DOCSLIB.ORG

Jurnal Pioneer, Vol

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jurnal Pioneer, Vol Jurnal Pioneer, Vol. 10, No, 01, Juni 2018: 40 - 51 JURNAL PIONEER VOLUME 10, Issue 1, June 2018: 40 - 51 AN ANALYSIS OF HEGEMONY IN ZOOTOPIA MOVIE Wirda Fauziah University of Abdurachman Saleh Situbondo [email protected] Yopi Thahara University of Abdurachman Saleh Situbondo [email protected] Abstract: This research is purposed to analyze the structure groups of hegemony and the types of hegemony that happen in Zootopia movie. This research was done using qualitative method. The data were gained by watching the movie, paying attention to the statement and conversation and then analyzed the structures group and the types of hegemony. The data were analyzed by; data reduction, data display and conclusion drawing based on Miles and HubermanÆs theory. The findings of this research reveal that there are two structure gorups of hegemony in Zootopia movie. The first is dominant group that have two parts, civil society and the state. The civil society in Zootopia is the common citizen who did the hegemony toward the weak characters. The state is people who living under system of government who has a power to do hegemony toward the civil society. The second is the subordinate group, the group that dominated by the dominant group. This research also reveals that hegemony in Zootopia movie has two types; coercive control and consensual control. In coercive control, the dominant force the subordinate group to agree and follow their rule while in the consensual control, the dominant influence the subordinate group by their thought to make them follow their rule. In Zootopia movie, coercive power is the dominant and commonly used by the charaters. Keywords: hegemony, dominant, subordinate, type of hegemony, movie 40 Wirda Fauziah and Yopi Thahara, An Analysis of Hegemony in Zootopia Movie INTRODUCTION Booker (1995: 81-82), Gramsci Zootopia was animation defines hegemony as the ability of the movie by Walt Disney. It was bourgeois or the dominant group in produced by Walt Disney Animation gaining and maintaining their power Studios and released by Walt Disney in society. Pictures in 2016. Disney films were Based on that, the researcher very popular and had a great influence was conducted this research based on in America as well as around the some research problems and world today. Zootopia was one of objectives. The research problems are animation movie that portrayed the what are the hegemony structure reality of hegemony in society. The groups found in Zootopia movie? characters in this movie played by What are the types of hegemony used animals. The issues that showed were in Zootopia movie? Moreover, the problems that are still common in objective of this study was to describe society nowadays. In the Zootopia the hegemony structure groups found movie, there were the oppression of in Zootopia movie. Anoter the strong against the weak. People exploration was to classify the types who had power do everything of hegemony used in Zootopia movie. possible to keep his position. The analysis can be focused to the As in Srinati (2004: 153), an hegemony structure groups and the early exposition of GramsciÆs ideas types of hegemony found in Zootopia said that the hegemony of a political movie. class meant for Gramsci that class had The significance of this study succeeded in persuading the other are to help the readers to know more classes of society to accept its own about hegemony structure groups and moral, political and cultural values. If the types that occur in Zootopia the ruling class is successful, then this movie. Furthermore, the results of will involve the minimum use of this study can be used for the next force, as was the case with the research development, the study of successful liberal regimes of the literature with the theory of nineteenth century. According to hegemony, to examine the hegemony 41 Jurnal Pioneer, Vol. 10, No, 01, Juni 2018: 40 - 51 structure groups and the types of the 55th Disney animated feature hegemony in Zootopia movie. film. Zootopia was released on March 4 2016 with the genres are action and REVIEW OF LITERATURE adventure, animation, comedy. The film was directed by Byron Howard Movie and Rich Moore, co-directed by Jared Movie or also known as film Bush, written by Jared Bush and Phil is a media of communication using Johnston, stars the voices of Ginnifer audiovisual and also have a message Goodwin, Jason Bateman, Idris Elba, that usually reflected the reality. Jenny Slate, Nate Torrence, Bonnie Films is motion picture as a form of Hunt, Don Lake, Tommy Chong, J. entertainment or an art, usually K. Simmons, Octavia Spencer, Alan preceded by showing of one or move Tudyk, and Shakira. motion picture (Asnawir and M. Basyirudin Usman, 2002: 11). Hegemony Nikolaos & Maria (2010) states that The meaning of hegemony in movies combine plastic arts with Greek is 'rule' or 'leadership', whose dramatic arts. The fundamental influence in Cultural Theory is component of filming is drama and derived from its use in the writings of the motion of picture, in contrast to the Italian communist activist and other plastic arts as photography and philosopher Antonio Gramsci (1891- painting. 