Peake Studies

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STUDIES Advertisements for the Brewers’ Society drawn by MERVYN PEAKE 3–18 The Writing of Titus Groan G PETER WINNINGTON 19–48 with reproductions from the MS on pages 25, 29, 31, 35 and 37 Edmund Dehn reads Titus: the ISIS cassettes reviewed by AMELIA CUDD 49 News Roundup 51 Advertisement for Jamaica Rum drawn by MERVYN PEAKE on rear cover Vol.5, no 1 Autumn 1996 STUDIES A pen-and-ink portrait by MERVYN PEAKE 5 Mirrors, Water and Smells in Titus Alone ALICE MILLS 7 Gormenghast, a Censored Fairy Tale PIERRE-Y VES LE CAM 23 The Mud Dwellings: a drawing from the manuscript of Titus Groan 26–27 A new edition of Boy in Darkness 42 Is It for Children? by DIANA WYNNE JONES 43 The Challenge of Illustrating Peake by P J LYNCH 47 News Roundup 50 Portrait of Pamela Hansford Johnson by MERVYN PEAKE on rear cover Vol. 5, no 2 Spring 1997 STUDIES A double portrait of Maeve Gilmore by MERVYN PEAKE 5 Mervyn and Maeve ANDREW HALL 7 Humour in the Titus Books JOHN DONALDSON 11 “Mervyn Peakeyweakey” – a sketch from the MS of Gormenghast by Mervyn Peake 25 The Form of Peake’s Cave G PETER WINNINGTON 28 The Minds War Made: The Faber Book of War Poetry reviewed by ADAM PIETTE 39 Recent Publications 44 News Roundup 48 Unfinished drawing of Billy Bottle by MERVYN PEAKE rear cover Vol. 5, no 3 October 1997 STUDIES Mervyn Peake and Memory CHARLES GILBERT 5 Five Illustrated Nonsense Poems by MERVYN PEAKE “One day when they had settled down” 21 “Again! again! and yet again!” 22 “Uncle George” 23 “The King of Ranga-Tanga-Roon” 24–25 “I cannot give you reasons” 26–27 Holocaust Peake by ALICE MILLS 28 Recent Publications 45 The BBC News 46 Index to Volume 5 47 “One day when they had settled down” by MERVYN PEAKE rear cover Vol. 5, no 4 April 1998.

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Titus Groan / Gormenghast / Titus Alone Ebook Free Download
THE GORMENGHAST NOVELS: TITUS GROAN / GORMENGHAST / TITUS ALONE PDF, EPUB, EBOOK Mervyn Laurence Peake | 1168 pages | 01 Dec 1995 | Overlook Press | 9780879516284 | English | New York, United States The Gormenghast Novels: Titus Groan / Gormenghast / Titus Alone PDF Book Tolkien, but his surreal fiction was influenced by his early love for Charles Dickens and Robert Louis Stevenson rather than Tolkien's studies of mythology and philology. It was very difficult to get through or enjoy this book, because it feels so very scattered. But his eyes were disappointing. Nannie Slagg: An ancient dwarf who serves as the nurse for infant Titus and Fuchsia before him. To see what your friends thought of this book, please sign up. I honestly can't decide if I liked it better than the first two or not. So again, mixed feelings. There is no swarmer like the nimble flame; and all is over. How does this vast castle pay for itself? The emphasis on bizarre characters, or their odd characteristics, is Dickensian. As David Louis Edelman notes, the prescient Steerpike never seems to be able to accomplish much either, except to drive Titus' father mad by burning his library. At the beginning of the novel, two agents of change are introduced into the stagnant society of Gormenghast. However, it is difficult for me to imagine how such readers could at once praise Peake for the the singular, spectacular world of the first two books, and then become upset when he continues to expand his vision. Without Gormenghast's walls to hold them together, they tumble apart in their separate directions, and the narrative is a jumbled climb around a pile of disparate ruins.
