Park Avenue Is About to Get Something It Hasn’T Seen in 40 Years by DAVID M
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Read Where Architecture Expert Paul Goldberg Comments on the History of New York's Famous Skyscrapers. As You Do So, Complete
Can you identify any of these buildings? What do they all have in common? Which one do you like best? Read where architecture expert Paul Goldberg comments on the history of New York’s famous skyscrapers. As you do so, complete the following tasks: · In New York buildings are not only buildings, they become ___________________ · New York took over Chicago as regards skyscrapers in ___________________. · The Woolworth building was the tallest building worldwide for _________________. · The _______________ defined the Manhattan skyline. · They are trying to keep a memory of the people who were lost and also to show New York’s ______________________________. · New York stands out from the other cities as the embodiment of ____________________. Woolworth Building; Empire State Building; Chrysler Building; Flatiron; Hearst Tower The Woolworth Building, at 57 stories (floors), is one of the oldest—and one of the most famous—skyscrapers in New York City. It was the world’s tallest building for 17 years. More than 95 years after its construction, it is still one of the fifty tallest buildings in the United States as well as one of the twenty tallest buildings in New York City. The building is a National Historic Landmark, having been listed in 1966. The Empire State Building is a 102-story landmark Art Deco skyscraper in New York City at the intersection of Fifth Avenue and West 34th Street. Like many New York building, it has become seen as a work of art. Its name is derived from the nickname for New York, The Empire State. It stood as the world's tallest building for more than 40 years, from its completion in 1931 until construction of the World Trade Center's North Tower was completed in 1972. -
Elevator Interior Design
C AMB RIDGE A select portfolio of architectural mesh projects for new or refurbished elevator cabs, lobbies and high-traffic spaces featuring Cambridge’s metal mesh. ARCHITECTURAL MESH Beautiful, light-weight and durable, architectural mesh has been prized by architects and designers since we first wove metal fabric for the elevator cabs in Mies van der Rohe’s Seagram Building in 1958. And it’s still there today. Learn more about our elite line of elegant panels in stainless steel, brass, copper and aluminum. Carnegie Hall, New York City Elegant burnished aluminum panels lift Carnegie Hall’s elevator interiors to another level. Installed by EDI/ECI in concert with Iu + Biblowicz Architects, Comcast Center, Philadelphia, PA Cambridge’s Sawgrass pattern adds When designing the a refined and resilient interior to world’s tallest green this refurbished masterpiece. building, Robert A.M. © Gbphoto27 | Dreamstime.com Stern Architects added style and sustainability with Empire State Building, Cambridge mesh. New York City Classically outfitted Beyer, Blinder & with the chic Ritz pattern, the flexible Belle Architects stainless steel fabric integrates the modernized the lobby and elevators with a smooth landmark and seamless design. skyscraper’s elevator cabs with Cambridge’s Stipple mesh. Installed by the National Elevator Cab & Door Co., the dappled brushed aluminum surface stands up to the traffic and traditions of this legendary building. Victory Plaza, Dallas, TX TFO Architecture’s YAHOO!, Sunnyvale, CA expansive mixed-use project in the center Gensler architects of downtown selected Cambridge’s incorporates one of Silk mesh to clad Cambridge’s most elevators at Yahoo’s popular rigid mesh Silicon Valley fabrics. -
Return of Private Foundation
