Spectator 1965-11-03 Editors of the Ps Ectator
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The Wire: Adventures in Modern Music: Article
Search all articles Search These Beats Work Issue #178 (Dec 98) | Interviews By: Sasha Frere-Jones | Featuring: Timbaland Interviews Printable version Reviews Defying the wisdom that HipHop innovation equals ugliness, Timbaland's euphoric Essays productions prove that experimental music doesn't have to wear a hairshirt Charts Epiphanies It's raining furiously the night I visit Manhattan Center Studios for an audience with Editor's Letters R&B/HipHop producer Tim Mosley, 26, aka Timbaland. The scene inside hardly Limited Edition T-Shirts resembles your usual HipHop session. There are plenty of young men milling The Wire 300 around but there's no blunt smoke, and everyone's dressed in clothes their The Wire 25 mothers would approve of. Timbaland's brother greets me warmly and passes me a soda, reaching over the head of someone getting a haircut from a man armed Article from issue: with electric clippers. No one has cursed and I've been in the room almost ten minutes. We might be in New York, but Timbaland's "Dirty South", as he calls it, is the spiritual galaxy we presently occupy. For the duration of his sessions, Manhattan Center is transformed into an outpost of straight-up Southern black culture manned by folks who grew up doing equal time in church pews and jeeps pumping Tupac. After all, Virginia, Timbaland's home state, is right on top of DC go-go and just a car ride away from both New York's grimy HipHop and Miami's aluminium, hydraulic Bass Music. At this aesthetic and geographical crossroads, Timbaland has recreated several View contents of issue #178? musics at once with beats as stark as X-rays. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
Star Power, Staying Power
Star power, staying power How athletes and entertainers turn financial opportunity into long-term wealth Contents 3 Introduction 5 Profiles overview Meet the athletes 6 Michelle Williams and entertainers 10 Osi Umenyiora 14 Chamillionaire 18 Sage Rosenfels 22 Rico Love 26 Brendon Ayanbadejo 30 Joshua Schwartz 34 Robert Bailey 38 Otis Redding Family 42 Norris Cole 46 Rushia Brown 50 Edgerrin James 54 Ray Romulus 58 Ben Coates 62 Kamal Gray 66 Mason Plumlee 70 What we learned 75 Acknowledgments 2 of 76 A once-in-a-lifetime opportunity Professional athletes and entertainers have an iron will and drive that are unmatched. The sheer tenacity it takes to reach their echelons of success is daunting. Some are richly rewarded for their efforts, receiving multimillion dollar contracts and deals. While their generous compensation should last a lifetime and beyond, tales of those who have lost their fortunes abound. Why does this happen? Is it hubris? A lack of foresight? The answers we found are multifold, fascinating and at times heartbreaking. We spoke to athletes and entertainers at length to understand their perspectives We spoke to athletes and entertainers at on wealth and how their journeys unfolded. Some found length to understand their perspectives on that they were ill-prepared to handle the responsibilities wealth and how their journeys unfolded. that come with considerable wealth. Others developed a steadfast financial plan from the start, growing their wealth to dizzying new heights. Can financial success be within reach? Stories of triumph and resilience How do athletes and entertainers turn a once-in-a- Within these pages, we share the stories of athletes lifetime opportunity into long-term wealth that benefits and entertainers who came into significant wealth. -
Steve's Karaoke Songbook
