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German Films Quarterly 1/2021
GFQGERMAN FILMS QUARTERLY WITH ARTICLES AND PORTRAITS ON FACE TO FACE WITH GERMAN FILMS – THE FILMMAKERS DIVERSITY IN GERMAN FILMMAKING DIRECTORS BARBARA OTT & JULIAN RADLMAIER PRODUCER MARTIN HEISLER ISSUE 1-2021 ACTOR & EUROPAN SHOOTING STAR ALBRECHT SCHUCH efp_ESS2021_Anzeige_GERMANFILM_148x210_pfad_druck.indd 1 18.01.21 11:23 GFQ 1-2021 INTRODUCTION © Kurt Krieger © Kurt Dear Readers, The pandemic has changed the film industry to a great extent, bringing it close to a standstill at times in 2020. Despite the challenges we and the industry are facing, we are optimistic about 2021. This is because we love cinema and good films and series – and particularly in these difficult times, they are also some thing that is needed by audiences around the world. Time and again in recent years, German feature films and series have succeeded in captivating viewers abroad, and we are confident that this will be the case in 2021 as well. In particular, the new wave of German documentaries is establishing itself increasingly as a favourite with international audiences. We are just as proud of the German Films campaign FACE TO FACE, which has been in existence for six years now, and delighted that we will be able to continue it with a great new pool of talent in 2021 – despite the difficult current conditions. Films and series are created through the work of a large team, which is why we have decided to highlight a greater diversity of film professions in 2021 and are proudly presenting the premiere of our new faces in this issue of GFQ. German Films Quarterly will broaden its format in 2021: We will also open our publication to contri butions dealing with internationally controversial topics in the film industry. -
Sendung Am 27.12.19, 12.05 - 14.00 Uhr, BR-KLASSIK
Sendung am 27.12.19, 12.05 - 14.00 Uhr, BR-KLASSIK Xaver Frühbeis ________________________________________________ MITTAGSMUSIK - MIT SAHNE Deutsche Schellackschlager: Ich wollt', ich wär ein Huhn ________________________________________________ MUSIK: Peter Kreuder: Ich wollt, ich wär ein Huhn Lilian Harvey, Willy Fritsch, Gesang Odeon Tanzorchester, Friedrich Schröder "Ich wollt, ich wär ein Huhn". Die Fassung mit Lilian Harvey und Willy Fritsch, die nach dem Erfolg des Films "Glückskinder" auf Schellack rauskam. Und wer den Film kennt, der muss da natürlich enttäuscht sein. Erstens sind die beiden hier bloß zu zweit, zweitens singen sie nicht wirklich viel vom Text, und drittens fehlt hier auch noch ziemlich viel vom Schwung. Den man sich erwartet, wenn man die Filmszene gesehen hat. Und der das Stück ja überhaupt ausmacht. Die Szene im Film ist grandios. Sie sind zu viert. Lilian Harvey als Landstreicherin oder Millionärstochter, das weiß man nicht so recht, Willy Fritsch als ihr Ehemann, die beiden sind das Traumpaar des deutschen Films, an ihrer Seite noch - dick und gemütlich: Oskar Sima, - klein und quirlig: Paul Kemp. Harvey und Fritsch sind frisch verheiratet, kurz nachdem sie einander zum ersten Mal gesehen haben, und passiert ist ihnen das in einem Schnellgerichtssaal. Fritsch ist Gerichtsreporter, er will Harvey vor dem Richter retten, indem er behauptet, sie sei seine Braut, sie würden auch demnächst heiraten wollen, sie seien nur noch nicht dazu gekommen, worauf der Schnellrichter den Standesbeamten holen lässt, und jetzt sind die beiden also ein Ehepaar. Das Problem mit der Hochzeitsnacht haben sie gelöst, indem sie zwischen ihre beiden Betten ein Brett mit Willys Kaktussammlung gestellt haben, und jetzt sind Willys Kollegen von der Zeitung zu Besuch, und die vier machen in der Küche Frühstück. -
