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Guernsey Children and the Second World War
Guernsey Children and the Second World War by Kim Madsen BSN, University of British Columbia, 1986 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of History Kim Madsen, 2012 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Guernsey Children and the Second World War by Kim Madsen BSN, University of British Columbia, 1986 Supervisory Committee Dr. Perry Biddiscombe, Department of History Supervisor Dr. Mariel Grant, Department of History Departmental Member iii Abstract Supervisory Committee Dr. Perry Biddiscombe, Department of History Supervisor Dr. Mariel Grant, Department of History Departmental Member From June 1940 until May 1945, Guernsey children either lived under German occupation or were evacuated to England for the duration of the war. This thesis presents a small case study that uses oral testimony and resilience theory to describe Guernsey children’s experiences during World War Two. Its intent is to contribute towards the larger picture of British children’s experiences during this period. This thesis also aims to understand how the majority of those who were children on Guernsey during this time judged that, despite the obvious challenges related to wartime, their experiences had a net positive effect on their lives. Findings suggest that, consistent with resilience theory, children found the support they needed both internally using optimism, empathy, comparison, and the attitude of ‘getting on with it’ and externally from family, teachers, and the local people with whom they lived during evacuation or occupation. -
The-Towers-Of-Gormenghast-Web.Pdf
The Towers of Gormenghast Timothy Rees Allegro non troppo q . = 108 A Piccolo ° & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Flute 1 & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Flute 2 & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Oboe & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bassoon ? 6 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¢ 8 Tpt. j j j j j œ œ Clarinet 1 in Bb ° # 6 Œ™ Œ j œ ™ œ j œ ™ œ œ œ œ œ œ œ œ œ œ œ œ ™ œ j œ ™ œ œ œ œ œ & # 8 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ œ œ œ œ ∑ mf ∑ ∑ ∑ ∑ ∑ ∑ ∑ Clarinet 2 in Bb # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Clarinet 3 in Bb # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Alto Clarinet in Eb # # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bass Clarinet # in Bb # 6 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¢& 8 Allegro non troppo q . = 108 A Alto Saxophone 1 ° # # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Alto Saxophone 2 # # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Tenor Saxophone # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Baritone Saxophone # # # 6 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¢& 8 A Allegro non troppo q . = 108 solo Trumpet 1 in Bb ° # j j œ œ œ j œ œ œ œ & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ Œ™ Œ œ ™ œ œ ™ œ œ œ œ œ œ œ œ œ œ ™ œ œ ™ œ œ œ mfœ œ J J J œ J J Trumpet 2 & 3 in Bb # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Horn 1 & 2 in F # & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Trombone 1 & 2 ? 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Euphonium ? 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Tuba ? 6 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¢ 8 Double Bass ? 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Allegro non troppo q . = 108 A Timpani °? 6 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¢ 8 Glockenspiel ° & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ -
BECKY SHRIMPTON 416.300.8237 – [email protected]
BECKY SHRIMPTON 416.300.8237 – [email protected] - www.beckyshrimpton.com Agent – Paul Smith - ETM HEIGHT: 5’5’’ WEIGHT: 140 lbs HAIR: Dark Brown EYES: Green SELECTED FILM & TELEVISION Stress Vaccine Lead Tom Mae/Tom Mae Productions Be Alert Bert – Martial Arts Lead Lisa Lovatt/ITV Be Alert Bert – Shoplifting Lead James Martins/ITV The Ghost is a Lie Lead Jason Armstrong/Skeleton Key Global Surviving Evil – Season 2 Episode 4 Principal Emily/Schooley/Laughing Cat Productions Giving You the Business Season 1 Episode 8 Principal Joel Goldberg/FoodNetwork USA Canada! Principal Cameron Maitland/Farmervision Irresistible Force Principal Cameron Maitland/Farmervision Mask-a-raid Principal Liza Callahan/VFS Productions Cutaway Principal Kazik Radwanski/MDFF Films The Missing Me Principal Attila Kallai/Atka Films The Drinking Helps Principal Josh Kingston/Mom's Proud Productions Tower Principal Kazik Radwanski/MDFF Films Inspiration Actor Jason Armstrong/Skeleton Key Global Films Strange Famous Music Video Actor Dustin Kuypers/The Documentarians Motives and Murders Season 5 Episode 6 Actor Cineflix Productions SELECTED ANIMATION VOICE OVER Fireman Sam Helen Flood Susan Hart/Kitchen Sync Mage and Minions Female Heroes John Welch/Making Fun Inc. Doki Multiple Characters Susan Hart/Investigation Kids Brambleberry Tales Narrator David Lam/Rival Schools Firefall Nina Ian Macmillan/VFS Productions HellBent Beatrix Samantha Satiago/Ringling Animations DecorView Kate Chad Parker/FunnelBox Media Ring Run Circus Nina Sebastian Fernandez/Kalio Productions -