Steve's Karaoke Songbook Artist Song Title Artist Song Title +44 WHEN YOUR HEART STOPS INVISIBLE MAN BEATING WAY YOU WANT ME TO, THE 10 YEARS WASTELAND A*TEENS BOUNCING OFF THE CEILING 10,000 MANIACS CANDY EVERYBODY WANTS A1 CAUGHT IN THE MIDDLE MORE THAN THIS AALIYAH ONE I GAVE MY HEART TO, THE THESE ARE THE DAYS TRY AGAIN TROUBLE ME ABBA DANCING QUEEN 10CC THINGS WE DO FOR LOVE, THE FERNANDO 112 PEACHES & CREAM GIMME GIMME GIMME 2 LIVE CREW DO WAH DIDDY DIDDY I DO I DO I DO I DO I DO ME SO HORNY I HAVE A DREAM WE WANT SOME PUSSY KNOWING ME, KNOWING YOU 2 PAC UNTIL THE END OF TIME LAY ALL YOUR LOVE ON ME 2 PAC & EMINEM ONE DAY AT A TIME MAMMA MIA 2 PAC & ERIC WILLIAMS DO FOR LOVE SOS 21 DEMANDS GIVE ME A MINUTE SUPER TROUPER 3 DOORS DOWN BEHIND THOSE EYES TAKE A CHANCE ON ME HERE WITHOUT YOU THANK YOU FOR THE MUSIC KRYPTONITE WATERLOO LIVE FOR TODAY ABBOTT, GREGORY SHAKE YOU DOWN LOSER ABC POISON ARROW ROAD I'M ON, THE ABDUL, PAULA BLOWING KISSES IN THE WIND WHEN I'M GONE COLD HEARTED 311 ALL MIXED UP FOREVER YOUR GIRL DON'T TREAD ON ME KNOCKED OUT DOWN NEXT TO YOU LOVE SONG OPPOSITES ATTRACT 38 SPECIAL CAUGHT UP IN YOU RUSH RUSH HOLD ON LOOSELY STATE OF ATTRACTION ROCKIN' INTO THE NIGHT STRAIGHT UP SECOND CHANCE WAY THAT YOU LOVE ME, THE TEACHER, TEACHER (IT'S JUST) WILD-EYED SOUTHERN BOYS AC/DC BACK IN BLACK 3T TEASE ME BIG BALLS 4 NON BLONDES WHAT'S UP DIRTY DEEDS DONE DIRT CHEAP 50 CENT AMUSEMENT PARK FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) CANDY SHOP GIRLS GOT RHYTHM DISCO INFERNO HAVE A DRINK ON ME I GET MONEY HELLS BELLS IN DA -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 106 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 106 CONGRESS, FIRST SESSION Vol. 145 WASHINGTON, FRIDAY, JULY 16, 1999 No. 101 House of Representatives The House met at 9 a.m. tered by the National Highway Traffic Safe- Ways and Means now printed in the bill, it The Chaplain, the Reverend James ty Administration. shall be in order to consider as an original David Ford, D.D., offered the following The message also announced that the bill for the purpose of amendment under the five-minute rule an amendment in the na- prayer: Senate has passed a bill of the fol- ture of a substitute consisting of the text of At the beginning of this day we pause lowing title in which concurrence of H.R. 2489. All points of order against that in the quiet of this place to offer our the House is requested: amendment in the nature of a substitute are thanks and praise to You, O God, for S. 468. An act to improve the effectiveness waived. No amendment to that amendment the wonderful gifts of love that You and performance of Federal financial assist- in the nature of a substitute shall be in order have made available to us and to all ance programs, simplify Federal financial as- except those printed in the report of the people. We know that we were not cre- sistance application and reporting require- Committee on Rules accompanying this res- ated to be alone, but to share in the ments, and improve the delivery of services olution. -
Week 8 - May 20 No Lecture Next Week (May 23), but Paper #3 Is Due at Noon on Tritoned
Week 8 - May 20 No lecture next week (may 23), but paper #3 is due at noon on TritonEd. ... Next deadlines: 6/3 for proposal, 6/7 for final paper. Final exam: 6/12 at 7pm * Note: reputable news outlets are acceptable sources. This doesn't include infowars / 8chan / national inquirer. It does include The Source. ... Sections WILL meet next week, EXCEPT MONDAY sections ... CAPE Reviews will be available next week. Please fill these out! These are valuable to me, both professionally and personally. I will offer a small xtrae credit boost if the class achieves 90% participation. ... Check on your TritonEd, make sure everything looks kosher Final Exam Format 1. Listening IDs, drawn from emboldened tracks on the course page. ◦ 30-60 second clip, played three times ◦ Name the artist and the song 2. Timeline fill-in ◦ I provide a timeline, you fill it in with a specified number :of ◦ songs ◦ trends/events ◦ These do not necessarily have to have dates on them, but they have to be approximately in the correct order/location on the timeline This is a blank timeline: To do, May 20: 1. Listening ID prep 2. Review from last week. 3. The South (finish last week) 4. Hip hop as "the most popular popular music" ◦ Theoretical/critical (Tate + Kitwana readings) ◦ musical -- the sound of pop and hip hop in the late 1990s/turn of century Greg Tate, "Hip Hop turns 30" • Written in 2004, by which time Hip Hop has become the most popular musical form (in the world?) • Looking back on 30 years of hip hop history, the period we have covered in this course so far. -
Mediamonkey Filelist