1937) to describe the operation of ideology in modern capitalist Zootopia Movie societies (Brooker 2003: 132). Zootopia (also known as Gramsci defines hegemony as a Zootropolis in some regions) was cultural and ideological means 2016 American 3D computer- whereby the dominant groups in animated buddy comedy-adventure society, including fundamentally but film produced by Walt Disney not exclusively the ruling class, Animation Studios and released by maintain their dominance by securing Walt Disney Pictures. Zootopia was the —spontaneous consentÆ of 42 Wirda Fauziah and Yopi Thahara, An Analysis of Hegemony in Zootopia Movie subordinate groups, including the b. Subordinate Group working class (Strinati 2004: 153). As According to Williams (1976: in Srinati (2004: 153), an early 145 in James Lull 1995: 34), exposition of GramsciÆs ideas says hegemony requires that ideological that the hegemony of a political class assertions become self-evident meant for Gramsci that class had cultural assumptions. Its effectiveness succeeded in persuading the other depends on subordinated peoples classes of society to accept its own accepting the dominant ideology as moral, political and cultural values. If normal reality or common sense ...in the ruling class is successful, then this active forms of experience and will involve the minimum use of consciousness. force, as was the case with the successful liberal regimes of the Types of Hegemony nineteenth century. According to Femia (1981: 24), Gramsi states that the supremacy Structure Groups of Hegemony of a social group or class manifests In the concept of hegemony, itself in two different ways: there are two structure group of —dominationÆ (dominio), or coercion hegemony, there are the dominant and intellectual and moral leadershipÆ group and subordinate group. (direzione intellettuale e morale). a. Dominant Group a. Coercive Control According to Gramsci, as Coercive control is where the quoted by Hoare and Smith (1999: dominant group force the subordinate 145), there are two major levels of group to agree about their thought and dominant group in society: civil their rules. They establishe sanctions society and the state. …to fix two and punishment for people who do major superstructural levels: the one not obey their rules. Domination is that can be called civil society, that is realized, essentially, through the the ensemble oforganisms commonly coercive machinery of the state. called private, and that of political Intellectual and moral leadership is society or the state. objectified in, and mainly exercised 43 Jurnal Pioneer, Vol. 10, No, 01, Juni 2018: 40 - 51 through, civil society, the ensemble of researcher watched Zootopia Movie, educational, religious and pay attentions to the statement, and associational institutions (Fermia conversation that related with 1981: 24). Hegemony theory and then the b. Consensual Control researcher write down the data about Consensual control is where hegemony that found in the Zootopia the dominant group does not force the movie. subordinate group to agree about their To analyze the data, the thought and their rules. The dominant researcher used Miles and Huberman group anyhow make the subordinate (1994: 10) which consists of three group believe that their thought are concurrent flows of activity: data actually good for their life, so the reduction, data display, and subordinate group willingly obey the conclusion drawing/verification. Data dominant gruoupÆs rules. reduction refers to the process of selecting, focusing, simplifying, METHODOLOGY abstracting, and transforming the data The researcher uses that appear in written up field notes or qualitative research to explain the transcriptions. The researcher sorts research data by Burns and Grove the data that related with hegemony (2003: 19) with library study by Naim theory, such as the structure group of (2009: 35). The data source for this hegemony that found in the movie research was the Zootopia movie by and the types of the hegemony. Data Walt Disney Animation Studios display is an organized, compressed released in 2016 by Walt Disney assembly of information that allows Pictures. Whereas, the research data conclusion drawing and action. The are the statement and conversation of researcher displays the structure the characters of the Zootopia movie group of hegemonies found in the that have relation with structure group movie and the types of hegemony of hegemony theory and the types of than found in the movie to the hegemony theory. Techniques of data coloumn of the two type of collection in this study are the hegemony; coercive and consensual 44 Wirda Fauziah and Yopi Thahara, An Analysis of Hegemony in Zootopia Movie control. After doing the identify of the have a dream was impossible for two types of hegemony, the them.