Titus Groan / Gormenghast / Titus Alone Ebook Free Download
THE GORMENGHAST NOVELS: TITUS GROAN / GORMENGHAST / TITUS ALONE PDF, EPUB, EBOOK Mervyn Laurence Peake | 1168 pages | 01 Dec 1995 | Overlook Press | 9780879516284 | English | New York, United States The Gormenghast Novels: Titus Groan / Gormenghast / Titus Alone PDF Book Tolkien, but his surreal fiction was influenced by his early love for Charles Dickens and Robert Louis Stevenson rather than Tolkien's studies of mythology and philology. It was very difficult to get through or enjoy this book, because it feels so very scattered. But his eyes were disappointing. Nannie Slagg: An ancient dwarf who serves as the nurse for infant Titus and Fuchsia before him. To see what your friends thought of this book, please sign up. I honestly can't decide if I liked it better than the first two or not. So again, mixed feelings. There is no swarmer like the nimble flame; and all is over. How does this vast castle pay for itself? The emphasis on bizarre characters, or their odd characteristics, is Dickensian. As David Louis Edelman notes, the prescient Steerpike never seems to be able to accomplish much either, except to drive Titus' father mad by burning his library. At the beginning of the novel, two agents of change are introduced into the stagnant society of Gormenghast. However, it is difficult for me to imagine how such readers could at once praise Peake for the the singular, spectacular world of the first two books, and then become upset when he continues to expand his vision. Without Gormenghast's walls to hold them together, they tumble apart in their separate directions, and the narrative is a jumbled climb around a pile of disparate ruins. -
Guernsey, 1814-1914: Migration in a Modernising Society
GUERNSEY, 1814-1914: MIGRATION IN A MODERNISING SOCIETY Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Rose-Marie Anne Crossan Centre for English Local History University of Leicester March, 2005 UMI Number: U594527 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U594527 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 GUERNSEY, 1814-1914: MIGRATION IN A MODERNISING SOCIETY ROSE-MARIE ANNE CROSSAN Centre for English Local History University of Leicester March 2005 ABSTRACT Guernsey is a densely populated island lying 27 miles off the Normandy coast. In 1814 it remained largely French-speaking, though it had been politically British for 600 years. The island's only town, St Peter Port (which in 1814 accommodated over half the population) had during the previous century developed a thriving commercial sector with strong links to England, whose cultural influence it began to absorb. The rural hinterland was, by contrast, characterised by a traditional autarkic regime more redolent of pre industrial France. By 1914, the population had doubled, but St Peter Port's share had fallen to 43 percent. -
Society Pages
COMING TO THE MORRIN CENTRE IN NOVEMBER CÉILIDH ECHOES OF SCOTLAND N U M B E R 2 9 ■ F a l l 2 0 1 0 ■ $ 2 . 0 0 Inspired by the fascinating history of the leaving Scotland, the memory of the logdriver’s Scottish pioneers, in 2009, Le Cochon waltz, nostalgia for milling frolics… The SouRiant in collaboration with the Oscar Dhu multimedia effects and projection of old Cultural Centre and Fig55 created Céilidh photos; family portraits and animations help Echoes of Scotland. This performance binds the audience to imagine early life in “Canada, together theatre, multimedia images, new the land of everlasting forest and cold”. It is a technologies, storytelling, singing, journey that weaves together the past and instrumental music, dancing and poetry. present, Gaelic, English and French languages, nostalgia, happiness, humour and The play is steeped in the history of the first tradition. ■ Scottish Pioneer settlers, who exiled from the Isle of Lewis, settled in the Eastern Townships This theatre piece was based on historical and LOUISE PENNY of Quebec. The audience is invited to a céilidh ethnological documents, from the works of BOOK (kaylee), a visit or gathering at the taigh- Margaret Bennett, the Oscar Dhu Cultural ceilidh, or “ceilidh house”. The ceilidh is Center archives and documents and LAUNCH structured around stories, poems, proverbs, information provided by Lingwick residents, ■ anecdotes, jokes, dances, songs and music particularly the descendants of the Scottish taken from the life stories of the first settlers. Céilidh Echoes of Scotland is a CÉILIDH Hebridean settlers. The occasion is the collective creation by Tess LeBlanc, André ECHOES OF reunion between a brother, Seamus, and Bombardier, Michel Fordin and Martine sister, Sine. -
Booklet Gormenghast
