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INDEX 3 - 4 Biography Irmin Schmidt (English) 5 - 7 Introduction by Irmin Schmidt (English) 8 Synopsis (English) 9 -10 Characters (English) 11 Casting and production requirements (English) 12 - 14 Info to previous productions in Wuppertal, Gelsenkirchen, Saarbrücken and Luxembourg 15 - 16 Projektbeschreibung von Irmin Schmidt (Deutsch) 17 Synopsis (Deutsch) 18 - 19 Charaktere (Deutsch) 20 Info zu Bestetzung und Aufführungsmaterial (Deutsch) 21 - 28 Photos 29 - 36 Press IRMIN SCHMIDT BIOGRAPHY Irmin Schmidt, born in May 1937, received a formal musical education. Between 1957 and 1967 he studied conducting (u.o. with Istvan Kertesz), compositon (u.o. with Stockhausen and Ligeti) and piano (u.o. with Detlef Kraus). Between 1962 and 1969 he conducted numerous orchestras including Wiener Sinfoniker, Bochumer Sinfoniker, Radio-Sinfonie-Orchester Norddeutscher Rundfunk Hannover and the Dortmunder Ensemble für Neue Musik, which he founded. Schmidt also worked as a musical director at the Stadttheater Aachen and taught Musicals and Chanson at the Bochum stage school. Schmidt also gave numerous piano recitals focusing on new music and was amongst the first German pianists to interpret the work of John Cage. His composition "Hexapussy" was premiered in Frankfurt in 1967 and shown on television by WDR. "Ilgom" was premiered by Radio Stuttgart in 1968. During this period he also composed music for various film and theatre productions. His classical career was put on hold after a trip to New York in 1966 which exposed him to emerging musical forms and ideas that led to him forming CAN in 1968. As the band's keyboard player, Schmidt’s contribution to their groundbreaking career and the evolution of electronic music in general is formidable. When CAN was dissolved in 1978, Schmidt relocated to the south of France where he established a studio and continued to compose and record over 100 film and television scores, a craft he had already become familiar with both before and during his work with CAN. This work is documented on CAN’s “Soundtracks” LP (1970) and on his own solo soundtrack compilations (Vol. 1 to 6) In 1981 he worked with Bruno Spoerri and released his first solo album "Toy Planet" followed by "Musk at Dusk" in 1987. Schmidt rejoined his former CAN colleagues for the reunion album "Rite Time" (1989) and followed this with another solo album, "Impossible Holidays" (1991). In 1993 Schmidt was commissioned to write a fantasy opera based on Mervyn Peake's Gormenghast trilogy. The three act opera, with a libretto by Duncan Fallowell, was premiered at Wuppertal Opera House on November 15th 1998 and also shown in 1999 at Gelsenkirchen Musiktheater (30 performances). Excerpts of the opera were released as a CD on Spoon/Mute in 2000. During work on Gormenghast, Irmin Schmidt met british composer Jono Podmore (a.k.a. Kumo). Podmore is also a sound engineer, producer and specialist in rhythm programming and Schmidt immediately saw the potential for improvisational collaboration. They formed the duo Irmin Schmidt & Kumo, released two albums “Masters of Confusion” (2001) and "Axolotl Eyes" (2008) and performed worldwide over an extensive period. They also composed the sound installation "Flies, Guys and Choirs" (commissioned by the Barbican Centre in 2001) and together with Jaki Liebezeit from CAN and Burnt Friedman released the EP "Cyclopean" (2012) In 2003 Can received the Echo award for live achievement in Germany. June 2004 saw a new production of Schmidt's Gormenghast opera staged at Völklinger Hütte in Saarbrücken, Germany, a colossal steelworks that is now a UNESCO world heritage site. This was followed by performances at the Grand Théatre Luxembourg. In 2008 Schmidt composed the