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Landmarks Preservation Commission August 6, 2013, Designation List 466 LP-2537 HOLLAND PLAZA BUILDING (Now ONE HUDSON SQUARE), 7
Landmarks Preservation Commission August 6, 2013, Designation List 466 LP-2537 HOLLAND PLAZA BUILDING (now ONE HUDSON SQUARE), 75 Varick Street (aka 73- 93 Varick Street, 73-99 Watts Street, and 431-475 Canal Street), Manhattan Built 1930; architect, Ely Jacques Kahn Borough of Manhattan Tax Map Block 226, Lot 1 On June 11, 2013 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Holland Plaza Building (now One Hudson Square) and the proposed designation of the related Landmark Site (Item No. 3). The hearing had been duly advertised in accordance with the provisions of law. There were two speakers in favor of designation including the owner and a representative of the Historic District Council. Summary The Holland Plaza Building is a large, modern-classical style manufacturing structure, constructed on an irregularly-shaped lot facing the entrance to the Holland Tunnel in 1929-30. The building location was chosen to take advantage of the new transportation hub then developing at the entrance to the newly-constructed tunnel linking New York and New Jersey. One of the most significant buildings by celebrated architect Ely Jacques Kahn, the Holland Plaza displays a modern, functional architectural vocabulary influenced by the contemporary expressionist brick buildings of Germany and Holland. Kahn popularized this style in his numerous remarkable, commercial buildings built throughout New York City. Positioned on a prominent site, the Holland Plaza Building displays a dramatic style that emphasizes the structural grid without applied ornament. Its strong vertical piers are balanced by horizontal, textured spandrels and their meeting point is emphasized by projecting corner blocks and a layered plaque, creating a dynamic surface tension that is quite unusual in this district of utilitarian warehouse structures. -
Connecticut English Gardens!
7/10/2015 Weekly Real Estate Hot List: Top Ten Home & Condos | Jul 07, 2015 Toggle navigation Top Ten Lists Top Ten Florida Condo Lists Florida New Condo Developments Florida Luxury Condos Florida PreConstruction Pompano Beach Condos For Sale Weekly Hot List News Agents Say What? In The Press View All Florida Condos For Sale Connecticut English Gardens! Connecticut English Gardens! New Canaan, Connecticut, a onehour commute from Manhattan, is a town with a lot of history. Always considered one of the wealthiest enclaves in the country, that reputation started when the first rail line came through and wealthy New Yorkers started building their summer mansions there. In time, they began living in New Canaan full time and commuting to Manhattan. It was a town of tradition and all that was old world until the modern explosion took place from the 1940s through the 1960s when the Harvard Five invaded the city. Young architects Philip Johnson, Marcel Breuer, Landis Gores, John M. Johansen and Eliot Noyes ascended and began building their “outlandish” homes. Fogies were in shock and horror as houses with great expanses of glass and open floor plans began popping up. There were eighty of these new fangled houses, twenty of which have now been torn down, that put New Canaan on the architectural map. The city has since been the setting for film, books and the home base of “preppy” style. http://www.toptenrealestatedeals.com/homes/weeklytenbesthomedeals/2015/772015/3/ 1/12 7/10/2015 Weekly Real Estate Hot List: Top Ten Home & Condos | Jul 07, 2015 Now for sale is a 15,000squarefoot English Arts and Crafts/American Shinglestyle residence on 3.71 acres with English gardens, swimming pool terrace, tennis court with viewing platform and a walled children’s playground. -
Seagram Building, First Floor Interior
I.andmarks Preservation Commission october 3, 1989; Designation List 221 IP-1665 SEAGRAM BUIIDING, FIRST FLOOR INTERIOR consisting of the lobby and passenger elevator cabs and the fixtures and interior components of these spaces including but not limited to, interior piers, wall surfaces, ceiling surfaces, floor surfaces, doors, railings, elevator doors, elevator indicators, and signs; 375 Park Avenue, Manhattan. Designed by Ludwig Mies van der Rohe with Philip Johnson; Kahn & Jacobs, associate architects. Built 1956-58. Landmark Site: Borough of Manhattan Tax Map Block 1307, Lot 1. On May 17, 1988, the landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Seagram Building, first floor interior, consisting of the lobby and passenger elevator cabs and the fixtures and interior components of these spaces including but not limited to, interior piers, wall surfaces, ceiling surfaces, floor surfaces, doors, railings, elevator doors, elevator indicators, and signs; and the proposed designation of the related I.and.mark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Twenty witnesses, including a representative of the building's owner, spoke in favor of designation. No witnesses spoke in opposition to designation. The Commission has received many letters in favor of designation. DFSCRIPI'ION AND ANALYSIS Summary The Seagram Building, erected in 1956-58, is the only building in New York City designed by architectural master Iudwig Mies van der Rohe. Constructed on Park Avenue at a time when it was changing from an exclusive residential thoroughfare to a prestigious business address, the Seagram Building embodies the quest of a successful corporation to establish further its public image through architectural patronage. -