OMB No 1545.0052 Form 990 P F Return of Private Foundation or Section 4947(a)(1) Nonexempt Charitable Trust Treated as a Private Foundation 2007 Department of the Treasury Note : The foundation may be able to use a copy of this return to satisfy state Internal Revenue Service For calendar year 2007, or tax year be ginnin g , 2007 , and endin g I G Check all that apply Initial return Final return Amended return Address change Name change Name of foundation A Employer identification number Use the IRS label THE MANN FOUNDATION INC 32-0149835 Otherwise , Number and street (or P 0 box number if mail is not delivered to street address) Room/suite B Telephone number (see the instructions) print or type 1385 BROADWAY 1 1102 (212) 840-6266 See Specific City or town State ZIP code C If exemption application is pending, check here Instructions. ► NEW YORK NY 1 0 0 1 8 D 1 Foreign organizations , check here ► H Check type of organization Section 501 (c)(3exempt private foundation 2 Foreign organizations meeting the 85% test, check q here and attach computation Section 4947(a ) (1) nonexem p t charitable trust Other taxable p rivate foundation ► foundation status was terminated Accrual E If private ► Fair market value of all assets at end of year J Accounting method Cash X under section 507(b)(1 XA), check here (from Part ll, column (c), line 16) Other (s pecify) _ _ _ _ _ _ _ _ _ _ _ _ F If the foundation is in a 60-month termination (d) on cash basis) under section 507(b)(1)(B), check here ► $ -2,064. -
Landmarks Preservation Commission August 6, 2013, Designation List 466 LP-2537 HOLLAND PLAZA BUILDING (Now ONE HUDSON SQUARE), 7
Landmarks Preservation Commission August 6, 2013, Designation List 466 LP-2537 HOLLAND PLAZA BUILDING (now ONE HUDSON SQUARE), 75 Varick Street (aka 73- 93 Varick Street, 73-99 Watts Street, and 431-475 Canal Street), Manhattan Built 1930; architect, Ely Jacques Kahn Borough of Manhattan Tax Map Block 226, Lot 1 On June 11, 2013 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Holland Plaza Building (now One Hudson Square) and the proposed designation of the related Landmark Site (Item No. 3). The hearing had been duly advertised in accordance with the provisions of law. There were two speakers in favor of designation including the owner and a representative of the Historic District Council. Summary The Holland Plaza Building is a large, modern-classical style manufacturing structure, constructed on an irregularly-shaped lot facing the entrance to the Holland Tunnel in 1929-30. The building location was chosen to take advantage of the new transportation hub then developing at the entrance to the newly-constructed tunnel linking New York and New Jersey. One of the most significant buildings by celebrated architect Ely Jacques Kahn, the Holland Plaza displays a modern, functional architectural vocabulary influenced by the contemporary expressionist brick buildings of Germany and Holland. Kahn popularized this style in his numerous remarkable, commercial buildings built throughout New York City. Positioned on a prominent site, the Holland Plaza Building displays a dramatic style that emphasizes the structural grid without applied ornament. Its strong vertical piers are balanced by horizontal, textured spandrels and their meeting point is emphasized by projecting corner blocks and a layered plaque, creating a dynamic surface tension that is quite unusual in this district of utilitarian warehouse structures. -
Seagram Building, First Floor Interior
I.andmarks Preservation Commission october 3, 1989; Designation List 221 IP-1665 SEAGRAM BUIIDING, FIRST FLOOR INTERIOR consisting of the lobby and passenger elevator cabs and the fixtures and interior components of these spaces including but not limited to, interior piers, wall surfaces, ceiling surfaces, floor surfaces, doors, railings, elevator doors, elevator indicators, and signs; 375 Park Avenue, Manhattan. Designed by Ludwig Mies van der Rohe with Philip Johnson; Kahn & Jacobs, associate architects. Built 1956-58. Landmark Site: Borough of Manhattan Tax Map Block 1307, Lot 1. On May 17, 1988, the landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Seagram Building, first floor interior, consisting of the lobby and passenger elevator cabs and the fixtures and interior components of these spaces including but not limited to, interior piers, wall surfaces, ceiling surfaces, floor surfaces, doors, railings, elevator doors, elevator indicators, and signs; and the proposed designation of the related I.and.mark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Twenty witnesses, including a representative of the building's owner, spoke in favor of designation. No witnesses spoke in opposition to designation. The Commission has received many letters in favor of designation. DFSCRIPI'ION AND ANALYSIS Summary The Seagram Building, erected in 1956-58, is the only building in New York City designed by architectural master Iudwig Mies van der Rohe. Constructed on Park Avenue at a time when it was changing from an exclusive residential thoroughfare to a prestigious business address, the Seagram Building embodies the quest of a successful corporation to establish further its public image through architectural patronage. -