Film Film Film Film
City of Darkness, City of Light is the first ever book-length study of the cinematic represen- tation of Paris in the films of the émigré film- PHILLIPS CITY OF LIGHT ALASTAIR CITY OF DARKNESS, makers, who found the capital a first refuge from FILM FILMFILM Hitler. In coming to Paris – a privileged site in terms of production, exhibition and the cine- CULTURE CULTURE matic imaginary of French film culture – these IN TRANSITION IN TRANSITION experienced film professionals also encounter- ed a darker side: hostility towards Germans, anti-Semitism and boycotts from French indus- try personnel, afraid of losing their jobs to for- eigners. The book juxtaposes the cinematic por- trayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Anatole Litvak and others with wider social and cultural debates about the city in cinema. Alastair Phillips lectures in Film Stud- ies in the Department of Film, Theatre & Television at the University of Reading, UK. CITY OF Darkness CITY OF ISBN 90-5356-634-1 Light ÉMIGRÉ FILMMAKERS IN PARIS 1929-1939 9 789053 566343 ALASTAIR PHILLIPS Amsterdam University Press Amsterdam University Press WWW.AUP.NL City of Darkness, City of Light City of Darkness, City of Light Émigré Filmmakers in Paris 1929-1939 Alastair Phillips Amsterdam University Press For my mother and father, and in memory of my auntie and uncle Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 633 3 (hardback) isbn 90 5356 634 1 (paperback) nur 674 © Amsterdam University Press, Amsterdam, 2004 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
Keinohrhasen (“Rabbit Without Ears ”)
THE GERMAN SOCIETY OF PENNSYLVANIA Friday Film Fest Series KeinOhrHasen (“Rabbit Without Ears ”) By Till Schweiger June 15th 2012 ● 6:30 PM ● Film, Food & Discussion Donations $15, Members $12 The German Society of PA 611 Spring Garden St. 215-627-2332 KeinOhrHasen exploits occur: “she loves me not, he loves me not, she begins to love me, he re- alizes he loves me at the 11th hour.” Anna’s klutziness adds to the physical com- Director: Til Schweiger edy, and Schweiger’s youngest daughter amps up the cuteness factor as one of Drehbuch: Anika Decker, Til Schweiger the day care kids, Cheyenne-Blue. Producers: Til Schweiger, Thomas Zickler, Stefan Gärtner Cinematography: Christof Wahl The Rom-Com Formula Music: Stefan Hansen, Dirk Reichardt, Mirko Schaffer By American standards, this plot structure spans decades - The Goodbye Girl Release Date: 20 December 2007 Spieldauer: 116 minutes (1977) , When Harry Met Sally (1989), As Good As It Gets (1997), Sweet Home Cast: Til Schweiger (Ludo Dekker); Nora Tschirner (Anna Gutslowsky); Matthias Alabama (2002) - and the list continues into the contemporary Hollywood Schweighöfer (photographer Moritz); Alwara Höfels (Miriam) ; Jürgen Vogel (himself - scene. KeinOhrHasen can be added to this