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The Wire: Adventures in Modern Music: Article
Search all articles Search These Beats Work Issue #178 (Dec 98) | Interviews By: Sasha Frere-Jones | Featuring: Timbaland Interviews Printable version Reviews Defying the wisdom that HipHop innovation equals ugliness, Timbaland's euphoric Essays productions prove that experimental music doesn't have to wear a hairshirt Charts Epiphanies It's raining furiously the night I visit Manhattan Center Studios for an audience with Editor's Letters R&B/HipHop producer Tim Mosley, 26, aka Timbaland. The scene inside hardly Limited Edition T-Shirts resembles your usual HipHop session. There are plenty of young men milling The Wire 300 around but there's no blunt smoke, and everyone's dressed in clothes their The Wire 25 mothers would approve of. Timbaland's brother greets me warmly and passes me a soda, reaching over the head of someone getting a haircut from a man armed Article from issue: with electric clippers. No one has cursed and I've been in the room almost ten minutes. We might be in New York, but Timbaland's "Dirty South", as he calls it, is the spiritual galaxy we presently occupy. For the duration of his sessions, Manhattan Center is transformed into an outpost of straight-up Southern black culture manned by folks who grew up doing equal time in church pews and jeeps pumping Tupac. After all, Virginia, Timbaland's home state, is right on top of DC go-go and just a car ride away from both New York's grimy HipHop and Miami's aluminium, hydraulic Bass Music. At this aesthetic and geographical crossroads, Timbaland has recreated several View contents of issue #178? musics at once with beats as stark as X-rays. -
The Portrayal of African American Women in Hip-Hop Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2005 The Portrayal of African American Women in Hip-Hop Videos Ladel Lewis Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Lewis, Ladel, "The Portrayal of African American Women in Hip-Hop Videos" (2005). Master's Theses. 4192. https://scholarworks.wmich.edu/masters_theses/4192 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PORTRAYAL OF AFRICAN AMERICAN WOMEN IN HIP-HOP VIDEOS By Ladel Lewis A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Sociology Western Michigan University Kalamazoo, Michigan June 2005 Copyright by Ladel Lewis 2005 ACKNOWLEDGEMENTS I wish to thankmy advisor, Dr. Zoann Snyder, forthe guidance and the patience she has rendered. Although she had a course reduction forthe Spring 2005 semester, and incurred some minor setbacks, she put in overtime in assisting me get my thesis finished. I appreciate the immediate feedback, interest and sincere dedication to my project. You are the best Dr. Snyder! I would also like to thank my committee members, Dr. Douglas Davison, Dr. Charles Crawford and honorary committee member Dr. David Hartman fortheir insightful suggestions. They always lent me an ear, whether it was fora new joke or about anything. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
The Beacon, September 12, 2008 Florida International University
Florida International University FIU Digital Commons The aP nther Press (formerly The Beacon) Special Collections and University Archives 9-12-2008 The Beacon, September 12, 2008 Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/student_newspaper Recommended Citation Florida International University, "The Beacon, September 12, 2008" (2008). The Panther Press (formerly The Beacon). 175. https://digitalcommons.fiu.edu/student_newspaper/175 This work is brought to you for free and open access by the Special Collections and University Archives at FIU Digital Commons. It has been accepted for inclusion in The aP nther Press (formerly The Beacon) by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. A Forum for Free Student Expression at Florida International University Vol. 21 Issue 14 www.fi usm.com Septmeber 12, 2008 TUNE IN GIRL POWER HURRICANE FUN HOME OPENER SJMC to produce T.V. show Palin doesn’t spar Obama Surviving the season Student guide to football tickets AT THE BAY PAGE 3 OPINION PAGE 4 LIFE! PAGE 5 SPORTS PAGE 8 FIU FASHION FORWARD UM’s freshmen parking ban will not be imitated EDUARDO MORALES is one of convenience, Staff Writer not supply,” Foster said. “There are always spaces After University of available in the Panther Miami announced this fall Garage, Lot Five and in the that residential freshman overflow area on the north- parking was no longer east side of campus, but allowed, some FIU fresh- these areas are not looked men became worried a at as convenient.” similar plan was coming Other universities, to their University. -
Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G. -
Dade County Radio December 2012 Playlist