Load more

Recommended publications
  • Zootopia Facebook: @GSHPA Twitter: @GSHPA Instagram: @Gsheartpa
    GSHPA GIRL & FAMILY GUIDE TO D I S N E Y P I X A R Zootopia Facebook: @GSHPA Twitter: @GSHPA Instagram: @gsheartpa How to Watch the Movie: - Zootopia is available on Disney+, Amazon Prime, Google Play (to rent), iTunes (to rent), Vudu (to rent) and YouTube (to rent). You are also welcome to watch it in DVD format! - Tune into GSHPA's Zoom event before and after the movie, starting at 6pm, to join Girl Scouts all over council in getting excited for the movie and talking about it afterwards. - Jazz up your movie watching space! Create a blanket fort, or a pillow bed, wear crazy socks and fun PJ's, invite your favorite stuffed animals to join you, and get some tasty snacks ready! - Share your snacks, opinions, movie watching buddies, blanket forts, PJ selfies, and more! Girls can use #GSHPAmovienight on Instagram, Twitter and Facebook. - Some troops may choose to have a discussion together after the movie. Your Troop Leader will let you know how you will be doing a virtual discussion together! If you are watching the movie on your own, GSHPA will have a Zoom event before the movie (6-6:20pm), and after the movie (8:30- 9:00pm), and we would love to have you join us! Snack Ideas: Movie Night Snack Tray - Gather your favorite movie snacks or candy. Using a cookie sheet or other tray, arrange your snacks in bowls or on plates to create a colorful medley to snack on! Chief Bogo's Buffalo Dip - This recipe will require the help of an adult.
    [Show full text]
  • The Relationship Between Symbol and Meaning in The
    THE most effective media in delivering a message RELATIONSHIP because it is easily accepted by the community. BETWEEN SYMBOL The contents of the film will develop if it is full AND MEANING of meanings, or symbols, and has context. Films that use a lot of symbols, signs, and icons will IN THE FILM challenge the recipient to increasingly try to ZOOTOPIA digest the meaning and nature of the film. These symbols do not rule out the possibility of Dwi Lestari Septiani an audience to experience difficulties in Sari Rejeki understanding the storyline and characters Ni Made Widisanti S. presented in a film. As a result, it makes the audience fail to enjoy the sequence or important ABSTRACT parts of the film that lead to other parts. Therefore, it is important for the audience to This research discusses the relationship between understand the meaning reflected in each the symbol and meaning in Zootopia, a film by symbol. Jared Bush and Phil Johnston. The objectives of this research is to show the types of symbol in Sobur (2017: 128) states that films are generally Zootopia and its meaning by identifying the constructed with many signs, which are more types of symbol and its meaning based on the important in films used by iconic signs, namely speaker’s utterance and the context of the signs that describe something. Dynamic images utterance itself. The method used in this research is descriptive analysis with library research in films are iconic for the reality they denote. technique. The results of this research shows that The signs include a variety of sign systems that there are 15 symbols in this movie.
    [Show full text]
  • An Analysis of Moral Values in Zootopia Movie
    AN ANALYSIS OF MORAL VALUES IN ZOOTOPIA MOVIE THESIS Submitted by: MAULIDIA HUMAIRA Student of Department of English Language Education Faculty of Education and Teacher Training Reg. No: 231324225 FACULTY OF EDUCATION AND TEACHER TRAINING AR-RANIRY STATE ISLAMIC UNIVERSITY DARUSSALAM-BANDA ACEH 2018/1439 H ACKNOWLEDGEMENT Alhamdulillah, All praises be to Allah ‘azzawajalla, the most gracious, the most merciful, andthe most beneficent who has given me love and blessing that made me able to finish this research and writing this thesis. Peace and salutation be upon our beloved prophet Muhammad SAW, his family and companions has struggled whole heartedly to guide ummah to the right path. On this occasion with great humility, I would like to thank to all of those who help me and guidance, so that this thesis can be finished in time. Completion of writing this thesis, I would like to thanks Dr. Muhammad Nasir, M.Hum and Mr. T. Murdani, S.Ag, M.IntlDev as my supervisor forgiving the useful supervision, guidance and constructive ideas during the process of completing this thesis. Also I would like to express my gratitude and high appreciation to my beloved father Burhanuddin, and my lovely mother Rasunah for their wisdom, patience, love, attention, support and care. I also bestow my thankfulness to my beloved sisters Puspitasari and Safrida , my brothers Hafidh Kurniawan and Muhammad Irfan, and my cousins Putri Nabila Ulfa and Maulizahra, for their endless love who inspired and motivated me all along accomplishing this thesis. My special thanks to my academic advisor Mr. Dr.Syarwan, M.LIS, who has supervised me since I was first semester until now.
