Collected Articles on Mervyn Peake
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Post-War English Literature 1945-1990
Post-War English Literature 1945-1990 Sara Martín Alegre P08/04540/02135 © FUOC • P08/04540/02135 Post-War English Literature 1945-1990 Index Introduction............................................................................................... 5 Objectives..................................................................................................... 7 1. Literature 1945-1990: cultural context........................................ 9 1.1. The book market in Britain ........................................................ 9 1.2. The relationship between Literature and the universities .......... 10 1.3. Adaptations of literary works for television and the cinema ...... 11 1.4. The minorities in English Literature: women and post-colonial writers .................................................................... 12 2. The English Novel 1945-1990.......................................................... 14 2.1. Traditionalism: between the past and the present ..................... 15 2.2. Fantasy, realism and experimentalism ........................................ 16 2.3. The post-modern novel .............................................................. 18 3. Drama in England 1945-1990......................................................... 21 3.1. West End theatre and the new English drama ........................... 21 3.2. Absurdist drama and social and political drama ........................ 22 3.3. New theatre companies and the Arts Council ............................ 23 3.4. Theatre from the mid-1960s onwards ....................................... -
ERRATA SLIP Mcguinness, Mark (Ed.), Titus Alone
ERRATA SLIP McGuinness, Mark (ed.), Titus Alone: A New Life ISSN 0309 1309 CLAIRE PEÑATE (PEAKE) – INTRODUCTION line 1, for ‘Titus Alone’ read Titus Alone (ditto lines 15, 22) line 2, for Father read father (ditto lines 5, 24, 31, 33) line 6, for Mother read mother line 7, for that read and line 10, for Titus Groan read Titus Groan line 12, for characters read characters’ line 13, for writs read write line 20, for have read had line 21, for ‘Gormengast’ read Gormenghast line 21, for thought read thought. line 32, for Titus Alone read Titus Alone NICK FREEMAN - ‘THE INTER-WAR ROOTS OF TITUS ALONE’ Bibliography line 2, for Aldington, Richard read Fussell, Paul PIERRE-YVES LE CAM – ‘THE SCIENCE FICTION WORLD OF TITUS ALONE’ Two pages are missing from this article, printed below. The bold text appears in the printed book, and the normal face text is missing. ‘The time gap justifies the new standards and techniques, however incredible they may appear to the contemporary world. Peake's originality consists in doubling the temporal distortion which affects not only the reader but also Titus. The reader senses in the science to come the technological achievements in Titus Alone such as the laser weapon; Titus moves from a medieval environment to a futuristic one, and the earl's wonder is obvious when he sees the scores of rockets or the metal and marble architecture of the dome and the arena: (There) was a copper dome the shape of an igloo but ninety feet in height, with a tapering mast, spider-frail and glinting in the sunlight (...). -
The Last Station
Mongrel Media Presents The Last Station A Film by Michael Hoffman (112 min, Germany, Russia, UK, 2009) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html THE LAST STATION STARRING HELEN MIRREN CHRISTOPHER PLUMMER PAUL GIAMATTI ANNE-MARIE DUFF KERRY CONDON and JAMES MCAVOY WRITTEN & DIRECTED BY MICHAEL HOFFMAN PRODUCED BY CHRIS CURLING JENS MEURER BONNIE ARNOLD *Official Selection: 2009 Telluride Film Festival SYNOPSIS After almost fifty years of marriage, the Countess Sofya (Helen Mirren), Leo Tolstoy’s (Christopher Plummer) devoted wife, passionate lover, muse and secretary—she’s copied out War and Peace six times…by hand!—suddenly finds her entire world turned upside down. In the name of his newly created religion, the great Russian novelist has renounced his noble title, his property and even his family in favor of poverty, vegetarianism and even celibacy. After she’s born him thirteen children! When Sofya then discovers that Tolstoy’s trusted disciple, Chertkov (Paul Giamatti)—whom she despises—may have secretly convinced her husband to sign a new will, leaving the rights to his iconic novels to the Russian people rather than his very own family, she is consumed by righteous outrage. This is the last straw. Using every bit of cunning, every trick of seduction in her considerable arsenal, she fights fiercely for what she believes is rightfully hers. -