list. Both characters fit into roman- famous movie star) ; Wladimir Klitschko (himself - Celebrity-Groom ); Yvonne Catter- tic comedy stereotypes. Ludo is the playboy with a fast-paced glamorous life feld (herself - Celebrity-Bride ); Emma Schweiger (Cheyenne-Blue) who gets relegated to temporarily living a more mundane existence. Anna is the clumsy, uptight plain jane who reunites with said playboy and ignites the inter- Commentary by Sharan Knoell nal “are we friends or something more?” debate. -
Veronica Ferres
Veronica Ferres http://www.veronicaferres.com Fischer & Partner - Agentur für Film & Fernsehen Pamela Fischer Phone: +49 30 440 46192 Email: [email protected] Website: http://www.fpberlin.de © Michael De Boer Information Acting age 43 - 59 years Nationality German Year of birth 1965 (56 years) Languages German: native-language Height (cm) 176 English: fluent Eye color blue green French: fluent Hair color Blond Italian: medium Stature slim Dialects Kölsch Bairisch Ruhr area Rheinisch Instruments Piano Sport Fencing (sports), Golf, Horse riding, Swim, Alpine skiing, Diving (bottle), Tennis Dance tap-dance Standard Jazz Dance Modern Dance Latin American dances Profession Actor Pitch Soprano Awards 2020 Ehrenpreis Kitzbühel Filmfestival 2019 Bayerische Europa-Medaille 2018 Ischia Global Fest Schauspielerin des Jahres 2018 Semperopernball St.-Georgs-Orden (für ihre künstlerische Leistung sowie ihr soziales Engagement) 2017 Askania Awards Beste Schauspielerin 2017 Amnesty International Meister des Todes 2013 Hadassah- Award Citizen of the world 2013 Walk of Fame beim Filmfest Oldenburg Vita Veronica Ferres by www.castupload.com — As of: 2021-09-28 Page 1 of 6 2011 Premio Baccio 2010 Signis Award 2009 Steiger Award in der Kategorie Film 2009 Deutscher Fernsehpreis Die Patin – kein Weg zurück 2008 Deutscher Fernsehpreis Die Frau vom Checkpoint Charlie 2008 International Emmy Award Das Wunder von Berlin 2008 Deutscher Fernsehpreis Das Wunder von Berlin 2007 Hans-Rosenthal Ehrenpreis 2007 Goldene Henne 2007 Goldene Kamera Neger, Neger, -
Sound–Film–Music, 1929-1933 Special Exhibiton of the Deutschen
In the talkies every Sundy night: Sound–Film–Music, 1929-1933 Special Exhibiton of the Deutschen Kinemathek – Museum für Film und Fernsehen Lilian Harvey, um 1930, Quelle: Deutsche Kinemathek Duration December 20, 2007 - April 27 2008 Location Museum für Film und Fernsehen at the Filmhaus, upper level Potsdamer Straße 2, 10785 Berlin www.deutsche-kinemathek.de Film series Dec. 20, 07 – Febr. 21, 08 Kino Arsenal at the Filmhaus, 2. UG www.fdk-berlin.de Accompanying book „In the talkies every Sundy night: Sound–Film–Music, 1929-1933” CD: www.duo-phon-records.de Sponsored by www.deutsche-kinemathek.de/Pressestelle T. 030/300903-820 FACTS Location Deutsche Kinemathek – Museum für Film und Fernsehen Filmhaus, Upper Level, Potsdamer Straße 2, 10785 Berlin Informationen Tel. +49-30/300903-0, Fax +49-30/300903-13 www.deutsche-kinemathek.de Publication Catalogue incl. Audio-CD „In the talkies every Sundy night: Sound–Film–Music, 1929-1933, Edition Museum 18,90 € Opening Hours Tes.-Suns. 10 a.m.-6 p.m. Thurs. 10 a.m.-8 p.m. Admission 4 Euro / 3 Euro reduced 6 Euro / 4,50 Euro red. incl. Permanent Exhibitions 3 Euro School class per child 12 Euro Family ticket (2 Ad. 2 Child.) 6 Euro small Family ticket (1 Ad. With children) Public Transportation U-/S-Bahn Potsdamer Platz, Bus M41, 148, 200 Guided Tours »FührungsNetz«: T +49-30/24749-888 Area 450 Quadratmeter Exhibits ca. 230 Idea and Direction Rainer Rother Project director Peter Mänz Curators team Peter Jammerthal, Peter Mänz, Vera Thomas, Nils Warnecke Special Consultation Ursula Breymayer, Judith -
