DOCSLIB.ORG

Muziek Als Icoontje Op De Desktop Tompt 27-01-2006 Pag

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Muziek Als Icoontje Op De Desktop Tompt 27-01-2006 Pag Algemeen Muziek als icoontje op de desktop tompt 27-01-2006 Pag. 16 PORTRET | Gitaarheld Bob Mould nu ook weblogger, remixer en deejay. (tijd) - Bob Mould is dit weekend te gast in België voor twee solo-optredens. De vroegere zanger-gitarist van de invloedrijke rockgroep Hüsker Dü toert nog maar met mate. In thuisbasis Washington D.C. werpt hij zich ondertussen op als remixer van hippe rockbands en als housedeejay. Communiceren met zijn fans doet hij via de 'boblog' op zijn internetsite. Bob Mould schreef in de jaren tachtig samen met Grant Hart gitaarrockgeschiedenis als Hüsker Dü. Menig grungemuzikant beschouwde hen naast pakweg Pixies en Neil Young als een van de peetvaders van het genre. In het zog van die hernieuwde belangstelling in alternatieve gitaren verkocht Mould, die met Sugar een nieuwe band had opgericht, in het begin van de jaren negentig voorwaar ook wat platen. Daarna werd het opvallend stil rond hem. Het vele toeren beu, stortte hij zich in zijn homestudio met wisselend succes op dansmuziek. Af en toe bracht hij nog weleens een solo-cd uit, maar pas op het vorig jaar verschenen 'Body Of Song' durfde hij weer volop te vertrouwen op een veilige muur van gitaren. Hij verzamelde een nieuwe groep rond hem, met onder anderen drummer Brendan Canty van Fugazi. Maar dit weekend laat hij die thuis. Twee gitaren volstaan: een akoestische en een elektrische. 'Die akoestische optredens doe ik al 15 jaar', vertelt Mould vanuit thuishaven Washington D.C. 'Het laat me toe in mijn hele oeuvre te grasduinen. Zowel materiaal van Hüsker Dü en Sugar als solowerk komt aan bod. Er zijn maar twee vereisten: ik moet de nummers nog willen spelen en de fans moeten er plezier aan beleven. Maar wees niet bezorgd: songs als 'Your Favorite Thing' en 'If I Can't Change Your Mind' raak ik maar niet beu gespeeld. En die paar obscure dingen, daar kicken de echte fans meestal op.' Ruim acht jaar geleden zei hij ons nog dat hij bij de jeugd steeds minder échte passie voor muziek merkte: 'Het is allemaal entertainment geworden, net als in een Pepsi-commercial.' Denkt hij er vandaag nog zo over? 'Het internet creëerde een generatie jongeren die niet betalen voor muziek. Muziek is voor hen vaak niets meer dan een icoontje op hun desktop, iets dat je gratis downloadt en daarna in de prullenbak zwiert. Veel jonge mensen hebben er niet in moeten investeren, maar de voorbije jaren is er een tegenbeweging ontstaan. Op veel mp3-blogs wordt muziek wel weggegeven, maar men voedt de mensen ook op. De blogs nemen de plaats in van de platenwinkel, het radiostation én het muziekfanzine. Dat stemt me hoopvol.' Truc. De zanger wist vrij vlug dat hij de digitale trein niet mocht missen. 'Als ik wil blijven meetellen, moet ik de vinger aan de pols houden. Als onafhankelijk artiest moet ik er sowieso voor proberen te zorgen dat men mijn muziek te horen krijgt, want de conventionele media- en distributiekanalen laten het vaak afweten. Maar aan de andere kant is er helemaal niet zo veel veranderd: de truc is nog steeds om mensen te vinden met dezelfde smaak. Jongeren doen dat nu via internet-gemeenschappen. Sommige vertrouw je, andere niet, net zoals vroeger met de conventionele media.' Het opstarten van zijn eigenste weblog - kortweg boblog - werkte voor de zanger zelf erg inspirerend. 'Ik was enkele jaren geleden vooral met geluiden bezig, met het remixen en samplen van andermans muziek, en veel minder met woorden. Ik heb in die periode vooral geleerd dat levenswijsheid vooral schuilt in het simpele besef dat het leven je geeft wat je denkt. Het is dus best je niet al te veel zorgen te maken over de toekomst. Als je ervan overtuigd bent dat het leven slecht is, is het ook slecht. Vind je het fantastisch, dan is het ook fantastisch. Ik heb besloten het leven fantastisch te vinden.' Bob Mould op De Nachten, zat. 28 jan. , deSingel, Antwerpen.En op zon. 29 jan. in de Handelsbeurs in Gent.'Body Of Song' is uit bij Cooking Vinyl en wordt verdeeld door Bertus. Tom PEETERS tompt © 2006 Uitgeversbedrijf Tijd NV .
