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Constructions and Instrumentalization of the Past: a Comparative Study on Memory Management in the Region
CBEES State of the Region Report 2020 Constructions and Instrumentalization of the Past A Comparative Study on Memory Management in the Region Published with support from the Foundation for Baltic and East European Studies (Östersjstiftelsen) Constructions and Instrumentalization of the Past A Comparative Study on Memory Management in the Region December 2020 Publisher Centre for Baltic and East European Studies, CBEES, Sdertrn University © CBEES, Sdertrn University and the authors Editor Ninna Mrner Editorial Board Joakim Ekman, Florence Frhlig, David Gaunt, Tora Lane, Per Anders Rudling, Irina Sandomirskaja Layout Lena Fredriksson, Serpentin Media Proofreading Bridget Schaefer, Semantix Print Elanders Sverige AB ISBN 978-91-85139-12-5 4 Contents 7 Preface. A New Annual CBEES Publication, Ulla Manns and Joakim Ekman 9 Introduction. Constructions and Instrumentalization of the Past, David Gaunt and Tora Lane 15 Background. Eastern and Central Europe as a Region of Memory. Some Common Traits, Barbara Trnquist-Plewa ESSAYS 23 Victimhood and Building Identities on Past Suffering, Florence Frhlig 29 Image, Afterimage, Counter-Image: Communist Visuality without Communism, Irina Sandomirskaja 37 The Toxic Memory Politics in the Post-Soviet Caucasus, Thomas de Waal 45 The Flag Revolution. Understanding the Political Symbols of Belarus, Andrej Kotljarchuk 55 Institutes of Trauma Re-production in a Borderland: Poland, Ukraine, and Lithuania, Per Anders Rudling COUNTRY BY COUNTRY 69 Germany. The Multi-Level Governance of Memory as a Policy Field, Jenny Wstenberg 80 Lithuania. Fractured and Contested Memory Regimes, Violeta Davoliūtė 87 Belarus. The Politics of Memory in Belarus: Narratives and Institutions, Aliaksei Lastouski 94 Ukraine. Memory Nodes Loaded with Potential to Mobilize People, Yuliya Yurchuk 106 Czech Republic. -
Lion in Winter
NESI 1 LION IN WINTER: EDWARD M. KENNEDY IN THE BUSH YEARS A STUDY IN SENATE LEADERSHIP BY Edward A. Nesi A Study Presented to the Faculty of Wheaton College in Partial Fulfillment of the Requirements for Graduation with Departmental Honors in Political Science Norton, Massachusetts May 19, 2007 NESI 2 For mom who taught me the value of empathy and to value it in others NESI 3 Table of Contents I. Introduction 4 II. What Makes a Senate Leader? 13 III. No Child Left Behind: The Conciliatory Kennedy 53 IV. Iraq: The Oppositional Kennedy 95 V. Conclusion 176 Bibliography 186 NESI 4 I. Introduction “[I]n the arrogance of our conviction that we would have done better than he did in a single case, we exempt ourselves from any duty to pay attention to the many cases where he shows himself to be better than us.” 1 — Murray Kempton, New York Newsday , November 27, 1983 EDWARD MOORE KENNEDY AND I share the same first name; we also share the somewhat uncommon nickname of Ted for Edward. And for the first two decades of my life, that was roughly the extent of my knowledge about the man who has been my state’s senior senator for my entire life, all but seven years of my mother’s life, and more than half of my grandmother’s life. Kennedy has been a member of the Senate for so long (45 of his 75 years) that it seems he could have been born in the cloakroom, though he was actually born in Boston on February 22, 1932, the youngest child of Joseph Patrick and Rose Fitzgerald Kennedy. -
Identity, Language, and Writing in the Works of Nancy Huston Mary Elizabeth Ku
