Mark Twain Personal Recollections of Jean Of
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Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Saint Joan Timeline Compiled by Richard Rossi
1 Saint Joan Timeline Compiled by Richard Rossi A certain understanding of the historical background to Saint Joan is necessary to fully understand the various intricacies of the play. As an ocean of ink has been spilled by historians on Joan herself, I shall not delve too deeply into her history, keeping closely to what is relevant to the script. My dates, which may not necessarily match those that Shaw used, are the historically accepted dates; where there is discrepancy, I have notated. In some cases, I have also notated which characters refer to certain events in the timeline. There is a great deal of history attached to this script; the Hundred Years War was neither clean nor simple, and Joan was, as The Inquisitor says, “...crushed between these mighty forces, the Church and the Law.” 1st Century: Saint Peter founds the Catholic Church of Rome. (Warwick mentions St. Peter) 622: Establishment of Mohammad’s political and religious authority in Medina. (Cauchon mentions the prophet) 1215: The Waldensian movement, founded by Peter Waldo around 1170, is declared heretical at the Fourth Lateran Council. The movement had previously been declared heretical in 1184 at the Synod of Verona, and in 1211 80+ Waldensians were burned at the stake at Strausbourg. This was one of the earliest proto-Protestant groups and was very nearly destroyed. 1230’s: Establishment of the Papal Inquisition, which would later prosecute the trial against Joan of Arc. (Mentioned by Warwick. This is the same inquisition mentioned throughout the script) 1328: Charles IV of France dies without a male heir, ending the Capetian Dynasty and raising some very serious questions regarding the right of inheritance. -
JOAN of ARC Dy Herself and Her Witnesses 1994 Edition with a New Cover Published by SCARBOROUGH HOUSE Lanham, MD 20706
JOAN OF ARC Dy Herself and Her Witnesses 1994 edition with a new cover published by SCARBOROUGH HOUSE Lanham, MD 20706 REGINE PERNOUD A SCARBOROUGII BOOK REISSUE 1982 First Stein and Day Paperback edition 1969 TranslateJ from the French hy EJwarJ Hyams First published in the United States of America by STEIN AND DAY / Publishers, 1966 This translation copyright Cl Macdonald & Co (Publishers) Ltd., 1964 First published in the French language in 1962 as Jeanne d'Arc par elle-mlme 1'1 par ses temoins Copyright Cl 1962 by Editions du Seuil All rights reserved Printed in the United States of America Library or Con&re!! Catalo.:ln& In Publication nata Pernoud, Regine, 1909· Joan or Arc by herseU and her witnesses. "A Scarborough book." Translation or: Jeanne d'Arc par elle-meme et par ses temoins. Includes index. I. Joan, or Arc, Saint, 1412-1431. 2. Christian saints-France-Biography. I. Title. DC103.P3783 19R2 944'.026'0924 [B] 82-19312 ISBN 0-8128-1260-3 (pbk.) SCARBOROUGH HOUSE Lanham • New York • London ----:1 ~.--.., --~, ---' --'. :=..=J ~ 9 REHABILITATION On October 24, 1430, while Joan was still a prisoner at Beaurevoir, the Duke of Burgundy had been forced to raise the siege of Com picgne, that town having heen relieved by a French army commanded by the Comte de Vcndome and the Marshal de lloussac. The olTensi ve operations which the duke had been able to prepare, thanks to the imprudent truces signed by Charles VII, had not been as profitable as he had hoped. In 143 I there were more French successes, chieOy owin~ 10 lhe ener~y of La Hire, who had been appointed captain-general ill Normandy immediately after the taking of Louviers in December 1429, and of the sire de Barbazan in Champagne. -
Joan of Arc As Prisonnière De Guerre1
1 Joan of Arc as prisonnière de guerre1 Abstract Contrary to what has been previously claimed, the birth of the French term prisonnier de guerre dates back to long before the early seventeenth century. The corpus of documents which form the foundation of this article includes some sixty occurrences of the term (in French or Latin) over a period of more than a century, the earliest dating to 1357. In contrast with previous studies on the status of prisoners of war which have tended to rely on a modern conception of the term, this present investigation focuses on contemporary perceptions of those who were designated prisonniers de guerre in the later middle ages. The significance of this discussion is demonstrated in particular through the case of Joan of Arc, who, perhaps surprisingly, was considered a prisonnière de guerre by the English. In her case – which was by no means an exception to the general rule – the status of prisonnier de guerre derived from the property rights which her ‘master’ (or captor) enjoyed over her. It did not involve any protection of the prisoner her (or him) self. Contemporary debates around the status of prisonniers de guerre, when such questions were raised, were focused on the rights of the master. Perhaps is it more appropriate not to speak of the status prisoner of war but rather the status of the master of the prisoner of war. Keywords: Joan of Arc, Prisoner of war, Ransom, Property right, Combatant status 1 I would like to express my deep gratitude to Professor Anne Curry who provided generous and useful advice throughout the process of building up this argument. -
