DOCSLIB.ORG

Jueves, 01 De Noviembre De 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jueves, 01 De Noviembre De 2018 Jueves, 01 de Noviembre de 2018 00:02:00 hs: AUTORES VARIOS: CUATRO COMPOSICIONES (RENACIMIENTO TARDIO Y BARROCO TEMPRANO) (VERSIONES ORGANÍSTICAS) Duración: 00:09:02 PIFFARO Director: JOAN KIMBALL Y ROBERT WIEMKEN 00:11:00 hs: GERSHWIN, GEORGE (1898-1937): CINCO CANCIONES Duración: 00:16:38 DAME KIRI TE KANAWA SOPRANO THE NEW PRINCESS THEATER ORCHESTRA Director: JOHN MCGLINN 00:29:00 hs: WILLIAMS, ALBERTO (1862-1952): TRES COMPOSICIONES Duración: 00:07:42 LIA CIMAGLIA ESPINOSA PIANO 00:38:00 hs: SIBELIUS, JEAN (1865-1957): SUITE DE LA MUSICA INCIDENTAL PARA "EL CISNE BLANCO" OPUS 54 Duración: 00:21:32 ORQUESTA FILARMONICA REAL Director: SIR THOMAS BEECHAM REGISTRO REALIZADO EN EL ROYAL ALBERT HALL EL 24 DE NOVIEMBRE DE 1955 01:02:00 hs: AUTORES VARIOS: TRES COMPOSICIONES VOCALES Duración: 00:07:42 CONJUNTO PRO MUSICA ANTIGUA DE ROSARIO Director: CRISTIAN HERNANDEZ LARGUIA 01:10:00 hs: SCRIABIN, ALEXANDER (1872-1915): TRES ESTUDIOS Duración: 00:07:32 VLADIMIR SOFRONITSKI PIANO 01:18:00 hs: GUASTAVINO, CARLOS (1914-2000): DOS COMPOSICIONES Duración: 00:07:29 CARLOS GUASTAVINO Y HAYDEE GIORDANO PIANOS 01:26:00 hs: STRAUSS, RICHARD (1864-1949): ASI HABLABA ZARATUSTRA (POEMA SINFÓNICO OPUS 30) Duración: 00:33:16 WILLI BOSKOVSKY VIOLÍN ORQUESTA FILARMONICA DE VIENA Director: HERBERT VON KARAJAN 02:02:00 hs: MENDELSSOHN-BARTHOLDY, FELIX (1809-1847): SINFONIA Nº 2 EN SI BEMOL MAYOR OPUS 52 "CANTO DE ALABANZA" (TEXTOS BIBLICOS) Duración: 01:09:43 EDITH MATHIS Y LISELOTTE REBMANN SOPRANOS WERNER HOLLWEG TENOR CORO DE LA OPERA ALEMANA DE BERLIN Director: WALTER HAGEN-GROLL ORQUESTA FILARMONICA DE BERLIN Director: HERBERT VON KARAJAN 03:15:00 hs: BRUCKNER, ANTON (1824-1896): SINFONIA Nº 0 EN RE MENOR Duración: 00:38:11 ORQUESTA SINFONICA DE CHICAGO Director: SIR GEORG SOLTI 03:54:00 hs: CURZON, FREDERIC (1899-1973): MARCHA DE LOS ARQUEROS (DE LA SUITE "ROBIN HOOD") Duración: 00:04:56 ORQUESTA SINFONICA DE LA RADIO CHECOSLOVACA Director: ADRIAN LEAPER 04:02:00 hs: VICTORIA, TOMAS LUIS DE (1548-1611): DOS MOTETES Duración: 00:07:41 GABRIELI CONSORT Director: PAUL MCCREESH 04:10:00 hs: STANLEY, JOHN (1712-1786): VOLUNTARY EN RE MAYOR OPUS 6 Nº 5 Duración: 00:06:31 CALVERT JOHNSON ORGANO 04:17:00 hs: BENZECRY, ESTEBAN (1970): SCHERZO SUDAMERICANO Duración: 00:06:23 ORQUESTA DE CÁMARA "SCHUBERT" DE LONDRES Director: MARIO BENZECRY REGISTRO REALIZADO EN EL BOLÍVAR HALL DE LONDRES EN 1999 04:24:00 hs: ROPEK, JIRI (1922-2005): VARIACIONES SOBRE EL HIMNO "VICTIMAE PASCHALI LAUDES" Duración: 00:11:33 JAN VAN WINGERDEN ORGANO 04:36:00 hs: FALLA, MANUEL DE (1876-1946): NOCHES EN LOS JARDINES DE ESPAÑA (TRES IMPRESIONES SINFÓNICAS) Duración: 00:22:48 GONZALO SORIANO PIANO ORQUESTA NACIONAL DE ESPAÑA Director: ATAULFO ARGENTA 05:01:00 hs: PURCELL, HENRY (1659-1695): BIENAVENTURADOS QUIENES TEMEN AL SEÑOR (MOTETE A CINCO VOCES) Duración: 00:05:20 CORO DE LA RADIO SUIZA DE LUGANO DIRECTOR: DIEGO FASOLIS ALBERTO RASI VIOLÍN LORENZO GHIELMI ÓRGANO 05:07:00 hs: SATIE, ERIK (1866-1925): TRES PIEZAS EN FORMA DE PERA Duración: 00:12:23 ALDO CICCOLINI PIANO 05:20:00 hs: GUESTRIN, NESTOR (1950): MINIATURAS Duración: 00:07:21 NESTOR GUESTRIN GUITARRA 05:28:00 hs: HANSON, HOWARD (1896-1981): SINFONIA Nº 2 OPUS 30 "ROMANTICA" Duración: 00:30:25 ORQUESTA SINFONICA