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Performance Studies Network Performance Studies Network Fourth International Conference 14 to 17 July 2016 Newton Park (Extracts) www.psn2016.org #PSN2016 Contents page Conference timetable 2 Abstracts 14 Presenters’ biographies 47 Thursday afternoon, 14 July 2016 Welcome / introduction: 2.00-2.20pm – Commons building, Newton Park, CMG23 Parallel sessions 1A / 1B / 1C: 2.30-6.00pm 1A Learning/pedagogy I 1B Musical communities 1C Opera and audiences MTC CM105 CM119 Chair: Mary Stakelum Chair: Charles Wiffen Chair: Pamela Karantonis 2.30 Henry Stobart, Special session Jennifer Cable Leading from Joshua Creating royalty: Chartwell Performance the sidelines: the Neumann modelling Dutiro, pedagogies: cross- contributions of temporal-textual Hyelim Kim, cultural approaches amateur women analysis in Turandot Mary Stakelum, to learning musicians in the Cheng Yu establishment of musical communities in the US during the early 20th century Mary Broughton, Audience Jenny Kiri Te Kanawa: Liam Viney and development for Wollerman grace, beauty, and Anna Grinberg contemporary the shaping of diva classical music vocality performance: a three-pillared approach incorporating empathy, creative collaboration, and new technology Break: 4.00-4.30pm Break: 4.00-4.30pm Break: 4.00-4.30pm MTC CMG23 CM119 4.30 Joseph Creativity and 4.30 Henrique Stimulating thinking, Research reports Meissner enhancing Browning affect in the expressiveness: 4.30 Simon Hindrances and and Jane production of a dialogic teaching Paton enhancements to Davidson contemporary as an instructional sub-cultures: an pasticcio opera strategy for analysis to observe facilitating the effects of self- children’s learning organised musical of expressiveness in activities onto the music performance product 4.45 Verica Making national Anne Power Catching a glimpse Grmusa song: sopranos, 5.15 Lee Scott The mediated of the future: their composers voice: Autonomous developing the and Yugoslavism Sensory Meridian young community (1904-1930) Response as a new orchestral string 5.00 Yan Zou Performing mode of operatic player dynamic signs in expression context: a case study of ‘forte’ in of Beethoven’s Piano Sonata in G, Op.14 No. 2 MediaWall Launch: 6.10pm – Commons atrium Mondrisonic – Tim Sayer and Andy Visser Dinner: 6.45-7.45pm – Commons atrium Thursday evening, 14 July 2016 Parallel sessions 2A / 2B / 2C / 2D: 8.00-10.15pm 2A Constructing and 2B Performance 2C Electronic/ 2D Improvisation re-constructing and listening electroacoustic music performance MTC CMG23 CM108 CM119 Chair: Roger Heaton Chair: Anthony Gritten Chair: David Gorton Chair: Andy Keep Francesca ‘Neither’ in Alan Special session: Terri Hron Studying Vincent Improvising 8.00 Placanica performance: Dobson, Performance as performance Meelberg touch: musical background Andrew experience through improvisation study and M. portraiture: the considered as notes for an Friedman Respondent: case of Portrait a practice of experimental and John Rink Collection touch product Victoria Tzotzkova Marilyn What does it Michael Performing Clément Rehearsing free Wyers take to make Clarke, works with Canonne improvisation? and Mark a dance/ Frédéric instruments Wraith music work? Dufeu and real-time Exploring the and Peter electronics. role of inter- Manning An analytical subjectivity and interactive in the perspective collaborative Adam Choreographing from the TaCEM Andrew Do experienced process Paul physical gesture project Goldman improvisers Randall The ecological Cordle to enhance Sean Research report perceive music Harlow construction of structural Williams Stockhausen differently performance experience concerts from non- llstening database improvisers? MTC Gallery bar: 10.00pm onwards Friday morning, 15 July 2016 Parallel sessions 3A / 3B / 3C / 3D: 9.00am-12.30pm 3A Analysis and 3B From composition to 3C Cross-cultural/ 3D Recording practices I performance performance: new transdisciplinary sounds and techniques collaborations CMG23 CM106 CM108 CM119 Chair: John Rink Chair: Neil Heyde Chair: Nuno Estrela Chair: Abigail Dolan Mine Embodying Alice Liberating the Alessandro Special 9.00 musical No session Barron score: notation Bratus, session: Dack dynamics in as a platform Alessandro From the event performance: to locate Cecchi, to the project: a case study creative Marco performativity of Beethoven’s processes in Lutzu and and Piano Trio cross-cultural Ingrid performance Op. 70 No. 2 collaborative Pustijanac in recorded practice music David Does analysis Varvara The ‘praxis- Hyelim Kim Universal Kopp matter? Gyra metapraxis’ languages concept: towards Intercultural a musical dialogue performance between the beyond logic East and the by Jani West Christou Break: 10.30-11.00am Break: 10.30-11.00am Break: 10.30-11.00am Break: 