Aleix Martinez Interviewer: Kristyn Scorsone Date: September 6, 2017 Location: Rutgers University-Newark
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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Dissertation
DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….…………. -
Earogenous Zones
234 Index Index Note: Film/DVD titles are in italics; album titles are italic, with ‘album’ in parentheses; song titles are in quotation marks; book titles are italic; musical works are either in italics or quotation marks, with composer’s name in parentheses. A Rebours (Huysmans) 61 Asimov, Isaac 130 Abducted by the Daleks/Daloids 135 Assault on Precinct 13 228 Abe, Sada 91–101 Astaire, Fred 131 Abrams, J. 174 Astley, Edwin 104 Abu Ghraib 225, 233 ‘Astronomy Domine’ 81, 82 acousmêtre 6 Atkins, Michael 222 Acre, Billy White, see White Acre, Billy Augoyard, J.-F. 10 Adamson, Al 116 Aury, Dominique (aka Pauline Reage) 86 affect 2, 67, 76 Austin, Billy 215 African music 58 Austin Powers movies 46 Age of Innocence, The 64 Australian Classification Board 170 Ai no borei (‘Empire of Passion’) 100–1 Avon Science Fiction Reader (magazine) 104 Ai no korida (In the Realm of the Senses) 1, 4, Avon Theater, New York 78 7, 89–101 Aihara, Kyoko 100 ‘Baby Did A Bad Bad Thing’ 181–2 Algar, James 20 Bacchus, John 120, 128, 137 Alice in Wonderland (Lewis Carroll) 5, 70, 71, Bach, Johann Sebastian 62 74, 76, 84, 116 Bachelet, Pierre 68, 71, 72, 74 Alien 102 Bacon, Francis 54 Alien Probe 129 Bailey, Fenton 122, 136 Alien Probe II 129 Baker, Jack 143, 150 Alpha Blue 117–19, 120 Baker, Rick 114 Also sprach Zarathustra (Richard Strauss) 46, 112, Ballard, Hank, and the Midnighters 164 113 Band, Charles 126 Altman, Rick 2, 9, 194, 199 Bangs, Lester 141 Amateur Porn Star Killer 231 banjo 47 Amazing Stories (magazine) 103, 104 Barbano, Nicolas 35, 36 Amelie 86 Barbarella 5, 107–11, 113, 115, 119, 120, American National Parent/Teacher Association 147 122, 127, 134, 135, 136 Ampeauty (album) 233 Barbato, Randy 122, 136 Anal Cunt 219 Barbieri, Gato 54, 55, 57 … And God Created Woman, see Et Dieu créa Bardot, Brigitte 68, 107–8 la femme Barker, Raphael 204 Andersen, Gotha 32 Baron, Red 79 Anderson, Paul Thomas 153, 158 Barr, M. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
God Made You to Imagine. BOTTOM LINE
MEMORY VERSE MEMORY VERSE “How you made me is amazing and wonderful. “How you made me is amazing and wonderful. I praise you for that.” I praise you for that.” Psalm 139:14, NIrV Psalm 139:14, NIrV WEEK Creation Story WEEK Creation Story 1 Part 1 1 Part 1 Genesis 1:1-25 Genesis 1:1-25 BOTTOM LINE: BOTTOM LINE: God made everything. God made everything. WEEK Creation Story WEEK Creation Story 2 Part 2: Adam & Eve 2 Part 2: Adam & Eve Genesis 1:26–2:1-25 Genesis 1:26–2:1-25 BOTTOM LINE: BOTTOM LINE: God made you. God made you. WEEK Adam’s First Job WEEK Adam’s First Job 3 Genesis 2:19-20 3 Genesis 2:19-20 BOTTOM LINE: BOTTOM LINE: God made you to imagine. God made you to imagine. WEEK The Fall WEEK The Fall 4 Genesis 3 4 Genesis 3 BOTTOM LINE: BOTTOM LINE: God made you to know Him. God made you to know Him. MORNING TIME MORNING TIME Sometimes it’s diffcult to recognize the Sometimes it’s diffcult to recognize the unique qualities God has given us. Help unique qualities God has given us. Help your child better understand his or her your child better understand his or her amazing qualities by highlighting one each amazing qualities by highlighting one each week and writing it on their bathroom week and writing it on their bathroom mirror. As opportunities arise throughout mirror. As opportunities arise throughout the week, give them examples of the ways the week, give them examples of the ways you’ve seen these qualities shine through you’ve seen these qualities shine through them, and remind them that God loves them, and remind them that God loves watching them make the most of the gifts watching them make the most of the gifts He designed specifcally for them. -
Halperin David M Traub Valeri
GAY SHAME DAVID M. HALPERIN & VALERIE TRAUB I he University of Chicago Press C H I C A G 0 A N D L 0 N D 0 N david m. h alperin is theW. H. Auden Collegiate Professor of the History and Theory of Sexuality at the University of Michigan. He is the author of several books, including Saint Foucault: Towards a Gay Hagiography (Oxford University Press, 1995) and, most re cently, What Do Gay Men Want? An Essay on Sex, Risk, and Subjectivity (University of Michi gan Press, 2007). valerie traub is professor ofEnglish andwomen's studies at the Uni versity of Michigan, where she chairs the Women's Studies Department. She is the author of Desire and Anxiety: Circulations of Sexuality in Shakesptanan Drama (Routledge, 1992) and The Renaissance of Ltsbianism in Early Modem England (Cambridge University Press, 2002). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2009 by The University of Chicago Al rights reserved. Published 2009 Printed in the United States of America 17 16 15 14 13 12 ii 10 09 1 2 3 4 5 ISBN-13: 978-0-226-31437-2 (cloth) ISBN-13: 978-0-226-31438-9 (paper) ISBN-10: 0-226-31437-5 (cloth) ISBN-10: 0-226-31438-3 (paper) Library of Congress Cataloging-in-Publication Data Gay shame / [edited by] David M. Halperin and Valerie Traub. p.cm. Includes bibliographical references and index. ISBN-13: 978-0-226-31437-2 (cloth: alk. paper) isbn-10: 0-226-31437-5 (cloth: alk. -
