God Made You to Imagine. BOTTOM LINE
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
Studying Diversity, Migration and Urban Multiculture
Studying Diversity, Migration and Urban Multiculture Studying Diversity, Migration and Urban Multiculture Convivial Tools for Research and Practice Edited by Mette Louise Berg and Magdalena Nowicka First published in 2019 by UCL Press University College London Gower Street London WC1E 6BT Available to download free: www.uclpress.co.uk Text © Contributors, 2019 Images © Contributors and copyright holders named in the captions, 2019 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work. A CIP catalogue record for this book is available from The British Library. This book is published under a Creative Commons 4.0 International licence (CC BY 4.0). This licence allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Berg, M.L and Nowicka, M. (eds.). 2019. Studying Diversity, Migration and Urban Multiculture. London: UCL Press. DOI: https://doi.org/10.14324/111.9781787354784 Further details about Creative Commons licences are available at http://creativecommons.org/licences/ Any third-party material in this book is published under the book’s Creative Commons licence unless indicated otherwise in the credit line to the material. If you would like to re-use any third-party material not covered by the book’s Creative Commons licence, you will need to obtain permission directly from the copyright holder. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry). -
By David Rothfuss Fireworks and Sex! Is a New
ABSTRACT FIREWORKS AND SEX! by David Rothfuss Fireworks and Sex! is a new religion I’m launching so I can get rich without paying taxes. The religious document that follows, which you’re probably not even allowed to read on account of copyright restrictions, is pretty standard as religious documents go, providing you, the religious consumer, with 205 pages of morally ambiguous poems, fables and doodles to base your life upon. It is by far the most American religion out there, and a sure-fire path to a shinier existence, with the average follower experiencing 74% more happiness, 93% more freedom, and 87% more American Dream than those in other religions. If you were allowed to read it, which you’re not, it would provide you with an inside track to God and eternal salvation. FIREWORKS AND SEX A Field Study Guide to America’s Shiniest Religion A Thesis Submitted to the faculty of Miami University in partial fulfillment of the requirements for the degree of Masters of the Arts Creative Writing/Poetry Department of English by David Alexander Rothfuss Miami University Oxford, Ohio 2011 Keith Tuma, advisor cris cheek, reader David Schloss, reader . © David Rothfuss 2011 Table of Contents: Book 1: Concerning this Book, its characters and the partial revelation of truths……………………………………………………………….………...p.1 Book 2: Concerning your new religion and how lost you would be without it…p. 52 A Brief Interlude: Poems upon which you shall base your life…………..p. 88 Book 3: Big Time: in which Our now famous characters hash out their differences with God and mortality………………………………………………………p. -
Press Information
Press Information New Writing at the Finborough Theatre Season November 2011 to January 2012 Papatango Theatre Company in partnership with the Finborough Theatre present four world premieres The Papatango Playwriting Festival 2011 Foxfinder by Dawn King Through The Night by Matt Morrison Rigor Mortis by Carol Vine Crush by Rob Young Papatango have teamed up with one of London's leading new writing venues, the Finborough Theatre to present the winning entries in the 2011 Papatango Playwriting Competition 2011, featuring this year's winning play Foxfinder by Dawn King which will play for a four week limited season from 29 November (Press Night: Thursday, 1 December 2011 at 8.30pm) and three runners up who will each receive a one week run – Through The Night by Matt Morrison (Press Night: Wednesday, 7 December 2011 at 6.30pm), Rigor Mortis by Carol Vine (Press Night: Wednesday, 14 December 2011 at 6.30pm) and Crush by Rob Young (Press Night: Tuesday, 20 December 2011 at 6.30pm). Papatango was founded by Matt Roberts, George Turvey and Sam Donovan in 2007. The company's mission is to find the best and brightest new talent in the UK with an absolute commitment to bring their work to the stage. Since then, Papatango have produced eight pieces of new writing in such venues as the Tristan Bates Theatre, the Old Red Lion Theatre and the Pleasance London. 