A FANTASY OPERA BY IRMIN SCHMI DT Irmin Schmidt, founder of the legendary group CAN, has written an opera: GORMENGHAST. Commissioned by Wuppertaler Bühnen, the work was performed in the English language and premiered at the Operahouse Wuppertal on 15. November 1998. Inspired by Mervyn Peake’s masterpiece of gothic fantasy, English novelist Duncan Fallowell wrote the libretto in St. Petersburg, combining romance, comedy and futurism into an adventure of epic strangeness peopled by unforgettable characters. The opera is in 3 acts and centres on the rise and fall of Steerpike, a courageous, clever and charming kitchen-boy who becomes by degrees the murderous tyrant of Gormenghast Castle and its domain. In the process he bewitches and destroys Fuchsia the daughter of Gormen ghast’s opium-addicted ruler. Finally he meets his own dramatic death. The other inhabitants of this vivid decaying realm are drawn into the terrible tale. Irmin Schmidt, who studied under Ligeti and Stockhausen, not only created in CAN one of the most influential of avant garde groups, but is also a classical conductor and pianist and has com- posed music for over 70 film productions. His work transforms elements of the popular, ethnic and classical into a wholly original musical language . In both libretto and music, this integration of high culture and popular culture is not like any- thing which has gone before: it is achieved with perfect naturalness, carrying the art of opera forward into a new phase. The result is both accessible and magically unexpected: GORMENGHAST is a major addition to the world of musical theatre. -
Music-Week-2000-02-0
FOR EVERVONE IN THE^ BUSINESS OF MUSIC ''S'1'/ UN • -gX music week Ames and Berry vow to keep label culture by Ajax Scott labels. The process is still not men.setRoger Ames to runand Warner Ken Berry, EMI theMusic, two rumoursestablished. suggesting There willthis alwaysis how webe overbave cost-cuttingpledged to inplace the oompanycreativity plan to do it. Well ail the rumours theydeal experthas receivedto fashion regulatoryonce the The two were speaking days Gabrielle yesterdayFerdy (Sunday) Unger-Hamilton to be the first was label challenging boss since with Puff his Daddyartist Mondayafter the of public the $20bn announcement merger of lastthe to have co-produced a track to reach number one. By the end of two companies to create an opéra- Thursdayher slender Gabrielle lead at (above),the start at of more the week than to35,000 more sales,than 6,000 had extended unlts over tionglobal that music will bemarket. number With one annual in the their management structure shortly elosest challengers REM and Britney Spears for the number one slot. Her sales of around $8bn and earnings Deal makers: Ames (left) and Berry TopRise 10 album placing, - which easily had beating fallen outits previousof the Top number 100 - 25 was peak. on course Unger- for a . ofannual $lbn, savings they ofexpert around to $250mrealise judgementsstarting out asfrom to howand onewell weof thedo Hamilton with Ollie Dagois originally sampled Bob Dylan's Knockin' On within three years, involuing a will be too see how good we are at itHeaven's to Gabrielle Door to 18 record months with ago producer and put Johnny together Dollar. -
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Ave
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Ave. S., Minneapolis, MN 55407 Newsletter #94 June — August, 2011 Hours: M-F 10 am to 8 pm RECENTLY RECEIVED AND FORTHCOMING SCIENCE FICTION Sat. 10 am to 6 pm; Sun. Noon to 5 pm ALREADY RECEIVED Uncle Hugo's 612-824-6347 Uncle Edgar's 612-824-9984 Doctor Who Insider #1 (US version of the long-running Doctor Who Magazine. Fax 612-827-6394 Matt Smith on his latest foe, the Silence; the Sontarans; more). $6.99 E-mail: [email protected] Doctor Who Magazine #431 (Controversial Dalek redesign; writer Mark Gatiss Website: www.UncleHugo.com reveals some clues about his new episode; Janet Fielding uncovered; more).. $8.99 Doctor Who Magazine #432 (New series secrets; Matt Smith Karen Gillan, and Award News Arthur Darvill star in a special mini-adventure for Comic Relief; David Tennant tells us what he's doing for Red Nose Day; more). $8.99 Doctor Who Magazine #433 (Exclusive interview with Steven Moffat; Marked The nominees for Hugo Awards for Death? Amy Pond, The Doctor, River Song, Rory Pond: one of them will die in the for Best Novel are Cryoburn by Lois season opener; more. Four separate collectors' covers, one featuring each character)$.8.99 McMaster Bujold ($25.00 signed), Feed Fantasy & Science Fiction May/June 2011 (New fiction, reviews, more).$7.50 by Mira Grant ($9.99), The Hundred Locus #603 April 2011 (Interviews with Shaun Tan and Dani & Eytan Kollin; Thousand Kingdoms by N. K. Jemisin industry news, reviews, more)......................................... -
Levels of Style in Narrative Fiction: an Aspect of the Interpersonal Metafunction