Resume CAVIAR
ANNA-LEA MENDE SAG-AFTRA TELEVISION (selection) 2018 No Actor Parking Guest-Star Pilot D: Tom Albanese 2017 Corrupt Crimes Guest-Star Netflix D: Matt Fisher 2017 Motive to Murder Guest-Star USA Network D: Thomai Hatsios 2016 Drunk History Co-Star Comedy C. D: Derek Waters 2016 Der Letzte Cowboy Co-Star WDR/ARD D: Lars Jessen 2015 Tatort: Auf einen Schlag Guest-Star WDR/ARD D: Richard Huber 2015 Einstein: Schwerkraft Co-Star SAT 1 D: Thomas Jahn FILM (selection) 2020 12 Hours (Short) Supporting / DOP D: Bejo Dohmen 2020 Fast Girls (Short) Lead / Director D: Anna-Lea Mende 2019 Head Full Of Honey Supporting Warner Bros. D: Til Schweiger 2018 Klassentreffen 1.0 Supporting Warner Bros. D: Til Schweiger 2018 Glanz (Short) Lead D: Zoe Ristow 2018 The Mask of Sanity Lead D: Francesco Nuñez 2018 Swiss Break Lead D: Andrew Veluz 2016 Erwartungen Supporting D: Seb Mattukat THEATER 2015 Bonntown! Lead Theater Nacht, Bonn D: Ulrich Hartz 2015 Dantons Tod Lead Hinterhofsalon, Cologne D: Johannes Prill 2015 Leonce & Lena Lead Hinterhofsalon, Cologne D: Karin Punitzer 2014 12 Angry (Wo)Men Lead Europatheater, Bonn D: Marian Bruchholz 2014 An einem Donnerstag Lead FW Theater, Cologne D: Arndt Schwering TRAINING 2020-2021 Scott Sedita (Sitcom Comedy) + Ivana Chubbuck (Chubbuck Technique) 2018-2020 Joanne Baron - D.W. Brown Studios (Meisner) - Santa Monica 2019 Stunt Training for Actors (Stunt in Motion) - Hollywood 2016-2018 Ivana Chubbuck Studios (Chubbuck) // Comedy (Lesly Kahn) // Camera Acting (Brad Grennquist) // Improvisation (The Groundlings) // Commercials (Killian’s Commercial Workshops) 2013-2015 Theatre + Film Acting School Cologne (Associate Degree) - Cologne, Germany SPECIAL SKILLS Languages English, German, Spanish (fluently) Dance Contemporary, Heels, Hip Hop, Dancehall (professionally) Other Stunts + MMA, Car Racing, Yoga, Golf, Rollerblading. -
Der Kinematograph (August 1932)
Kino vor 20 Jahren U.T. Unter den Linden. Kapellmeister: Richard Seiler. -n. Im Jahre 1922 ii er Buchhalter in dir seldorf eingetretei .otn 27. Juli bis einschließlich 2. August 1912. Musik-Piece Zentrale als Chefbuchhalter be¬ dem Transformator nur entnom¬ 1. De- Hafen von Marseille. rufen. Im Jahre 1926 siedelte men werden, wenn alle Regel¬ £in Städtebild. er mit der Südfilm-Zentrale schlitten von der Hellstellung 2. Matkenscherz. nach München und Anfang 1928 soeben auf die ersten Stufen Drama in zwei Akten. nach Berlin über. gelangt sind, also die Verdunke¬ 3. Die ewig lächelnde Dame. In der Aufsichtsratssitzung lung des Kinos bereits begon¬ Humoristische Szenen. vom 27. September 1928 wurde nen hat. Die Kinopraxis ergibt 4. Union-Woche. ihm Prokura erteilt und in der aber, daß die Regelschlilten Übersicht über die interessantesten aktueller Aufsichtsratssitzung vom 14. No¬ niemals alle gleichzeitig auf der¬ eignisse der Woche. vember 1930 