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The Gothic As a Practice, by TGS Jones
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchArchive at Victoria University of Wellington THE GOTHIC AS A PRACTICE: Gothic Studies, Genre and the Twentieth Century Gothic by Timothy Graham Stanford Jones A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in English Victoria University of Wellington 2010 ABSTRACT Gothic studies, the specialist academic field that explores the Gothic text, has developed substantially over the last twenty-five years. The field often frames the Gothic as a serious literature, involved in historic discourse, and having special psychological acuity; this thesis suggests that there are a number of problems with these argumentative strategies, and that the academy now makes claims for the Gothic that are discontinuous with how this popular genre is understood by most readers. While Gothic studies is the study of a genre, curiously, it has seldom engaged with theorisations of genre. Nevertheless, an understanding of what genre is, and how it alters reading practice, is crucial to understanding the Gothic text. This thesis attempts to reconcile and develop a number of disparate approaches to genre through Pierre Bourdieu’s notion of habitus. It argues that genre is not a set of textual conventions but a group of procedures that facilitate and modify both writing and reading practices. Consequently, genres like the Gothic should be seen as discrete historicised phenomena, which retain a cohesive practical sense of how they ought to be performed before they hold discursive properties. Rather than arguing for the literary value of the Gothic, this thesis understands the genre as a popular practice.
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Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Avenue, Minneapolis, MN 55407
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Avenue, Minneapolis, MN 55407 Newsletter #95 September-November 2011 Hours: M-F 10 am to 8 pm Sat. 10 am to 6 pm Sun. Noon to 5 pm Uncle Hugo's 612-824-6347 Uncle Edgar's 612-824-9984 Fax 612-827-6394 E-mail: [email protected] Website: www.UncleHugo.com Used Book Sale Every year our supply (oversupply) of used books gets larger. We're having a used book sale to try to reduce our supply. All used books will be 20% off, whether you have a discount card or not. The sale includes used paperbacks, used hardcovers, used magazines, used gaming books, and bagged books. Because we have so many used audiobooks, we will be selling all used audiobooks at $5.00 each, whether cassette or CD. The sale runs from Friday, September 9 through Sunday, September 18. That gives you two weekends to take advantage of the sale. This sale will be for customers shopping in the store - it does not apply to mail orders. If you're thinking about bringing in lots of used books to sell to us during the sale, expect a longer than normal wait. Upcoming Signings Michael Z. Williamson will be autographing at Uncle Hugo's on Saturday, September 10th, from 1:00-2:00 pm. His newest book is Rogue (in stock now), latest in the Freehold sf series. How's Business? By Don Blyly After a dreadful winter, the in-store business has just about recovered and the mail order business has gone up substantially.
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Titus Groan · Gormenghast · Titus Alone Himself, Had a Son, Moved to Sussex, Publication), in the House Previously and Begun the Writing of Titus Groan
Other works on Naxos AudioBooks The Master and Margarita Frankenstein (Bulgakov) ISBN: 9789626349359 (Shelley) ISBN: 9789626340035 Read by Julian Rhind-Tutt Read by Daniel Philpott Bleak House Our Mutual Friend (Dickens) ISBN: 9789626344316 (Dickens) ISBN: 9789626344422 Read by Sean Barrett and Teresa Gallagher Read by David Timson www.naxosaudiobooks.com CD 1 For a complete catalogue and details of how to order other 1 Gormenghast taken by itself would have displayed... 7:23 Naxos AudioBooks titles please contact: 2 5:33 As Flay passed the curator on his way to the door... 3 It was impossible for the apprentices to force themselves... 5:43 In the UK: Naxos AudioBooks, Select Music & Video Distribution, 4 He peered at the immobile huddle of limbs. 4:40 3 Wells Place, Redhill, Surrey RH1 3SL. 5 From his vantage point he was able to get a clear view... 7:47 Tel: 01737 645600. 6 Her Ladyship, the seventy-sixth Countess of Groan... 4:06 In the USA: Naxos of America Inc., 7 Every morning of the year... 4:43 1810 Columbia Ave., Suite 28, Franklin, TN37064. 8 5:30 Mrs Slagg entered. Tel: +1 615 771 9393 9 Leaving the tray on the mat outside... 3:13 Mrs Slagg made her way along the narrow stone path... 6:40 In Australia: Select Audio/Visual Distribution Pty. Ltd., B Titus, under the care of Nannie Slagg and Keda... 6:58 PO Box 691, Brookvale, NSW 2100. Tradition playing its remorseless part... 6:35 Tel: +61 299481811 Meanwhile, hiding behind a turn in the passage... 4:49 order online at Mr Flay was possessed by two major vexations.
