JAMES CUMMINS Bookseller Catalogue 117 Spring Arrivals James Cummins Bookseller Catalogue 117 Spring Arrivals to Place Your Order, Call, Write, E-Mail Or Fax

Total Page:16

File Type:pdf, Size:1020Kb

JAMES CUMMINS Bookseller Catalogue 117 Spring Arrivals James Cummins Bookseller Catalogue 117 Spring Arrivals to Place Your Order, Call, Write, E-Mail Or Fax JAMES CUMMINS bookseller catalogue 117 Spring Arrivals james cummins bookseller catalogue 117 Spring Arrivals To place your order, call, write, e-mail or fax: james cummins bookseller 699 Madison Avenue, New York City, 10065 Telephone (212) 688-6441 Fax (212) 688-6192 e-mail: [email protected] jamescumminsbookseller.com hours: Monday – Friday 10:00 – 6:00, Saturday 10:00 – 5:00 Members A.B.A.A., I.L.A.B. front cover: item 11 inside front cover: item 45 inside rear cover: item 29 rear cover: item 19 terms of payment: All items, as usual, are guaranteed as described and are returnable within 10 days for any reason. All books are shipped UPS (please provide a street address) unless otherwise requested. Overseas orders should specify a shipping preference. All postage is extra. New clients are requested to send remittance with orders. Libraries may apply for deferred billing. All New York and New Jersey residents must add the appropriate sales tax. We accept American Express, Master Card, and Visa. 1 2 ADAMS, Henry. Mont Saint-Michel and Chartres. Illustrated. (ASHENDENE PRESS) Berners, Dame Juliana. Treatyse 4to, Washington, D.C: [Privately Printed for the Author], of Fysshynge with an Angle. Woodcuts after those in the Boke 1904. First edition, one of 100 copies. Original blue cloth, red of St. Albans. 8vo, [The Ashendene Press, 1903]. One of 150 leather spine label. Light wear to cloth, rebacked, preserving copies on paper. Original full vellum. Fine. Custom half original spine and label, hinges strengthened, horizontal tear brown morocco slipcase and chemise. Ransom #17. to last blank. Bookplates of Robert Woods Bliss and Mildred Superbly printed Ashendene edition of the earliest English Bliss of Dumbarton Oaks. BAL 31; for Robert Woods Bliss, work on angling, following the text of the 1496 edition cf. Henry Adams: Selected Letters, p. 551. printed by Wynkyn de Worde. First edition, one of 100 privately-printed copies. “Although styled as an elaborate guidebook to two of France’s most $2,500 magnificent works of architecture, the book is a hymn of praise for the High Middle Ages, increasingly a golden age in the past for Adams and for many other thinkers on both sides of the Atlantic who were alarmed at various trends in the ‘modern world’” (ANB). This copy belonged to Robert and Mildred Bliss of Dumbarton Oaks, acquaintances of Adams (he referred to “Bobby Bliss” in his letters). $2,500 3 4 (BIBLE, Hebrew, Pentateuch) Zeh sefer `ezrat ha-sofer: (BINDING, Armorial, Queen Anne) A Collection of the Stat- hamishah humshe Torah tikun sofrim vave ha-`amudim ‘im utes, and Parts of Statutes, Now in Force, relating to High Treason, hagahot ‘or Torah nakhon hu lehagot bo ule-ha’atik me-menu sefer and Misprision of High Treason. 12mo, London: Printed by Torat Hashem. Engraved title-page with ornamental border Charles Bell, and the Executrix of Thomas Newcomb …, in vol. I (as usual). 5 vols. 8vo, Amsterdam: [Gerard Yohan 1709. Dark brown morocco, tooled in gold to a panel design, Yanson uve-vet Yisrael Mondavi], 1767. Contemporary tree floral and volute tools at sides and corners of inner panel, calf, spines gilt with tulip devices in panels, red leather spine arms of Queen Anne in the center, spine with five raised labels with Roman numerals. Joints starting, but a lovely set bands and six compartments, title in gilt in one compart- otherwise. ment, the rest gilt-tooled, a.e.g., comb-marbled endpapers. [with:] Jehuda Pisa’s Luchot Ha-ibbur, Amst. 1769 in volume 5. Very slight rubbing to joints, else fine, in a custom red leather clamshell box. Davis Gift, II, no. 158 (for similar binding on $3,500 the same title). Provenance: Queen Anne (her arms gilt- stamped on covers); Ian Franklin (inscription, “From the Nicholas Library, sold in London Aug 1877, Ian Franklin); unidentified bookplate (with O.H.P. monogram). A fine example of a typical Queen Anne binding, several examples of which can be found in the British Library (see Davis Gift, II, no. 158). $3,000 2 | james cummins bookseller de thou binding 6 5 (BINDING, Maria Theresa) L’Office de la Semaine Saincte, (BINDING, De Thou) [Crespin, Jean]. Actiones et Moni- selon le Missel & le Breviaire Romain. 