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The Portrayal of African American Women in Hip-Hop Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2005 The Portrayal of African American Women in Hip-Hop Videos Ladel Lewis Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Lewis, Ladel, "The Portrayal of African American Women in Hip-Hop Videos" (2005). Master's Theses. 4192. https://scholarworks.wmich.edu/masters_theses/4192 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PORTRAYAL OF AFRICAN AMERICAN WOMEN IN HIP-HOP VIDEOS By Ladel Lewis A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Sociology Western Michigan University Kalamazoo, Michigan June 2005 Copyright by Ladel Lewis 2005 ACKNOWLEDGEMENTS I wish to thankmy advisor, Dr. Zoann Snyder, forthe guidance and the patience she has rendered. Although she had a course reduction forthe Spring 2005 semester, and incurred some minor setbacks, she put in overtime in assisting me get my thesis finished. I appreciate the immediate feedback, interest and sincere dedication to my project. You are the best Dr. Snyder! I would also like to thank my committee members, Dr. Douglas Davison, Dr. Charles Crawford and honorary committee member Dr. David Hartman fortheir insightful suggestions. They always lent me an ear, whether it was fora new joke or about anything. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
OUT for Greatness Presented by Hyundai Launches in Support of the LGBTQ Community
OUT for Greatness Presented By Hyundai Launches in Support of the LGBTQ Community Original Branded Content Series Gives Voice to Some of the Best LGBTQ Talent FOUNTAIN VALLEY, Calif., June 26, 2019 – In recognition of pride month and as part of Hyundai’s ongoing support for the LGBTQ community, the company is debuting an original branded content series that gives voice to some of the best up-and-coming LGBTQ talent. The OUT for Greatness presented by Hyundai film series will feature three episodes that bring together three burgeoning LGBTQ leaders with three up-and-coming filmmakers to create an experience of creative sharing, learning and mutual empowerment. Hyundai has partnered with some of the biggest names in the LGBTQ film and media communities to provide a platform for this vibrant and growing group of artists, tastemakers and underrepresented talent across the country. A few of the featured talents for this series include: Actor and Performer, D.J. “Shangela” Pierce, best recognized as the only contestant to compete on three separate seasons of the Emmy-award winning reality series RuPaul’s Drag Race as well as appearing in the 2018 critically acclaimed film “A Star is Born”; with Kevin Yee, a filmmaker and comedian whose award winning short film ‘ABOUT A SHORT FILM’ recently opened the Outfest Fusion Gala and will be featured at the Outfest Los Angeles LGBTQ Film Festival in July. Jane Chika Oranika is a female rapper, best known for her fiery viral freestyles (including an infamous verse over Kanye West’s Jesus Walks) and was recently featured in a body positive Calvin Klein ad which garnered international attention; with Michelle Badillo, a queer, Latinx Hyundai Motor America 10550 Talbert Avenue www.HyundaiNews.com Fountain Valley, CA 92708 www.HyundaiUSA.com TV writer and actress from Queens whose short film, Ladies Room, premiered at Outfest Los Angeles in 2015. -
Industry Power Player Malcolm Miles Knows the Music Business Inside
Industry power player Malcolm Miles knows the music business inside and out. In 1997 he began as a promotions intern on the street team at New York’s Bad Boy Records and soon found himself in a highly coveted position at Mix Show Radio. Roughly a year later he accepted a new position, this time as the National Director of Promotions at Bad Boy. Here, Malcolm is credited with breaking some of the 90s most successful records including Carl Thomas’ I Wish, which spent six weeks in the Billboard number one spot and 112’s Peaches & Cream, which earned the group a Grammy nomination and remained in the Billboard Top 40 for twenty-five weeks. Malcolm’s keen ear and promotional expertise was instrumental to the success and development of many Bad Boy acts including: Black Rob, Shyne, Faith Evans, Mase, G-Dep, Puff Daddy, and the late, great, Notorious B.I.G. In the year 2000 while many people anxiously anticipated a technological crisis Malcolm was comfortably settling into position as Senior Director of Promotions at Clive Davis' newly cultivated label, J Records. Malcolm's unwavering dedication to excellence contributed to the climate of success at the label, which soon began to flourish. Malcolm worked closely with Olivia, the label’s first artist, Maroon 5, Wyclef Jean, Luther Vandross, Angie Stone, Jimmy Cozier, and Alicia Keys whose debut album, Songs in A Minor, earned five Grammy Awards and international multi-platinum status. Malcolm continued his work with Alicia on her second album, The Diary of Alicia Keys, which became the third most successful album of the decade, and her second album to debut at number one. -