2009 saw the launch of their first Papatango New Writing Competition, which each year has gone from strength to strength. Winners of previous competitions have won much acclaim from the press and profession including – for Angel by Matt Grinter at the Pleasance London – “Riveting performances….powerfully directed” (Jeremy Kingston, The Times critic), and “A great piece of theatre” (Steven Berkoff) and, for Potentials by Dominic Mitchell at the Tristan Bates Theatre, which was awarded four stars byWhatsOnStage, “Potentials was beautifully observed, conceived and the performances strong, witty and true. -
MONEY for NOTHING BEHIND the BUSINESS of POP MUSIC MONEY for NOTHING Behind the Business of Pop Music
MEDIA EDUCATION FOUNDATIONChallenging media TRANSCRIPT MONEY FOR NOTHING BEHIND THE BUSINESS OF POP MUSIC MONEY FOR NOTHING Behind the Business of Pop Music Producer: Kembrew McLeod Associate Producers: Thom Monahan & Jeremy Smith Editor: Jeremy Smith Executive Producer: Sut Jhally Narrated by Thurston Moore Musician, Sonic Youth Featuring interviews with: Chuck D Musician, Public Enemy Ani DiFranco Independent Musician Michael Franti Musician, Spearhead Reebee Garafolo Professor, Author Rockin’ The Boat: Mass Music & Mass Movements Shirley Halperin Editor, Bop Magazine; Music Industry Journalist Kathleen Hanna Musician, Bikini Kill/Le Tigre Dave Marsh Music Journalist Robert McChesney University of Illinois Media Education Foundation © MEF 2001 2 INTRODUCTION ROBERT MCCHESNEY: Music plays a big part in peoples' lives today it has historically and it’s an important vehicle for popular expression, for popular communication to exchange ideas, emotions, feelings. And if you look historically right through the present day its social movements, movements for social justice, movements for peace, for democracy invariably popular music has played a large role in communicating ideas through songs, popular songs, just sort of unifying people, bringing people together. It has a very rich important tradition and legacy that still exists today. But even though music is the popular medium, it's the people's medium, it really isn't the people's medium in our society today, it's the property of four or five companies who have inordinate control over what sort of music gets produced and what sort of music doesn't and it made it much more difficult for it to be the people's medium and this is the problem we face. -
Download File
Intimations of the Absolute: Afanasii Fet‘s Metalinguistic and Aspectual Poetics John Wright Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 John Wright All rights reserved ABSTRACT Intimations of the Absolute: Afanasii Fet‘s Metalinguistic and Aspectual Poetics John Wright This work explores the poetry of Afanasii Fet from the perspective that careful observation of certain meta-lingual features of his work, most notably his use of verbal aspect, are relevant to understanding his metaphysical strivings and philosophical beliefs. The analytical focus is on a series of representative lyrics from throughout Fet‘s career. Each individual analysis is then interpreted in the light of Fet‘s biography, his poetic dialogue with his predecessors, and his unhappy romance with Maria Lazic. The analysis of the poetry considers that Fet‘s poetic language often uses the aspectual forms of the Russian verb as a significant organizing principle. Aspect as such in these lyrics interacts with the paraphrasable meaning, while it often stands out in a mathematically or graphically precise form. The introduction reviews Fet‘s life and his autobiographical works and offers a new reading of his autobiography to contextualize the metaphysical tension that plagued the poet throughout his long career. Chapter 1 gives linguistic and philosophical foundations for this approach, while Chapter 2 offers a set of individual readings to demonstrate the variety of types of meaning to which aspectual structures contribute in Fet‘s work. Chapter 3 considers verbal aspect in Fet‘s spring-themed poems, which express some of his most foundational meta-poetic and metaphysical ideas. -