5 engraved plates, 3 menta Martyrum, Quia Wicleffo et Husso ad nostram hanc aetate full-page illustrations to text. [iv], 832 (of ?) pp, incomplete in Germania, Gallia, Anglia, Flandria, Italia, & ipsa demum at end. Text in French and Latin, ruled in red throughout. Hispania, veritatem Euangelicam sanguine suo consanter obsig- 12mo, Paris: par la Compagnie de Libraires, 1661. Contempo- nauerunt. Title woodcut. [alpha]-[beta]8 A4 B-V8 X4 Y-2S8 rary maroon morocco, covers stamped in gilt with repeating (lacking signature [gamma], leaves 17 and 18; I3-6 are uncut crowned monogram and arms of maria theresa of austria and smaller than the rest of the book). 4to, [Geneva]: Joannes as queen of france, spine stamped in gilt with monogram in Crispinus, 1560. Near contemporary (c. 1587-1601) brown 6 compartments, a.e.g. Front joint just starting, small tear to armorial sheep for Jacques Auguste de Thou, with the arms title-page, scattered staining to text. Bookplate. Olivier 2506, of de Thou and his first wife, Marie de Barbançon-Cany, stamps 1 & 4 (for binding). on the covers, and their monogram “IAM” in gilt within A royal French binding for Maria Theresa of Spain as Queen six compartments on the spine. Some scuffing to surface of of France. covers, wear to spine ends with some loss, spine previously $3,500 repaired, new headbands, intermittent dampstaining to mar- gins throughout. Early ms shelfmarking on front pastedown, bookplate (name cancelled). Adams C2937. From the library of one of the great book collectors of his age, Jacques Auguste de Thou (1553-1617). The binding can be roughly dated to the time of de Thou’s first marriage, to Marie de Barbançon-Cany. $1,250 catalogue 117 | 3 sybil pye’s second recorded binding 7 (BINDING, Pye) Moore, T. Sturge. Danaë. 3 woodcut illustrations designed and engraved by Charles Ricketts. xlv, [ii] pp. Printed under Ricketts’ supervision at the Ballantyne Press. 8vo, [London: Vale Press … the last book to be sold by Hacon & Ricketts, London, and by John Lane, New York, 1903]. One of 230 (of 240) copies on paper. Bound in full tawed pigskin, covers tooled in blind with thin rules to a geometric design, embellished with leaf and flower tools in blind and leaf and dot tools in gilt, spine in six compartments with raised bands, titled in gilt at head and foot of spine, compartments tooled in gilt with Rickett’s leaf tool, turn-ins gilt with small leaf tools at corners, by Sybil Pye, with her blind-stamped monogram on lower turn-in. Covers lightly soiled and rubbed, some foxing and browning to text. Ransom, no 43; Tidcombe, pp. 147-155 & p. 208, no. 2 (for this binding). A very early Sybil Pye binding, listed second on her chronological list of 164 bindings, and exhibiting her early debt to the influ- ence of Charles Ricketts and Thomas Sturge Moore. Pye (1879-1958) was a self-taught binder, learning the craft entirely from Douglas Cockerell’s Bookbindings and the Care of Books. Through her father, a wine merchant and collector of contemporary and Oriental art, Pye was introduced to Thomas Sturge Moore, whose poem Danaë is bound here. Moore and Pye grew close (to the point of his proposing marriage) and it was Moore that introduced Pye to Charles Ricketts. He would have an enormous influence over her early style, and she used Ricketts’ tools (some of which can be seen on this binding) in her own work. Pye