MediaMonkey Filelist Track # Artist Title Length Album Year Genre Rating Bitrate Media # Local 1 Luke I Wanna Rock 4:23 Luke - Greatest Hits 8 1996 Rap 128 Disk Local 2 Angie Stone No More Rain (In this Cloud) 4:42 Black Diamond 1999 Soul 3 128 Disk Local 3 Keith Sweat Merry Go Round 5:17 I'll Give All My Love to You 4 1990 RnB 128 Disk Local 4 D'Angelo Brown Sugar (Live) 10:42 Brown Sugar 1 1995 Soul 128 Disk Grand Verbalizer, What Time Is Local 5 X Clan 4:45 To the East Blackwards 2 1990 Rap 128 It? Disk Local 6 Gerald Levert Answering Service 5:25 Groove on 5 1994 RnB 128 Disk Eddie Local 7 Intimate Friends 5:54 Vintage 78 13 1998 Soul 4 128 Kendricks Disk Houston Local 8 Talk of the Town 6:58 Jazz for a Rainy Afternoon 6 1998 Jazz 3 128 Person Disk Local 9 Ice Cube X-Bitches 4:58 War & Peace, Vol.1 15 1998 Rap 128 Disk Just Because God Said It (Part Local 10 LaShun Pace 9:37 Just Because God Said It 2 1998 Gospel 128 I) Disk Local 11 Mary J Blige Love No Limit (Remix) 3:43 What's The 411- Remix 9 1992 RnB 3 128 Disk Canton Living the Dream: Live in Local 12 I M 5:23 1997 Gospel 128 Spirituals Wash Disk Whitehead Local 13 Just A Touch Of Love 5:12 Serious 7 1994 Soul 3 128 Bros Disk Local 14 Mary J Blige Reminisce 5:24 What's the 411 2 1992 RnB 128 Disk Local 15 Tony Toni Tone I Couldn't Keep It To Myself 5:10 Sons of Soul 8 1993 Soul 128 Disk Local 16 Xscape Can't Hang 3:45 Off the Hook 4 1995 RnB 3 128 Disk C&C Music Things That Make You Go Local 17 5:21 Unknown 3 1990 Rap 128 Factory Hmmm Disk Local 18 Total Sittin' At Home (Remix) -
The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics
THE BEAUTIFUL STRUGGLE: AN ANALYSIS OF HIP-HOP ICONS, ARCHETYPES AND AESTHETICS ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ by William Edward Boone August, 2008 ii © William Edward Boone 2008 All Rights Reserved iii ABSTRACT The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics William Edward Boone Doctor of Philosophy Temple University, 2008 Doctoral Advisory Committee Chair: Nathaniel Norment, Ph.D. Hip hop reached its thirty-fifth year of existence in 2008. Hip hop has indeed evolved into a global phenomenon. This dissertation is grounded in Afro-modern, Afrocentric and African-centered theory and utilizes textual and content analysis. This dissertation offers a panoramic view of pre-hip hop era and hip hop era icons, iconology, archetypes and aesthetics and teases out their influence on hip hop aesthetics. I identify specific figures, movements and events within the context of African American and American folk and popular culture traditions and link them to developments within hip hop culture, iconography, and aesthetics. Chapter 1 provides an introduction, which includes a definition of terms, statement of the problem and literature review. It also offers a perfunctory discussion of hip hop -
Rap Music and Entrepreneurialism Stuart Lucas Tully Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2009 Selling the ghetto: rap music and entrepreneurialism Stuart Lucas Tully Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the History Commons Recommended Citation Tully, Stuart Lucas, "Selling the ghetto: rap music and entrepreneurialism" (2009). LSU Master's Theses. 113. https://digitalcommons.lsu.edu/gradschool_theses/113 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. SELLING THE GHETTO: RAP MUSIC AND ENTREPRENEURIALISM A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of History by Stuart Tully B.S. Mississippi College, 2006 December 2009 DEDICATION To Coach Carnell Washington, I learned from the best ii ACKNOWLEDGEMENTS Throughout the writing of this thesis, I drew heavily upon the guidance and support of several people. Following God, I would like to thank my parents and family. To my father, for being a titan of editing, and my mother, for her grammatical expertise; they have been invaluable. Likewise, I must thank Maximus for his constant love and devotion, as well his ability to endlessly listen to my musings without question or a confused glance. -
Over 1000 Breakbeat List