Aleix Martinez Interviewer: Kristyn Scorsone Date: September 6, 2017 Location: Rutgers University-Newark
Queer Newark Oral History Project Interviewee: Aleix Martinez Interviewer: Kristyn Scorsone Date: September 6, 2017 Location: Rutgers University-Newark Kristyn: Today is September 6, 2017. My name is Kristyn Scorsone and I’m interviewing Aleix Martinez in the Queer Newark Office at Rutgers Newark. First off, thank you for doing this. Aleix: Thank you so much for having me. Kristyn: The first question is when and where were you born? Aleix: I was born just outside of Barcelona, Spain on July 20th, 1978, which is the day of the moon landing but not the same year. [Laughter] I lived there in the Barcelona area until April 1984, which is when I first came to Newark. Kristyn: Who raised you? Aleix: I was raised by my mother and father, but like most kids of my generation I was a latchkey kid, so I’d be home alone until 8:00 at night so I wanna say I also raised me [laughter] part of the time. Kristyn: What did your parents do for a living? Aleix: My mom at the time was working retail here in Newark in Ironbound at a Spanish clothing store and my dad worked in Kearny at a water purifying plant called Spectraserv. My mom eventually started working at Port Newark as a security guard. Kristyn: What’s an early memory that stands out to you? Aleix: Of Newark? Kristyn: Well, in general. Aleix: I remember the first day that I landed in the United States is a huge memory for me. I remember that the Empire State Building was yellow and I remember driving over the Verrazano and I remember telling my mom I was like, “Is this New York?” and she was like, “Yeah, this is New York.” I was like, “I don’t like it. -
Rhe Weekly Arts and Entertainment Supplement to the Daily Nexus 2 a Thursday, December 7,1995 Daily Nexus
rhe Weekly Arts and Entertainment Supplement to the Daily Nexus 2 A Thursday, December 7,1995 Daily Nexus Love For those of us who like KRS-ONE ture of What heard that Noel “Oasis” bubble gum and keeping 5. Album: Foo Fighters 11. Sunny Day Real Es Gallagher played on a fan- Bone Thugs 'N' Sattler our attention spans out of / Foo Fighters tate / LP2 tasmic, magical, mysteri firm commitments, I sub 6. Single (with two bo 12. Sonic Youth / Wash ous track, but in the end, mit a proposal for the top nus tracks): Edwyn Col ing Machine James learned a lot more five singles of the year. I lins / “A Girl Like You” 13. Built to Spill / There’s than he had planned to. / © #® ®\ thought this year was so 7. Album: GZA / Liq Nothing Wrong With Pete Shotton began to believe_ in reincarnation and it generally mediocre that a uid Swords Love 5. The Verve / A North made his eyes tear up. He dreamt about all the Mends he TLC song almost made 8. Video: Weezer / 14. Yo La Tengo / Electr- ern Soul had lost and all the places he had known. All the things this list. The stuff that was “Buddy Holly” O-Pura They may have broken he had tried to say seemed less important because of all good this year was great, 9. TV commercial: 15. Various Artists / Kids up in August, but the the unknown things he must have said. and everything else was Grand Puba, CL Smooth Original Motion Picture myths and shadows sur Reincarnation came just when he needed it He was 20 just a notch above that and Pete Rock for Sprite Soundtrack rounding the Verve con and lonely. -
Songs by Artist