Load more

Recommended publications
  • Oldiemarkt Oktober 2005
    2 S c h a l l p l a t t e n b Ö r s e n O l d i e M a r k t 1 0 / 0 5 SchallplattenbÖrsen sind seit einigen Jahren fester Bestandteil ZubehÖr an. Rund 250 BÖrsen finden pro Jahr allein in der der europÄischen Musikszene. Steigende Besucherzahlen zei- Bundesrepublik statt. Oldie-Markt verÖffentlicht als einzige gen, da¿ sie lÄngst nicht mehr nur Tummelplatz fÜr Insider sind. deutsche Zeit-schrift monatlich den aktuellen BÖrsen-kalender. Neben teuren RaritÄten bieten die HÄndler gÜnstige Second- Folgende Termine wurden von den Veranstaltern bekannt- Hand-Platten, Fachzeitschriften, BÜcher Lexika, Poster und gegeben: D a t u m S t a d t / L a n d V e r a n s t a l t u n g s - O r t V e r a n s t a l t e r / T e l e f o n 1. Oktober Ludwigsburg Forum am Schlosspark GÜnther Zingerle ¤ (091 31) 30 34 77 2. Oktober Dortmund Goldsaal Westfalenhalle Manfred Peters ¤ (02 31) 48 19 39 2. Oktober Koblenz Rhein-Mosel-Halle Wolfgang W. Korte ¤ (061 01) 12 86 62 2. Oktober Solingen Theater Agentur Lauber ¤ (02 11) 955 92 50 2. Oktober Schwerin Sport- und Kongresshalle WIR ¤ (051 75) 93 23 59 2. Oktober ZÜrich/Schweiz X-TRA Hanspeter Zeller ¤ (00 41) 14 48 15 00 3. Oktober Aschaffenburg Unterfrankenhalle Wolfgang W. Korte ¤ (061 01) 12 86 62 3. Oktober Dortmund Westfalenhalle Agentur Lauber ¤ (02 11) 955 92 50 3. Oktober Ingolstadt Theater GÜnther Zingerle ¤ (091 31) 30 34 77 8.
    [Show full text]
  • Song & Music in the Movement
    Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.
    [Show full text]
  • The Songs of Mexican Nationalist, Antonio Gomezanda
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-5-2016 The onS gs of Mexican Nationalist, Antonio Gomezanda Juanita Ulloa Follow this and additional works at: http://digscholarship.unco.edu/dissertations Recommended Citation Ulloa, Juanita, "The onS gs of Mexican Nationalist, Antonio Gomezanda" (2016). Dissertations. Paper 339. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2016 JUANITA ULLOA ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School THE SONGS OF MEXICAN NATIONALIST, ANTONIO GOMEZANDA A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Juanita M. Ulloa College of Visual and Performing Arts School of Music Department of Voice May, 2016 This Dissertation by: Juanita M. Ulloa Entitled: The Songs of Mexican Nationalist, Antonio Gomezanda has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Visual and Performing Arts, School of Music, Department of Voice Accepted by the Doctoral Committee ____________________________________________________ Dr. Melissa Malde, D.M.A., Co-Research Advisor ____________________________________________________ Dr. Paul Elwood, Ph.D., Co-Research Advisor ____________________________________________________ Dr. Carissa Reddick, Ph.D., Committee Member ____________________________________________________ Professor Brian Luedloff, M.F.A., Committee Member ____________________________________________________ Dr. Robert Weis, Ph.D., Faculty Representative Date of Dissertation Defense . Accepted by the Graduate School ____________________________________________________________ Linda L. Black, Ed.D.