music for full orchestra to the ballet by Yury Vàmos, "La Fermosa", commissioned by the Deutsche Oper am Rhein. Two years later the prestigious Festival in Germany, Ludwigsburger Festpiele, held a gala event to honour Schmidt's career and work, in particular as a film composer. For the event, Irmin conducted the orcherstra of the Schlossfestspiele with a selection of his work orchestrated for the occasion (including extracts from Palermo Shooting by Wim Wenders, Snowland by Hans W. Geißendörfers amongst others). In 2012 Spoon Records / Mute released "CAN - The Lost Tapes", a 3 CD box set curated by Irmin Schmidt who listened to over 50 hours of Can archive material and chose the released selection. Only a year later he released the compilation "Villa Wunderbar", a 2CD set with a selection of his solo- and film work. In 2013 Irmin Schmidt received the award for best film score by the German Academy Of Television for his score for "Mord in Eberswalde" by Stephan Wagner. Currently Irmin Schmidt is working on a book about CAN commissioned by Faber & Faber and his next release: a luxury CD box containing all of his solo work and score releases. präsentiert von Stefan Vinzberg, der die Tonleitern in einer Art "Bruststimmen-Falsett" hinaufkletterte und tapfer trotz einer Beinverletzung bei den Proben die Premiere bestritt. Die Opernsänger schlugen zurück. Herausragend der Bariton Mark Morouse in Lord Sepulchraves langer, außergewöhnlich schönen Arie vor seiner Verwandlung in eine Eule, Danielle Grima als seine Gattin ebenso erfolgreich mit zwei Monologen. Sabine Schnitzer und Elise Kaufman als die beiden in hohen Koloraturen zwitschernden altjüngferlichen Tanten. Michael Sturmingers Inszenierung ist ausreichend lebendig im überkomplizierten und wenig hilfreichen Bühnenbild. Doch das Ohr war pausenlos beschäftigt, und die Mischung von ausgewachsenem Rock und konventionellerer "Opern"-Musik ist bestimmt ein Weg, die vermutlich moribunde Kunstform weiterzubringen. Ich hoffe, britische Manager werden sich nach Wuppertal aufmachen. Westdeutsche Allgemeine Zeitung - 30.12.98 GORMENGHAST Fantasy-Oper von Irmin Schmidt Gormenghast heißt, zumindest in der deutschen Ausgabe, die Roman-Trilogie von Mervyn Peake , ein weitläufig angelegtes Opus, das zusammen mit Tolkiens "Herrn der Ringe" die weltweite Beliebtheit der Fantasyliteratur initiierte. In Großbritannien seit dem Erscheinen des ersten Bandes nach dem Krieg sehr populär, kam es in deutsch im Zuge des damals überraschendnen Erfolgs von Tolkien heraus. Aber es hat mit Tolkien nichts gemein, die Erwartungshaltung war wahrscheinlich die falsche, und so wurde Peake nicht annähernd so stürmisch angenommen wie sein Kollege. Denn Peake schreibt eine ganz andere Geschichte in einem ganz anderen Stil, eine virtuos wortgewaltig ausladende Satire auf die Upperclass seiner Zeit und Heimat, ein sehr englisch und sophisticated angegangenes Unternehmen. Auf Schloß Gormenghast lebt die Herrscherdynastie der Groans seit mehr als zweitausend Jahren, gefangen in den mythischen Labyrinthen der riesigen Burg und eingezwängt in Rituale, die jeden Tag des Lebens zeremoniell festschreiben. Entsprechend dekadent ist die Familie geworden, besonders der Lord selbst, der, unfähig, sich den Problemen des Herrschens zu stellen, sich in Büchern vergräbt und drogenabhängig langsam den Verstand verliert. Aber auch seine Schwestern, die Zwillinge Cora und Clarice, sind Auswüchse jahrhundertelanger Inzucht. Blutleer, hirnlos, dafür aber unglaublich arrogant und machtlüstern, werden sie zu willigen Werkzeugen der Zerstörung ihrer Welt. Denn mit dem Anfang vom Ende beginnt der Roman. Zwei gleichzeitige Ereignisse werden das Schicksal des Schlosses und seiner Bewohner besiegeln: Der langersehnte Thronfolger wird