Songs by Artist Karaoke Collection Title Title Title +44 18 Visions 3 Dog Night When Your Heart Stops Beating Victim 1 1 Block Radius 1910 Fruitgum Co An Old Fashioned Love Song You Got Me Simon Says Black & White 1 Fine Day 1927 Celebrate For The 1st Time Compulsory Hero Easy To Be Hard 1 Flew South If I Could Elis Comin My Kind Of Beautiful Thats When I Think Of You Joy To The World 1 Night Only 1st Class Liar Just For Tonight Beach Baby Mama Told Me Not To Come 1 Republic 2 Evisa Never Been To Spain Mercy Oh La La La Old Fashioned Love Song Say (All I Need) 2 Live Crew Out In The Country Stop & Stare Do Wah Diddy Diddy Pieces Of April 1 True Voice 2 Pac Shambala After Your Gone California Love Sure As Im Sitting Here Sacred Trust Changes The Family Of Man 1 Way Dear Mama The Show Must Go On Cutie Pie How Do You Want It 3 Doors Down 1 Way Ride So Many Tears Away From The Sun Painted Perfect Thugz Mansion Be Like That 10 000 Maniacs Until The End Of Time Behind Those Eyes Because The Night 2 Pac Ft Eminem Citizen Soldier Candy Everybody Wants 1 Day At A Time Duck & Run Like The Weather 2 Pac Ft Eric Will Here By Me More Than This Do For Love Here Without You These Are Days 2 Pac Ft Notorious Big Its Not My Time Trouble Me Runnin Kryptonite 10 Cc 2 Pistols Ft Ray J Let Me Be Myself Donna You Know Me Let Me Go Dreadlock Holiday 2 Pistols Ft T Pain & Tay Dizm Live For Today Good Morning Judge She Got It Loser Im Mandy 2 Play Ft Thomes Jules & Jucxi So I Need You Im Not In Love Careless Whisper The Better Life Rubber Bullets 2 Tons O Fun -
List: 44 When Your Heart Stops Beating ...And You Will Know Us By
List: 44 When Your Heart Stops Beating ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead So Divided ...And You Will Know Us By The Trail Of Dead Worlds Apart 10,000 Maniacs In My Tribe 10,000 Maniacs Our Time In Eden 10,000 Maniacs The Earth Pressed Flat 100% Funk 100% Funk 3 Doors Down Away From The Sun 3 Doors Down The Better Life 30 Seconds To Mars 30 Seconds To Mars 30 Seconds To Mars A Beautiful Lie 311 311 311 Evolver 311 Greatest Hits '93-'03 311 Soundsystem 504 Plan Treehouse Talk 7:22 Band 7:22 Live 80's New Wave 80's New Wave (Disc1) 80's New Wave 80's New Wave (Disc2) A Day Away Touch M, Tease Me, Take Me For Granted A Day To Remember And Their Name Was Treason A New Found Glory Catalyst A New Found Glory Coming Home A New Found Glory From The Screen To Your Stereo A New Found Glory Nothing Gold Can Stay A New Found Glory Sticks And Stones Aaron Spiro Sing Abba Gold Aberfeldy Young Forever AC/DC AC/DC Live: Collector's Edition (Disc 1) AC/DC AC/DC Live: Collector's Edition (Disc 2) AC/DC Back In Black AC/DC Ballbreaker AC/DC Blow Up Your Video AC/DC Dirty Deeds Done Dirt Cheap AC/DC Fly On The Wall AC/DC For Those About To Rock We Salute You AC/DC High Voltage AC/DC Highway To Hell AC/DC If You Want Blood You've Got I AC/DC Let There Be Rock AC/DC Powerage AC/DC Stiff Upper Lip AC/DC T.N.T. -
200617 WBH Final Kopie New Font.Indd
∂Wow!—But How? An Anthology of the Intersection of Magic and Graphic Design Lola Marella Ritter Schläft ein Lied in allen Dingen, Die da träumen fort und fort, Und die Welt hebt an zu singen, T r i f s t d u n u r d a s Z a u b e r w o r t . ∂ J o s e p h v o n E i c h e n d o r f , W ü n s c h e l r u t e ( 1 8 3 5 ) IV ∂CONTENTS Introduction ∂∂∂∂∂∂∂∂∂∂∂∂∂∂∂∂VIII 1µINSIDE OUTSIDE ∂∂∂∂∂∂∂∂∂∂∂∂XII Sigils, Aesthetic, Magic ∂∂∂∂∂∂∂∂∂∂∂ XIV Substantiating Magic ∂∂∂∂∂∂∂∂∂∂∂XVIII Designing Bon Iver’s 22, a Million : An Interview with Eric Timothy Carlson Emmet Byrne ∂∂∂∂∂∂∂∂∂∂∂∂∂∂XXIX 2µVALUE AND MEANING ∂∂∂∂∂∂∂∂∂∂L Legible Matter Morgane Vantorre ∂∂∂∂∂∂∂∂∂∂∂∂∂LIV Magic and Happiness Giorgio Agamben ∂∂∂∂∂∂∂∂∂∂∂∂∂∂LIX The True Name ∂∂∂∂∂∂∂∂∂∂∂∂∂ LXV 3µTECHNIQUES AND TOOLS ∂∂∂∂∂LXXXVI Why Game Designers Should Study Magic Sebastian Deterding, Gustav Kuhn, Shringi Kumari ∂∂∂∂∂∂∂∂∂∂∂∂∂∂∂XCI The Apparatus Vilem Flusser ∂∂∂∂∂∂∂∂∂∂∂∂∂∂∂CXI Six Sacred Principles of Design ∂∂∂∂∂∂CXXVI V Magic Moments Pellegrino Ritter ∂∂∂∂∂∂∂∂∂∂∂∂CXXXII 4µPERFORMER AND PERFORMANCE ∂∂∂∂∂∂∂∂∂∂CXXXVIII Magic is Afoot: Interview with Alan Moore Jay Babcock ∂∂∂∂∂∂∂∂∂∂∂∂∂ ∂ CXLIII The Alchemy of Creativity: A Rollercoaster Ride Through the Alchemist Operations with Greetings from C.G. Jung Madeline Ritter ∂∂∂∂∂∂∂∂∂∂∂∂CLXXXI Image Credits ∂∂∂∂∂∂∂∂∂∂∂∂∂∂CXCII Imprint ∂∂∂∂∂∂∂∂∂∂∂∂∂∂∂∂ CXCIV VI µINTRODUCTION Children have a very natural connection to magic, they seem to live in a world that purely consists of magic. Magic is real and reality is magical, there is no separation between these two concepts. One of my earliest remembered encounters with magic is my father’s ability to make smurfs appear from nowhere.