Street & Number 192 Cross Ridge Road___City Or Town New
NPS Form 10-900 OMB No. 10024-0018 (Oct. 1990) RECEIVED 2280 United States Department of the Interior National Park Service FR 2002 National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete me '" '"'' National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item be marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable". For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer to complete all items. 1. Name of Property_________________________________________________ historic name LANDIS GORES HOUSE other names/site number N/A 2. Location street & number 192 Cross Ridge Road_________ D not for publication city or town New Canaan________________ _______ D vicinity state Connecticut code CT county Fairfield code 001 zip code .06840. 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this Kl nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property H meets D does not meet the National Register criteria. I recommend that this property be considered significant DnationaJly-C§ statewide D locally.^£]J5ee continuation sheet for additional comments.) February 4, 2002 Decertifying offfoffirritle ' Date Fohn W. -
Miller House, Orange New Haven County, Connecticut
Henry F. Miller House, Orange New Haven County, Connecticut I, hereby certify that this property is i/ entered in the National Register __ See continuation sheet. ___ determined eligible for the National Register __ See continuation sheet. ___ determined not eligible for the National Register removed from the National Register other (explain): M______ l^ighature of Keeper Date of Action 5. Classification Ownership of Property (Check as many boxes as apply) X private __ public-local __ public-State __ public-Federal Category of Property (Check only one box) X building(s) __ district site structure object Number of Resources within Property: Contributing Noncontributing 1 ____ buildings ____ ____ sites 1 ____ structures ____ ____ objects 2 0 Total Number of contributing resources previously listed in the National Register: _0 Name of related multiple property listing: N/A 6. Function or Use Historic Functions (Enter categories from instructions) Cat: DOMESTIC_______________ Sub: ____single dwelling Current Functions (Enter categories from instructions Henry F. Miller House, Orange New Haven County, Connecticut Cat: DOMESTIC Sub: single dwelling 7. Description Architectural Classification: ___International Stvle Materials: foundation poured concrete roof built-up walls concrete block; vertical tongue and groove fir sidincr other Narrative Description Describe present and historic physical appearance, X See continuation sheet. NFS Form 10-900-a 0MB No. 1024-0018 (8-86) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES CONTINUATION SHEET Description Henry F. Miller House, Orange 7-1 New Haven County, CT Narrative Description The Henry F. Miller House is an International Style structure built in 1949 and located on a wooded hillside in the town of Orange, Connecticut. -
Confronting Privilege and Possibility at SANAA's Grace Farms
The Avery Review Sam holleran – Estate of Grace: Confronting Privilege and Possibility at SANAA’s Grace Farms New Canaan, Connecticut, has long been conflated with the WASPy ur-’burb Citation: Sam Holleran, “Estate of Grace: Confronting Privilege and Possibility at SANAA’s Grace Farms,” depicted in Rick Moody’s 1994 novel-turned-film The Ice Storm: popped in The Avery Review, no. 13 (February 2016), http:// collars, monogrammed bags, and picket fences. This image has been hard to averyreview.com/issues/13/estate-of-grace. shake for this high-income town at the end of a Metro-North rail spur, which is, to be sure, a comfortable place to live—far from the clamor of New York City but close to its jobs (and also reasonably buffered from the poorer, immi- grant-heavy pockets of Fairfield County that line Interstate 95). This community of 20,000 is blessed with rolling hills, charming historic architecture, and budgets big enough for graceful living. Its outskirts are latticed with old stone walls and peppered with luxe farmhouses and grazing deer. The town’s center, or “village district,” is a compact two-block elbow of shops that hinge from the rail depot (the arterial connection to New York City’s capital flows). Their exteriors are municipally regulated by Design Guidelines mandating Colonial building styles—red brick façades with white-framed windows, low-key signage, and other “charm-enhancing” elements. [1] The result is a New Urbanist core [1] The Town of New Canaan Village District Design Guidelines “Town of New Canaan Village District that is relatively pedestrian-friendly and pleasant, if a bit stuffy. -