Studying Diversity, Migration and Urban Multiculture
Studying Diversity, Migration and Urban Multiculture Studying Diversity, Migration and Urban Multiculture Convivial Tools for Research and Practice Edited by Mette Louise Berg and Magdalena Nowicka First published in 2019 by UCL Press University College London Gower Street London WC1E 6BT Available to download free: www.uclpress.co.uk Text © Contributors, 2019 Images © Contributors and copyright holders named in the captions, 2019 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work. A CIP catalogue record for this book is available from The British Library. This book is published under a Creative Commons 4.0 International licence (CC BY 4.0). This licence allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Berg, M.L and Nowicka, M. (eds.). 2019. Studying Diversity, Migration and Urban Multiculture. London: UCL Press. DOI: https://doi.org/10.14324/111.9781787354784 Further details about Creative Commons licences are available at http://creativecommons.org/licences/ Any third-party material in this book is published under the book’s Creative Commons licence unless indicated otherwise in the credit line to the material. If you would like to re-use any third-party material not covered by the book’s Creative Commons licence, you will need to obtain permission directly from the copyright holder. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era. -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode. -
The Origin of Love Tour Songs and Stories of Hedwig with Special Guest Amber Martin Featuring the Songs of Hedwig by Stephen Trask Produced by Arktype
FOR IMMEDIATE RELEASE CAP UCLA presents John Cameron Mitchell The Origin Of Love Tour Songs and Stories of Hedwig With special guest Amber Martin Featuring the songs of Hedwig by Stephen Trask Produced by ArKtype April 11 at The Theatre at Ace Hotel, DTLA “The Origin of Love [is] a punk-rock live behind the music episode of sorts and a gift to Hedwig heads everywhere.” — DC Theatre Scene UCLA’s Center for the Art of Performance (CAP UCLA) presents John Cameron Mitchell’s The Origin Of Love Tour on Saturday, April 11, at The Theatre at Ace Hotel in Downtown LA. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101 and the Royce Hall box office. The Origin of Love Tour investigates Hedwig and The Angry Inch’s origins following 25- years of worldwide influence as one of alt-culture’s most beloved and enduring creations, and John Cameron Mitchell’s ideas and relationships to show business. In addition to songs from the gender-bending rock musical that opened off-Broadway in 1998, released as an acclaimed film in 2001, won the Tony Award for best musical revival in 2014, and has spawned legions of adoring “Hed-Head’s” worldwide, the audience will learn about Mitchell’s rebellion against Broadway tropes, meeting songwriter Trask and his beloved bandmember Jack who became his boyfriend, growing up queer in a military family, Platonic and Gnostic Christian philosophy and its connection to non- binary gender expression, and the influence of Lou Reed and David Bowie. Mitchell also performs songs from his podcast series Anthem: Homunculus and his last film, the punk-era How to Talk to Girls at Parties, as well as his recent acclaimed EP of Lou Reed covers with Eyelids and Peter Buck entitled “Turning Time Around.” New York Vocalist, Cabaret Star and Comedic Monologist Amber Martin joins Mitchell along with very special guests in this rousing performance. -
FINAL Masters Review Volume V.Indd
The Masters Review ten stories The Masters Review The Masters Review, Volume V Stories Selected by Amy Hempel Edited by Kim Winternheimer and Sadye Teiser Front cover: Adobe Stock 68131620 Design by Kim Winternheimer Interior design by Kim Winternheimer First printing. ISBN: 978-0-9853407-4-2 © 2016 The Masters Review. Published annually by The Masters Review. All rights reserved. No part of this publication may be reproduced or reprinted without prior written permission of The Masters Review. To contact an author regarding rights and reprint permissions please contact The Masters Review. www.mastersreview.com Printed in the USA The Masters Review ten stories Volume V Josie Sigler · Eliza Robertson · A. E. Kulze Katie Young Foster · Jonathan Durbin Jonathan Nehls · Andrés Carlstein · Laurie Baker Shubha Venugopal · Kari Shemwell Stories Selected by Amy Hempel Edited by Kim Winternheimer and Sadye Teiser Editor’s Note Five years is a milestone. Since its inception, The Masters Review has published stories by emerging writers, seeking out today’s best new voices and offering a quality platform for their work. What started as a home for writers in graduate- level creative writing programs has turned into a publication that champions all emerging writers, offering their stories and essays to a growing readership. With each issue we see more submissions than the year before, a wider range of voices, and the opportunity to introduce ten new writers to our literary community. Amy Hempel has established herself as an expert on short fiction. Her accomplishments range from a Guggenheim Fellowship to PEN/Malamud and Rea Awards for short sto- ries.