01 to 06 MAY Terry Waite
Mark Billingham Ross Collins Kerry Brown Maura Dooley Matt Haig Darren Henley Emma Healey Patrick Gale Guernsey Literary Erin Kelly Huw Lewis-Jones Adam Kay Kiran Millwood Hargrave Kiran FestivalLibby Purves 2019 Lionel Shriver Philip Norman Philip 01 TO 06 MAY Terry Waite Terry Chrissie Wellington Piers Torday Lucy Siegle Lemn Sissay MBE Jessica Hepworth Benjamin Zephaniah ANA LEAF FOUNDATION MOONPIG APPLEBY OSA RECRUITMENT BROWNS ADVOCATES PRAXISIFM BUTTERFIELD RANDALLS DOREY FINANCIAL MODELLING RAWLINSON & HUNTER GUERNSEY ARTS COMMISSION ROTHSCHILD & CO GUERNSEY POST SPECSAVERS JULIUS BAER THE FORT GROUP Sophy Henn Kindly sponsored by sponsored Kindly THE INTERNATIONAL STOCK EXCHANGE THE GUERNSEY SOCIETY Turning the Tide on Plastic: How St James: £10/£5 Lucy Siegle Humanity (And You) Can Make Our Welcome to the Globe Clean Again seventh Guernsey Presenter on BBC’s The One Show and columnist for the Observer and the Guardian, Lucy Siegle offers a unique and beguiling perspective on environmental issues and ethical consumerism. Turning the Tide on Literary Festival Plastic provides a powerful call to arms to end the plastic pandemic along with the tools we need to make decisive change. It is a clear- eyed, authoritative and accessible guide to help us to take decisive and 13:00 to 14:00 effective personal action. Thursday 2 May Message from Sponsored by PraxisIFM Message from Claire Allen, Terry Waite CBE OGH Hotel: £25 Festival Director This is Going to Hurt Business Breakfast As Honorary I am very proud to welcome Professor Kerry you to the seventh Guernsey Chairman of the Literary Festival! With over Adam Kay Thursday 2 May Brown: The World Guernsey Literary 19:30 to 20:30 60 events for all interests According to Xi Festival it is once and ages, the festival is a Kerry Brown is Professor of again my pleasure unique opportunity to be inspired by writers. -
The-Towers-Of-Gormenghast-Web.Pdf
The Towers of Gormenghast Timothy Rees Allegro non troppo q . = 108 A Piccolo ° & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Flute 1 & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Flute 2 & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Oboe & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bassoon ? 6 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¢ 8 Tpt. j j j j j œ œ Clarinet 1 in Bb ° # 6 Œ™ Œ j œ ™ œ j œ ™ œ œ œ œ œ œ œ œ œ œ œ œ ™ œ j œ ™ œ œ œ œ œ & # 8 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ œ œ œ œ ∑ mf ∑ ∑ ∑ ∑ ∑ ∑ ∑ Clarinet 2 in Bb # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Clarinet 3 in Bb # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Alto Clarinet in Eb # # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bass Clarinet # in Bb # 6 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¢& 8 Allegro non troppo q . = 108 A Alto Saxophone 1 ° # # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Alto Saxophone 2 # # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Tenor Saxophone # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Baritone Saxophone # # # 6 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¢& 8 A Allegro non troppo q . = 108 solo Trumpet 1 in Bb ° # j j œ œ œ j œ œ œ œ & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ Œ™ Œ œ ™ œ œ ™ œ œ œ œ œ œ œ œ œ œ ™ œ œ ™ œ œ œ mfœ œ J J J œ J J Trumpet 2 & 3 in Bb # & # 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Horn 1 & 2 in F # & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Trombone 1 & 2 ? 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Euphonium ? 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Tuba ? 6 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¢ 8 Double Bass ? 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Allegro non troppo q . = 108 A Timpani °? 6 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¢ 8 Glockenspiel ° & 86 ‰ ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ -
BECKY SHRIMPTON 416.300.8237 – [email protected]
BECKY SHRIMPTON 416.300.8237 – [email protected] - www.beckyshrimpton.com Agent – Paul Smith - ETM HEIGHT: 5’5’’ WEIGHT: 140 lbs HAIR: Dark Brown EYES: Green SELECTED FILM & TELEVISION Stress Vaccine Lead Tom Mae/Tom Mae Productions Be Alert Bert – Martial Arts Lead Lisa Lovatt/ITV Be Alert Bert – Shoplifting Lead James Martins/ITV The Ghost is a Lie Lead Jason Armstrong/Skeleton Key Global Surviving Evil – Season 2 Episode 4 Principal Emily/Schooley/Laughing Cat Productions Giving You the Business Season 1 Episode 8 Principal Joel Goldberg/FoodNetwork USA Canada! Principal Cameron Maitland/Farmervision Irresistible Force Principal Cameron Maitland/Farmervision Mask-a-raid Principal Liza Callahan/VFS Productions Cutaway Principal Kazik Radwanski/MDFF Films The Missing Me Principal Attila Kallai/Atka Films The Drinking Helps Principal Josh Kingston/Mom's Proud Productions Tower Principal Kazik Radwanski/MDFF Films Inspiration Actor Jason Armstrong/Skeleton Key Global Films Strange Famous Music Video Actor Dustin Kuypers/The Documentarians Motives and Murders Season 5 Episode 6 Actor Cineflix Productions SELECTED ANIMATION VOICE OVER Fireman Sam Helen Flood Susan Hart/Kitchen Sync Mage and Minions Female Heroes John Welch/Making Fun Inc. Doki Multiple Characters Susan Hart/Investigation Kids Brambleberry Tales Narrator David Lam/Rival Schools Firefall Nina Ian Macmillan/VFS Productions HellBent Beatrix Samantha Satiago/Ringling Animations DecorView Kate Chad Parker/FunnelBox Media Ring Run Circus Nina Sebastian Fernandez/Kalio Productions -
Peake Studies
STUDIES Advertisements for the Brewers’ Society drawn by MERVYN PEAKE 3–18 The Writing of Titus Groan G PETER WINNINGTON 19–48 with reproductions from the MS on pages 25, 29, 31, 35 and 37 Edmund Dehn reads Titus: the ISIS cassettes reviewed by AMELIA CUDD 49 News Roundup 51 Advertisement for Jamaica Rum drawn by MERVYN PEAKE on rear cover Vol.5, no 1 Autumn 1996 STUDIES A pen-and-ink portrait by MERVYN PEAKE 5 Mirrors, Water and Smells in Titus Alone ALICE MILLS 7 Gormenghast, a Censored Fairy Tale PIERRE-Y VES LE CAM 23 The Mud Dwellings: a drawing from the manuscript of Titus Groan 26–27 A new edition of Boy in Darkness 42 Is It for Children? by DIANA WYNNE JONES 43 The Challenge of Illustrating Peake by P J LYNCH 47 News Roundup 50 Portrait of Pamela Hansford Johnson by MERVYN PEAKE on rear cover Vol. 5, no 2 Spring 1997 STUDIES A double portrait of Maeve Gilmore by MERVYN PEAKE 5 Mervyn and Maeve ANDREW HALL 7 Humour in the Titus Books JOHN DONALDSON 11 “Mervyn Peakeyweakey” – a sketch from the MS of Gormenghast by Mervyn Peake 25 The Form of Peake’s Cave G PETER WINNINGTON 28 The Minds War Made: The Faber Book of War Poetry reviewed by ADAM PIETTE 39 Recent Publications 44 News Roundup 48 Unfinished drawing of Billy Bottle by MERVYN PEAKE rear cover Vol. 5, no 3 October 1997 STUDIES Mervyn Peake and Memory CHARLES GILBERT 5 Five Illustrated Nonsense Poems by MERVYN PEAKE “One day when they had settled down” 21 “Again! again! and yet again!” 22 “Uncle George” 23 “The King of Ranga-Tanga-Roon” 24–25 “I cannot give you reasons” 26–27 Holocaust Peake by ALICE MILLS 28 Recent Publications 45 The BBC News 46 Index to Volume 5 47 “One day when they had settled down” by MERVYN PEAKE rear cover Vol. -
Titus Groan / Gormenghast / Titus Alone Ebook Free Download