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Collected Articles on Mervyn Peake
Collected Articles on Mervyn Peake G. Peter Winnington Introduction This collEcTion reprints some of my articles on Peake spanning the last 40 years; they are available as pdf files, with appropriate illustrations. Total length 200 pages. not all were published in the Mervyn Peake Review or Peake Studies. some have appeared before only in books or other periodicals. i have grouped them more or less thematically, rather than chronologically. i © G. Peter Winnington 2016 consider the first two as introductory: they were written for people with The words and art work by Mervyn Peake little or no knowledge of Peake and his work. The first, ‘inside the Mind are copyright the Mervyn Peake Estate. of Mervyn Peake’, examines how Peake spatializes the contents of the mind; the second, ‘The critical Reception of the Titus Books,’shows how Peake’s novels were first received. The second group is largely biographical in orientation, covering • ‘Peake’s Parents’ Years in china’; • my discovery of ‘A letter From china’ by Peake; • a piece describing ‘Kuling, Peake’s Birthplace’ and a more recent one, • ‘Peake and Kuling’, written as a review of the British library’s publica- tion of ‘Memoirs of a Doctor in china’, misleadingly titled Peake in China with an ill-informed introduction by hilary spurling; • ‘Burning the Globe: another attempt to situate Gormenghast’, on the geography and mentality of Gormenghast; and • ‘The Writing of Titus Groan.’ The third group comprises articles identifying some of Peake’s sources and possible influences on his work: • ‘Tracking Down the Umzimvubu Kaffirs’; • ‘Peake, Knole and Orlando’; • ‘Mervyn Peake and the cinema’ (updated with a note on recent find- ings); • ‘Parodies and Poetical Allusions’; • ‘Peake and Alice (and Arrietty)’.
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STUDIES Are © G Peter Winnington 2013
10.2478/peakest-2013-0014 STU DIES Vol . 13, no 2 April 2 013 Unless otherwise indicated, the contents of Peake STUDIES are © G Peter Winnington 2013 . Acknowledgement is made to the Mervyn Peake Estate for permission to reproduce Mervyn Peake’s words and images. Unless otherwise indicated the previously unpublished works by Mervyn Peake in this issue are © the Mervyn Peake Estate " !#. Edited and published by G Peter Winnington, 2 ch du Collège, 1453 M auborget , Switzerland. Tel. +41 24 436 22 32 E-mail [email protected] Home page http://peakestudies.com 10.2478/peakest-2013-0014 The Things They Say Another lightly edited trawl of the web, in chronological order New Build’s Al Doyle interviewed by CLASH (9 March 2012) At the moment I often think about scenes and characters from Gor - menghast by Mervyn Peake, which for some inexplicable reason I’ve neglected to read until very recently. Exquisite, unbelievably ﬁnely observed descriptions, huge and terrifyingly real characters – and a massively surprising and thematically disconnected third part to the trilogy, after a completely engrossing ﬁrst two parts. In case you hadn’t guessed, I loved it. Unique in literature as far as I know – it has more than a splash of Dickens, and some debts to the gothic nov - els, I guess, but it inhabits its own world and needs no company. It is complete. http://www.clashmusic.com/feature/their-library-new-build Identity Crisis From a review of Boy in Darkness and other stories by Anastasia Klim chynskaya (who ‘just doesn’t get along with Peake’) posted on 23 March 2012: ‘Peake’s collection of tales seems to be having a sort of internal identity crisis, oscillating desperately between simplicity and attempted complexity.’ http://blogcritics.org/books/article/book-review-boy-in-darkness-and / From ‘Titus in the Land of Nightmares’ by Alastair Savage posted on 13 May 2012 Peake belongs to no world but his own.
