4 They represented the “decadent nightlife, a previously unseen eroticism and unfettered sexuality.”5 These films dealt with the questions and anxieties of a tumultuous post-war era, in which social and cultural life was nursing wounds and breaking new ground, while political life was on the verge of a breakdown. Many of the great names of Weimar cinema – Fritz Lang, F.W. Murnau, Billy Wilder, Ernst Lubitsch, and Josef von Sternberg (to name a few) – fled Nazi Germany. -
CHRIS WEITZ Chris Weitz Was Born in New York City, the Son of Actress
CHRIS WEITZ Chris Weitz was born in New York City, the son of actress Susan Kohner and Berlin-born novelist/fashion designer John Weitz (born Hans Werner Weitz). His brother is filmmaker Paul Weitz. He is the grandson of agent Paul Kohner and Mexican actress LuPita Tovar on his maternal side. His grandmother, LuPita, starred in Santa, Mexico's first talkie, in 1932. Chris was educated at The Allen-Stevenson School in New York and St. Paul's School in London and went on to graduate with a B.A. and M.A. in English Literature from Trinity College, Cambridge. Chris began his film career as a co-writer, along with his brother Paul, of the 1998 animated film Antz. In 1999, he and Paul directed and Produced American Pie, which became a major box office success. In 2002, the brothers co-wrote and directed About a Boy, which earned them an Academy Award nomination for Best Adapted ScreenPlay. Chris went on to direct several other feature films, including the 2007 adaptation of PhiliP Pullman’s bestselling fantasy novel, The Golden Compass, and the second film installment in the Twilight series, New Moon. His 2011 film A Better Life garnered an Award nomination for its lead actor, Demián Bichir. He most recently directed Operation Finale (2018), starring Oscar Isaac and Sir Ben Kingsley. More recently, Chris has written several feature films, including Cinderella, for Disney, and Rogue One: A Star Wars Story, for Lucasfilm. Chris has Produced a number of films through his and Paul’s comPany DePth of Field, including Tom Ford’s A Single Man and Peter Sollett’s Nick and Nora’s Infinite Playlist; Columbus, starring John Cho and Haley Lu Richardson, which Premiered at the 2017 Sundance Film Festival, and The Farewell (2019), written and directed by Lulu Wang, for which Awkwafina won the Golden Globe for Best Actress in a Musical or Comedy. -
COOLIDGE B U R E FIERCE SNOW STORM with Simplesr RTTES
m n PBflM Bvii AVHI4tfli DAILY CraCULAHOM c ^ m Evimnfo w r a m > for die BMMdh of FrtjmwT* lW®f f 5 %^ 4,690 GlaateAed AdvertMag on Page A MANCHESTER, CONN, SATURDAY, MARCH 20, 1926. T « L W I T , NO. J « . ’ AOTOft ONCE FAMOUS ^EN GE OE DEATH GREETS PRESH)ENT AT PLYMOUTH iSnSERS OF IMXtS WITHOUT FRIWfDS COOLIDGE B U R e Boston, March 20.— The last audience has laughed with and at Charles Erin Verner, famous COOUDGEAffi creator of “ Shamus O’Brien” of the ’80’s stage era. FIERCE SNOW STORM For fifty years Verner had ACIUN^lEAGDE gone up and down the world, as great a favorite In Australia and Tasmania as he was In America. Millions had been made happy WITH SIMPLESr RTTES T« iUk Preodeit to Reject by his stage work. Verner, at the age of 78, plan ❖ ned to retire this summer. But h f h t o to Seel Anevh today his unclaimed body lay on f PLANES AFTER PHO'TOS marble slab In Southern mortu LOST IN; SNOW STORM. to Root AnU V o fM i ary. The comedian died alone In EsToy to GeooTR. a room In a South End lodging Plymouth, Vt., March 20.— house. As far as known he has Two commercial airplanes, en Hyk He LoYofi Beit ft no relatives. gaged by photographic concerns to rush news pictures of the Washlnffton, March 20. If The actor had been playing a Life—PresUeitiil P i ^ minor role here in “ The Judge’s funeral of Col. Coolidge here Prefldent Coolldge follows the Husband,” and an understudy back to New York, are believed counsel of some of his closest ;sd- had his part today. -