went on to develop an intricate “Cub- ist” style of inlaid morocco binding — in the present work we see her early style in which she favored white or natural pigskin and the thin-lined style of Charles Ricketts. Pye dates this binding in her notebooks to 1906, the year she began bookbind- ing, noting she bound two copies of Danaë in “White pigskin, blind- and gold-tooled” for Miss Cooper (the author known as Michael Field) and a Miss Withers. $9,000 4 | james cummins bookseller retrospective binding by joseph william zaehnsdorf 8 (BINDING, Zaehnsdorf) Stockbauer, Jacob. Abbildungen von Mustereinbänden aus der Blüthezeit der Buchbinderkunst. With 40 heliogravure reproductions of historical bookbindings in libraries at Dresden, Gotha, Weimar and Wolfenbüttel, by A. Naumann & Schroeder. 13 pp. text. Folio, Leipzig: Adolf Titze, [ca. 1889]. Full gold-tooled brown morocco by Joseph William Zaehnsdorf, outer frame inlaid with black morocco, large hatched tools in the corners and at the sides of the covers, the field semé with fleurs- de-lys, spine similarly decorated and lettered, fillets and hatched tools on turn-ins, endpapers imitating Renaissance brocade, top edges gilt, signed by the binder on front turn-in, printed front wrapper bound in. Faintest traces of rubbing to joints. Provenance: Michel Wittock (bookplate). Re-issue of Stockbauer’s pioneering work on modern German bookbinding, still notable for its plates and its useful record of fine bindings in Saxon libraries. Joseph Zaehnsdorf the younger (1853-1930) succeeded his father as head of London’s busiest atelier in 1886, and this retrospective binding on Stockbauer is entirely successful and striking in its large format. $5,000 catalogue 117 | 5 with 12 plates by blake 9 (BLAKE, William) Gay, John. Fables … with a Life of the Au- thor. 2 engraved title-pages with vignette, “Gay Monument” frontispiece and 68 illustrations (including 12 etchings by William Blake). [ii], xii, 225; [ii], vii, 188 pp.
Recommended publications
  • Landmarks Preservation Commission August 6, 2013, Designation List 466 LP-2537 HOLLAND PLAZA BUILDING (Now ONE HUDSON SQUARE), 7
    Landmarks Preservation Commission August 6, 2013, Designation List 466 LP-2537 HOLLAND PLAZA BUILDING (now ONE HUDSON SQUARE), 75 Varick Street (aka 73- 93 Varick Street, 73-99 Watts Street, and 431-475 Canal Street), Manhattan Built 1930; architect, Ely Jacques Kahn Borough of Manhattan Tax Map Block 226, Lot 1 On June 11, 2013 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Holland Plaza Building (now One Hudson Square) and the proposed designation of the related Landmark Site (Item No. 3). The hearing had been duly advertised in accordance with the provisions of law. There were two speakers in favor of designation including the owner and a representative of the Historic District Council. Summary The Holland Plaza Building is a large, modern-classical style manufacturing structure, constructed on an irregularly-shaped lot facing the entrance to the Holland Tunnel in 1929-30. The building location was chosen to take advantage of the new transportation hub then developing at the entrance to the newly-constructed tunnel linking New York and New Jersey. One of the most significant buildings by celebrated architect Ely Jacques Kahn, the Holland Plaza displays a modern, functional architectural vocabulary influenced by the contemporary expressionist brick buildings of Germany and Holland. Kahn popularized this style in his numerous remarkable, commercial buildings built throughout New York City. Positioned on a prominent site, the Holland Plaza Building displays a dramatic style that emphasizes the structural grid without applied ornament. Its strong vertical piers are balanced by horizontal, textured spandrels and their meeting point is emphasized by projecting corner blocks and a layered plaque, creating a dynamic surface tension that is quite unusual in this district of utilitarian warehouse structures.