DE SAINT LOUIS Director: LEONARD SLATKIN 06:02:00 hs: PAGANINI, NICCOLO (1782-1840): DOCE CAPRICHOS OPUS 1 (Nº 13 A 24) Duración: 00:36:58 IVAN KAWACIUK VIOLIN 06:41:00 hs: LANNER, JOSEPH (1801-1843): TRES COMPOSICIONES Duración: 00:17:52 * ORQUESTA SINFONICA DE VIENA Director: ROBERT STOLZ ORQUESTA SINFONICA DE BERLIN Director: ROBERT STOLZ 07:03:00 hs: KUHLAU, FRIEDRICH (1786-1832): SONATINA EN LA MAYOR OPUS 60 Nº 2 Duración: 00:08:25 LOREDANA BRIGANDI PIANO 07:12:00 hs: BEETHOVEN, LUDWIG VAN (1770-1827): SONATA Nº 2 EN LA MAYOR OPUS 12 Nº 2 Duración: 00:16:00 MARTHA ARGERICH PIANO GIDON KREMER VIOLIN 07:29:00 hs: MENDELSSOHN-BARTHOLDY, FELIX (1809-1847): SEIS ROMANZAS SIN PALABRAS OPUS 30 Duración: 00:16:51 ILSE VON ALPENHEIM PIANO 07:46:00 hs: LIADOV, ANATOLY (1855-1914): OCHO CANCIONES POPULARES RUSAS OPUS 58 Duración: 00:13:07 ORQUESTA DE FILADELFIA Director: LEOPOLD STOKOWSKI REGISTRO REALIZADO EN 1934 08:04:00 hs: SCHUMANN, ROBERT (1810-1856): CONCIERTO PARA VIOLONCELLO Y ORQUESTA EN LA MENOR OPUS 129 Duración: 00:25:32 JANOS STARKER VIOLONCELLO ORQUESTA SINFONICA DE BAMBERG Director: DENNIS RUSSELL DAVIES 08:30:00 hs: WALDTEUFEL, EMIL (1837-1915): CUATRO COMPOSICIONES Duración: 00:28:17 ORQUESTA FILARMONICA DEL ESTADO ESLOVACO Director: ALFRED WALTER 09:03:00 hs: CORELLI, ARCANGELO (1653-1713): CONCERTO GROSSO EN SI BEMOL MAYOR OPUS 6 Nº 5 Duración: 00:10:39 THE ENGLISH CONCERT Director: TREVOR PINNOCK 09:14:00 hs: SCARLATTI, ALESSANDRO (1660-1725): CONCERTO GROSSO Nº 3 EN FA MAYOR Duración: 00:09:17 ORQUESTA ALESSANDRO SCARLATTI DE LA RAI DE NAPOLES Director: ETTORE GRACIS 09:24:00 hs: HAENDEL, GEORG FRIEDRICH (1685-1759): ARIA Nº 2 PARA INSTRUMENTOS DE VIENTO Duración: 00:02:13 MIEMBROS DE THE ACADEMY OF ANCIENT MUSIC Director: CHRISTOPHER HOGWOOD 09:27:00 hs: AUTOR ANONIMO (RUSIA - SIGLO XVIII): SINFONIA EN DO MAYOR Duración: 00:10:13 CONJUNTO BARROCO JAROSLAWL Director: 09:37:00 hs: BACH, JOHANN SEBASTIAN (1685-1750): SUITE Nº 2 EN SI MENOR BWV. 1067 Duración: 00:22:03 MUSICA ANTIQUA KÖLN Director: REINHARD GÖBEL 10:04:00 hs: BACH, CARL PHILIPP EMANUEL (1714-1788): SINFONIA EN RE MAYOR WOTQUENNE 183 Nº 1 - HELM 663 Duración: 00:10:21 ORQUESTA FILARMONICA DE CAMARA DE SALZBURGO Director: YOON K. LEE 10:15:00 hs: MOZART, WOLFGANG AMADEUS (1756-1791): SONATA Nº 11 EN MI BEMOL MAYOR K. 26 Duración: 00:05:22 JULIAN OLEVSKY VIOLÍN ESTELA KERSENBAUM PIANO 10:21:00 hs: HAYDN, FRANZ JOSEPH (1732-1809): CONCIERTO PARA VIOLONCELLO Y ORQUESTA EN RE MAYOR HOBOKEN VIIB Nº 2 (CADENZAS: LYNN HARRELL) Duración: 00:26:59 LYNN HARRELL VIOLONCELLO ACADEMY OF SAINT MARTIN-IN-THE-FIELDS Director: NEVILLE MARRINER 10:49:00 hs: VANHAL, JOHANN BAPTIST (1739-1813): SINFONIA EN DO MAYOR Duración: 00:10:43 SINFONIA NICOLAUS ESTERHAZY Director: UWE GRODD 11:03:00 hs: HUMMEL, JOHANN NEPOMUK (1778-1837): INTRODUCCION, TEMA Y VARIACIONES EN FA MENOR-FA MAYOR OPUS 102 (ORIGINAL: OBOE Y ORQUESTA) Duración: 00:14:32 MAURICE ANDRE TROMPETA ORQUESTA DE CAMARA DE ZURICH Director: EDMOND DE STOUTZ REGISTRO REALIZADO EN LA IGLESIA REFORMADA DE ALTSTETTEN (ZURICH) EN FEBRERO DE 1990 11:18:00 hs: CHOPIN, FREDERIC (1810-1849): PRELUDIO EN SI MENOR OPUS 28 Nº 6 (LENTO ASSAI) (ORQUESTACIÓN: LEOPOLD STOKOWSKI) Duración: 00:02:46 ORQUESTA DE FILADELFIA Director: WOLFGANG SAWALLISCH 11:21:00 hs: TCHAIKOVSKY, PIOTR ILLICH (1840-1893): ESCENA DEL ARBOL DE NAVIDAD (DEL BALLET "CASCANUECES" OPUS 71) Duración: 00:07:00 ORQUESTA SINFONICA DE LONDRES Director: CHARLES GERHARDT 11:29:00 hs: SAINT-SAËNS, CAMILLE (1835-1921): ESTUDIO EN FORMA DE VALS EN RE BEMOL MAYOR OPUS 52 Nº 6 "CAPRICHO" (ARREGLO: EUGENE YSAYE) Duración: 00:06:23 DAVID OISTRAKH VIOLIN VLADIMIR YAMPOLSKY PIANO 11:36:00 hs: CHAMINADE, CECILE (1857-1944): CUATRO COMPOSICIONES Duración: 00:10:41 PETER JACOBS PIANO 11:48:00 hs: LISZT, FRANZ (1811-1886): VALS MEFISTO Nº 1 EN SOL BEMOL MAYOR SEARLE 514 (ALLEGRO VIVACE, QUASI PRESTO) Duración: 00:11:13 ORQUESTA FILARMONICA DE LONDRES Director: BERNARD HAITINK 12:03:00 hs: VIAJAR ES UN PLACER (BEATRIZ JUMILLA) Duración: 00:56:00 13:02:00 hs: HUMPERDINCK, ENGELBERT (1854-1921): OBERTURA DE LA OPERA "LA BELLA DURMIENTE" Duración: 00:07:21 ORQUESTA DE LA RADIO DEL SUROESTE DE ALEMANIA Director: FLORIAN MERZ 13:10:00 hs: LALO, EDUARD (1823-1892): CONCIERTO PARA VIOLIN Y ORQUESTA Nº 2 EN RE MENOR OPUS 21 "SINFONIA ESPAÑOLA" Duración: 00:33:32 ITZHAK PERLMAN VIOLIN ORQUESTA DE PARIS Director: DANIEL BARENBOIM 13:44:00 hs: FAURE, GABRIEL (1845-1924): SUITE DE LA MUSICA INCIDENTAL PARA "MASQUES ET BERGAMASQUES" OPUS 112 Duración: 00:15:05 SINFONIETTA DE LA RADIO Y TELEVISION IRLANDESA Director: JOHN GEORGIADIS 14:04:00 hs: SPOHR, LUDWIG (1784-1859): RONDO. VIVACE (TERCER MOVIMIENTO DEL CONCIERTO PARA CLARINETE Y ORQUESTA Nº 1 EN DO MENOR OPUS 26) Duración: 00:05:54 JOHN DENMAN CLARINETE ORQUESTA FILARMONICA REAL Director: ROBERT BERNHARDT 14:10:00 hs: FIBICH, ZDENEK (1850-1900): SONATINA EN RE MENOR OPUS 27 Duración: 00:10:22 JOSEF SUK VIOLIN JOSEF HALA PIANO 14:21:00 hs: HERBERT, VICTOR (1859-1924): MELODIAS CELEBRES DE OPERETAS (ARREGLO: HAROLD SANFORD) Duración: 00:08:02 ORQUESTA SINFONICA DE PITTSBURGH Director: LORIN MAAZEL 14:34:00 hs: DERECHOS Y VALORES (SARA DE EIRAS Y FLORENCIA HERBIN) Duración: 00:56:00 15:33:00 hs: BEETHOVEN, LUDWIG VAN (1770-1827): SONATA Nº 8 EN DO MENOR OPUS 13 "PATETICA" Duración: 00:17:25 NINA BLANCO PIANO 15:51:00 hs: STRAUSS, JOSEF (1827-1870): GOLONDRINAS DE AUSTRIA (VALS OPUS 164) Duración: 00:08:29 ORQUESTAS FILARMONICAS DE BERLIN Y VIENA Director: ERICH KLEIBER 16:03:00 hs: SOLER, PADRE ANTONIO (1725-1783): DOS SONATAS Duración: 00:10:05 GILBERT ROWLAND CLAVE 16:14:00 hs: GOUNOD, CHARLES (1818-1893): DANZA GRIEGA (DE LA OPERA "EL TRIBUTO DE ZAMORA") Duración: 00:02:04 ORQUESTA SINFONICA DE LONDRES Director: RICHARD BONYNGE 16:17:00 hs: PUCCINI, GIACOMO (1858-1924): CRISANTEMOS Duración: 00:06:03 ALBERTO LYSY VIOLIN CAMERATA LYSY Director: ALBERTO LYSY 16:23:00 hs: DVORAK, ANTONIN (1841-1904): SINFONIA Nº 3 EN MI BEMOL MAYOR OPUS 10 Duración: 00:36:09 ORQUESTA SINFONICA DE LONDRES Director: WITOLD ROWICKI 17:03:00 hs: HUMMEL, JOHANN NEPOMUK (1778-1837): CONCIERTO PARA PIANO Y ORQUESTA Nº 3 EN SI MENOR OPUS 89 Duración: 00:37:51 HAE-WON CHANG PIANO ORQUESTA DE CAMARA DE BUDAPEST Director: TAMAS PAL 17:42:00
Load more

Recommended publications
  • Royal Opera House Concert Master Peter Manning