THE GORMENGHAST NOVELS: TITUS GROAN / GORMENGHAST / TITUS ALONE PDF, EPUB, EBOOK Mervyn Laurence Peake | 1168 pages | 01 Dec 1995 | Overlook Press | 9780879516284 | English | New York, United States The Gormenghast Novels: Titus Groan / Gormenghast / Titus Alone PDF Book Tolkien, but his surreal fiction was influenced by his early love for Charles Dickens and Robert Louis Stevenson rather than Tolkien's studies of mythology and philology. It was very difficult to get through or enjoy this book, because it feels so very scattered. But his eyes were disappointing. Nannie Slagg: An ancient dwarf who serves as the nurse for infant Titus and Fuchsia before him. To see what your friends thought of this book, please sign up. I honestly can't decide if I liked it better than the first two or not. So again, mixed feelings. There is no swarmer like the nimble flame; and all is over. How does this vast castle pay for itself? The emphasis on bizarre characters, or their odd characteristics, is Dickensian. As David Louis Edelman notes, the prescient Steerpike never seems to be able to accomplish much either, except to drive Titus' father mad by burning his library. At the beginning of the novel, two agents of change are introduced into the stagnant society of Gormenghast. However, it is difficult for me to imagine how such readers could at once praise Peake for the the singular, spectacular world of the first two books, and then become upset when he continues to expand his vision. Without Gormenghast's walls to hold them together, they tumble apart in their separate directions, and the narrative is a jumbled climb around a pile of disparate ruins. -
TLG to Big Reading
The Little Guide to Big Reading Talking BBC Big Read books with family, friends and colleagues Contents Introduction page 3 Setting up your own BBC Big Read book group page 4 Book groups at work page 7 Some ideas on what to talk about in your group page 9 The Top 21 page 10 The Top 100 page 20 Other ways to share BBC Big Read books page 26 What next? page 27 The Little Guide to Big Reading was created in collaboration with Booktrust 2 Introduction “I’ve voted for my best-loved book – what do I do now?” The BBC Big Read started with an open invitation for everyone to nominate a favourite book resulting in a list of the nation’s Top 100 books.It will finish by focusing on just 21 novels which matter to millions and give you the chance to vote for your favourite and decide the title of the nation’s best-loved book. This guide provides some ideas on ways to approach The Big Read and advice on: • setting up a Big Read book group • what to talk about and how to structure your meetings • finding other ways to share Big Read books Whether you’re reading by yourself or planning to start a reading group, you can plan your reading around The BBC Big Read and join the nation’s biggest ever book club! 3 Setting up your own BBC Big Read book group “Ours is a social group, really. I sometimes think the book’s just an extra excuse for us to get together once a month.” “I’ve learnt such a lot about literature from the people there.And I’ve read books I’d never have chosen for myself – a real consciousness raiser.” “I’m reading all the time now – and I’m not a reader.” Book groups can be very enjoyable and stimulating.There are tens of thousands of them in existence in the UK and each one is different. -
1 Introduction: the Urban Gothic of the British Home Front
Notes 1 Introduction: The Urban Gothic of the British Home Front 1. The closest material consists of articles about Elizabeth Bowen, but even in her case, the wartime work has been relatively under-explored in terms of the Gothic tradition. Julia Briggs mentions Bowen’s wartime writing briefly in her article on “The Ghost Story” (130) and Bowen’s pre-war ghost stories have been examined as Gothic, particularly her short story “The Shadowy Third”: see David Punter (“Hungry Ghosts”) and Diana Wallace (“Uncanny Stories”). Bowen was Anglo-Irish, and as such has a complex relationship to national identity; this dimension of her work has been explored through a Gothic lens in articles by Nicholas Royle and Julian Moynahan. 