    [Show full text]
  • Seagram Building, First Floor Interior
    I.andmarks Preservation Commission october 3, 1989; Designation List 221 IP-1665 SEAGRAM BUIIDING, FIRST FLOOR INTERIOR consisting of the lobby and passenger elevator cabs and the fixtures and interior components of these spaces including but not limited to, interior piers, wall surfaces, ceiling surfaces, floor surfaces, doors, railings, elevator doors, elevator indicators, and signs; 375 Park Avenue, Manhattan. Designed by Ludwig Mies van der Rohe with Philip Johnson; Kahn & Jacobs, associate architects. Built 1956-58. Landmark Site: Borough of Manhattan Tax Map Block 1307, Lot 1. On May 17, 1988, the landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Seagram Building, first floor interior, consisting of the lobby and passenger elevator cabs and the fixtures and interior components of these spaces including but not limited to, interior piers, wall surfaces, ceiling surfaces, floor surfaces, doors, railings, elevator doors, elevator indicators, and signs; and the proposed designation of the related I.and.mark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Twenty witnesses, including a representative of the building's owner, spoke in favor of designation. No witnesses spoke in opposition to designation. The Commission has received many letters in favor of designation. DFSCRIPI'ION AND ANALYSIS Summary The Seagram Building, erected in 1956-58, is the only building in New York City designed by architectural master Iudwig Mies van der Rohe. Constructed on Park Avenue at a time when it was changing from an exclusive residential thoroughfare to a prestigious business address, the Seagram Building embodies the quest of a successful corporation to establish further its public image through architectural patronage.
    [Show full text]
  • Digital Library; a Conceptual Framework 5.1
    CHAPTER - V DIGITAL LIBRARY; A CONCEPTUAL FRAMEWORK 5.1. Introduction: The digital library is a recent term used to refer to information systems and services that provide electronic documents from dynamic or archival repositories. Within the past decade the number and types of digital information sources have been arrived to traditional libraries. There is a continues advancement in computer systems and communication technology. The computer and communication technology has resulted in a remarkable expansion in the ability to generate, process and disseminate digital information. These new developments have made new forms of knowledge repositories and information delivery channels. These channels are named as - electronic library - multimedia library - library without walls - hybrid library - information super-highway - digital library - virtual library Though these terms are synonymously used, there is a subtle difference in each category. It is very difficult to grasp and understand the term 'digital library' in isolation. So a brief description on traditional library, electronic library, hybrid library and virtual library is necessary to understand the digital library. The original vision of the library as propounded by nineteenth century pioneers like Melvil Dewey and Charles Cutter [1] was more than simply a set of pragmatic devices such as catalogue, classification system and reference desk procedures. It began in reality with a strong view of the cohesive and interrelated nature of knowledge itself. Other limitations 181 arose from the technology they had at their disposal and inadequate ideas about the user's habit of seeking information. Libraries constitute a physical space that holds collections. Libraries are also a space for learning and reflection - a public space that brings together diverse populations into one community to learn, gather information and reflect.
    [Show full text]
  • Film Center Building's Interior
    Landmarks Preservation Commission November 9th, 1982; Designation List 161 LP-1220 FILM CENTER BUILDING, first floor interior consisting of the Ninth Avenue entrance vestibule, the lobby, and the hallway leading from the lobby to the 44th Street entrance, and the fixtures and interior components of these spaces, including but not limited to, ceiling surfaces, wall surfaces, floor surfaces, mosaics, radiator grilles, elevator doors, mailbox, and directory board; 630 Ninth Avenue, Manhattan. Built 1928-29; architect Ely Jacques Kahn. Landmark Site: Borough of Manhattan, Tax Map Block 1035, Lot 1. On November 18, 1980, the Landmarks Preservation Commission held a public hear­ ing on the proposed designation as an Interior Landmark of the Film Center Building, first floor interior consisting of the Ninth Avenue entrance vestibule, the lobby, and the hallway leading from the lobby to the 44th Street entrance, and the fixtures and interior components of these spaces, including but not limited to, ceiling surfaces, wall surfaces, floor surfaces, mosaics, radiator grilles, elevator doors, mailbox, and directory board; and the proposed designation of the related Landmark Site (Item No. 6). The hearing had been duly advertised in accordance with the provisions of law. Three witnesses spoke in favor of designation. There were no speakers in oppo­ sition to designation. DESCRIPTION AND ANALYSIS The Film Center Building has one of New York's finest surv1v1ng Art Deco style interiors, comprising its main lobby and related spaces. It was built in 1928-29 to the design of Ely Jacques Kahn, who was one of the city's most prominent archi­ tects working in modernist styles.