University of Alberta Immigration and the Cyborg: Identity, Language, and Writing in the Works of Nancy Huston by Mary Elizabeth Kupchenko A thesis submitted to the Faculty of Graduate Studies and Research in partial Mfilhiient of the requirements for the degree of Master of Arts in Comparative Literature Office of Interdisciplinary Studies ©Mary Elizabeth Kupchenko Spring, 2011 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-80984-6 Our file Notre reference ISBN: 978-0-494-80984-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. -
Publicacion7135.Pdf
BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca. -
Ortad. Y Indice
a c i s ú m e d s a r o d a e r c creado ras de úsic a www.migualdad.es/mujer creadoras de úsic a © Instituto de la Mujer (Ministerio de Igualdad) Edita: Instituto de la Mujer (Ministerio de Igualdad) Condesa de Venadito, 34 28027 Madrid www.inmujer.migualdad.es/mujer e-mail: [email protected] Idea original de cubierta: María José Fernández Riestra Diseño cubierta: Luis Hernáiz Ballesteros Diseño y maquetación: Charo Villa Imprime: Gráficas Monterreina, S. A. Cabo de Gata, 1-3 – 28320 Pinto (Madrid) Impreso en papel reciclado libre de cloro Nipo: 803-10-015-2 ISBN: 978-84-692-7881-9 Dep. Legal: M-51959-2009 Índice INTRODUCCIÓN 9 EDAD MEDIA: MÚSICA, AMOR, LIBERTAD 13 Blanca Aller Nalda DAMAS Y REINAS: MUSICAS EN LA CORTE. RENACIMIENTO 29 Mª Jesús Gurbindo Lambán LABERINTOS BARROCOS 41 Virginia Florentín Gimeno MÚSICA, AL SALÓN. CLASICISMO 55 María José Fernández Riestra “COMO PRUEBA DE MI TALENTO”. COMPOSITORAS DEL SIGLO XIX 69 María Jesús Fernández Sinde TIEMPOS DE VANGUARDIA, AIRES DE LIBERTAD. LAS COMPOSITORAS DE LA PRIMERA MITAD DEL SIGLO XX 89 Gemma Solache Vilela COMPONIENDO EL PRESENTE. SONIDOS FEMENINOS SIN FRONTERAS 107 Ana Alfonsel Gómez Bibliografía y Discografía 125 Libreto 151 7 Introducción En el curso académico 2006-2007, siete profesoras de Música de Educación Secun- daria llevaron a cabo un proyecto que, tanto por su planteamiento pedagógico y didáctico como por su rigor, belleza e interés, llamó la atención del Instituto de la Mujer. Algunas de estas profesoras, que habían coincidido en un Tribunal de Oposiciones al Cuerpo de Profesorado de Enseñanza Secundaria por la especialidad de música, for - maron un Grupo de Trabajo para que el alumnado investigara la composición musi - cal también como obra femenina. -
Carla Bley Wurde Im Kalifornischen Oakland Geboren Und Lebt Heute in Den Catskill Mountains Im US-Bundes- Staat New York
Bley, Carla Carla Bley wurde im kalifornischen Oakland geboren und lebt heute in den Catskill Mountains im US-Bundes- staat New York. Mit verschiedenen Bands, kammermusi- kalischen Ensembles und Orchestern hat sie die ganze Welt bereist, vor allem Europa und Südostasien. Als „composer-in-residence“ war sie unter anderem beim Glasgow Festival und wurde in die Essener Philharmo- nie eingeladen. Biografie Carla Bley wurde am 11. Mai 1936 als Lovella May Borg in Oakland, Kalifornien, als Tochter zweier Musiker gebo- ren. Bei ihrem Vater Emil Borg erhielt sie ersten Klavier- und Orgelunterricht und begleitete bereits im Alter von vier Jahren Hochzeiten und Begräbnisse. Mit acht Jah- ren verweigerte sie jeden weiteren Unterricht (Carla Bley betrachtet sich selbst als Autodidaktin). Im selben Jahr starb ihre Mutter Arline Borg. Fünfzehnjährig brach sie die Schule ab und jobbte in einem Plattenladen. Zusätzli- ches Geld verdiente sie mit Auftritten in örtlichen Piano- Bars. Insbesondere die Musik Erik Saties, die sie zufällig Carla Bley im Radio gehört hatte, beschäftigte ihre Fantasie. Carla Bley 