Over 1000 Breakbeat List 1. Stop - Wake Up 2. Superman Ivy - Yes Yes Ya'll 3. Superman Ivy - Yes Yes Ya'll (Remix) 4. Superman Ivy - Yes Yes Ya'll (Acapella) 5. Superman Ivy - Yes Yes Ya'll (Instrumental) 6. Tha Alkaholiks - Make Room 7. Thalia - The Mexican (Disco Circus Remix) 8. The 45 King - The 900 Number 9. The Beginning Of The End - Funky Nassau 10. The Meters - Same Old Thing 11. The Poets Of The Rhythm - North Carolina 12. The Ying Yang Technique - LUDI 13. Black Eyed Peas - They Don't Want Music 14. Third World Lover - Kid Koala 15. Ultramagnetic MC'S - One To Grow On 16. Visionaries - Crop Circles 17. Watch Out Now - Beatnuts 18. Yellow Sunshine 19. Yoshida Brothers - Storm 20. Da Boogie Crew - You Boys (Remix) 21. Zion-I & The Grouch - Trains & Planes 22. RJD2 - The Horror 23. Rob Dougan - Clubbed To Death 24. RUN DMC - It's Tricky 25. Safri Duo - Rise (Remix) 26. Sapo - Been Had 27. Scooter - Bboys/Bgirls Rock Tha House 28. Skrip Breaks - Enemy Crush 29. Sorea - Soul In Panic 30. Souls Of Mischief - 93 Till Infinity 31. Southside Rockers - Jump 32. Stetsasonic - Talkin' All That Jazz 33. Stetsasonic - The Hip Hop Band 34. Superman Ivy - Rivers Crew Theme 35. Superman Ivy - Rivers Crew Theme (Instrumental) 36. Superman Ivy - Rivers Crew Theme (Acapella) 37. Superman Ivy - Seoul Futureshock 38. Superman Ivy - The Freshest Ivy 39. Superman Ivy - The Freshest Ivy (Acapella) 40. Superman Ivy - The Freshest Ivy (Instrumental) 41. Mark Ronson Feat. Ghostface Killah, Nate Dogg, Trife - Ooh Wee 42. -
The BG News October 7, 1999
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 10-7-1999 The BG News October 7, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News October 7, 1999" (1999). BG News (Student Newspaper). 6539. https://scholarworks.bgsu.edu/bg-news/6539 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. OPINION NOW 7 WORLD NI WS SPORTS ■ Columnist Jud Laipply Looks at the history ■ New technology In airbags will Falcon netters win encourages the student body to of the Elsewhere reduce deaths and injuries five game thriller think ibout the price of success. Theatre. through the use of velocity overwright state. sensors. Weather Today: Thursday sunny October 7. 1999 High 66, Low 44 Volume 87 & Issue 32 The BGA doily independent News student press Student representation questioned City ordinance on ward apportionment still being debated after three years This is the first part of a equal protection clause of the rounding areas. The people cuit Court of Appeals. four-part series looking into 14th Amendment to the U.S. most affected by this are stu- Steve Spitler, of Spitler, Mayoral candidates the representation of stu- Constitution. dents. Vogtsberger, and Huffman dents in Bowling Green City The students felt that the The 3rd Ward of Bowling Attorneys, is defending the Council. -
Withdrawal/Redaction Sheet Clinton Library DOCUMENT NO
Withdrawal/Redaction Sheet Clinton Library DOCUMENT NO. SUBJECT/! ITLE DATE RESTRICTION AND TYPE 001. email To Mary U. Binns, from White House root, re: Yesterday's Mail for 07/25/1999 b(6) POTUS [partial] (1 page) COLLECTION: Clinton Presidential Records Automated Records Management System [Email] WHO ([JFK, Jr]) OA/Box Number: 500000 FOLDER TITLE: [07/24/1999-07/25/1999] 2017-0713-F bgll9 RESTRICTION CODES Presidential Records Act -144 U.S.C. 2204(a)| Freedom of Information Act -15 U.S.C. 552(b)] PI National Security Classified Information 1(a)(1) of the PRAj b(l) National security classified information 1(b)(1) of the FOIAj P2 Relating to the appointment to Federal office 1(a)(2) of the PRAj h(2) Release would disclose internal personnel rules and practices of P3 Release would violate a Federal statute 1(a)(3) of the PRA| an agency 1(b)(2) of the FOIAj P4 Release would disclose trade secrets or confidential commercial or b(3) Release would violate a Federal statute 1(b)(3) of the FOIAj financial information [(a)(4) of the PRAj b(4) Release would disclose trade secrets or confidential or financial PS Release would disclose confidential advice between the President information 1(b)(4) of the FOIAj and his advisors, or between such advisors (a)(5) of the PRAj b(6) Release would constitute a clearly unwarranted invasion of P6 Release would constitute a clearly unwarranted invasion of personal privacy 1(b)(6) of the FOIAj personal privacy 1(a)(6) of the PRAj b(7) Release would disclose information compiled for law enforcement purposes 1(b)(7) of the FOIAj C.