The Seagram Building, Designed by Mies Van Der Rohe, Continues To
The Seagram Building, designed by Mies van der Rohe, continues to receive acclaim as New York’s most prestigious office building and the finest example of modern American architecture. We are proud to own this great asset and are committed to ensuring that this Landmark building offers the utmost standards of excellence and service to all of our tenants. 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 20 21 22 23 24 25 26 27 30 31 32 33 375 Park Avenue is widely recognized as building was the first skyscraper in New one of the iconic structures of post-World York City to use floor-to-ceiling plate glass. War II International Style architecture, and is The glazing system in turn required special among the most significant works of Ludwig mechanical innovations such as a specially Mies van der Rohe and Philip Johnson, two designed peripheral air conditioning system of the most important architects of the 20th consisting of low modular units, which would century. From the time of its completion, the cool the building without obstructing views. building has been hailed as one of the most important works of American architecture. The New York Times called it “one of the most notable of Manhattan’s post-war buildings,” At the time of construction, the Seagram and said of the plaza that it had become Building set the gold standard for post- “an oasis for office workers and passersby.” war corporate architecture in America. The In addition to critical praise, the Seagram influence of the building on the course of Building and its architects received a American architecture can be seen up number of awards. -
LEGEND Location of Facilities on NOAA/NYSDOT Mapping
(! Case 10-T-0139 Hearing Exhibit 2 Page 45 of 50 St. Paul's Episcopal Church and Rectory Downtown Ossining Historic District Highland Cottage (Squire House) Rockland Lake (!304 Old Croton Aqueduct Stevens, H.R., House inholding All Saints Episcopal Church Complex (Church) Jug Tavern All Saints Episcopal Church (Rectory/Old Parish Hall) (!305 Hook Mountain Rockland Lake Scarborough Historic District (!306 LEGEND Nyack Beach Underwater Route Rockefeller Park Preserve Rockefeller Park Preserve Rockefeller Park Preserve CP Railroad ROW Rockefeller Park Preserve Rockefeller Park Preserve CSX Railroad ROW Rockefeller Park Preserve (!307 Rockefeller Park Preserve Rockefeller Park Preserve NYS Canal System, Underground (! Rockefeller Park Preserve Milepost Rockefeller Park Preserve Rockefeller Park Preserve Rockefeller Park Preserve )" Sherman Creek Substation Rockefeller Park Preserve Rockefeller Park Preserve Methodist Episcopal Church at Nyack *# Yonkers Converter Station Rockefeller Park Preserve Upper Nyack Firehouse ^ Mine Rockefeller Park Preserve Van Houten's Landing Historic District (!308 Park Rockefeller Park Preserve Union Church of Pocantico Hills State Park Hopper, Edward, Birthplace and Boyhood Home Philipse Manor Railroad Station Untouched Wilderness Dutch Reformed Church Rockefeller, John D., Estate Historic Site Tappan Zee Playhouse Philipsburg Manor St. Paul's United Methodist Church US Post Office--Nyack Scenic Area Ross-Hand Mansion McCullers, Carson, House Tarrytown Lighthouse (!309 Harden, Edward, Mansion Patriot's Park Foster Memorial A.M.E. Zion Church Irving, Washington, High School Music Hall North Grove Street Historic District DATA SOURCES: NYS DOT, ESRI, NOAA, TDI, TRC, NEW YORK STATE DEPARTMENT OF Christ Episcopal Church Blauvelt Wayside Chapel (Former) First Baptist Church and Rectory ENVIRONMENTAL CONSERVATION (NYDEC), NEW YORK STATE OFFICE OF PARKS RECREATION AND HISTORICAL PRESERVATION (OPRHP) Old Croton Aqueduct Old Croton Aqueduct NOTES: (!310 1. -
Leseprobe 9783791384900.Pdf