    PRESS STATEMENT 26 FEBRUARY 2018 ROYAL OPERA HOUSE CONCERT MASTER PETER MANNING Royal Opera House Chief Executive Alex Beard today announced that Peter Manning, Concert Master of the Orchestra of the Royal Opera House is leaving his position in August 2018 (at the end of the current Season). Alex Beard said: ‘Peter has led the Orchestra of the Royal Opera House with great distinction for the last 19 years. In that time, he has made a hugely important contribution to the artistic work of both The Royal Opera and Royal Ballet companies, helping to strengthen the reputation of the Orchestra of the Royal Opera House as one of the greatest lyric ensembles worldwide.’ Music Director of The Royal Opera Sir Antonio Pappano paid tribute to Peter’s exquisite sound and musicianship. ‘The emotional intensity of sound when Peter plays has the capacity to move any audience. He is a musician of great finesse and an artist of sincere integrity. His commitment to continually improving the artistic standards of the Orchestra of the Royal Opera House is beyond doubt. He For all Royal Opera House press releases visit www.roh.org.uk/press has played a very important role during the time I have been Music Director. I know however that as well as being an Orchestra of the Royal Opera House Concert Master, he has many musical commitments as a conductor, soloist, chamber musician, teacher and published arranger. I wish him well, following his decision to change his focus and give more time to those other interests.’ -ENDS- NOTES FOR EDITORS CV Details Peter Manning was appointed Concert Master of the Orchestra of the Royal Opera House in 1999.
    [Show full text]
  • Interpreting Tempo and Rubato in Chopin's Music
    Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings.
    [Show full text]
  • Ausführliches Programm Der Buchpräsentation
    Buchvernissage Mittwoch, 12. Juni 2019 Mittwoch 12. Juni 2019, 11 Uhr, Kirche Santa Margarita, Fex-Crasta „Gedenkmoment für Claudio Abbado“ Wolfgang Amadeus Mozart (1756 - 1791) Quartett in F-Dur KV 370 2. Adagio * Claudio Abbado über sein Zuhause im Fextal (Aus „Spaziergänge durch Nietzsches Sils Maria“) * Johann Sebastian Bach (1685 – 1750) Auszüge aus den Goldbergvariationen, BWV 988 in der Fassung für Streichtrio von Dmitri Sitkovetsky Es spielen: Prof. Matthias Bäcker (Oboe) Johanna Staemmler (Violine) Sophia Reuter (Viola) Margarethe Niebuhr (Violoncello) BUCHVERNISSAGE & KONZERT Mittwoch, 12.Juni 2019, 17.30 Uhr, Waldhaus-Theater, Sils Paul Raabe: Spaziergänge durch Nietzsches Sils Maria in überarbeiteter und erweiterter Neuausgabe durch Mirella Carbone & Joachim Jung, Göttingen (Wallstein Verlag) 2019 Programm Wolfgang Amadeus Mozart (1756 - 1791) Quartett in F-Dur KV 370 1. Allegro – 2. Adagio – 3. Rondeau. Allegro * Begrüssung: Dr. Cordula Seger, Leiterin Institut für Kulturforschung Graubünden Einführung zur Neuedition: Dr. Mirella Carbone und Joachim Jung * Ernest John Moeran (1894 - 1950) Fantasy Quartet Allegro moderato - Molto Largamente - Molto Allegro * Erinnerungen an Paul Raabe: Dr. Mirella Carbone und Joachim Jung * Benjamin Britten (1913 - 1976) Phantasy Quartet op.2 Andante alla marcia - Andante - Tempo primo * Kurze Lesung aus „Spaziergänge durch Nietzsches Sils Maria“: Joachim Jung *** Apéro Es spielen: Prof. Matthias Bäcker (Weimar/Berlin) - Oboe Johanna Staemmler (Berlin) - Violine Sophia Reuter (Berlin) - Viola Margarethe Niebuhr (Berlin) - Violoncello Matthias Bäcker ist Professor für Oboe an der Hochschule für Musik FRANZ LISZT Weimar. Geboren 1971 in Schwerin, studierte er bei Prof. Hans Werner Wätzig und Prof. Burkhard Glaetzner in Berlin und Leipzig. 1994 wurde Matthias Bäcker in die Orchesterakademie der Berliner Philharmoniker auf- genommen und dort von Hansjörg Schellenberger unterrichtet.