geboren, Titus, der sich seiner 6 engaged, and the mixture of grown-up rock and more conventional "operatic" music is certainly one way forward for an art form supposedly moribund. I hope British managements will sneak off to Wuppertal. -Rodney Milnes deutsche Übersetzung : THE TIMES 24.11.1998 FINE PEAKE-TIME VIEWING von Rodney Milnes Oft hat auch die komplizierteste Opernhandlung eine ganz einfache Moral. Nach den vier Tagen von Wagners RING heißt sie "hänsle keine Zwerge" bei CARMEN "laß die Finger von Mädchen die rauchen". Im Fall von Irmin Schmidts GORMENGHAST, letzte Woche in Wuppertal uraufgeführt, könnte sie wohl "vernasch das Hauspersonal nicht" heißen. Denn eine Vergewaltigung, anschaulich von Chefkoch Swelter durchgeführt, bringt den Küchenjungen Steerpike dazu, den Fall von GORMENGHAST und allem, wofür es steht, zu planen - was ihm jedoch nur teilweise gelingt. Das ist natürlich in Mervyn Peakes Trilogie, auf der die Oper lose basiert, mehr angedeutet als beschrieben - "frei nach" sagt die offizielle Bezeichnung. Das Libretto, verfaßt von Duncan Fallowell, dem Romanautor und Verfasser von "Ein heißer Sommer in St. Petersburg", ist munter, geistreich und witzig in seinen Reimen.... Die Handlung wird klar ausgebreitet; im Zentrum steht der Brand der Gormenghast-Bibliothek, eingerahmt von Steerpikes Aufstieg und Fall. Die entscheidende Weiterführung aber liegt in Schmidt's Partitur. Der produktive Komponist von Film- und Schauspielmusik ist in Deutschland vor allem berühmt als Gründer der Rockband CAN , was Wuppertal ein interessant gemischtes Publikum garantierte. Die Orchesterstimmen kommen vom Band, bearbeitet von Jono Podmore, ein Streichquartett spielt live im Graben und hält den Dirigenten Simon Rekers auf Trab. Der pure Umfang des "Sensourround"-Klanges ist verblüffend, laut, sinnlich und immer fesselnd, ganz besonders das exotische Schlagzeug, das rundherum hinter den Zuschauern raschelt. Hätte Richard Strauss Rockmusik geschrieben, müßte sie so geklungen haben - herrlich üppig, ohne sich dafür zu schämen. Die große Form ist
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    THE GORMENGHAST NOVELS: TITUS GROAN / GORMENGHAST / TITUS ALONE PDF, EPUB, EBOOK Mervyn Laurence Peake | 1168 pages | 01 Dec 1995 | Overlook Press | 9780879516284 | English | New York, United States The Gormenghast Novels: Titus Groan / Gormenghast / Titus Alone PDF Book Tolkien, but his surreal fiction was influenced by his early love for Charles Dickens and Robert Louis Stevenson rather than Tolkien's studies of mythology and philology. It was very difficult to get through or enjoy this book, because it feels so very scattered. But his eyes were disappointing. Nannie Slagg: An ancient dwarf who serves as the nurse for infant Titus and Fuchsia before him. To see what your friends thought of this book, please sign up. I honestly can't decide if I liked it better than the first two or not. So again, mixed feelings. There is no swarmer like the nimble flame; and all is over. How does this vast castle pay for itself? The emphasis on bizarre characters, or their odd characteristics, is Dickensian. As David Louis Edelman notes, the prescient Steerpike never seems to be able to accomplish much either, except to drive Titus' father mad by burning his library. At the beginning of the novel, two agents of change are introduced into the stagnant society of Gormenghast. However, it is difficult for me to imagine how such readers could at once praise Peake for the the singular, spectacular world of the first two books, and then become upset when he continues to expand his vision. Without Gormenghast's walls to hold them together, they tumble apart in their separate directions, and the narrative is a jumbled climb around a pile of disparate ruins.