    [Show full text]
  • A Critical Reading of Gender Roles in Frozen, Zootopia, Despicable Me and Minions
    Quest Journals Journal of Research in Humanities and Social Science Volume 6 ~ Issue 12 (2018)pp.:11-15 ISSN(Online):2321-9467 www.questjournals.org Research Paper Pixelating Gender: A Critical Reading of Gender Roles in Frozen, Zootopia, Despicable Me and Minions. Lakshmi P.Gopal 1(Assistant Professor on contract) 2(Department of English, St. Aloysius College, Edathua) ABSTRACT: Animation films are cultural products that exist in the cultural domain for a significant period in the form of prequels, sequels, series and adaptations into different languages. The tremendous impact it has on coming generation calls for a critical reading of the gendered notions presented in this novel media form. A critical reading of the gender roles presented by Disney Studios and Illumination Entertainment Studios shows howthe objective of positive representation is a distant dream. Received 02 December, 2018; Accepted 08 December, 2018 © The Author(S) 2018. Published With Open Access At www.Questjournals.Org. I. INTRODUCTION Movies are the popularliterature of our time. Film studies with respect to gender studies have already gained momentum with the publication of seminal texts such as Popcorn Venusby Marjorie Rosen, From Reverence to Rape by Molly Haskell, “Visual Pleasure and Narrative Cinema” by Laura Mulvey and through insightful studies by Mary Ann Doane. Gender Studies as it is now is a field of interdisciplinary study devoted to the studyof gender identity and gendered representation as categories of analysis. It also engages in studying the intersection of gender with other categories of analysis of identity including race, sexuality, class, disability and nationality.Though theories regarding post-feminist approaches are in vogue, the very need of a feminist reading of films with a focus on gender still has atremendous scope,as the critical research in thearea associated still hasn‟t achieved its objectives in representing awoman in a non-stereotypical, non-objectified role.
    [Show full text]
  • Alan Horn Chairman, the Walt Disney Studios the Walt Disney Company
    Alan Horn Chairman, The Walt Disney Studios The Walt Disney Company As Chairman of The Walt Disney Studios, Alan Horn oversees worldwide operations for The Walt Disney Studios including production, distribution, and marketing for Disney, Walt Disney Animation Studios, Pixar Animation Studios, Disneynature, Marvel Studios, and Lucasfilm, as well as Twentieth Century Fox Film, Fox Family, Fox Searchlight, Fox 2000, and Blue Sky Studios following The Walt Disney Company’s 2019 acquisition of 21st Century Fox. He also oversees Disney’s music and theatrical groups. Under Horn’s leadership, The Walt Disney Studios has set numerous records at the box office with global smash hits including Disney’s live-action “Beauty and the Beast” and “The Jungle Book”; Walt Disney Animation Studios’ “Frozen” and “Zootopia”; Pixar’s “Finding Dory,” “Coco,” and “Incredibles 2”; Marvel Studios’ “Avengers: Infinity War,” “Black Panther,” and “Captain Marvel”; and Lucasfilm’s “Star Wars: The Force Awakens,” “Rogue One: A Star Wars Story,” and “Star Wars: The Last Jedi,” among others. Prior to joining The Walt Disney Studios in 2012, Horn served as President and COO of Warner Bros., leading the studio’s theatrical and home entertainment operations, including the Warner Bros. Pictures Group, Warner Bros. Theatrical Ventures, and Warner Home Video. During Horn’s tenure from 1999 to 2011, Warner Bros. was the top-performing studio at the global box office seven times and released numerous critically acclaimed films and box office hits including the eight-film Harry Potter series, “Batman Begins,” “The Dark Knight,” “Charlie and the Chocolate Factory,” “Happy Feet,” “Sherlock Holmes,” “The Departed,” “Million Dollar Baby,” the second and third Matrix films and the Ocean’s Eleven trilogy.