1957 verließ sie Kalifornien und ging nach New York, wo Geburtsname: Carla Lovella Borg sie sich Carla Borg nannte. In den einschlägigen Jazz- clubs der Stadt nahm sie diverse Jobs von der Zigaretten- * 11. Mai 1936 in Oakland, Kalifornien, USA verkäuferin bis zur Tischfotografin an, um so die großen Musiker live hören zu können: „That is where I learned Komponistin, Pianistin, Organistin, Bandleaderin, everything“, sagte sie über diese intensive Zeit, in der sie Improvisateurin, Arrangeurin, Musik-Verlegerin, alles wie einen Schwamm aufgesogen habe (Frank Oteri, Herausgeberin On Her Own. New York, 2003, S. -
Carla Bley Trio
Bûhem sedmé dekády minulého století absolvovala evropská turné Nadaãní fond PJF • AB Studio Praha • za finanãní podpory Carla Bley Trio s kapelou, kterou vedl Jack Bruce, ale po jejím rozpadu se zaãala vûno- Olomouckého kraje a Statutárního mûsta Pfierova vat vlastním projektÛm s ansámblem, ve kterém hráli mj. Gary Valen- Je to neuvûfiitelné, ale teprve po zhruba ãtyfiech desetiletích umû- XXIX. âESKOSLOVENSK¯ JAZZOV¯ FESTIVAL lecké kariéry vstoupí poprvé na ãeské pódium jedna z nejoriginálnûj- te, Tony Dagradi, Michael Mantler, Bob Stewart, Steve Slagle, D. Shar- ‰ích dam svûtové jazzové scény. Na Matûjské jazzové pouti 2012 pfied- pe a Steve Swallow. V následujících ‰esti letech koncertovala v Evropû, staví své trio pianistka, varhanice, skladatelka a umûlecká vedoucí Japonsku i ve Spojen˘ch státech a obohatila svou diskografii o nová komorních i velk˘ch kapel Carla Bley. alba (napfi. Dinner Music, European Tour 1977, Musique Mecanique, Social Studies). V osmdesát˘ch letech zaznamenala její rostoucí umûleckou prestiÏ pfiedev‰ím Evropa, ale její skladby zaznû- ly také na festivalu New Music America nebo na koncertech Spoleã- nosti pro komorní hudbu pfii Lincolnovû centru. V tomto období vyda- la dal‰í desky, jako napfi. Heavy Heart, I Hate To Sing, Night-Glo, Carla Carla, Sextet, Fleur Carnivore ad. Poté, co se na zaãátku devadesát˘ch let roze‰la s Michaelem Mant- lerem, pfierostlo její dosavadní partnerství se Stevem Swallowem rámec Matûjská jazzová pouÈ ryze hudebních sympatií. Ve svazku se skvûl˘m basistou a skladate- Bley lem proud její neutuchající kompoziãní invence je‰tû zmohutnûl, o ãemÏ – festivalov˘ prolog svûdãí jak big bandové nahrávky (The Very Big Carla Bley Band, Mûstsk˘ dÛm Pfierov – velk˘ sál Big Band Theory, The Carla Bley Big Band Goes to Church, Looking For America, Appearing Nightly, Carla’s Christmas NEDùLE 19.30 Carols), tak alba rÛzn˘ch komorních seskupení (napfi. -
The Vietnam War, Public Opinion and American Culture
MASARYK UNIVERSITY BRNO FACULTY OF EDUCATION Department of English Language and Literature The Vietnam War, Public Opinion and American Culture Diploma Thesis Brno2008 Supervisedby:Writtenby: Mgr.ZdeněkJaník,M.A.ZuzanaHodboďová Prohlášení: Prohlašuji, že jsem tuto diplomovou práci zpracovala samostatně a použila jen ty prameny,které jsouuvedenévseznamuliteratury. Souhlasím,abypráce byla uložena vinformačním systému (IS) Masarykovyuniverzity vBrně, popř. vknihovně Pedagogické fakulty MU a aby byla využita ke studijním účelům. Declaration: I proclaim that mydiploma thesis is a piece of individual writingand that I used only thesourcesthatarecitedinbibliographylist. I agree with this diploma thesis beingstoredinthe InformationSystem of the Masaryk University, eventually in the Library of the Faculty of Education, and with its being takenadvantageforacademic purposes. 