NYC Walks — Guide to New Architecture JOHN HILL PHOTOGRAPHY BY PAVEL BENDOV Prestel Munich — London — New York BRONX 7 Columbia University and Barnard College 6 Columbus Circle QUEENS to Lincoln Center 5 57th Street, 10 River to River East River MANHATTAN by Ferry 3 High Line and Its Environs 4 Bowery Changing 2 West Side Living 8 Brooklyn 9 1 Bridge Park Car-free G Train Tour Lower Manhattan of Brooklyn BROOKLYN Contents 16 Introduction 21 1. Car-free Lower Manhattan 49 2. West Side Living 69 3. High Line and Its Environs 91 4. Bowery Changing 109 5. 57th Street, River to River QUEENS 125 6. Columbus Circle to Lincoln Center 143 7. Columbia University and Barnard College 161 8. Brooklyn Bridge Park 177 9. G Train Tour of Brooklyn 195 10. East River by Ferry 211 20 More Places to See 217 Acknowledgments BROOKLYN 2 West Side Living 2.75 MILES / 4.4 KM This tour starts at the southwest corner of Leonard and Church Streets in Tribeca and ends in the West Village overlooking a remnant of the elevated railway that was transformed into the High Line. Early last century, industrial piers stretched up the Hudson River from the Battery to the Upper West Side. Most respectable New Yorkers shied away from the working waterfront and therefore lived toward the middle of the island. But in today’s postindustrial Manhattan, the West Side is a highly desirable—and expensive— place, home to residential developments catering to the well-to-do who want to live close to the waterfront and its now recreational piers. -
Hearst Tower Makes Dramatic Use of Light & Space
Inside & out, Hearst Tower makes dramatic use of light & space. Welcome to Hearst Tower, Hearst’s global headquarters and the first New York City st landmark of the 21 century. Using the original 1928 Hearst International Magazine Building as his pedestal, noted British architect Norman Foster has conceived an arresting 46-story glass-and-steel skyscraper that establishes a number of design and environmental milestones. Hearst Tower is a true pioneer in environmental sustain- ABOUT HEARST ability, having been declared the first “green” Hearst Tower is home to employees office building in New York City history. of Hearst, one of the largest Inside and out, the design of Hearst Tower diversified media, information and makes dramatic use of light and space. The soar- services companies. Its major inter- ing three-story atrium—filled with the sound of ests span close to 300 magazines cascading water—creates a sense of calm on a around the world, including Cosmo- grand scale. The exterior honeycomb of steel politan, ELLE and O, The Oprah Mag- keeps the interior work areas uncluttered by azine; respected daily newspapers, pillars and walls, thus creating superb views of including the Houston Chronicle and the city from most vantages on the work floor. San Francisco Chronicle; television At night, with its radically angled panes of glass, stations around the country that Hearst Tower looks like a faceted jewel. reach approximately 19 percent of U.S. TV households; ownership in leading cable networks, including Lifetime, A&E, HISTORY and ESPN; as well as business information, digital services businesses and investments in emerging digital and video companies. -
ANTHONY JAMES / FABULISM FORT GANSEVOORT 5 Ninth Avenue, New York, NY, 10014 on View: Thursday May 18 – Saturday, July
ANTHONY JAMES / FABULISM FORT GANSEVOORT 5 Ninth Avenue, New York, NY, 10014 On View: Thursday May 18 – Saturday, July 8 Opening Reception: Thursday, May 18, 6-9pm New York – May 11, 2017: Fort Gansevoort is pleased to present Fabulism, the first New York solo project in over a decade of British-born, Los Angeles-based artist Anthony James. The exhibition will stage a selection of older works mounted in dialogue with a new body of sculpture in an effort to reflect upon the dynamics of continuity and change within the artist’s practice. The exhibition title speaks to the artist’s interest in elevating ordinary materials through experimentation and transformation. Fabulism, the literary theory of magical realism— which renders the mundane fantastical—is a preoccupation of the artist. The exhibition is curated by Lauri Firstenberg in collaboration with there-there, a new Los Angeles based production company and exhibition space. James debuts his new series