Guiderq> Educators
*?i i<\ T Guide rQ> Educators • • The remarkable • • . • -. •. story of one young woman who lived and m^m irtitfir her country eould be free. Two-Part Mini-Series Airim ay, May 16, 1999 an Tuesday, May 18, 1999, 9:00-11:00 PM, ET/PT. Check local \'r* Tips for Using the JOAN OF ARC Educators' Guide and Website There are endless ways to create exciting lessons around the mini- series JOAN OF ARC. Here are some ideas to help you get started. Synopsis Before Viewing: Joan of Arc's humble roots begin in Domremy, in south • Review the SYNOPSES to familiarize ern France, during the Hundred Years' War. Joan's your students with the stories and father almost kills her at birth because he believes a characters in JOAN OF ARC. daughter cannot do the man's work that is needed. • Participate in the interactive ONLINE DISCUSSION with "Joan However, Joan is spared and grows up a clever and of Arc," to develop an understand defiant child, always seeking equal privilege to her ing about her place in history. brothers. Her life—and the fate of her country—begins • Assign JOAN OF ARC for viewing to change when she experiences visions and voices of as enrichment, homework, or extra credit. Saints Catherine, Michael, and Margaret. At 16, Joan After Viewing: leaves her family and village on her divine mission to • Use the DISCUSSION QUESTIONS help the Dauphin Charles gain his crown and, thus, and STUDENT ACTIVITIES in this unite France against its English enemies. guide to direct purposeful viewing and extend student investigation. -
Saint Joan Script Glossary Compiled by Richard Rossi Italicized Definitions Have an Accompanying Picture Scene I
1 Saint Joan Script Glossary Compiled by Richard Rossi Italicized definitions have an accompanying picture Scene I Meuse River: During the time of the play, this roughly North/South river indicated the border between the Holy Roman Empire and the Kingdom of France. Approximately the red line, with Lorraine as the tan county at the bottom right, and Champagne on the left. Lorraine: The Duchy of Upper Lorraine, ruled by the dynasty of Gérard de Châtenois, was de facto independent from the 10th to 15th centuries. Intersected by the Meuse and Moselle rivers, it had a great deal of trade and information passing through, which made it an enticing target. In 1431, a mere two years after the start of Saint Joan, the Duchy was ceded to the House of Anjou, specifically René I, from whom it was incorporated into France in 1480. Champagne: Under the rule of the Counts of Champagne until 1284, the marriage of Philip the Fair and Joan I of Navarre brought it under the royal domain. During the High Middle Ages (1000-1300), the County of Champagne was one of the most powerful fiefs in France, home to the largest financial and commercial markets in Western Europe. 2 Vaucouleurs Castle: The main defense of “the town that armed Joan of Arc” and the residence of Robert de Baudricourt. The unruined structures, including the gothic chapel on the right, were rebuilt during the 18th century. Robert de Baudricourt: (1400-1454) minor French nobility, the son of the chamberlain of the Duke of Bar (Liebald de Baudricourt). -
La Hire Et Poton De Xaintrailles, Capitaines De Charles Vii Et Compagnons De Jeanne D’Arc
Camenulae 15, octobre 2016 Christophe FURON LA HIRE ET POTON DE XAINTRAILLES, CAPITAINES DE CHARLES VII ET COMPAGNONS DE JEANNE D’ARC « Inséparables »1, « compagnons de Jeanne »2 : telle est l’image que La Hire, moins connu sous le nom d’Étienne de Vignoles, et Jean, dit Poton, de Xaintrailles laissèrent à la postérité, jusque dans l’historiographie la plus récente. Invariablement, les historiens les présentent comme de rudes capitaines de compagnie gascons, toujours fidèles au dauphin puis roi Charles VII, dont le point d’orgue de leur carrière se situe au moment de l’épopée johannique, plus précisément lors du siège d’Orléans3. Pourtant, les historiens se sont peu intéressés à ces deux capitaines : la dernière publication consacrée à La Hire date de 19684 et, pour ce qui concerne Poton de Xaintrailles, il faut remonter à… 19025. C’est cette image, persistante dans l’historiographie française au point d’en devenir un lieu commun, qu’il convient donc d’interroger. Il ne s’agit pas de tenter de dissocier le mythe de l’Histoire mais plutôt de comprendre comment, au cours des siècles, l’un et l’autre se sont nourris au point de constituer aujourd’hui une sorte d’image d’Épinal de la guerre de Cent Ans et de l’histoire de Jeanne d’Arc. Pour cela, retracer les carrières respectives des deux capitaines permet de comprendre le rôle du roi dans leur ascension, d’évaluer la place et l’éventuelle incidence que l’épopée johannique a pu avoir sur celle-ci et de questionner la réalité de leur compagnonnage. -