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Sf Commentary 84
SF COMMENTARY 84 November 2012 80 pages IN THIS ISSUE: Brian ALDISS Merv & Helena BINNS Russell BLACKFORD David BOUTLAND DITMAR (Dick JENSSEN) Bruce GILLESPIE Carol KEWLEY Tim MARION Mark PLUMMER Colin STEELE Ray WOOD Cover: Ditmar (Dick Jenssen) SF COMMENTARY 84 November 2012 80 pages SF COMMENTARY No. 84, November 2012, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3068, Australia. Phone: 61-3-9435 7786. Preferred means of distribution .PDF file from eFanzines.com at http://efanzines.com/SFC/SFC84P.PDF or from my email address: [email protected]. Front and back covers: Ditmar (Dick Jenssen): ‘The Aliens’ A version of the back cover first appeared as the front cover of SFC 80A, which did not have a print edition, and was posted only as a PDF file on eFanzines.com. At that time, Dick Jenssen gave it the title ‘The Alien’. It was based on an idea by Vida Weiss (Yvonne Rousseau’s daughter). She set the following problem: ‘If you stood at the centre of a (regular) pentagonal room with mirrored walls, how would your reflection appear?’ Dick answered this by using Vue 8 graphic mod- elling software. The result reminded Dick of Murray Leinster’s classic SF tale ‘The Aliens’. A full explanation of both the process involved in producing the graphics and the stories they suggest can be found in SF Commentary 80A, pp. 5–6. Graphics Grant Gittus (p. 9); Robert Mizerek (p. 11); Anders Sandberg (p. 12); Sheila White (p. 14); Carol Kewley (p. 26); Jack Kirby (p.
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STUDIES Are © G
10.2478/peakest-2013-0023 STU DIES Vol . 13, no 3 October " !# Unless otherwise indicated, the contents of Peake STUDIES are © G. Peter Winnington 2013 . Acknowledgement is made to the Mervyn Peake Estate for permission to reproduce Mervyn Peake’s words and images. Unless otherwise indicated the previously unpublished works by Mervyn Peake in this issue are © the Mervyn Peake Estate " !#. Edited and published by G. Peter Winnington, 2 ch. du Collège, 1453 M auborget , Switzerland. Tel. +41 24 436 22 32 E-mail [email protected] Home page http://peakestudies.com 10.2478/peakest-2013-0023 ‘Boy in Darkness’: from Parody to Satire Pierre François INA1982 ARTICLE in the Mervyn Peake Review Ronald Binns main - tained that ‘ Boy in Darkness parodies Christian myth, although the extent to which Peake intended the novella as a caustic satire on Chris tianity and Biblical authority remains obscure’ (p.8). This implies that Peake hovers between parody and satire, which is para - doxical because, as each involves a different literary ethos, they are usually poor bedfellows. Indeed, parody is ‘repetition with critical distance’ (Hutcheon, p.6) and is largely playful, whilst satire uses (often caustic) irony to denounce some form of vice or folly. Although I disagree with Binns’ view that the tale leaves the reader ‘perplexed’ and ‘baffled’ (p.10), I do think that it is necessary to elucidate the parody/satire paradox in order to start making sense of Mervyn Peake’s magic-realistic story. The parody in ‘Boy’ largely consists of an uncanny inversion of the Darwinian concepts of evolution and natural selection.
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Mervyn Peake on Tyranny
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS Mervyn Peake on Tyranny Ana Cecília Sobral Gomes Tese orientada pelo Prof. Doutor Miguel Tamen, especialmente elaborada para a obtenção do grau de Mestre em Teoria da Literatura 2021 1 Acknowledgements First and foremost, I would like to thank my advisor, Professor Miguel Tamen, not only for taking on such an unusual project as this but also for helping me shape it into something which, like Titus, is "all there": with "legs and arms, (...) loins, head, eyes and teeth." I would also like to thank Professor João Figueiredo for his very fruitful remark on the Carthesian aspect of Titus' adventure. Thanks are also owed to my mother and to my good friends Zahra and Andreia, for reading this thesis at its many stages and providing useful commentary, and to Ally, for very kindly proofreading it. And finally, I would like to thank Pedro, for listening to me, encouraging me and challenging me every step of the way. 2 Contents Introduction 9 I. The Body Politic 11 II. The Foundation Of Tyranny 31 III. Escape From Tyranny 46 IV. Escape Whereto? 56 3 Abstract Mervyn Peake's most famous work, The Titus Books (also called The Gormenghast Series), has traditionally been read as a coming-of-age gothic fantasy story, laden with excentricities for decoration's sake alone. This thesis aims to argue that the author's refusal to "explain" his work should not stop the reader from looking for the meaningful patterns which make up the overarching theme of the series: tyranny. Centered around the topic of tyranny in its many forms — political, religious, familial, romantic — the story of Gormenghast and its heir Titus shows us how this authoritarian structure comes to be, what it does to those it subjugates, and what will happen to the few who attempt escape.