2. Cultural geography differentiates between “place” and “space.” Humanist geographers like Yi-Fu Tuan associate place with security and space with free- dom and threat (Cresswell 8) but the binary of space and place falls into the same traps as all binaries: one pole tends to be valorised and liminal positions between the two are effaced. I use “space” because I distrust the nostalgia that has often accreted around “place,” and because – as my discussion of post- imperial geographies will show – even clearly demarcated places are sites of incorrigibly intersecting mobilities (Chapter 2). In this I follow the cultural geographers who contend that place is constituted by reiterative practice (Thrift; Pred) and is open and hybrid (Massey). 3. George Chesney’s The Battle of Dorking: Reminiscences of a Volunteer (1871) was one of the earliest of these invasion fictions, and as the century advanced a large market for the genre emerged William Le Queux was the most prolific writer in the genre, his most famous book being The Invasion of 1910, With a Full Account of the Siege of London (1906). -
The Pubs of Fitzrovia by Stephen Holden in a Dance to the Music of Time Powell Possibly Others Too
The Anthony Powell Society Newsletter Issue 44, Autumn 2011 ISSN 1743-0976 Annual AP Lecture The Politics of the Dance Prof. Vernon Bogdanor Friday 18 November AGM – Saturday 22 October London AP Birthday Lunch Saturday 3 December Secretary’s New Year Breakfast Saturday 14 January 2012 Borage & Hellebore with Nick Birns Saturday 17 March 2012 See pages 12-15 Full event details pages 16-17 Contents From the Secretary’s Desk … 2 Character or Situation? … 3-4 Fitzrovia Pubs … 5-8 2011 Literary Anniversaries … 9-11 REVIEW: Caledonia … 13 Scotchmen in a Brouhaha … 14-15 Society Notices … 12, 18, 19 Dates for Your Diary … 16-17 The Crackerjacks … 20-21 Local Group News … 22 From the APLIST … 23-25 Cuttings … 26-28 Letters to the Editor … 29 Merchandise & Membership … 30-32 Anthony Powell Society Newsletter #44 From the Secretary’s Desk The Anthony Powell Society Registered Charity No. 1096873 “Everything is buzz-buzz now”! The Anthony Powell Society is a charitable Somehow everything in the world of AP literary society devoted to the life and works and the Society is buzzing. It’s all of the English author Anthony Dymoke coming together. We have an event in Powell, 1905-2000. London in every month from now until the Spring Equinox. Officers & Executive Committee Patron: John MA Powell By the time you read this the conference will be upon us – perhaps even past. President: Simon Russell Beale, CBE What a great event that promises to be. Hon. Vice-Presidents: We have an excellent selection of Julian Allason speakers and papers; and some Patric Dickinson, LVO interesting events lined up. -
Abbotsbury, 47 Aberdare, Glamorganshire, 23, 97 Ackland, Rodney, 205, 242N.5 Africa, 27, 41–2, 58, 231N.3, 232Nn.4 and 13
Abbotsbury, 47 Bertram Rota, 149 Aberdare, Glamorganshire, 23, 97 Best, Philip, 132–4, 135, 238n.2 Ackland, Rodney, 205, 242n.5 Bewick, Thomas, 193 Africa, 27, 41–2, 58, 231n.3, 232nn.4 Birron, Dusky (character), 57, 64, 110 and 13, 233n.2 Blackpool, 136, 137, 141, 142, 143, 157, Agate, James, 91 238n.6 Albert Bonniers Förlag, 182 Blackwood, Algernon, 210 Alice’s Adventures in Wonderland and Blake, William, 69, 105, 142, 149, 194 Through the Looking-Glass, 182, 184 Bone, Sir Muirhead, 122Botticelli, 58 Allan Wingate, 182 Bowen, Elizabeth, 184, 186, 188 Alphabet and Image, 240n.3 Boxer Rising, 24 Anderson, Dr Webb, 27 Boy-Emperor (of China), 30–1 Ardizzone, Edward, 114 Boy in Darkness (novella), 25, 85, 196, Arlen, Albert, 92 212, 215 Artists’ Benevolent Fund, 220 Boy’s Own Paper, 50, 51 Arts Theatre, 92, 217 Bracken, Brendan, 153 Arundel, 131; Castle, 107, 126 Brewers’ Society, 83, 191 Au Chat Noir, 63, 79 Bridge, Tony, 11, 67, 74, 227, 235nn.5, 9 Auden, W. H., 92 and 10 Austin, Paul Britten, 209, 242n.1 Bridie, James, 92 Aylesford Priory, 219 Britten, Benjamin, 215 Bromley, 23, 233n.3 Bailey, Hilary, 7 Brook, Peter, 87 Baker, John, 153 Brophy, Brigid, 195 Bakker, Dr J. G., 52 Brophy, John, 195, 205 Balzac, Honoré de, 97; Contes Brown, Dr William, 161 Drolatiques, 223 Browning, Tod, 212 Banks, Iain, 189, 228 Bruce, Janna, 192, 233n.4 Banstead, 224 Bunyan, John, 81 Barbara, Countess of Moray, 90–1, Burgess, Anthony, 7 236n.3 Burpham, 107, 115, 116, 126, 172, 227 Baron Münchausen, 197 Barquentine (character), 86, 144, 168, Café Royal, 60,