    [Show full text]
  • Masculinity in Children's Film
    Masculinity in Children’s Film The Academy Award Winners Author: Natalie Kauklija Supervisor: Mariah Larsson Examiner: Tommy Gustafsson Spring 2018 Film Studies Bachelor Thesis Course Code 2FV30E Abstract This study analyzes the evolution of how the male gender is portrayed in five Academy Award winning animated films, starting in the year 2002 when the category was created. Because there have been seventeen award winning films in the animated film category, and there is a limitation regarding the scope for this paper, the winner from every fourth year have been analyzed; resulting in five films. These films are: Shrek (2001), Wallace and Gromit (2005), Up (2009), Frozen (2013) and Coco (2017). The films selected by the Academy of Motion Picture Arts and Sciences in the Animated Feature film category tend to be both critically and financially successful, and watched by children, young adults, and adults worldwide. How male heroes are portrayed are generally believed to affect not only young boys who are forming their identities (especially ages 6-14), but also views on gender behavioral expectations in girls. Key words Children’s Film, Masculinity Portrayals, Hegemonic Masculinity, Masculinity, Film Analysis, Gender, Men, Boys, Animated Film, Kids Film, Kids Movies, Cinema, Movies, Films, Oscars, Ceremony, Film Award, Awards. Table of Contents Introduction __________________________________________________________ 1 Problem Statements ____________________________________________________ 2 Method and Material ____________________________________________________
    [Show full text]
  • White Savior, Savagery, & Criminality in Zootopia
    White Savior, Savagery, & Criminality in Zootopia Nagata 1 A White Savior, Savagery, and Criminality in the City of “Multitudinous Opportunity” in Zootopia Matthew Nagata California Polytechnic State University, San Luis Obispo White Savior, Savagery, & Criminality in Zootopia Nagata 2 Everyone comes to Zootopia thinking they can be anything they want, well you can’t. You can only be what you are. (Nick Wilde, 2016, Zootopia) The Disney company is distinguished for being the frontrunner in profit and popularity for animated movies worldwide. In 2016, Walt Disney Animation Studios released a film called Zootopia (Spencer, 2016). Not only did Zootopia win an Academy Award for best animated feature film, but the film also received a high score of 98% from the popular online movie review website RottenTomatoes, and made more than three hundred million dollars at the box- office (RottenTomatoes, 2016). The animated film is such a success that the Shanghai Disneyland theme park is getting its own Zootopia-land, which will be a replica of the city from the film that people will be able to walk-through and experience (Frater 2019). The Case of the Missing Animals Zootopia follows a small bunny named Judy Hopps who becomes the first bunny cop in Zootopia. Zootopia is a city in which animals of prey and those who are predators are able to put aside their hunting differences, and live together in harmony, until various predators start to go missing and become in touch with their more savage, “primal,” and violent instincts. Judy Hopps, along with a shady fox named Nick Wilde, take on the case of the missing animals.