    [Show full text]
  • Howard Milner Lives Remembered (For the Independent)
    Howard Milner Lives Remembered (for The Independent) My friend Howard Milner, who has died of cancer at the age of 58, will be remembered with enormous affection by many hundreds of people – who heard him sing, who learned from his remarkable teaching, who worked with him as colleagues, or who valued him as someone with a supreme gift of friendship. Howard was a chorister at Coventry Cathedral, won a music scholarship to Monkton Combe School, and went on to read English at Cambridge. It was there that I met – and briefly taught – him, a brilliant student with an ability for serious appreciation of poetry that never deserted him. He went on to make his career in music, though, putting his wonderful tenor voice to the service of singing. He became a member of Swingle II, the jazz vocal octet. He spent several years in Paris with the Group Vocal de France, specialising in contemporary music. And back in London he sang in West End shows and took on commercial engagements. But after a serious motorbike accident in 1982, he decided to take the opera course at the Guildhall School, won several major prizes, and went on to carve out an international career at Glyndebourne, ENO, the Royal Opera House, Opera Factory, Sydney Opera House, Carnegie Hall, Paris Chatelet, Barcelona, Aix-en-Provence, and Menton. His opera and concert performances have been widely recorded. The combination of a fine voice, a literary enthusiasm, an ability with languages, and a serious dedication to helping others in his field was always going to lead to more, however.
    [Show full text]
  • International Piano NO.44 JUL/AUG 2017 £5.50
    International Piano International NO.44 JUL/AUG 2017 £5.50 www.international-piano.com PEAK PERFORMANCE INSIDE Beethoven’s mighty SHEET MUSIC Hammerklavier CHRISTOPHER NORTON’S PACIFIC PRELUDES on disc JULY/AUGUST 2017 FROM BOOSEY & HAWKES SEE PAGE 43 SCORING POINTS Editing Hummel’s COMPOSING Concerto No 2 AT THE KEYS Do we judge the works of pianist-composers PLUS NEW TECHNOLOGY too harshly? FOR TUNING MAKE SCALE PRACTICE FUN MARC-ANDRÉ www.international-piano.com HAMELIN Irrepressible explorer 07> 077005 772042 9 IPJA17_001_Cover 0706OM.indd 2 07/06/2017 14:54 Shigeru Kawai Concert Series Beautiful Grand Pianos In 6 Sizes, Crafted By Master Piano Artisans In Hamamatsu, Japan. /KawaiUK www.shigerukawai.de IPJA17.indd 2 06/06/2017 15:29:39 CONTENTS © SIM CANETTY-CLARKE © SIM CANETTY-CLARKE 16 34 © ABU DHABI FESTIVAL © PRINTEMPS DES ARTS DE MONTE- © PRINTEMPS DES ARTS 52 57 Contents 5 EDITORIAL willing to explore International Music SPECIAL FEATURES Finding solace in music unusual repertoire? Competition 16 SHARED EXPERIENCE 6 LETTERS 34 RED OCTOBER 52 LIVE REVIEWS Canadian virtuoso Your thoughts and London Piano Festival Concert coverage from Marc-André Hamelin comments marks the centenary of London, Bergamo and shares his passion for rare Russia’s 1917 revolutions Monaco’s Printemps des repertoire and explains 8 NEWS & EVENTS Arts festival why it’s important to Steinway & Sons opens 36 IN TUNE WITH understand the mechanics Paris showroom | The THE TIMES 57 CULTURAL PEARL of music Leeds announces annual New technology that’s Abu Dhabi’s
    [Show full text]
  • The Late Choral Works of Igor Stravinsky
    THE LATE CHORAL WORKS OF IGOR STRAVINSKY: A RECEPTION HISTORY _________________________________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia ________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts ____________________________ by RUSTY DALE ELDER Dr. Michael Budds, Thesis Supervisor DECEMBER 2008 The undersigned, as appointed by the dean of the Graduate School, have examined the thesis entitled THE LATE CHORAL WORKS OF IGOR STRAVINSKY: A RECEPTION HISTORY presented by Rusty Dale Elder, a candidate for the degree of Master of Arts, and hereby certify that, in their opinion, it is worthy of acceptance. _________________________________________ Professor Michael Budds ________________________________________ Professor Judith Mabary _______________________________________ Professor Timothy Langen ACKNOWLEDGEMENTS I would like to express my deepest gratitude to each member of the faculty who participated in the creation of this thesis. First and foremost, I wish to recognize the ex- traordinary contribution of Dr. Michael Budds: without his expertise, patience, and en- couragement this study would not have been possible. Also critical to this thesis was Dr. Judith Mabary, whose insightful questions and keen editorial skills greatly improved my text. I also wish to thank Professor Timothy Langen for his thoughtful observations and support. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS……………………………………………………………...ii ABSTRACT……………………………………………………………………………...v CHAPTER 1. INTRODUCTION: THE PROBLEM OF STRAVINSKY’S LATE WORKS…....1 Methodology The Nature of Relevant Literature 2. “A BAD BOY ALL THE WAY”: STRAVINSKY’S SECOND COMPOSITIONAL CRISIS……………………………………………………....31 3. AFTER THE BOMB: IN MEMORIAM DYLAN THOMAS………………………45 4. “MURDER IN THE CATHEDRAL”: CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS………………………………………………………...60 5.