    [Show full text]
  • A Brief Survey of Architectural Holdings at the Syracuse University Libraries
    Syracuse University SURFACE The Courier Libraries Spring 1984 A Brief Survey of Architectural Holdings at the Syracuse University Libraries Werner Seligmann Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Art and Architecture Commons, Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seligmann, Werner. "A Brief Survey of Architectural Holdings at the Syracuse University Libraries." William Lescaze and the Rise of Modern Design in America. Spec. issue of The Courier 19.1 (1984): 105-112. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES CO URI ER THE RISE OF MODERN DESIGN IN AMERICA A BRIEF SURVEY OF THE SYRACUSE UNIVERSITY A R. CHI TEe T U R A L H 0 L 0 I N GS VOLUME XIX 1 SPRING 1 984 Contents Foreword by Chester Soling, Chairman of the Syracuse University 5 Library Associates WILLIAM LESCAZE AND THE RISE OF MODERN DESIGN IN AMERICA Preface by Dennis P. Doordan, Assistant Professor of Architecture, 7 Tulane University, and Guest Editor William Lescaze and the Machine Age by Arthur ]. Pulos, Pulos Design Associates, Inc., and 9 Professor Emeritus, Syracuse University William Lescaze and Hart Crane: A Bridge Between Architecture and Poetry by Lindsay Stamm Shapiro, Parsons School of Design 25 The "Modern" Skyscraper, 1931 by Carol Willis, Parsons School of Design 29 William Lescaze and CBS: A Case Study in Corporate Modernism by Dennis P.
    [Show full text]
  • NEW YORK YIMBY April 08, 2016 425 Park Avenue, Pioneer of Modernism
    April 8, 2016 425 Park Avenue, Pioneer Of Modernism, Loses Half Its Height To Make Way For 893-Foot-Tall 21st Century Beacon 425 Park Avenue. March 2016. Looking northeast. Photos by the author unless indicated otherwise. BY: VITALI OGORODNIKOV 4:30 PM ON APRIL 8, 2016 Park Avenue is about to get its rst new ofce tower in decades as the 1957 ofce tower at 425 Park Avenue (catty corner to Rafael Viñoly’s 1,396-foot-tall 432 Park Avenue), once the pinnacle of modernity, is being reinvented for the 21st century via a partial demolition and a dramatic, 893-foot-tall restructuring by developer L&L Holdings and architects at Foster + Partners. The 27,950-square-foot site between East 55th and East 56th streets once supported a 30-story, 388-foot-high, 585,000-square-foot ofce building erected between 1954 and 1957. It was designed by the partnership of Kahn & Jacobs, who produced 61 buildings in New York during their 27-year tenure. At the time, the building’s clean vertical lines were among the rst of their kind on Park Avenue, predating the landmark Seagram Building by a year. 425 Park in 2014. Looking southeast. Universal Pictures Building is on the left. In 1831, the New York and Harlem Railroad was laid out along Park Avenue, known as Fourth Avenue at the time. The double tracks passed next to mostly open, rural land. In 1839, a cow was struck by a train at the intersection of East 58th Street. The new railroad spurred rapid development along its run, particularly after CorneliusV anderbilt took control in the 1860s and built the Grand Central Depot at 42nd Street in 1871.
    [Show full text]
  • Sun Mon Tues Wed Thurs Fri
    NYU Urban Design and Architecture Studies New York Area Calendar of Events July 2019 Sun Mon Tues Wed Thurs Fri Sat 1 2 3 4 5 6 Paul Rudolph Five Squares Heritage and a Circle ​ Foundation Open House In the Wake of the High Line: Far West Village & Hudson Square 7 8 9 10 11 12 13 The Changing East Village New York’s Old ‘Perfection is The Landmarks Face of North Community French Quarter One Thing’: of Sunset Park Midtown: Gardens Tour in Chelsea Chatsworth and ​ Crosstown the Art of Shaping Our Below the Park Prodigy of the Telling the Art Capability City: Depression: Deco Story of Brown Morningside NYCHA Is Born Downtown Heights to and Changes Brooklyn & The Glamour of Harlem the Housing Brooklyn Rockefeller Model in New Heights: Talk & Center Industrial York Walk Waterway Tour: Sunset Freshkills Park Transportation Sketching at in Staten Island Conversations Four Freedoms Park NoHo: Contemporary Architecture amidst Historic Landmarks The Hunt: Jackson Heights 14 15 16 17 18 19 20 A Walking Tour Backstage Tour Architects, Women Sunset Tour of of Historic 19th of the Developers, Construct Manitoga Century Noho Delacorte and Title 1 Panel ​ Theater Discussion The Terra Cotta Graphic Design Architecture of Midtown in Transit Park Avenue South 9/11 Memorial From Blueprint and World to Bill: NYC’s Mansions of Trade Center: Building Riverside Drive Architecture, Emissions Law Tour 1 Urban Planning and History SAH Change Manhattanville ​ Agent Award Douglas Manor Reception Guided Tour en Español: Astor Place & East Village 21 22 23 24 25 26
    [Show full text]