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XERO 1 Also Got That One-Shot, the RUMBLE, but Not Quite All
3££'T£MQ£/2li6)6o (20 A/72ATI'S an editorial , sort of 'The !n 5 tdicru 5 Ml. Wdld............................. Pat 3 which wasn't his professional name, you know Tiyc^o - & lei/Leu/............ Harlan Ellison in which Harlan says a few things to Charlie 7/^ W&ltdi Crk ~1~LttA5 fflCrtin................. Pat again and no kidding thing this time (2lCr55W&ld -t-lcrUCrl . Frank Arthur Kerr /6 first correct solution wins a copy of Flying Saucers (dnd (did Ln (dcd&i & Dick/ 7 "Heheheh," said someone bei&tl&ni ike Divers Hands .2 9 letters •Qlj5crlu.te Meter..............................................3 6 the real editorial XERO is foisted upon an unsuspecting fandom by Pat and Dick Lupoff, 215 E. 7jrd Street, Nev; York 21, N.Y. Cover thish was drawn, stencilled, & run off by Joe Sanders. Other art, as indicated, is by Lee Ann Tremper or T-. Hief, which anagram should not strain even the fannish brain. Mimeo by QWERTYUIOPress As I bent over the work I could feel something stir in my veins. ■jome long-quiescient, nearly-forgotten thing, some substance some foi'ce unfelt for nearly a decade began to insinuate itself through the edges of consciousness. I tried to put it out of my mind as I had so many times in the past I attempted to suppress the striving as I had so often, as with' deft strokes of the long, sharp incisor I brought nearer completion platforatlOn WhiCh lay’ trar?slucently thin, '.upon the canted operating But the thing, the power, the substance in my veins was rising pointing my bloodstream, intoxicating my senses.
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Titus Groan · Gormenghast · Titus Alone
CD 1 1 Titus is seven. 7:15 2 The Countess walked with a frown on her brow... 5:53 3 Cora and Clarice, although they did not know… 6:49 4 The husky, whispering sound of a score of flying gowns... 6:31 5 He beat his fist into the palm of his other hand. 6:34 6 When Titus awoke the walls of the cave were leaping... 5:41 7 Titus was to be kept in the lichen fort for a week. 4:08 8 There was no sound in all Gormenghast... 7:49 9 It was on the following afternoon that Mrs Slagg died. 7:45 10 A few days later when Steerpike saw Fuschia emerge... 3:52 11 At the end of the three hours that lay before him... 3:42 12 Steerpike’s return to the castle’s heart was rapid... 6:04 13 It was then that there was a knock at the door. 6:26 2 CD 2 14 At the same time Steerpike was fighting to free himself... 4:54 15 When Steerpike had come out of his faint... 6:42 16 Mr Flay had been sitting for over an hour... 7:50 17 In January the snow came down. 7:47 18 While Flay in his wilderness of hollow halls was brooding... 7:15 19 Dr Prunesquallor sank back on the couch by the window... 5:15 20 The Doctor had told the Countess... 6:32 21 She turned on her heel... 5:17 22 When Flay heard the door open quietly below him..
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An Architectural Study of the Spaces of Mervyn Peake's the Gormenghast Trilogy
Submission for Doctorate of Philosophy in Architecture by Research and Thesis Kent School of Architecture University of Kent Imogen Helen Louise Lesser Woods March 2018 Literary Language as a Tool for Design: An Architectural Study of the Spaces of Mervyn Peake’s The Gormenghast Trilogy and ‘Boy in Darkness’ Appendices I - IX Imogen Lesser Woods Literary Language as a Tool for Design: An Architectural Study of the Spaces of Mervyn Peake’s Gormenghast Trilogy and ‘Boy in Darkness’ Contents Appendix I: Architectural (Un)Words............................................................................. 1 Problematic ‘Architectural’ Words ........................................................................................... 1 ‘Speak Like an Architect’ ......................................................................................................... 3 ‘Archi-’ Words ........................................................................................................................ 4 Appendix II: Manuscript Images with Copy of Peake’s Text ............................................ 5 Appendix III: An Example of a Locus Document .......................................................... 11 Appendix IV: The Loci................................................................................................. 14 Appendix V: Reference Points, Points of Note, Measurement Calculations and Contradictions ......................................................................................................... 19 Reference Points and
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