    [Show full text]
  • Mullova Ensemble Acht Freunde Treffen Schubert -53)+ ',¯.:%.$ %).'%&!.'%
    in Germ ts an an y d n e p CLASS e d Association of Classical Independents n I in Germany e.V. l a Bachstraße 35 · 32756 Detmold c i s www.classgermany.de s a A l s C [email protected] s f o o CLASSc i n a t o i CLASS AKTUELL 2005/4 Welt voller Gegensätze Tangos von Astor Piazzolla Schillernder Schiller Das Hörbuch zum Schiller-Jahr Salzburger Festmusik Peter Neumann Christian Lindberg swingt zu Shilkret Gewinnen Sie einen der Alleskönner von Seite 24 Mullova Ensemble Acht Freunde treffen Schubert -53)+ ',¯.:%.$ %).'%&!.'%. NEUEKLANGFARBEN FàRDENHERBST .EUVERÚFFENTLICHUNGEN BEI /EHMS#LASSICS KROWACZEWSKIDI )NCLUDING RIGIERT"EETHOVEN #OMPLETE 0RINT n KàNSTLERISCHES #ATALOGUE 3 #REDO EINES DER LETZTEN GROEN $IRI GENTENALTER3CHULE AS#$ $EBàTVON (ERBERT 3CHUCH $ DERSICHMITDREI 3IEGEN BEI GROEN +LAVIERWETTBEWER #$S 3PECIAL 0RICE BEN IN DEN &OKUS DER +LAVIERWELT KA TAPULTIERTE /EHMS#LASSICS q #$ 0ACK /EHMS#LASSICS INKL 'ESAMTKATALOG /RIGINALKLANGBEWEGUNG .EUE 3!#$ 0RODUKTIONEN # / /# RADITIONELLE !DVENTS UND 7EIH ASBEKANNTESTE7ERK$VORÉKS DIE NACHTSLIEDERMITEINEM3PITZENCHOR 3INFONIEu!USDER.EUEN7ELTh IST DERSICHINDER-ODERNEGENAUSOZU HIER DER àBERAUS FARBIGEN u"ÚH # q (YBRID 3!#$S # q (YBRID 3!#$ 4 $ / / (AUSEFàHLTWIEIMKLASSISCHEN#HOR MISCHEN3UITEhOPGEGENàBERGE REPERTOIRE STELLT ACHSEINERDOPPELTPREISGEKRÚNTEN UNGES%NSEMBLETRIFFT/RIGINALKLANG 6ORGËNGER #$INTERPRETIERT*OSEPH %XPERTEN $AS +AMMERORCHESTER -ACHETDIE4OREWEIT !NTONÓN$VORÉK +ELEMEN HIER EIN ZENTRALES 7ERK "ASELUND'IOVANNI!NTONINInEINE !DVENTS UND7EIHNACHTSLIEDER 3INFONIE.Ru!USDER.EUEN7ELTh . * DESGEBORENEN*'-UFFAT FUNKENSPRàHENDE"EGEGNUNG #HORDES"AYERISCHEN2UNDFUNKS "ÚHMISCHE3UITE 0ETER$IJKSTRA -ICHAEL'LËSER 3LOVAK2ADIO3YMPHONY/RCHESTRA 'EORG-UFFAT ,UDWIGVAN"EETHOVEN )VAN!NGUÏLOV !PPARATUSMUSICO ORGANISTICUS 3INFONIE.R# $UROP *OSEPH+ELEMENANDER&REUNDT 3INFONIE.R$ $UROP /RGEL+LOSTERNEUBURGUNDDER +AMMERORCHESTER"ASEL 3ILBERMANN /RGEL%BERSMàNSTER 'IOVANNI!NTONINI WWWOEHMSCLASSICSDE in Germ ts an an y d n e p e d n I l a c i s s A a l s C s f o o c aktuell CLASSi a n t o i Ich höre ..