    [Show full text]
  • ACCENTS and STEREOTYPES in ANIMATED FILMS the Case of Zootopia (2016)
    Lingue e Linguaggi Lingue Linguaggi 40 (2020), 361-378 ISSN 2239-0367, e-ISSN 2239-0359 DOI 10.1285/i22390359v40p361 http://siba-ese.unisalento.it, © 2020 Università del Salento This work is licensed under a Creative Commons Attribution 3.0 ACCENTS AND STEREOTYPES IN ANIMATED FILMS The case of Zootopia (2016) LUCA VALLERIANI UNIVERSITÀ DI ROMA “LA SAPIENZA” Abstract – Language variation is an extremely useful tool to convey information about a character, even when this means playing with stereotypes, which are often associated to some dialects and sociolects (Lippi-Green 1997). Accents generally bear a specific social meaning within the cultural environment of the source text, this being the main reason why they are often particularly difficult to translate with varieties of the target language, even though there are several cases where this strategy proved to be a valid choice, especially in animation (Ranzato 2010). Building on previous research on the language of cartoons (Lippi-Green 1997, but also more recently Bruti 2009, Minutella 2016, Parini 2019), this study is aimed at exploring language variation and how this is deeply connected to cultural stereotypes in the animated Disney film Zootopia (Howard et al. 2016). After giving an outline of the social and regional varieties of American English found in the original version (Beaudine et al. 2017; Crewe 2017; Soares 2017) a special focus will be given to the Italian adaptation of the film through the analysis of the strategies chosen by adapters to render a similar varied sociolinguistic situation in Italian, with particular interest in the correspondence between language and stereotype.
    [Show full text]
  • Disney's Zootopia to Be Released in Imax 3D
    IMAX CORPORATION 2525 Speakman Drive Mississauga, Ontario, Canada L5K 1B1 Tel: (905) 403-6500 Fax: (905) 403-6450 www.imax.com DISNEY’S ZOOTOPIA TO BE RELEASED IN IMAX® 3D THEATRES DOMESTICALLY AND IN SELECT INTERNATIONAL MARKETS INCLUDING CHINA LOS ANGELES – Feb. 3, 2016 – IMAX Corporation (NYSE:IMAX) and The Walt Disney Studios, a division of The Walt Disney Company (NYSE: DIS), today announced that Zootopia, Walt Disney Animation Studios’ 55th feature-length animated film, will receive a special one-week domestic engagement in IMAX® 3D theatres beginning March 4. The film will also have an IMAX release in select international markets starting Feb. 12, including China on March 4. Zootopia, about an optimistic bunny, Officer Judy Hopps (voiced by Ginnifer Goodwin), who teams up with the fast-talking, scam-artist fox, Nick Wilde (Jason Bateman), to solve a mystery, is directed by Byron Howard (Tangled, Bolt) and Rich Moore (Wreck-It Ralph, The Simpsons) and co-directed and co- written (along with Phil Johnston, Wreck-It Ralph) by Jared Bush (Penn Zero: Part-Time Hero). Commenting on the announcement, Dave Hollis, Executive Vice President, Theatrical Distribution, The Walt Disney Studios, said, “Zootopia features some of the richest and most inventive environments ever created for an animated film, and we are thrilled that moviegoers around the world will have a chance to experience it in IMAX® 3D.” “We are excited to team with Disney and the talented filmmakers at Walt Disney Animation Studios on what is sure to be another animated Disney classic,” said Greg Foster, Senior Executive Vice President, IMAX Corp.
    [Show full text]
  • Why Is Peter Pan Always Flying?
    The Mighty Mammoth Message May 6, 2020 Welcome BASE Staff sure misses our kiddos and their families!! In an effort to stay The Great BASE Challenge Sick of Disney+ - Now What?? connected, and hopefully provide a little help as well, Of course we can’t have a Disney we have created a weekly edition of The Mighty Mammoth Start off with a quick trip to Disneyland newsletter for you and your Message without Disney+! For this week, & Disney World to ride some of the kiddos! Each edition will be coolest rides! we want to know what you have been emailed Wednesday - watching on Disney+! Please email or instead of our usual boring text us with your favorites, or what you Weekly Reminder email! We will have articles that will would consider the hidden gems! hopefully help with [email protected] or 303.501.4928 Frozen Ever After everything from bored kiddos, to dinner plans, to just a little laugh! There will What am I Making for Dessert?! also be opportunities to connect back with us – How about the iconic Disneyland snack which we would – Disney Dole Whip?! The recipe was Pirates of the Caribbean LOVE! just released! Whip up a batch today! Best of the Best Disney Dole Whip Check out this list to see if 1 scoop vanilla ice cream 4 ounces of pineapple juice your family has seen the ten 2 cups of frozen pineapple Splash Mountain highest grossing animated Disney movies . Add all 3 ingredients into a blender. #10 Monsters University Blend until smooth. Serve as is, or the Then get a little crafty with these easy #9 Coco Disney way .