Ming Wong's Art of Imitation
Ming Wong’s Imitations Barbara Mennel Ming Wong’s Art of Imitation Life of Imitation—the installation prepared by Singaporean performance and multi- media artist Ming Wong for his solo exhibition in the Singapore Pavilion at the 2009 Venice Biennale—restages a pivotal scene from Imitation of Life, Douglas Sirk’s famous 1959 Hollywood maternal melodrama, closely replicating its stage blocking of characters, dialogue, and shot composition. Figure 1: Ming Wong’s Life of Imitation at the Singapore Pavilion at the Venice Biennale Source: Ming Wong, Life of Imitation, 2009; two channel video installation Courtesy: carlier | gebauer, Berlin and Vitamin Creative Space, Guangzhou Full Clip: http://transit.berkeley.edu/2014/mennel-2/ In Wong’s double projection, the three Singaporean actors Sebastian Tan, Moe Kasim, and Alle Majeed—each a member of one of the country’s dominant ethnic groups (Chinese, Malayan, and Indian)—systematically rotate through the female roles of the source material.1 In the key scene from Imitation of Life, the African American maid Annie Johnson, one of the two lead female characters, is visiting her light-skinned daughter Sarah Jane at her workplace in a Los Angeles nightclub. To pass as white, Sarah Jane had previously run away and renounced her mother, who was only able to track her down with the help of a private detective. After a confrontation between the two in a motel room, which ends in a tearful embrace, Sarah Jane’s friend (billed as “Showgirl”) happens to enter and becomes a witness to Sarah Jane’s racial passing, which her mother reinforces by pretending to be her former mammy. -
Wings of Desire
August 28, 2012 (XXV:1) William A. Wellman, WINGS (1927, 144 min) 1929 Academy Awards for Best Picture (Wellman) and Best Effects, Engineering Effects (Roy Pomeroy) 1997 Selected for National Film Registry Directed by William A. Wellman Based on a story by John Monk Saunders Screenplay by Hope Loring and Louis D. Lighton Produced by B.P. Schulberg (associate producer) and Lucien Hubbard (producer, uncredited) Original Music by J.S. Zamecnik Cinematography by Harry Perry Film Editing by E. Lloyd Sheldon (editor-in-chief) and Lucien Arlette Marchal...Celeste Hubbard Hedda Hopper...Mrs. Powell Art Direction by Hans Dreier Carl von Haartman...German Officer Costume Design by Travis Banton and Edith Head Gloria Wellman...Peasant Child Conductor (2012 restored score): Peter Boyer William A. Wellman...Doughboy Arranger and orchestrator (2012 restoration): Dominik Hauser F.M. Andrews.... commander: military pilots William A. Wellman (February 29, S.C. Campbell....supervisor: flying sequences 1896, Brookline, Massachusetts – Sterling Campbell....technical director: flight sequences December 9, 1975, Los Angeles, James A. Healy.... supervisor: flying sequences California) directed 83 films, some of A.M. Jones.... supervisor: ground troop maneuvers which are 1958 Lafayette Escadrille, E.P. Ketchum.... supervisor: trench system reproduction 1958 Darby's Rangers, 1955 Blood F.P. Lahm.... commander: military pilots Alley, 1954 Track of the Cat, 1954 The Robert Mortimer.... ordnance supervisor High and the Mighty, 1953 Island in the Ted Parson.... supervisor: flying sequences Sky, 1952 My Man and I, 1951 Carl von Haartman.... supervisor: flying sequences Westward the Women, 1951 It's a Big Country, 1951 Across the Wide Clara Bow...Mary Preston Missouri, 1950 The Next Voice You Charles 'Buddy' Rogers...Jack Powell Hear..., 1949 Battleground, 1948 Yellow Sky, 1948 The Iron Curtain, Richard Arlen...David Armstrong 1947 Magic Town, 1946 Gallant Journey, 1945 Story of G.I.