CT Fairfieldco Stmarksepiscop
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: __St. Mark’s Episcopal Church________________________ Other names/site number: ______________________________________ Name of related multiple property listing: ___N/A________________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: _111 Oenoke Ridge___________________________________ City or town: _New Canaan_____ State: _Connecticut______ County: _Fairfield______ Not For Publication: Vicinity: __________________________________________________________________ __________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination ___ request for determination of eligibility meets the documentation standards for registering properties -
2009 2 March
Connecticut Preservation News March/April 2009 Volume XXXII, No. 2 C. Wigren C. courtesy of Elizabeth Mills Brown Elms on the Rebound nce upon a time, Connecticut towns and cities were It wasn’t always so. For the first European settlers, trees were graced by hundreds, even thousands, of American obstacles to be removed before they could build towns, graze O th th elm trees. By the second half of the 19 century elms had become animals, or plant crops. Only at the end of the 18 century, after a defining characteristic of New England villages, their grace- the initial clearing had been accomplished and Romanticism fully drooping branches making the streets sheltered, but still inspired a new attitude toward Nature as nurturer rather than open and inviting, corridors of space. Invariably they inspired opponent, did New Englanders begin planting trees for orna- visitors’ comments; as one Rhode Island resident remembered, ment. It began with public-spirited individuals such as James “When you came into any town in New England the landscape Hillhouse of New Haven, who initiated efforts to plant trees on changed; you entered this kind of forest with 100-foot arches. the New Haven Green and then throughout the city (actually The shadows changed. Everything seemed very reverent, there planting many of them himself, according to legend). By mid- was a certain serenity, a certain calmness… a sweetness in the air. century, village improvement societies throughout the region It was an otherworldly experience, you knew you were entering had taken up the cause, incorporating tree-planting in their an almost sacred place.” improvement programs. -
Digital Library; a Conceptual Framework 5.1
CHAPTER - V DIGITAL LIBRARY; A CONCEPTUAL FRAMEWORK 5.1. Introduction: The digital library is a recent term used to refer to information systems and services that provide electronic documents from dynamic or archival repositories. Within the past decade the number and types of digital information sources have been arrived to traditional libraries. There is a continues advancement in computer systems and communication technology. The computer and communication technology has resulted in a remarkable expansion in the ability to generate, process and disseminate digital information. These new developments have made new forms of knowledge repositories and information delivery channels. These channels are named as - electronic library - multimedia library - library without walls - hybrid library - information super-highway - digital library - virtual library Though these terms are synonymously used, there is a subtle difference in each category. It is very difficult to grasp and understand the term 'digital library' in isolation. So a brief description on traditional library, electronic library, hybrid library and virtual library is necessary to understand the digital library. The original vision of the library as propounded by nineteenth century pioneers like Melvil Dewey and Charles Cutter [1] was more than simply a set of pragmatic devices such as catalogue, classification system and reference desk procedures. It began in reality with a strong view of the cohesive and interrelated nature of knowledge itself. Other limitations 181 arose from the technology they had at their disposal and inadequate ideas about the user's habit of seeking information. Libraries constitute a physical space that holds collections. Libraries are also a space for learning and reflection - a public space that brings together diverse populations into one community to learn, gather information and reflect. -