16 th April2008,Brno………………………………………….... Poděkování: Ráda bych poděkovala panu Mgr. Zdeňku Janíkovi, M.A., vedoucímu mé diplomové práce, za jehocenné radya připomínky,které přispělyke konečné podobě tétopráce. Dále bychráda využila příležitosti a toutocestoupoděkovala svým rodičům za jejich pomocanevyčerpatelnoupodporu,kteroumivěnovalinejenvdoběmýchstudií. Acknowledgements: I wouldlike tothankto Mgr.ZdeněkJaník,M.A.,the supervisor of my diploma thesis, for his valuable advice andcomments that contributedtothe final form of this work. Furthermore,I wouldlike touse the opportunityandthanks tomyparents for their help andinexhaustiblesupportwhichtheydedicatedmenotonlyatthe timeof -
Extra Special Supplement to the Great R&B Files Includes Updated
The Great R&B Pioneers Extra Special Supplement to the Great R&B Files 2020 The R&B Pioneers Series edited by Claus Röhnisch Extra Special Supplement to the Great R&B Files - page 1 The Great R&B Pioneers Is this the Top Ten ”Super Chart” of R&B Hits? Ranking decesions based on information from Big Al Pavlow’s, Joel Whitburn’s, and Bill Daniels’ popularity R&B Charts from the time of their original release, and the editor’s (of this work) studies of the songs’ capabilities to ”hold” in quality, to endure the test of time, and have ”improved” to became ”classic representatives” of the era (you sure may have your own thoughts about this, but take it as some kind of subjective opinion - with a serious try of objectivity). Note: Songs listed in order of issue date, not in ranking order. Host: Roy Brown - ”Good Rocking Tonight” (DeLuxe) 1947 (youtube links) 1943 Don’t Cry, Baby (Bluebird) - Erskine Hawkins and his Orchestra Vocal refrain by Jimmy Mitchell (sic) Written by Saul Bernie, James P. Johnson and Stella Unger (sometimes listed as by Erskine Hawkins or Jmmy Mitchelle with arranger Sammy Lowe). Originally recorded by Bessie Smith in 1929. Jimmy 1. Mitchell actually was named Mitchelle and was Hawkins’ alto sax player. Brothers Paul (tenorsax) and Dud Bascomb (trumpet) played with Hawkins on this. A relaxed piano gives extra smoothness to it. Erskine was a very successful Hawkins was born in Birmingham, Alabama. Savoy Ballroom ”resident” bandleader and played trumpet. in New York for many years. -
Pop Culture Politics Student Life and the Like Summer 2009
DECONSTRUCTIONPop Culture Politics Student Life and the like Summer 2009 A Few Parting Words... Our last issue of Deconstruction. Ever. As freshmen four years ago, we never thought this day would arrive. The end comes with a melancholic jumble of both sadness and relief. As Publicity Director and Cultural Editor (as well as Writ- ers/ Copy Editors/ Artists/ Readers/ Supporters/ Overall DEcon Lovers) it is hard to believe that we will never again be a part of such an eclectic publication with a staff just as eclectic and wonderful. While the poignancy of the final is- sue is overwhelming, we are relieved that we will never again have to scramble to pull articles together, pull a cover out of thin air or have to see the inside of the Morris Library Mac Lab… Relieved that we are able to graduate on May 30th and leave the future of DEcon in capable hands. This final issue of DEcon almost didn’t happen. The overwhelming stress of classes, exams, jobs etc. really gripped us all, however, we knew that ending our time here at UD without a final issue just wasn’t right. Thanks to a select few, we were able to pull this compilation together and present it to you. We want to thank you all for being loyal readers and supporters these past couple of years and hope that you will continue to read, contribute and enjoy Deconstruction after we are gone. Consider this issue as toast to the future, though foggy and unpredictable it may seem. As daunting as it sounds, we all will be moving on, leaving the Blue Hen nest Delaware has so kindly provided for us and bravely taking flight into the real world. -