    [Show full text]
  • The Woman Singer and Her Song in French and German Prose Fiction (Circa 1790-1848)
    The Woman Singer and her Song in French and German Prose Fiction (circa 1790-1848) Julia Irmgard Effertz A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Oxford Brookes University November 2008 8863 8 11,1001111Ill 111111111IN103 IIIlill To my mother, Irmgard Effertz (nee Pelz), and to her mother, Gertrud Pelz (nee Salewski), two exceptionally strong women. Contents Acknowledgments v Conventions vi Abbreviations usedforjoumals throughoutthe thesis vi Abstract ix 1 Introduction Methodology 9 The Questionof Otherness 10 Performance,Subversion and the Possibility of FemaleAgency 14 2 Writing in Context: 18'h- and 19th- Century Musical Culture 19 The Reality of Literature: Court Culture and BourgeoisPastimes 20 The Rift Within the Myth: Femaleand Feminine Music 25 Idle Pursuits:Educating the Muses 29 Negotiating Ideal and Performance:Real-Life Singers 35 3. Conceptualising Female Song: 18'h-and 19'h- Century Musical-Literary Aesthetics 43 Finding the Original Language:Musical Aesthetics and the RousseauesqueTradition 45 Literary Conceptsof the Singer 53 Writing Otherness 55 Sublime Eroticism: Writing the Singing Body 57 Questionsof Life and Death 61 Genius 63 4 Goethe's Mignon and Madame de StaEl's Corinne: Creating a Literary Archetype (1795-1807) 68 (1) The Poeticsof Performance:Mignon 68 Existing Scholarship 70 Born from Song:Mignon in the Context of Goethe'sLied Aesthetics 74 A Poetic Cipher?Mignon's Existencethrough Song 80 Genderand Performance 91 (2) A French Soul Mate? Madamede Stadland
    [Show full text]
  • Bob Mould: Circle of Friends' Page 1 of 1 SEATTLE POST-INTELLIGENCER
    Watch This: 'Bob Mould: Circle of Friends' Page 1 of 1 SEATTLE POST-INTELLIGENCER http://seattlepi.nwsource.com/movies/334800_staydvd10.html Watch This: 'Bob Mould: Circle of Friends' Last updated October 9, 2007 5:13 p.m. PT "BOB MOULD: CIRCLE OF FRIENDS" 111 minutes. Unrated. As he traded songs with drummer Grant Hart in the 1980s punk band Hüsker Dü, Bob Mould's anguished vocals and the melodic buzz saw of his guitar playing would prove a key influence on the likes of Nirvana and Pearl Jam. He added to his status as a role model by coming out as gay, a non-punk thing to do. Mould's anxiety-ridden persona continues to be evident in his post-Hüskers band Sugar and in work under his own name, most recently the '05 CD "Body of Song." Offstage, though, he's become more open and "comfortable in his own skin," as a band member offers in the extras to "Circle of Friends," which captures a career-spanning performance at the 9:30 Club in Washington, D.C., Mould's adopted hometown. Not only has Mould made himself accessible through a much-linked blog -- the Boblog modulate.blogspot.com -- but he's also introducing his new DVD with club appearances, such as the one Friday at Chop Suey, that consist of a half- hour solo acoustic set, a Q&A session and a screening of "Circle of Friends." The DVD features inspired versions of Hüsker Dü classics "I Apologize" and "Makes No Sense at All," as well as "Circles," which finds the Hüsker/Pearl Jam connection coming, well, full circle.