  • Dan Dechellis Trio

    Dan Dechellis Trio

    ada–music.com @ada_music NEW RELEASE GUIDE February 19 February 26 ORDERS DUE JANUARY 15 ORDERS DUE JANUARY 22 2021 ISSUE 5 February 19 ORDERS DUE JANUARY 15 OVERVIEW: NECTAR TRACKLIST: Japan-born singer and producer Joji is a multi-talented visionary, with a cult following from every corner of the inter- net. Joji is one of the most enthralling artists of the digital age. He has a total vision for his work, not just in the writ- 1. Ew ing and producing of his music, but artwork, videos, merch, and live performances as well. It’s a fully realized world 2. MODUS that his fans can inhabit and explore—and see themselves in. “My music is not biographical,” he says, but even still, 3. Tick Tock the deep, heavily shaded emotions in his songs are genuine and they speak to anyone who has ever felt stuck on 4. Daylight (w/ Diplo) the outside looking in, who knows what it means to not belong. In 2019, Joji sold-out his North America tour within 5. Upgrade minutes and performed at some of the most coveted festivals across the world, including Reading & Leeds in the UK 6. Gimme Love and Lollapalooza. As Joji surpasses 5 billion global streams, 2020 promises to be his biggest year to date. 7. Run 8. Sanctuary Joji’s sophomore studio album, Nectar, arrives September 25. With a star-studded cast of features across the 9. High Hopes (feat. Omar Apollo) 18- track album, Nectar is Joji’s most ambitious project to date. From the first 4 singles alon , Nectar has already 10.
  • Society Pages

    Society Pages

    COMING TO THE MORRIN CENTRE IN NOVEMBER CÉILIDH ECHOES OF SCOTLAND N U M B E R 2 9 ■ F a l l 2 0 1 0 ■ $ 2 . 0 0 Inspired by the fascinating history of the leaving Scotland, the memory of the logdriver’s Scottish pioneers, in 2009, Le Cochon waltz, nostalgia for milling frolics… The SouRiant in collaboration with the Oscar Dhu multimedia effects and projection of old Cultural Centre and Fig55 created Céilidh photos; family portraits and animations help Echoes of Scotland. This performance binds the audience to imagine early life in “Canada, together theatre, multimedia images, new the land of everlasting forest and cold”. It is a technologies, storytelling, singing, journey that weaves together the past and instrumental music, dancing and poetry. present, Gaelic, English and French languages, nostalgia, happiness, humour and The play is steeped in the history of the first tradition. ■ Scottish Pioneer settlers, who exiled from the Isle of Lewis, settled in the Eastern Townships This theatre piece was based on historical and LOUISE PENNY of Quebec. The audience is invited to a céilidh ethnological documents, from the works of BOOK (kaylee), a visit or gathering at the taigh- Margaret Bennett, the Oscar Dhu Cultural ceilidh, or “ceilidh house”. The ceilidh is Center archives and documents and LAUNCH structured around stories, poems, proverbs, information provided by Lingwick residents, ■ anecdotes, jokes, dances, songs and music particularly the descendants of the Scottish taken from the life stories of the first settlers. Céilidh Echoes of Scotland is a CÉILIDH Hebridean settlers. The occasion is the collective creation by Tess LeBlanc, André ECHOES OF reunion between a brother, Seamus, and Bombardier, Michel Fordin and Martine sister, Sine.
  • Krautrock and the West German Counterculture

    Krautrock and the West German Counterculture

    “Macht das Ohr auf” Krautrock and the West German Counterculture Ryan Iseppi A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF GERMANIC LANGUAGES & LITERATURES UNIVERSITY OF MICHIGAN April 17, 2012 Advised by Professor Vanessa Agnew 2 Contents I. Introduction 5 Electric Junk: Krautrock’s Identity Crisis II. Chapter 1 23 Future Days: Krautrock Roots and Synthesis III. Chapter 2 33 The Collaborative Ethos and the Spirit of ‘68 IV: Chapter 3 47 Macht kaputt, was euch kaputt macht: Krautrock in Opposition V: Chapter 4 61 Ethnological Forgeries and Agit-Rock VI: Chapter 5 73 The Man-Machines: Krautrock and Electronic Music VII: Conclusion 85 Ultima Thule: Krautrock and the Modern World VIII: Bibliography 95 IX: Discography 103 3 4 I. Introduction Electric Junk: Krautrock’s Identity Crisis If there is any musical subculture to which this modern age of online music consumption has been particularly kind, it is certainly the obscure, groundbreaking, and oft misunderstood German pop music phenomenon known as “krautrock”. That krautrock’s appeal to new generations of musicians and fans both in Germany and abroad continues to grow with each passing year is a testament to the implicitly iconoclastic nature of the style; krautrock still sounds odd, eccentric, and even confrontational approximately twenty-five years after the movement is generally considered to have ended.1 In fact, it is difficult nowadays to even page through a recent issue of major periodicals like Rolling Stone or Spin without chancing upon some kind of passing reference to the genre.