Situations Vol. 5 (Winter 2011) © 2011 by Yonsei University Terence Patrick Murphy Associate Professor of Rhetoric and Composition (Yonsei University, Seoul) Levels of Style in Narrative Fiction: An Aspect of the Interpersonal Metafunction ABSTRACT It is an accepted proposition that literary texts differ greatly in their degree of stylistic interest. In their landmark study, Style in Fiction (1981/2007), Geoffrey Leech and Mick Short attempt to account for this phenomenon by putting forward the concept of the relative transparency or opacity of the literary text, by means of an approach that utilizes the ideational metafunction. In this way, Leech and Short attempt to deal with the fact that literary texts contain “many degrees of translucency of style”. In my opinion, however, this concept is insufficiently flexible to handle the full range of stylistic markedness in literary language. As an alternative, I draw on the concept of the three levels of style identified in the tradition of classical rhetoric—the simple, the middle and the grand style. Building on this foundation, I approach the issue of stylistic markedness through the interpersonal metafunction, outlining a model of style that utilizes four separate levels, with two approximate end-points that can be identified with select literary texts. The model allows for a richer explanation of the literary text’s stylistic virtuosity, which results from the author’s ability to shift among the different levels for aesthetic effect. Keywords: classical rhetoric, dualism, ideational metafunction, interpersonal metafunction, literary language, monism, tenor. 40 There are, then, three kinds of style, called types, to which discourse, if faultless, confines itself: the first we call the Grand; the second, the Middle; the third, the Simple. -
Guernsey’S Policy on Tax Information Exchange Agreements (“Tieas”) and Double Taxation Arrangements (“Dtas”) (Updated to 1 May 2015)
Guernsey’s policy on Tax Information Exchange Agreements (“TIEAs”) and Double Taxation Arrangements (“DTAs”) (Updated to 1 May 2015) Background The Government of Guernsey has a long-standing commitment to being a well-regulated, co- operative and transparent international finance centre. In January 2011 the International Monetary Fund (IMF) released its report on Guernsey as part of its financial stability assessment programme. The IMF concluded that Guernsey has met or exceeded the internationally accepted regulatory standards as endorsed by the G20. For example, the IMF concluded that Guernsey’s level of compliance with the Financial Action Task Force (FATF) recommendations exceeded that of any other jurisdiction. Guernsey was included on the first OECD exchange of tax information “White List” established in 2009. In 2010, Guernsey was subject to the first of a two-phase peer review of its tax information exchange frameworks. Phase 2 took place in late 2012. The Report ,which was adopted by the Global Forum in April 2013, found Guernsey’s legislative and administrative regime to have in place all of the elements necessary for meeting the international standards on transparency and information exchange (with only minor elements needing improvement). As a consequence, in November 2013, the Global Forum rated Guernsey as “Largely Compliant” overall, a rating that it shares with jurisdictions such as the UK and the USA. Introduction Guernsey has been fully committed to the OECD Project on Transparency and Exchange of Information for Tax Purposes for many years. Guernsey commenced negotiations on its first TIEA at the end of 2001, gave formal commitment to the OECD process in February 2002 and concluded its first TIEA, with the United States, in September 2002. -
The Book of Ebenezer Le Page and Guernsey Literature and History
‘THE ROCK WHENCE YE ARE HEWN’: THE BOOK OF EBENEZER LE PAGE AND GUERNSEY LITERATURE AND HISTORY It say in the Bible ‘Look unto the rock whence ye are hewn, and to the hole of the pit whence ye are digged.’ Well, those people are the rock whence I was hewn, and the hole of the pit whence I was digged. I haven’t said nothing about my cousins, and the cousins of my cousins; but then half the island is my cousins, and the cousins of my cousins. The Book of Ebenezer Le Page was published posthumously in 1981 and was highly praised on publication by such major contemporary novelists as John Fowles and William Golding. The novel sold well and created an interest in Guernsey life that it had seldom attracted before. Doubtless the vivid local colour of the book and its evocation of Guernsey’s ‘otherness’ within modern British and European culture had a large part to do with its success. The circumstantial details of the publication of the novel o·er the stu· of good journalistic copy. The Book of Ebenezer Le Page is Edwards’s only published novel. He began it when he was in his late sixties; he made a few unsuccessful attempts to publish it when he was in his early seventies; and it was finally published in 1981, five years after his death in 1976. Very little else is known of Edwards’s life. He was born on Guernsey in 1899, but left the island as a young man to study at Bristol University.