    [Show full text]
  • Danny Way Vs. Tony Hawk
    SUPPORT Danny Way vs. Tony Hawk INDEPENDENT PUBLISHING Today, Saturday July 9th, 2005, Danny Way once again amazed the world with a World Record jump over the Great Wall of China. He landed it on his second attempt. After he landed a straight air over it, he tried it 3 more times, landing backside 360’s over it. Can you believe the ADVERTISE guy 360’d the Great Wall of China? That’s fucking insane. Sure, to jump that 61 ft gap is huge, but imagine spinning WITH US 360’s over it. Also today, Tony Hawk is gearing up for another stop on his extreme sports whoring arena tour, Boom Boom Huck Jam. Who do you think is earning more money today, and who do you think it earning more respect? I think you know the answer. contact After looking at the sponsors for both Way and Hawk, you [email protected] can tell who’s after the money and who’s in it for skate- boarding. Danny’s sponsors include: DC Shoes, Plan B, and Independent trucks. Tony’s include: Birdhouse, Adio, McDonalds. Not to mention his earlier endorsements for Bagel Bites, Hot Wheels, and Club Med. Win Free Product!!! Both Tony and Danny are alike. Both were young skate- boarding prodigies, Danny with H-Street and Plan B, and Tony with Powell Peralta. Both are known for their vert What was the name of the short lived skating skills. Both own their own skateboard companies. skatepark that was located at the 1201 E. Lake St. location,after Twin It seems though, as soon as Tony landed the 900, that the endorsements started flowing.
    [Show full text]
  • The Extent to Which American Children's Folk Songs Are Taught by General Music Teachers Throughout the United States
    THE EXTENT TO WHICH AMERICAN CHILDREN’S FOLK SONGS ARE TAUGHT BY GENERAL MUSIC TEACHERS THROUGHOUT THE UNITED STATES By MARILYN J. WARD A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2003 Copyright 2003 by Marilyn J. Ward ACKNOWLEDGMENTS I would like to thank God for His help in this endeavor. I believe that He was responsible for the good response rate and provided direction, assistance, and wisdom along the way. I would also like to thank my mother, Dr. Iva Maybelle Hollingshead, who funded and personally delivered, retrieved, and processed the information from the majority of elder study instruments. Not only did my mother physically and financially assist in this project, she has also been a constant source of inspiration and encouragement throughout my life. I owe a great debt of gratitude to both my mother and father, who are some of the most wonderful people I have ever known. Sincere appreciation is expressed to the members of my supervisory committee for their insight, wisdom, and wonderful suggestions for improvement through the many stages of this research study: Dr. Russell Robinson (chairman, music education); Dr. Charles Hoffer (music education); Dr. Budd Udell (theory/composition); and Dr. David Young (directing/theatre). Many thanks are extended to Brad Ward, my husband, who has ever so graciously funded this project, in its enormity. iii TABLE OF CONTENTS page ACKNOWLEDGMENTS ................................................................................................
    [Show full text]
  • The Trail of Rage and Melody Bob Mould, Michael Azerrad - Pdf Free Book
    [Pdf] See A Little Light: The Trail Of Rage And Melody Bob Mould, Michael Azerrad - pdf free book See a Little Light: The Trail of Rage and Melody Book Download, Pdf Books See a Little Light: The Trail of Rage and Melody, See a Little Light: The Trail of Rage and Melody Book Download, free online See a Little Light: The Trail of Rage and Melody, full book See a Little Light: The Trail of Rage and Melody, See a Little Light: The Trail of Rage and Melody Popular Download, pdf free download See a Little Light: The Trail of Rage and Melody, PDF See a Little Light: The Trail of Rage and Melody Popular Download, See a Little Light: The Trail of Rage and Melody PDF, by Bob Mould, Michael Azerrad pdf See a Little Light: The Trail of Rage and Melody, Read See a Little Light: The Trail of Rage and Melody Online Free, the book See a Little Light: The Trail of Rage and Melody, Read Online See a Little Light: The Trail of Rage and Melody E-Books, Download pdf See a Little Light: The Trail of Rage and Melody, online free See a Little Light: The Trail of Rage and Melody, See a Little Light: The Trail of Rage and Melody pdf read online, pdf free download See a Little Light: The Trail of Rage and Melody, See a Little Light: The Trail of Rage and Melody Free Download, Download See a Little Light: The Trail of Rage and Melody PDF, online pdf See a Little Light: The Trail of Rage and Melody, DOWNLOAD CLICK HERE pdf, azw, kindle, epub Description: He started by buying old bookbacks, used them to buy food and make clothes with his family members like mine that night after dinner when they were leaving town so I was in bed at their desk doing homework he had gotten sick.