    [Show full text]
  • Adrienne Albert
    Piccolodeon for Piccolo and Piano Adrienne Albert PICCOLODEON is a duet for piccolo and piano that expresses the mood and sonority of the “Nickelodeon,” an early 20th-century arcade instrument used for silent movies, carousels, and vaudeville theatre. The Piccolodeon piece begins as a playful ragtime with the instruments in sync. Gradually, the ensemble unravels to the point for Piccolo and Piano where it’s a toss-up as to which player is off. This musical gem is full of surprise and delight! ADRIENNE ALBERT began her musical career as a singer and collaborator with composers including Igor Stravinsky, Leonard Bernstein, and Philip Glass. She began composing her own music in the 1990s. Adrienne’s chamber, orchestral, choral, vocal, and band works are extensively performed throughout the world. She has received awards including grants and prizes from the National Endowment for the Arts, American Composers Forum, MTC/Rockefeller Foundation, and numerous other organizations. Ms. Albert’s commissions have come from music schools, soloists, universities, and chamber ensembles. She has been Composer-In-Residence at California State University at Fresno, and California State University at Sacramento. Her music is recorded on the Albany, Naxos, Centaur, MRS, Navona, Little Piper, and ABC Classics labels. Also available by Adrienne Albert: ACROSS THE C’S for Mixed Flute Quintet ACROSS THE C’S is an original work by the celebrated American composer Adrienne Albert. This 6-minute work was commissioned by the Norwegian quintet “5 på Tvers/5 Across” who traveled across the seas to premiere the work at the 2015 NFA convention. In addition to the beautiful flowing feel of an ocean crossing, the music begins and ends with a special sonority of winds blowing on the open sea.
    [Show full text]
  • KLT Programm
    Giovanni Giacometti, Blick von der Silser Ebene, 1927 16. Silser Kunst- und LiteraTourtage «Genius loci?» Welche Rolle spielen Orte bei der Entstehung von Literatur und Kunst? 27. — 30. August 2020 «Genius loci?» Welche Rolle spielen Orte bei der Entstehung von Literatur und Kunst? Es gibt Landschaften oder einzelne Orte, die eine besondere Anziehungs- kraft auf Generationen von Intellektuellen und Künstlern ausgeübt haben, die als ideale Treffpunkte, als Inspirationsquellen, als Zentren des Austausches und der kreativen Arbeit erlebt wurden. Das Oberengadin gehört zweifelsohne zu ihnen. Ist es heute aber immer noch so wie zur Zeit, als sich z.B. die Familie Mann, Hermann Hesse, Annemarie Schwarzenbach in Sils ein Stelldichein gaben? Oder hat sich inzwischen die künstlerische Arbeit, auch infolge der Digitalisierung, vom «genius loci» und vom persönlichen Austausch losgelöst? Das sind einige der Fragen, denen die diesjährigen Kunst- und LiteraTourtage nachgehen möchten. Zur Mitwirkung an der dreitägigen Veranstaltung konnten deren Initianten, Mirella Carbone und Joachim Jung, Larissa Bieler gewinnen, Direktorin und Chefredaktorin von SwissInfo (SWI), sowie die Autoren Iso Camartin, Simone Lappert und Roger de Weck, den Hotelier Urs Kienberger, den langjährigen Waldhaus-Techniker und Fotografen Guido Schmidt, die Geigerin Maya Homburger, den Kontrabassisten und Komponisten Barry Guy sowie das Corvus Oboenquartett. Die Kunst- und LiteraTourtage finden – es ist inzwischen Tradition – in dem einmaligen Ambiente des Hotels Waldhaus statt. Die Programmpunkte können auch einzeln besucht werden. Als Veranstalter zeichnen das Kulturbüro KUBUS, das Hotel Waldhaus Sils und Sils Tourismus. 2 Programm Do, 27. August 17.00 Uhr Apéro und Einführung ins Programm durch Dr. Mirella Carbone und Joachim Jung. 17.30 - 18.45 Uhr «Ich fand dort mein wesentlichstes Arbeitsgebiet und wurde aufs Tiefste mit der Landschaft verbunden» - Die Berliner Malerin Clara Porges und ihre S.