10.30-11.00am 3A Analysis and 3B From composition to 3C Cross cultural/ 3D Recording practices I performance performance: new transdisciplinary sounds and techniques collaborations CMG23 CM106 CM108 CM119 Chair: John Rink Chair: Neil Heyde Chair: Nuno Estrela Chair: Abigail Dolan 11.00 Danny Playing with/ Luís Epistemic Caroline Practising Anthony Re-creation Zhou (Hui) in tempo: Bittencourt complexity Wilkins research in co- Meynell of The Byrds’ individual and creativity composition: ‘Eight Miles styles of tempo in the sound and High’. Using variation in the performance performance re-enactment performance of percussion to recapture of solo piano works for found historical music objects recording practices Michael Questions of Susanne Research Nick Transitioning Benoît How can Hooper performance Fröhlich report Sorensen ‘Eleonora’: Haug non-social and analysis The recorder an auto- anthropology in the 21st ethnographic help us better century: the account of understand Helder Tenor the collective trans- experience of tension disciplinary of musical between collaboration. performance? science and A case study in performance the recording practice studio Lunch: 12.30-1.45pm – Commons atrium Friday afternoon, 15 July 2016 Keynote session: 2.00-3.30pm – Michael Tippett Centre Peter Wiegold and Notes Inégales, ‘Leadership and ownership’. Chair: Amanda Bayley Break: 3.30-4.00pm – Commons atrium Parallel sessions 4A / 4B / 4C: 4.00-5.30pm 4B Folk traditions 4C Recording Practices II CM106 CM108 CM119 Chair: Robert Luzar Chair: Fabrice Marandola Chair: Simon Zagorski-Thomas 4.00 Richard Live performance John Yaffé Performing the Richard Special session: Hoadley with live scores Yiddish folk song: Beaudoin, Bacchante: an Simon Zagorski- analysis of a steps into the light Thomas, production of a Andrew performance of a James Ingfrid Breie A play with traditions Bourbon, Amy composition based Parakilas Nyhus – interpreting and Blier-Carruthers on a transcription of consciousness performing between and Neil a recording folk and pianism Heyde Reception: 5.45pm – Michael Tippett Centre Performance: 6.45-7.45pm – Michael Tippett Centre Peter Wiegold and Notes Inégales, featuring Cheng Yu and Hyelim Kim Conference dinner: 8pm – CMG 23/24 MTC Gallery bar: 10.00pm onwards Saturday morning, 16 July 2016 Parallel sessions 5A / 5B / 5C / 5D: 9.00am-12.30pm 5A Composer-performer 5B Gestural meaning in 5C Multiple performances 5D Learning/pedagogy II collaborations performance CM108 CMG23 MTC CM119 Chair: Stefan Östersjö Chair: Helen Julia Minors Chair: Darla Crispin Chair: James Saunders 9.00 Marlou Collaboration Sara Imaginary Abigail Exercises Peruzzolo between Carvalho performances: Dolan in style: on No session Vieira non-guitarist and exploring developing composer and Henrique gestural multiple guitarist on the Portovedo meanings performances performer’s perspective 9.45 Morgan Communicating Liz Pipe The use of Ellen Cathy Sadie Advanced Buckley with the Orishas: expressive Winhall Berberian, Fields learning and and Eoin exploring cross- gesture and Stripsody, and the language Flood culturation and non-verbal transforming of music: a the creative communication identities case study process in two skills in commissions popular music on Yorubian performance Bata drumming pedagogy music Break: 10.30-11.00am Break: 10.30-11.00am Break: 10.30-11.00am Break: 10.30-11.00am 5A Composer-performer 5B Gestural meaning in 5C Concert programming 5D Learning/pedagogy II collaborations performance CM108 CMG23 MTC CM119 Chair: Stefan Östersjö Chair: Helen Julia Minors Chair: Darla Crispin Chair: James Saunders 11.00 Emily Developing Fabrice Special Sarah ‘Anti- Murphy Playing Payne (and Marandola, session: Callis and programming’: McCaleb together: disrupting?) Farrokh Studying Daniel-Ben the cycle developing skilled Vahabzadeh instrumental Pienaar as creative ensembles practice: and Marie- gesture: catalyst through the historical France a multi- musical play basset clarinet Mifune dimensional in creative and cross- collaboration cultural perspective Elaine 2xPiazzolla: Anthony Dismantling No session Chew, towards Gritten the pedagogy Susanne analytical of constraint Beer models of and Ian the repertoire Pressland of possibles in music performance Lunch: 12.30-1.45pm – Commons atrium Saturday afternoon, 16 July 2016 Parallel sessions 6A / 6B / 6C / 6D: 2.00-5.30pm 6A From score to 6B Performing cultural 6C Authorship and agency 6D HIP and Werktreue performance identity MTC CMG23 CM108 CM119 Chair: Simon Shaw-Miller Chair: Victoria Tzotzkova Chair: Toby Young Chair: Daniel Leech- Wilkinson 2.00 Philip Special Yuiko Tango in Japan: Diane The singer- Martyn The Thomas, session: Asaba performance, Hughes songwriter as Shaw ‘Nicholsonian Martin Performing identity
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