Final Nominations List the National Academy of Recording Arts & Sciences, Inc
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8. -
Awards Lifestyle
12 Established 1961 Lifestyle Awards Tuesday, March 16, 2021 In this handout photo US singer Beyonce accepts the Best In this handout photo Megan Thee Stallion, winner of the In this handout photo (from left) Laura Sisk, Jack Antonoff, Taylor Swift, Aaron Dessner, and Jonathan Low, winners of the Rap Performance award for “Savage” onstage during the Best Rap Performance and Best Rap Song awards for Album of the Year award for ‘Folklore.’ 63rd Annual Grammy Awards at Los Angeles Convention ‘Savage’ and the Best New Artist award, poses in the media Center. — AFP photos room. omen won every major Grammy to make sad music to feel like it mat- at Sunday’s history-making gala, tered,” she said. “And I’m just so grateful Wa joyful night for music’s biggest and so honored because happiness is stars after a devastating year for the something we all deserve and need in industry, with Beyonce, Megan Thee our lives.” Stallion and Taylor Swift triumphing at the Brittany Howard-known for fronting the socially distanced event anchored by band Alabama Shakes-won Best Rock electrifying performances. It was a monu- Song, as Fiona Apple scored two awards mental night for Beyonce, who broke the for her album “Fetch The Bolt Cutters,” record for most career wins by a female which many critics hailed as a master- artist with 28. Swift became the first piece. Though most of the rock fields woman to win the coveted Album of the were unprecedentedly dominated by Year prize three times, this year for “folk- women, The Strokes won for Best Rock lore,” the first of her twin quarantine Album for “The New Abnormal,” their first releases. -
Lowering the Bar: the Effects of Misogyny in Rap Music
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2021 Lowering the Bar: The Effects of Misogyny in Rap Music John-Paul Mackey Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Lowering the Bar The Effects of Misogyny in Rap Music John-Paul Mackey California State University, Monterey Bay Music & Performing Arts May 2021 Mackey 1 Table of Contents Introduction 3 The Context of Rap Music 3 Definition and Aesthetics 3 Origins 4 Early History 5 Consumption and Popularity 8 Backlash and Criticism 9 The Context of Misogyny and Misogynoir 10 Misogyny, Misogynoir, and Hegemonic Masculinity 10 Origins 12 Sociological Impact 14 Health and Behavioral Impact 15 Impact on the Media 16 The Proliferation of Misogynistic Rap 18 History 18 Other Characteristics 19 Women’s Role 20 Deflections and Dismissals 22 Responsibility for Misogynistic Rap 23 Common Misogynistic Themes in Rap 26 Overview 26 Objectification of Women 27 Mackey 2 Derogatory Terms and Stereotypes 31 Distrust and Suspicion of Women 33 Violence Against Women 35 Misogyny in Eminem’s Music 38 Effects of Misogynistic Rap 39 Desensitization 39 Reduced Self-Esteem 41 Health and Behavioral Impact 42 Sociological Impact 43 Financial Rewards 45 Promotion and Airplay 46 Misogyny in Other Genres 47 A Changing Climate 49 Backlash and Criticism of Misogynistic Rap 49 The Role of Feminism 51 Topics by Female Rappers 53 Positive Developments 56 Looking Forward 61 Works Cited 65 Mackey 3 Introduction On July 12, 2020, rapper Megan Thee Stallion was shot in the foot, allegedly by fellow musician Tory Lanez. -
Red Cafe American Psycho 2