  • National Register of Historic Places Registration Form
    NPS Form 10-900 OMB No. 10024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking “x” in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter “N/A” for “not applicable.” For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer to complete all items. 1. Name of Property historic name South Village Historic District other names/site number N/A 2. Location street & number Bedford St., Bleecker St., Broome St., Carmine St., Clarkson St., Cornelia St., Downing St., Grand St., Jones St., LaGuardia Pl., Leroy St., MacDougal St., Minetta Ln., Morton St., Prince St., St. Luke’s Pl., Seventh Ave, Sixth Ave., Spring St., Sullivan St., Thompson St., Varick St., Washington Sq. So., Watts St., West 3rd St, West 4th St., W. Houston St. [ ] not for publication city or town Manhattan [ ] vicinity state New York code NY county New York code 061 zip code 10012 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this [X] nomination [ ] request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements as set forth in 36 CFR Part 60.
    [Show full text]
  • Landmarks Preservation Commission December 13, 2016, Designation List 492 LP-0735
    Landmarks Preservation Commission December 13, 2016, Designation List 492 LP-0735 BERGDORF GOODMAN, 754 Fifth Avenue (aka 2 West 58th Street), Manhattan. Built 1927-1928; Architects Buchman & Kahn. Landmark Site: Borough of Manhattan, Tax Map Block 1273, Lot 33. On June 23, 1970, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of Bergdorf Goodman and the proposed designation of the related Landmark Site (Item No. 41). The hearing had been duly advertised in accordance with provisions of law. The building’s owner requested a continuance. The public hearing was continued on July 21, 1970 (Item No. 15) at which time the owner and a representative of the owner spoke in opposition. On November 5, 2015, the Landmarks Preservation Commission held a special public hearing on Backlog Initiative items in the Borough of Manhattan, including Bergdorf Goodman and the related Landmark Site (Item No. II—Borough of Manhattan Group, B). The hearing had been duly advertised in accordance with the provisions of the law. Four people testified in opposition on behalf of the owner. Nine people testified in favor of designation, including a representative of Assembly Member Richard N. Gottfried, Borough President Gale Brewer, and representatives from the Society for the Architecture of the City, Save Harlem Now!, the New York Landmarks Conservancy, the Historic Districts Council, and two individuals from Community Board Five. The Commission also received written submissions expressing support for designation from Senator Liz Krueger, Landmark West!, and sixteen individuals. Statements about support for Bergdorf Goodman during the backlog process reflect specific testimony given or submitted during the hearing or while the record was open.
    [Show full text]
  • SEAGRAM BUILDING, INCWDING the PIAZA, 375 Park Avenue, Manhattan
    I.andrnarks Preservation Corrnnission October 3, 1989; resignation List 221 IP-1664 SEAGRAM BUILDING, INCWDING THE PIAZA, 375 Park Avenue, Manhattan. resigned by I.udwig Mies van der Rohe with Philip Johnson; Kahn & Jacobs, associate architects. Built 1956-58. Landmark Site: Borough of Manhattan Tax Map Block 1307, Lot 1. On May 17, 1988, the I.andrnarks Preservation Commission held a public hearing on the proposed designation as a I.andrnark of the Seagram Building including the plaza, and the proposed designation of the related Landmark Site (Item No. 1) . The hearing had been duly advertised in accordance with the pro­ visions of law. 'IWenty-one witnesses, including a representative of the building's owner, spoke in favor of designation. No witnesses spoke in opposition to designation. The Commission has received many letters in favor of designation. DFSCRIPI'ION AND ANALYSIS Surrnna:ry The Seagram Building, erected in 1956-58, is the only building in New York City designed by architectural master I.udwig Mies van der Rohe. carefully related to the tranquil granite and :marble plaza on its Park Avenue site, the elegant curtain wall of bronze and tinted glass enfolds the first fully modular modern office tower. Constructed at a time when Park Avenue was changing from an exclusive residential thoroughfare to a prestigious business address, the Seagram Building embodies the quest of a successful corporation to establish further its public image through architectural patronage. The president of Joseph E. Seagram & Sons, Samuel Bronfman, with the aid of his daughter Phyllis I.arnbert, carefully selected Mies, assisted by Philip Johnson, to design an office building later regarded by many, including Mies himself, as his crowning work and the apotheosis of International Style towers.