    [Show full text]
  • An Analysis of Stereotype in Zootopia Movie
    e-ISSN 2549-7715 | Volume 4 | Nomor 1 | Januari 2020 | Hal: 49-62 Terakreditasi Sinta 4 AN ANALYSIS OF STEREOTYPE IN ZOOTOPIA MOVIE Widya Atillah1,*, M. Bahri Arifin2, Nita Maya Valiantien3 1,2,3English Literature Department, Faculty of Cultural Sciences Mulawarman University *Email: [email protected] ABSTRACT Stereotypes are preconceptions about individuals of group. Stereotypes are the common phenomena that happen in the daily activities of language use where sometimes people do not realize that they are stereotyping others. It is caused by a diversity of issues among the society. People tend to build some general perspectives that include the positive and negative things about a group of people. As a reflection of the real life, movies can also contain the phenomenon of stereotype such as in Zootopia movie. This research is aimed to describe the categories of stereotype and also to analyze the function of stereotype that were performed by several characters in Zootopia movie. This research was conducted by using descriptive method and qualitative approach. Data were taken from movie script in the form of utterances. The results of this research show that there are forty three data which are indicated as stereotyping utterances from eleven characters in Zootopia movie. In addition, the researchers identified six out of eight stereotype categories that have been used in this movie, namely Gender, Race, Physical Features, Occupation and Socioeconomic Status, National Groups and Other Category. Moreover, the researchers identified two stereotype functions in the movie, they are individual function and social or collective function. Key words: Sociolinguistic, Stereotype, Zootopia. ABSTRAK Stereotip adalah prasangka tentang individu pada kelompok.
    [Show full text]
  • Amazing Animated ANIMALS Celebrate Disney’S Legacy of Memorable Animated Animal Characters, Including the King of Them All, the LION KING
    Amazing Animated ANIMALS Celebrate Disney’s legacy of memorable animated animal characters, including the King of them all, THE LION KING. 1937 1950 1967 SNOW WHITE CINDERELLA THE JUNGLE BOOK AND THE SEVEN DWARFS Gus, Jaq and Lucifer Bagheera, King Louie, Snow White’s Forest Friends Kaa and Baloo and the Queen’s Raven 1951 ALICE IN WONDERLAND 1970 1940 Cheshire Cat, THE ARISTOCATS PINOCCHIO The White Rabbit Thomas O’Malley, Jiminy Cricket, and many more Duchess, Berlioz, Cleo and Figaro Toulouse and Marie. 1953 1940 PETER PAN 1973 FANTASIA Nana ROBIN HOOD Hyacinth Hippo, Ben Ali Gator, Robin, Maid Marian and friends Madame Upanova and many more 1955 LADY AND THE TRAMP 1977 1941 Lady, Tramp, all their dog friends THE RESCUERS DUMBO and Si & Am Bianca and Bernard Dumbo and Timothy Mouse 1959 1981 SLEEPING BEAUTY THE FOX AND 1942 Samson and Diablo THE HOUND BAMBI Tod and Copper Bambi, Thumper and 1961 the forest animals 101 DALMATIANS 1986 Pongo, Perdita THE GREAT MOUSE DETECTIVE 1949 and the pups Basil, Dr. Dawson and friends THE ADVENTURES OF ICHABOD AND MR. TOAD 1963 1988 J. Thaddeus Toad, Rat, Mole and THE SWORD IN THE STONE OLIVER & COMPANY Angus MacBadger Archimedes Oliver and the gang 1989 2003 2013 THE LITTLE BROTHER BEAR FROZEN MERMAID Kenai, Koda, Swen Flounder, Sebastian Rutt and Tuke and friends 2015 2004 THE GOOD DINOSAUR 1991 HOME ON THE RANGE Arlo and his dinosaur BEAUTY AND Maggie, Mrs. Caloway, Grace family and friends THE BEAST and their barnyard friends Philippe 2016 2005 ZOOTOPIA 1992 CHICKEN LITTLE Judy Hopps, ALADDIN
    [Show full text]