of Shields, rendered in steel and bronze, which are highly worked surfaces through a laborious process of painting and additive gestures of refined and subtle metal work. James’s work operates elusively, staggering between the iconic and the arbitrary, the concrete and the alchemic, the mythical and experiential. The artist reveals, "the works evoke pictorial depictions of the cosmos, alluding to notions of mysticism, ethereality, and science fiction, all the while anchored through the use of weighty, industrial materials such as metal and neon." The objects read as relics or artifacts from some liminal moment. As such, James attempts to locate beauty in the wake of insanity. -
May 5, 2016 Game-Changing Real Estate Puts Rapaport in The
May 5, 2016 http://rew-online.com/2016/05/05/game-changing-real-estate-puts-rapaport-in-the-winners-circle/ Game-changing real estate puts Rapaport in the winners circle BY DAN ORLANDO Laura Rapaport, senior vice president at L&L Holding Company, will be taking part in the Real Estate Weekly Women’s Forum next week. Once in pursuit of a career in medicine, Rapaport’s path to her current role was not devoid of twists and turns. “When I was 18, I took an unpaid internship with Earle Altman at Helmsley Spear. After doing what seemed like two weeks of work in just one morning, I was told that if I got my license and closed a deal, they would pay me,” Rapaport recalled. “I got my license and managed to nail a lease on a small property in Queens. That’s when I got the real estate bug.” A University of Pennsylvania graduate, Rapaport said that entering the competitive field was made easier because of the excellent mentorships she has been the beneficiary of. At the forum, she hopes that she’ll be able to positively influence other young real estate professionals, male and female, in a similar manner. “I have been fortunate to work with and learn from some of the industry greats. First there was Earle, and then my mentor Tara Stacom. Each taught me and showed me how exciting and dynamic the real estate industry was and have helped to cultivate my knowledge and experience going forward.” While her past has certainly molded her, Rapaport’s current role has allowed her to truly blossom. -
An Overview of Structural & Aesthetic Developments in Tall Buildings
ctbuh.org/papers Title: An Overview of Structural & Aesthetic Developments in Tall Buildings Using Exterior Bracing & Diagrid Systems Authors: Kheir Al-Kodmany, Professor, Urban Planning and Policy Department, University of Illinois Mir Ali, Professor Emeritus, School of Architecture, University of Illinois at Urbana-Champaign Subjects: Architectural/Design Structural Engineering Keywords: Structural Engineering Structure Publication Date: 2016 Original Publication: International Journal of High-Rise Buildings Volume 5 Number 4 Paper Type: 1. Book chapter/Part chapter 2. Journal paper 3. Conference proceeding 4. Unpublished conference paper 5. Magazine article 6. Unpublished © Council on Tall Buildings and Urban Habitat / Kheir Al-Kodmany; Mir Ali International Journal of High-Rise Buildings International Journal of December 2016, Vol 5, No 4, 271-291 High-Rise Buildings http://dx.doi.org/10.21022/IJHRB.2016.5.4.271 www.ctbuh-korea.org/ijhrb/index.php An Overview of Structural and Aesthetic Developments in Tall Buildings Using Exterior Bracing and Diagrid Systems Kheir Al-Kodmany1,† and Mir M. Ali2 1Urban Planning and Policy Department, University of Illinois, Chicago, IL 60607, USA 2School of Architecture, University of Illinois at Urbana-Champaign, Champaign, IL 61820, USA Abstract There is much architectural and engineering literature which discusses the virtues of exterior bracing and diagrid systems in regards to sustainability - two systems which generally reduce building materials, enhance structural performance, and decrease overall construction cost. By surveying past, present as well as possible future towers, this paper examines another attribute of these structural systems - the blend of structural functionality and aesthetics. Given the external nature of these structural systems, diagrids and exterior bracings can visually communicate the inherent structural logic of a building while also serving as a medium for artistic effect.