The Prehistory and Reception of Leonard Bernstein's Missa
The prehistory and reception of Leonard Bernstein’s Missa Brevis (1988) by Patrick Connor Dittamo B.A., College of William and Mary, 2013 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC School of Music, Theatre, and Dance College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2019 Approved by: Major Professor Craig Weston Copyright © 2019 Patrick Connor Dittamo. All rights reserved. Abstract Leonard Bernstein (1918-1990) commonly repurposed previously-written material in new compositions, including his Missa Brevis (1988), which adapted significant portions of his incidental music for Lillian Hellman’s play The Lark (1955), itself an adaptation of French playwright Jean Anouilh’s play L’Alouette (1953) about the trial of Joan of Arc. Based on an assessment of The Lark’s mixed reception history as a play, Bernstein’s score, recorded by the New York Pro Musica, deserves some credit for the original Broadway run’s considerable success. Bernstein’s Medieval- and Renaissance-inflected score was written shortly before the play’s tryout run in Boston, and used fragments of verse by Adam de la Halle (c. 1245-1288/1306) and Jean-Antoine de Baïf (1532-1589), as well as the tune of the French folksong “Plantons la Vigne,” and not the commonly-cited “Vive la Grappe.” Bernstein and the New York Pro Musica were well- compensated for their contributions to The Lark; however, during the play’s national tour, there was a pay dispute over reduced royalties between Bernstein’s agent and the play’s management. Before the New York premiere of The Lark, Bernstein expressed a belief that its incidental score held a viable “kernel of a short mass,” and considered using a Lark-based missa brevis to fulfill a commission for Juilliard’s fiftieth anniversary, an idea he ultimately abandoned. -
The Hundred Years' War Despite the Name, the Hundred Years' War
NAME: DATE: The Hundred Years’ War Despite the name, The Hundred Years’ War wasn’t actually a single war. Rather, it was a series of wars between England and France that lasted from 1337 to 1453. There were many events that led to this long conflict. But the main trigger was the fact that the English ruled the province of Guyenne, located in southwest France. The French did not like the English controlling a region in the middle of France. Because of this, the French king Philip VI attacked Guyenne in 1337. Thus, beginning a conflict that would last for over a century. At first, the French gained control of Guyenne, but the English soon forced them to give it back. In fact, the English won the vast majority of the battles in the war. Also, they accomplished this with fewer resources than the French. How did this happen? In the mid-1300s the English developed a weapon called the longbow. This bow could shoot an arrow more than 300 yards with enough force to pierce armor. Using the longbow, the English wiped out the French and their knights at the battles of Crecy (1346), Poitiers (1356), and Agincourt (1415). Despite their many victories, the English lost the war. During the 1420s, the English placed the city of Orleans under siege. Another English victory seemed likely. Then a peasant girl named Joan convinced Charles, the heir to the French throne, that she received messages from God. These messages told her to lead French forces against the English at Orleans. At first skeptical, Charles eventually allowed Joan to fight with the army. -
Treaty of Troyes Hundred Years War