For Eleanor Heidenwith Corbett
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Tilting at Modern: Elizabeth Gordon's "The Threat to the Next America" Permalink https://escholarship.org/uc/item/87m3z9n5 Author Corbett, Kathleen LaMoine Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Tilting at Modern: Elizabeth Gordon’s “The Threat to the Next America” By Kathleen LaMoine Corbett A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Architecture in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Andrew M. Shanken, Chair Professor Kathleen James-Chakraborty Professor Galen Cranz Professor Laurie A. Wilkie Fall 2010 Abstract Tilting at Modern: Elizabeth Gordon’s “The Threat to the Next America” by Kathleen LaMoine Corbett Doctor of Philosophy in Architecture University of California, Berkeley Professor Andrew Shanken, Chair This dissertation addresses the ways that gender, politics, and social factors were exploited and expressed in the controversy surrounding the April 1953 House Beautiful editorial, “The Threat to the Next America.” House Beautiful’s editor, Elizabeth Gordon, wrote and published this editorial as a response to ongoing institutional promotion of experimental modern residential architecture, which fell under the umbrella of the International Style, a term that came from a 1932 exhibition at the Museum of Modern Art. Gordon warned her readers that the practitioners of the International Style, which she deplored as “barren,” were designing and promoting unlivable housing. She specifically condemned German immigrant architects Walter Gropius and Ludwig Mies van der Rohe, as well as French architect Le Corbusier. -
Film Center Building's Interior
Landmarks Preservation Commission November 9th, 1982; Designation List 161 LP-1220 FILM CENTER BUILDING, first floor interior consisting of the Ninth Avenue entrance vestibule, the lobby, and the hallway leading from the lobby to the 44th Street entrance, and the fixtures and interior components of these spaces, including but not limited to, ceiling surfaces, wall surfaces, floor surfaces, mosaics, radiator grilles, elevator doors, mailbox, and directory board; 630 Ninth Avenue, Manhattan. Built 1928-29; architect Ely Jacques Kahn. Landmark Site: Borough of Manhattan, Tax Map Block 1035, Lot 1. On November 18, 1980, the Landmarks Preservation Commission held a public hear ing on the proposed designation as an Interior Landmark of the Film Center Building, first floor interior consisting of the Ninth Avenue entrance vestibule, the lobby, and the hallway leading from the lobby to the 44th Street entrance, and the fixtures and interior components of these spaces, including but not limited to, ceiling surfaces, wall surfaces, floor surfaces, mosaics, radiator grilles, elevator doors, mailbox, and directory board; and the proposed designation of the related Landmark Site (Item No. 6). The hearing had been duly advertised in accordance with the provisions of law. Three witnesses spoke in favor of designation. There were no speakers in oppo sition to designation. DESCRIPTION AND ANALYSIS The Film Center Building has one of New York's finest surv1v1ng Art Deco style interiors, comprising its main lobby and related spaces. It was built in 1928-29 to the design of Ely Jacques Kahn, who was one of the city's most prominent archi tects working in modernist styles. -
A Brief Survey of Architectural Holdings at the Syracuse University Libraries
Syracuse University SURFACE The Courier Libraries Spring 1984 A Brief Survey of Architectural Holdings at the Syracuse University Libraries Werner Seligmann Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Art and Architecture Commons, Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seligmann, Werner. "A Brief Survey of Architectural Holdings at the Syracuse University Libraries." William Lescaze and the Rise of Modern Design in America. Spec. issue of The Courier 19.1 (1984): 105-112. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES CO URI ER THE RISE OF MODERN DESIGN IN AMERICA A BRIEF SURVEY OF THE SYRACUSE UNIVERSITY A R. CHI TEe T U R A L H 0 L 0 I N GS VOLUME XIX 1 SPRING 1 984 Contents Foreword by Chester Soling, Chairman of the Syracuse University 5 Library Associates WILLIAM LESCAZE AND THE RISE OF MODERN DESIGN IN AMERICA Preface by Dennis P. Doordan, Assistant Professor of Architecture, 7 Tulane University, and Guest Editor William Lescaze and the Machine Age by Arthur ]. Pulos, Pulos Design Associates, Inc., and 9 Professor Emeritus, Syracuse University William Lescaze and Hart Crane: A Bridge Between Architecture and Poetry by Lindsay Stamm Shapiro, Parsons School of Design 25 The "Modern" Skyscraper, 1931 by Carol Willis, Parsons School of Design 29 William Lescaze and CBS: A Case Study in Corporate Modernism by Dennis P.