Selected Coverage December 2008
Selected Coverage December 2008 National HIGHLIGHTS Bowling Green Sentinel Democrat & Chronicle (December 7) Tribune A Perfect Marriage: Romantic tale, ABBA songs give ‘Mamma Mia!’ Journal of Oak Park & River remarkable staying power Forest . The touring musical Mamma Mia! returns Tuesday to Rochester with its PopMatters tale of romance on a balmy Greek island. The plot weaves around 22 hits by Rutland Herald the Swedish rockers ABBA, who reuled the Top 10 charts in the late 1970s. San Francisco Sentinel The tour producers hope the revival benefits from the recent movie version starring Meryl Streep as the bride’s mother, Donna. Local “I would pay to hear Streep sing the Yellow Pages,” declares Bill Congdon, Canandaigua Daily Messenger the show’s associate music director and an Eastman School of Music Democrat & Chronicle graduate. Ithaca Journal Rochester Business Journal Carson Times (December 28) Never too late to learn instrument in this band The New Horizons Band attempts to prove that when it comes to learning to play an instrument, it is never too late. The band program is for those at least 50 years old and caters to those who have not previously played an instrument. The Horizons band concept grew out of a music course at University of Rochester's (N.Y.) Eastman School of Music in 1991. Since then, the program has been spreading across the country. 13WHAM (December 29) Allendale-Columbia Violinist Performs at the White House Gabrielle Monachino performed some holiday favorites on her violin. The 16-year-old junior at Allendale-Columbia and Eastman Community Music School student was selected from over 400 applicants to perform at the White House through a special arts program. -
SEKRET MACHINES from the Imagination of TOM DELONGE with New York Times Bestselling Author A.J
“Twisted. Explosive. The best thriller of the year!” New York Times bestselling author Faith Hunter A novel based on actual events From the imagination of With New York Times bestselling author SEKRET MACHINES From the imagination of TOM DELONGE with New York Times bestselling author A.J. HARTLEY BOOK 1 CHASING SHADOWS Sekret Machines Book 1: Chasing Shadows Copyright © 2016 by Tom DeLonge All rights reserved. No portion of this book may be reproduced in any fashion, print, facsimile, or electronic, or by any method yet to be developed, without express written permission of the publisher. This is a work of fiction. Names, characters, places and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, or to actual events, are unintended and entirely coincidental. To The Stars, Inc. 1051 S. Coast Hwy 101 Suite B, Encinitas, CA 92024 ToTheStars.Media To The Stars… and Sekret Machines is a trademark of To the Stars, Inc. Cover Design by Jesse Reed Book Design by Lamp Post Managing Editor: Kari DeLonge Manufactured in the United States of America ISBN 978-1-943272-15-0 (Hard Cover trade) ISBN 978-1-943272-16-7 (eBook) ISBN 978-1-943272-17-4 (Hard Cover Limited Edition) Distributed worldwide by Simon & Schuster This book is dedicated to my children, Ava and Jonas, as we are all trying to build a better world for the next generation. TOM’S ACKNOWLEDGEMENTS: I would not be here presenting this huge work of art if it wasn’t for my beautiful wife Jennifer supporting me and believing in my infinite madness— To our adventure together and beyond.