Red cafe american psycho 2 click here to download Red Cafe releases the second installment to his 'American Psycho' mixtape series. We last heard from Red Cafe with his American Pyscho mixtape last December. American Psycho II. Red Cafe. Released February 17, 11K. American Psycho II Tracklist. 1. Ice Cold Lyrics. 2. Yesterday's Lunch (Ft. Chinx) Lyrics. 3. Ridin' Round (Ft. Shyne) Lyrics. 4. We Made It (Interlude) Lyrics. 5. I Love This Shit Lyrics. 6. Cuffin Season (Interlude) Lyrics. 7. A World Alone Lyrics. 8. 10 Shots Of. Red Cafe - "American Psycho 2" Full Mixtape Artist: Red Cafe Follow us on twitter @HipHopDaily24_7. Title 01 - Ice Cold 02 - Yesterdays Lunch Ft Chinx Drugz 03 - Ridin Round Ft Shyne 04 - We Made It (Interlude) 05 - I Love This Shit Ft Dj Mustard 06 - Cuffin. Red Cafe - American Psycho 2 - Free Mixtape Download or Stream it. Red Cafe - American Psycho II - NoDJ - Free Mixtape Download And Stream. Download Mixtape | Free Mixtapes Powered by www.doorway.ru New mixtape from Red Cafe "American Psycho 2" Hosted by DJ Whoo Kid. Red Cafe - American Psycho 2 - Red Cafe is back with the 2nd entry in his 'American Psycho' mixtape series. It contains 17 tracks and features from Fabolous, French Montana, Pusha T, Jeezy, Ace Hood, Jeremih, Chinx, Shyne, Rock City, Akon, Maino and more. Red Café continues to expand his sound on latest effort. Red Cafe - American Psycho 2 | Bad Boy recording artist Red Cafe releases part 2 of of his official mixtape series 'American Psycho'. Features include Shyne, DJ Mustard, Tory Lanez, Fabolous, French Montana, Ace Hood, and many other popular hip hop artists. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
2020 年 10 3 放送分 1. Guaguanco in Japan / Jose “Chepito” Areas // Jose “Chepito” Areas 2. Circles / the Wh
2020 年 10 ⽉ 3 ⽇ 放送分 1. Guaguanco In Japan / Jose “Chepito” Areas // Jose “Chepito” Areas 2. Circles / The Who 3. Living Without You / Randy Newman // Randy Newman 4. Days of Fire / Nitin Sawhney // London Underground 5. I Shall Be Released / Chrissie Hynde // Bob Dylan - 30th Anniversary Concert Celebration 6. La Javanaise / Madeleine Peyroux // Half The Perfect World 7. Gaslighter / The Chicks // Gaslighter 8. Me And Bobby McGee / Janis Joplin // Pearl 9. Half Moon / Janis Joplin // Pearl 10. Little Girl Blue / Janis Joplin // Pearl 11. 100 Years Ago (piano demo) / Rolling Stones // Goats Head Soup 12. 100 Years Ago / Rolling Stones // Goats Head Soup 13. 100 Years Ago (Glyn Johns 1973 mix) / Rolling Stones // Goats Head Soup 14. Silver Train (Glyn Johns 1973 mix) / Rolling Stones // Goats Head Soup 15. Angie / Rolling Stones // Goats Head Soup 16. You Can’t Always Get What You Want / Rolling Stones // Goats Head Soup 2020 年 10 ⽉ 10 ⽇ 放送分 1. What Is Hip? / Tower Of Power // Tower Of Power 2. Ebony Jam / Tower Of Power // In The Slot 3. Down To The Nightclub / Tower Of Power // Hipper Than Hip 4. On The Soul Side Of Town / Tower Of Power // On The Soul Side Of Town 5. Step Up / Tower Of Power // Step Up 6. Gaslighting Abbie / Steely Dan // Two Against Nature 7. I’m Gone / Jon Cleary // Occapella 8. Di Great Insohreckshan / Linton Kwesi Johnson // Making History 9. Man Of The World / Toots & The Maytals // Red, Gold, Green & Blue 10. Go, Jimmy, Go / The Wailers // This Is Jamaica Ska 11. Salt Lane Gal / The Ska-Talites // This Is Jamaica Ska 12. -
Andre Young / Dr
Andre Young / Dr. Dre Aftermath Records 2220 Colorado Blvd Hip Hop R&B Santa Monica CA, 90404 Music Producer Phone: 310 865 7642 Unsolicited Material Accepted fax: 310 865 7068 - Credits: Dr. Dre, Ice Cube Eminem, Snoop Dogg, Nas AAM Management 7 West 22nd Street 4th Floor New York, NY 10010 Hip Hop, Rock, Pop, Country Phone: 212 924 2929 Music Producer Fax: 212 929 6305 Unsolicited Material Accepted Contact: Mark Beaven, Paul Ebersold - - ([email protected]), Jerry Finn, Andrew Kipnes- (Management) Credits: Blink 182 Abet Music Productions 1938 S. Myrtle Ave Monrovia CA 91016 Phone: 626 303 4114 Music Producer Fax: 626 236 5591 * Email: [email protected] Contact: Tony Nersoyan Barry Conley P.O. Box 1071 Electronic, Jazz, Country, Rock, Pop Venice, CA 90291 Phone: 310 581 0339 Music Producer Email: [email protected] * Credits: Sugar Ray, Black Label Society Babyface PO Box 877 Chaptaqua, NY 10514 R&B, Pop Phone: 914 238 8947 Music Producer Fax: 914 238 8949 - Credits: Whitney Houston, Paula Abdul, Tony Braxton Bad Boy Entertainment 1710 Broadway, 2nd Floor New York, NY 10019 Phone: 212 381 1540 Hip Hop, Pop Fax: 212 381 1599 Music Producer www.badboyonline.com - Contact: Nisan Stewart Sean Combs, Ryan Leslie, Shannon Lawrence a.k.a. Slam Byron Gallimore Gallimore Productions 25 Music Square East Nashville Country 37203 TN Music Producer Phone: 615 244 8950 - Fax: 615 244 4711 Credits: Tim Mcgraw Bar Management 1501 Broadway, Suite 1914 NY 10046 New York Hip Hop, R&B Phone: 212 765 5800 Music Producer Fax: 212 765 5806 - Contact: Ray Copeland, Dame Grease Credits: Fat Joe, DMX, N.O.R.E Beatology Music Email: [email protected] Hip Hop R&B Contact: Gordon McGinnis Music Producer Credits: Dr.