    [Show full text]
  • 2 PARK AVENUE BUILDING, 2 Park Avenue (Aka 37-53 East 32Nd Street, 40-58 East 33Nd Street) Manhattan
    Landmarks Preservation Commission Date April 18, 2006, Designation List 372 LP-2186 2 PARK AVENUE BUILDING, 2 Park Avenue (aka 37-53 East 32nd Street, 40-58 East 33nd Street) Manhattan. Built 1926-28; Architect Ely Jacques Kahn of Buchman & Kahn. Landmark Site: Borough of Manhattan Tax Map Block 862, Lot 29. On October 18, 2005, the Landmarks Preservation Commission held a public hearing on the proposed designation of the 2 Park Avenue Building (Item No. 3). The hearing was duly advertised according to the provisions of Law. There were three speakers in favor of designation and no speakers opposed. In addition, The Commission received one letter in support of designation. Summary The colorful and striking 2 Park Avenue Building, built in 1926-28 on lower Park Ave- nue, was designed by one of New York’s foremost architects of the first half of the twentieth century, Ely Jacques Kahn. Con- structed when this section of the avenue was just beginning to be developed with modern office towers, 2 Park Avenue represents one of Kahn’s finest essays into Art Deco or Mod- ernistic style architecture. The name Art Deco came from the famous show in Paris that in- troduced the style, the 1925 Exhibition des Arts Decoratifs. In the 2 Park Avenue Build- ing, Kahn was able to successfully integrate a new decorative type produced by the applica- tion of colorful terra-cotta panels in geometric designs to a tall, commercially successful of- fice/loft structure. 2 Park Avenue was one of the important late 1920s buildings that helped create the visually lively and iconic city of the early 20th century.
    [Show full text]
  • JOHN A. STUART, AIA EDUCATION Master of Architecture Architecture 1991 Columbia University Master of Arts Classical Archae
    JOHN A. STUART, AIA EDUCATION Master of Architecture Architecture 1991 Columbia University Master of Arts Classical Archaeology 1987 Princeton University Bachelor of Arts Classics with Honors 1984 Brown University Applied Mathematics 1984 ACADEMIC POSITIONS Distinguished University Professor Architecture 2019– Florida International University Director CARTA Innovation Lab for 3D Printing 2015– Florida International University Associate Dean College of Communication, Architecture 2013– Florida International University + The Arts Executive Director The Miami Beach Urban Studios 2013– Florida International University Department Chair Architecture 2011–2013 Florida International University Faculty Fellow Office of the Provost 2010–11 Florida International University Full Professor Architecture 2008– Florida International University Visiting Associate Professor The Graduate School of Architecture Fall 2003 Columbia University Planning and Preservation Founding Program Director Graduate Program in Architecture 1999–2002 Florida International University Associate Professor with Tenure Architecture 1999–2008 Florida International University Assistant Professor Architecture 1994–1999 Florida International University Adjunct Design Instructor Architecture 1994 Florida International University Adjunct Design Instructor Architecture 1994 University of Miami HONORS AND AWARDS John Stuart Day in the City of Miami Beach, April 21, 2021 2021 Proclamation of the Mayor and Commission for Service to the City. FIU Service Excellence Award 2021 For 3D Face Shield Team White Cane Day Speaker Award: Miami Lighthouse for the Blind 2018 “FIU’s 3D Printed Innovations for the Visually Impaired” Keynote Speaker at the 2017 FIU Faculty Convocation 2017 “Provocations from the Edge: The Future of Faculty Research” Winner of the MakerBot Innovation Award MakerBot Annual Summit 2016 With MBUS Office Manager, Jacqueline Thompson. Winner, 2016 Philanthropy Shark Tank Miami Philanthropy Miami 2016 Competition to fund a Summer Camp for 3D printing and government.
    [Show full text]