    [Show full text]
  • Working Copy.Indd
    Dear Friends... Welcome to the 2009 Big Sky Documentary Film Festival! Now in our sixth year, we are again pleased to present Missoula with the best in documentary film from around the world. The 2009 installment includes 143 extraordinary films from more than 30 countries, a selection chosen from nearly 1000 submissions. The program is truly distinguished, offering the most diverse exhibition of work to ever screen under the Big Sky. This year’s films cover the gamut of possibilities within the non-fiction form, with topics ranging from the ivory-billed woodpecker to art cars; from rock docs to opera; from Antarctica to Swaziland! Special Features include retrospectives of filmmakers Ron Mann & Joe Berlinger (both in attendance) and live musical accompaniment to silent film by the world renowned Alloy Orchestra. Downtown Missoula’s historic Wilma Theatre, the 1100-seat venue that houses Montana’s largest screen, once again hosts a visual immersion into a world where reality plays itself. With packed audiences of avid moviegoers, most films are accompanied by a Q&A with their respective filmmakers. We cordially invite you to the Wilma Theatre, February 13 - 22, 2009, as we showcase the best in compelling and artistic nonfiction film. Enjoy! Mike Steinberg Festival Director Table of Contents PAGE Welcome from the Big Sky Film Institute 3 Ticket Information and Pass Prices 5 Festival Jury 6 Special Events 8 Special Features 10 Schedule of Films 12 Film Descriptions (Alphabetical) 16 Festival Contact Big Sky Documentary Film Festival Wilma Theatre, 131 Higgins Avenue, Ste. 3-6 Missoula, MT 59802 (406) 541-3456 (FILM) www.bigskyfilmfest.org [email protected] Cover Art: Greg Twigg Production: Dan Funsch 1 The Big Sky Film Institute Festival Staff Celebrating and Supporting the Documentary Arts in the American West Documentaries connect us with the human experience like no other art form.
    [Show full text]
  • Jamie Lidell • Wolf Eyes • Laakso • the Legends • Tim Fite • Mauro Scocco Firefox AK • Hellsongs • Nervous Nellie • Seven Feet Four • Shooting John Groove 7 • 2005
    Nummer 7 • 2005 Sveriges största musiktidning Jamie Lidell • Wolf Eyes • Laakso • The Legends • Tim Fite • Mauro Scocco Firefox AK • Hellsongs • Nervous Nellie • Seven Feet Four • Shooting John Groove 7 • 2005 Tim Fite sidan 5 Fyra frågor till Mauro Scocco sidan 5 Höstlegender Känner ni till Morrisi? sidan 5 Groove är gratis och detta med att Nä, vakna upp och lukta på skiten: Nada Surf sidan 6 vara gratisdistribuerad ser vi på redak- Groove startade som punkfanzine och Jag är en musik-junkie sidan 6 tionen som något positivt. Vi har haft har aldrig ryggat för att såga musik många diskussioner genom åren som som suger. Det skulle inte förändras Omslagsfoto The Legends sidan 7 lett fram till att vi vill fortsätta nå ut om tidningen såldes för 39 kronor i Daniel Axelsson Bildbehandling med musiktips till fler än ett insatt Pressbyrån! Vilket förresten redan är Favvoplattan sidan 7 Henrik Strömberg fåtal. Vare sig man är fattig student, ett faktum, ett femtiotal butiker säljer Laakso sidan 8 skivsamlare, medelålders rocker eller redan tidningen och Grooves bland- Groove är en oberoende musiktidning, Wolf Eyes sidan 8 bara milt musikintresserad ges man CD till paketpris. Dessutom har vi och ges ut av Musiktidning i Göteborg AB. chansen att läsa våra artiklar och en prenumerationstjänst som räknar Hellsongs sidan 10 Groove recensioner. Utan kostnad. in nya familjemedlemmar dagligen. Box 112 91 Firefox AK sidan 10 Detta innebär inte (som en skri- Något som vissa andra saknar… 404 26 Göteborg bent i en stor morgontidning hävdar) Så tack för att just du plockat upp Nervous Nellie sidan 10 Telefon 031–833 855 att vi är opålitliga och sitter bekvä- Groove, hoppas du fortsätter att hitta Seven Feet Four sidan 10 Elpost [email protected] mare i storfinansens knä än någon inspiration och upplevelser i musi- http://www.groove.se Shooting John sidan 10 annan.