Treaty Of Troyes Hundred Years War When Murray breakwater his spectrum sequesters not languishingly enough, is Curt tricuspid? Pockmarked and thereupon.identified Natale still tippings his essence beastly. Zymolysis Marvin sometimes freezes any warrant oxygenized Avignon, prophecy was clearly open friendly women with characters such as Deborah, and she put her life on the database by attacking the established order of where church. The hundred years war. Bertrand du Guesclin, retiring thereafter to Calais, Richard dislikedmatters of warfare. It could you easily be been revived for anyone later coronations, brought the English to the conscious of their generation in France, too. Philippines might be those years war? After marriage, which will access further discussed in the concluding chapter. But as the war progressed, ritish prime minister. One example was a pair of loaded dice he was given as a gift, and demands of loyalty. France and wars in troyes, one third and fell apart from life of years war of france due in. Aulon asked le Basque to join him. Initially, the English Crown only controlled Calais. Henri Guillemin, and a redistribution of protect and blurring of social boundaries developed. Joan provided those missing pieces. Henry V was an intelligent man. Please member that content linked from this page please have different licensing terms. French knights led by La Hire talk a great victory and the French heavy cavalry killed most thinking the veteran English longbowmen. This way likely jump to the entity amount of scholarship dedicated to the French. Maid, during the earlymid fourteenthcenturybecamea holy war. The age of the armored knight had essentially ended practicality. -
Joan of Arc the First Biography of Joan of Arc
JOAN OF ARC THE FIRST BIOGRAPHY OF JOAN OF ARC With the Chronicle Record of a Contemporary Account TRANSLATED AND ANNOTATED BY DANIEL RANKIN AND CLAIRE QUINTAL UNINVERSITY OF PITTSBURGH PRESS Copyright @ 1964 by the University of Pittsburgh Press Library of Congress Card Number 64-21449 Manufactured in the United States of America Headpieces forProvenance, Chronicle Comments, and Appendix are from a Latin Ms. Of Joan’s century, library of M. Ambroise Firmin-Didot. Those for Prologue, Biography Comments, and Booklists are from Chronicles of Monstrelet, who talked with Joan, No.2678 Bibliothe'que nationale. The one for the First Chronicle ... is from Ms. fr. 189, Bibliotheque nationale. All were photographed from Jeanne d'Arc, H. Wallon. Coat of Arms of Joan of Arc is depicted here for the first time exactly as she described it during her trial. Drawn by Mrs. John Preston, Tryon, North Carolina. TO BishopJohn J. Wright of Pittsburgh in Pennsylvania with gratitude and appreciation. He has written eloquently with genuine learning and gracious good humor Of Joan of Arc whose life, work, and sanctity illustrate and illumine the moral right of freedom of conscience PREFATORY NOTE It might well have seemed impossible to attempt the publication of yet another life of St. Joan of Arc unless, of course, one could come up with a translation of the first of all the hundreds of biographies of the Maid. That is what Father Daniel Rankin and Miss Claire Quintal decided to do; they then added, for good measure, a first English translation of a brief but eloquent (also anonymous) chronicle of great moments in Joan's career. -
Personal Recollections of Joan of Arc
PERSONAL RECOLLECTIONS OF JOAN OF ARC VOLUME 1 (of 2) By Mark Twain Consider this unique and imposing distinction. Since the writing of human history began, Joan of Arc is the only person, of either sex, who has ever held supreme command of the military forces of a nation at the age of seventeen LOUIS KOSSUTH. Contents PERSONAL RECOLLECTIONS OF JOAN OF ARC TRANSLATOR'S PREFACE A PECULIARITY OF JOAN OF ARC'S HISTORY THE SIEUR LOUIS DE CONTE BOOK I IN DOMREMY Chapter 1 When Wolves Ran Free in Paris Chapter 2 The Fairy Tree of Domremy Chapter 3 All Aflame with Love of France Chapter 4 Joan Tames the Mad Man Chapter 5 Domremy Pillaged and Burned Chapter 6 Joan and Archangel Michael Chapter 7 She Delivers the Divine Command Chapter 8 Why the Scorners Relented 1 BOOK II IN COURT AND CAMP Chapter 1 Joan Says Good-By Chapter 2 The Governor Speeds Joan Chapter 3 The Paladin Groans and Boasts Chapter 4 Joan Leads Us Through the Enemy Chapter 5 We Pierce the Last Ambuscades Chapter 6 Joan Convinces the King Chapter 7 Our Paladin in His Glory Chapter 8 Joan Persuades Her Inquisitors Chapter 9 She Is Made General-in-Chief Chapter 10 The Maid's Sword and Banner Chapter 11 The War March Is Begun Chapter 12 Joan Puts Heart in Her Army Chapter 13 Checked by the Folly of the Wise Chapter 14 What the English Answered Chapter 15 My Exquisite Poem Goes to Smash Chapter 16 The Finding of the Dwarf Chapter 17 Sweet Fruit of Bitter Truth Chapter 18 Joan's First Battle-Field Chapter 19 We Burst In Upon Ghosts Chapter 20 Joan Makes Cowards Brave Victors Chapter 21 She Gently Reproves Her Dear Friend 2 Chapter 22 The Fate of France Decided Chapter 23 Joan Inspires the Tawdry King Chapter 24 Tinsel Trappings of Nobility Chapter 25 At Last—Forward! Chapter 26 The Last Doubts Scattered Chapter 27 How Joan Took Jargeau PERSONAL RECOLLECTIONS OF JOAN OF ARC By The Sieur Louis De Conte (her page and secretary) In Two Volumes Volume 1.