    [Show full text]
  • Performance Studies Network
    Performance Studies Network Fourth International Conference 14 to 17 July 2016 Newton Park (Extracts) www.psn2016.org #PSN2016 Contents page Conference timetable 2 Abstracts 14 Presenters’ biographies 47 Thursday afternoon, 14 July 2016 Welcome / introduction: 2.00-2.20pm – Commons building, Newton Park, CMG23 Parallel sessions 1A / 1B / 1C: 2.30-6.00pm 1A Learning/pedagogy I 1B Musical communities 1C Opera and audiences MTC CM105 CM119 Chair: Mary Stakelum Chair: Charles Wiffen Chair: Pamela Karantonis 2.30 Henry Stobart, Special session Jennifer Cable Leading from Joshua Creating royalty: Chartwell Performance the sidelines: the Neumann modelling Dutiro, pedagogies: cross- contributions of temporal-textual Hyelim Kim, cultural approaches amateur women analysis in Turandot Mary Stakelum, to learning musicians in the Cheng Yu establishment of musical communities in the US during the early 20th century Mary Broughton, Audience Jenny Kiri Te Kanawa: Liam Viney and development for Wollerman grace, beauty, and Anna Grinberg contemporary the shaping of diva classical music vocality performance: a three-pillared approach incorporating empathy, creative collaboration, and new technology Break: 4.00-4.30pm Break: 4.00-4.30pm Break: 4.00-4.30pm MTC CMG23 CM119 4.30 Joseph Creativity and 4.30 Henrique Stimulating thinking, Research reports Meissner enhancing Browning affect in the expressiveness: 4.30 Simon Hindrances and and Jane production of a dialogic teaching Paton enhancements to Davidson contemporary as an instructional sub-cultures: an pasticcio
    [Show full text]
  • Edward Elgar Malcolm Arnold Robert Simpson
    SOMMCD 0145 Edward Elgar (1857-1934) String Quartet arr. for strings by david Matthews DDD MalcolM arnold (1921-2006) Edward Elgar Céleste Sonata for Strings arr. by david Matthews String Quartet arr. for strings by david Matthews Series after the String Quartet no. 2 robErt SiMpSon (1921-1997) allegro deciso from String Quartet no. 3 MalcolM arnold arr. for strings by the composer Sonata for Strings arr. by david Matthews after the String Quartet no. 2 orchestra of St paul’s · ben palmer conductor Elgar (arr. Matthews): String Quartet Op. 83 (26:46) robErt SiMpSon 1 I. Allegro moderato 8:44 2 II. Piacevole (poco Andante) 9:30 allegro deciso from String Quartet no. 3 3 III. Finale – Allegro molto 8:32 arr. for strings by the composer Arnold (arr. Matthews): Sonata for Strings (26:59) 4 I. Allegro 6:11 5 II. Maestoso con molto rubato – Allegro vivace 4:27 6 III. Andante 7:45 7 IV. Allegretto 8:36 Simpson (arr. by the composer) 8 Allegro Deciso 12:00 Total duration: 66:15 Recorded at St. Mary’s Church, Walthamstow on 24th and 25th March 2014. Recording Producer: Siva Oke Recording Engineer: Ben Connellan Front Cover Photograph: Shape of a violin © Jan Krömer orchestra of St paul’s Design & Layout: Andrew Giles ben palmer conductor © & 2015 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND Made in the EU he practice of arranging, adapting and transcribing has been an integral part first violin, Adolph Brodsky (who was appointed leader of the Hallé in 1895, the of Western music since its very origins, from the parody masses of the 16th same year he founded the quartet) had been urging Elgar to compose a piece Tcentury to Thomas Adès’s contemporary retouchings of Couperin, with every for them since 1900.
    [Show full text]
  • Radio 3 Listings for 15 – 21 May 2021 Page 1 Of
    Radio 3 Listings for 15 – 21 May 2021 Page 1 of 11 SATURDAY 15 MAY 2021 Andante inédit in E flat major for piano Alpha: Alpha 725 Marc-Andre Hamelin (piano) https://outhere-music.com/en/albums/PH-Erlebach-Lieder- SAT 01:00 Through the Night (m000vzbw) ALPHA725 A piano recital given in Sweden by Claire Huangci 04:44 AM Jean Sibelius (1865-1957) Stravinsky: Le Sacre du Printemps & Eötvös: Alhambra American pianist Claire Huangci performs Scarlatti, Schubert, Andante Festivo for strings and timpani Concerto Rachmaninov, Brahms and Paderewski. Presented by John Danish Radio Concert Orchestra, Hannu Koivula (conductor) Isabelle Faust (violin) Shea. Orchestre de Paris 04:49 AM Pablo Heras-Casado (conductor) 01:01 AM Fryderyk Chopin (1810-1849) https://www.harmoniamundi.com/#!/albums/2691 Domenico Scarlatti (1685-1757) Nocturne in F minor, Op 55 no 1 Four Keyboard Sonatas (K.443, K.208, K.29, K.435) Shura Cherkassky (piano) 10.40am Conductor John Wilson on André Previn: Warner Claire Huangci (piano) Edition 04:54 AM 01:10 AM Flor Alpaerts (1876-1954) André Previn became a household name in the 60s and 70s and Franz Schubert (1797-1828) Capriccio - Luim (1953) was a prolific recording artist. Conductor John Wilson has been Piano Sonata no 20 in A, D.959 Flemish Radio Orchestra, Michel Tabachnik (conductor) immersed in a box set containing all of Previn's EMI and Claire Huangci (piano) Teldec recordings as both conductor and pianist. He shares his personal highlights in conversation with Andrew. 01:44 AM SAT 05:00 Piano Flow with Lianne La Havas (m000vzby) Sergey Rachmaninov (1873-1943) Vol.
    [Show full text]