    [Show full text]
  • Music Blogging, Online Sampling, and the Long Tail
    Information Systems Research Vol. 23, No. 3, Part 2 of 2, September 2012, pp. 1056–1067 ISSN 1047-7047 (print) ISSN 1526-5536 (online) http://dx.doi.org/10.1287/isre.1110.0405 © 2012 INFORMS Research Note Music Blogging, Online Sampling, and the Long Tail Sanjeev Dewan Paul Merage School of Business, University of California, Irvine, Irvine, California 92697, [email protected] Jui Ramaprasad McGill University, Montreal, Québec H3A 1G5, Canada, [email protected] nline social media such as blogs are transforming how consumers make consumption decisions, and the Omusic industry is at the forefront of this revolution. Based on data from a leading music blog aggregator, we analyze the relationship between music blogging and full-track sampling, drawing on theories of online social interaction. Our results suggest that intensity of music sampling is positively associated with the popularity of a blog among previous consumers and that this association is stronger in the tail than in the body of music sales distribution. At the same time, the incremental effect of music popularity on sampling is also stronger in the tail relative to the body. In the last part of the paper, we discuss the implications of our results for music sales and potential long-tailing of music sampling and sales. Put together, our analysis sheds new light on how social media are reshaping music sharing and consumption. Key words: blogs; social interactions; observational learning; word of mouth; long tail; music industry; social media History: Vallabh Sambmurthy, Senior Editor; Siva Viswanathan, Associate Editor. This paper was received on March 27, 2008, and was with the authors 27 months for 4 revisions.
    [Show full text]
  • Bob Mould Prepping New Solo Album, Live DVD Page 1 of 2
    Bob Mould Prepping New Solo Album, Live DVD Page 1 of 2 nmlkji Billboard nmlkj Web News Reviews Hot Product New Releases RIAA Certifications Industry Awards This Day in Music Special Features Save Email Print Most Popular RSS Reprints Bob Mould Prepping New Solo Album, Live Rihanna Fends Off Shop Boyz Again Lead Hot 100 DVD For a fourth week, Rihanna's "Umbrella" remains atop the Billboard Hot 100, with November 21, 2006, 12:20 PM ET Shop Boyz' "Party Like a Rockstar" still a No. 2. But that track is inching ever clos Jonathan Cohen, N.Y. to No. 1, as it earns greatest gainer/airplay honors this week. "Party" remains No. 4 on Hot R&B/Hip-Hop Song Bob Mould is eyeing a June release for his next solo while "Umbrella" inches up 6-5 on that album, which he has been recording with Fugazi tally. More... drummer Brendan Canty. The artist is in talks with several labels to release the follow-up to 2005's Fan Input To Shape "Body of Song," which was issued by Yep Roc and Fall Dylan Retrospective debuted at No. 22 on Billboard's Heatseekers chart. Fan input will help shap "I would best describe it as the logical extension of 'Body of Song,' -- lots of guitars, shorter the songs that will mak the cut for "Dylan," a three-disc Bob Dyl pop songs," Mould tells Billboard.com. "There's a couple of down things that are a little more retrospective and companion greatest hi loop-based. It's Brendan's opinion that it's a little more somber than the last record.
    [Show full text]