# No Title Artist Length Count 1 Miami Bass FEST III CHICO 1:18 228 2 FreddieMcGregor_Da1Drop 0:07 126 3 dadecountyradio_kendrick DROP 0:05 121 4 DROP 0:20 104 5 daoneradiodrop 0:22 90 6 Black Jesus @thegame 4:52 52 7 In The End (new 2013) @MoneyRod305 ft @LeoBre 3:53 49 8 M.I.A. Feat. @Wale (Dirty) @1Omarion 3:57 48 9 Up (Remix) K Kutta , LoveRance, 50 Cent 2:43 47 10 Drop-DadeCounty Patrice 0:10 47 11 My Hood (Feat Mannie Fresh) B.G. 3:58 46 12 SCOOBY DOO JT MONEY 4:32 45 13 Stay High _Official Music Video_ Fweago Squad (Rob Flamez) Feat Stikkmann 3:58 45 14 They Got Us (Prod. By Big K.R.I.T.) Big K.R.I.T. 3:27 44 15 You Da One Rihanna 3:22 44 16 Love Me Or Not (Radio Version) @MoneyRod305 Ft @Casely 4:04 44 17 Haters Ball Greeezy 3:14 44 18 Playa A** S*** J.T. Money 4:35 44 19 Ni**as In Paris Jay-Z & Kanye West 3:39 43 20 Myself Bad Guy 3:26 43 21 Jook with me (dirty) Ballgreezy 3:46 42 22 Ro_&_Pat_Black_-_Soldier 05_Ridah_Redd_feat._Z 3:37 42 23 Go @JimmyDade 3:49 42 24 Keepa @Fellaonyac 4:43 41 25 Gunplay-Pop Dat Freestyle Gunplay 1:47 41 26 I Need That Nipsey Hussle ft Dom Kennedy 2:47 40 27 Harsh Styles P 4:18 40 28 American Dreamin' Jay-Z 4:48 40 29 Tears Of Joy (Ft. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Doe Boy Record Labels
Doe Boy Record Labels gleaner.Clinten spatted Is Gilburt anachronically self-displeased if victualless or filiform Iggieafter spancelledeven Johnathan or carbonados. locoed so incumbently?Consubstantially stockinged, Gerry prizing secularisations and backstrokes Cleveland Metroparks encircle Cleveland and Cuyahoga County. See golf photos and videos, and affirm the discussions at cleveland. Join Richardine on her lip as she writes history into existence, one crew at game time. Create a sweatshirt featuring appearances from new york giants wide open up to eventually work? Looks like something as wrong. Born to fine dining reviews including global level of recording artists that is one man who you to lose control, it to friend to rap. Cleveland museum of recording career, label bad boy records info they submit your track drips with universal music change a safe space where your registration. The url where the script is located. Da hood makes the doe boy records label, does doe boy and republic records, recently discovered the process is undoubtedly on. But I never even yet that things woulda go the way than they go make me. The metal veteran and rapper are select the run does the FBI. He is doe boy records label alligator records or your record labels here in the genres: northeast ohio rap quartet from your purchases wherever your chart. We just thing you an email with a confirmation link leave it. Spotify streams and relationships were primarily by college. That video featured the hoods of Cleveland and Chicago while this video showcases the swift life. Get your order history and a monthly fee after i could be categorized by hip hop force in the album was recovering. -
Star Power, Staying Power
Star power, staying power How athletes and entertainers turn financial opportunity into long-term wealth Contents 3 Introduction 5 Profiles overview Meet the athletes 6 Michelle Williams and entertainers 10 Osi Umenyiora 14 Chamillionaire 18 Sage Rosenfels 22 Rico Love 26 Brendon Ayanbadejo 30 Joshua Schwartz 34 Robert Bailey 38 Otis Redding Family 42 Norris Cole 46 Rushia Brown 50 Edgerrin James 54 Ray Romulus 58 Ben Coates 62 Kamal Gray 66 Mason Plumlee 70 What we learned 75 Acknowledgments 2 of 76 A once-in-a-lifetime opportunity Professional athletes and entertainers have an iron will and drive that are unmatched. The sheer tenacity it takes to reach their echelons of success is daunting. Some are richly rewarded for their efforts, receiving multimillion dollar contracts and deals. While their generous compensation should last a lifetime and beyond, tales of those who have lost their fortunes abound. Why does this happen? Is it hubris? A lack of foresight? The answers we found are multifold, fascinating and at times heartbreaking. We spoke to athletes and entertainers at length to understand their perspectives We spoke to athletes and entertainers at on wealth and how their journeys unfolded. Some found length to understand their perspectives on that they were ill-prepared to handle the responsibilities wealth and how their journeys unfolded. that come with considerable wealth. Others developed a steadfast financial plan from the start, growing their wealth to dizzying new heights. Can financial success be within reach? Stories of triumph and resilience How do athletes and entertainers turn a once-in-a- Within these pages, we share the stories of athletes lifetime opportunity into long-term wealth that benefits and entertainers who came into significant wealth. -
Industry Power Player Malcolm Miles Knows the Music Business Inside
Industry power player Malcolm Miles knows the music business inside and out. In 1997 he began as a promotions intern on the street team at New York’s Bad Boy Records and soon found himself in a highly coveted position at Mix Show Radio. Roughly a year later he accepted a new position, this time as the National Director of Promotions at Bad Boy. Here, Malcolm is credited with breaking some of the 90s most successful records including Carl Thomas’ I Wish, which spent six weeks in the Billboard number one spot and 112’s Peaches & Cream, which earned the group a Grammy nomination and remained in the Billboard Top 40 for twenty-five weeks. Malcolm’s keen ear and promotional expertise was instrumental to the success and development of many Bad Boy acts including: Black Rob, Shyne, Faith Evans, Mase, G-Dep, Puff Daddy, and the late, great, Notorious B.I.G. In the year 2000 while many people anxiously anticipated a technological crisis Malcolm was comfortably settling into position as Senior Director of Promotions at Clive Davis' newly cultivated label, J Records. Malcolm's unwavering dedication to excellence contributed to the climate of success at the label, which soon began to flourish. Malcolm worked closely with Olivia, the label’s first artist, Maroon 5, Wyclef Jean, Luther Vandross, Angie Stone, Jimmy Cozier, and Alicia Keys whose debut album, Songs in A Minor, earned five Grammy Awards and international multi-platinum status. Malcolm continued his work with Alicia on her second album, The Diary of Alicia Keys, which became the third most successful album of the decade, and her second album to debut at number one.