wurde er zum selben Regelstufe stehen, son¬ Direktor-Stellvertreter ernannt. dern je nach dem Stück ein¬ 5. Kirdliche Vaterlandsliebe. Ein patriotisches Gedicht. Calm hat sich in diesen zehn gestellt und während der Spiel¬ Jahren nicht nur innerhalb der dauer zur Lichtveränderung hin- 6. Zigolo und das geheimnisvolle Schloß. Abenteuerliche Komödie. Südfilm eine geachtete und und herbewegt werden. Man wichtige Position erworoen. kann für die Einstellung der Re¬ 7. In Valcamonica. gelschlitten nach erfolgtem Be¬ Bilder aus Oberitalien. ginn der Verdunkelung die Er¬ 8. Moritz als Modernist. tung, Freundschaft und Wer fahrungen zugrunde legen, die Posse. Schätzung gefunden «ich in der Praxis bei Verwen¬ dung von Widerständen ergeben haben. Nicht nur für neue der Anschaffung nicht billiger struktion wurden störende Ge¬ Lichtspieltheater sind die Re¬ als bisherige Widerstände stel¬ räusche in den erwähnten italie¬ Südfilm ihm im Laufe der zehn geltransformatoren bedeutungs¬ len. -
Press Release German Screen Star Til Schweiger at the ZFF Author
Press Release German Screen Star Til Schweiger at the ZFF Author, Director, Producer of and Actor in SCHUTZENGEL Zurich, September 11, 2012 German screen star at the Zurich Film Festival: Actor, screenwriter, director and producer Til Schweiger presents his new film SCHUTZENGEL in Zurich on Tuesday (25.09., corso 1, 21:15). His emotional action thriller hits regular cinemas two days later. For the past 20 years, Til Schweiger, born1963 in Freiburg im Breisgau, has been one of the best- loved German film and TV actors. The last 15 years has seen him write, direct, and produce his own films with equal accomplishment. After attracting more than 50 M viewers to the cinema, Schweiger is currently the most successful German film actor. DER BEWEGTE MANN Schweiger’s career began 1990 in the TV series LINDENSTRASSE. Produced by Bernd Eichinger, he played his first lead role in the 1991 comedy MANTA, MANTA. His breakthrough came in 1994 with the comedy DER BEWEGTE MANN by Sönke Wortmann, a film based on the comic by Ralf König. This was followed in 1996 by Detlev Buck’s MÄNNERPENSION – another box office hit. Schweiger founded his own production company Mr. Brown Entertainment in the same year, which celebrated a huge box office hit with KNOCKIN’ ON HEAVEN’S DOOR, a film for which he also wrote the screenplay. It attracted more than three million viewers in 1997, making it that year’s most successful German cinema film. This also marked the launch of Schweiger’s international career. He went on to play the lead alongside Neve Campbell and Nick Nolte in the 2001 comedy INVESTIGATING SEX. -
God,You're Such A
PICTURE TREE INTERNATIONAL Presents Sinje Max Heike Til Jürgen Jasmin Benno IRSLINGER HUBACHER MAKATSCH SCHWEIGER VOGEL GERAT FÜRMANN A film by ANDRÉ ERKAU GOD, YOU’RE SUCH A PRICK Inspired by a true story PICTURE TREE INTERNATIONAL PRESENTS A UFA FICTION PRODUCTION IN CO-PRODUCTION WITH RTL STARRING SINJE IRSLINGER MAX HUBACHER HEIKE MAKATSCH TIL SCHWEIGER JÜRGEN VOGEL JASMIN GERAT BENNO FÜRMANN CASTING EMRAH ERTEM SCENOGRAPHER TORSTEN BREUER PRODUCTION DESIGN THORSTEN SABEL EDITING BY ROBERT KUMMER COSTUME DESIGN BY SARAH RAIBLE MIN SUN KIM MAKE-UP BY JENNIFER PORSCHENG SABINE MUSCHALEK ANKE EBELT MUSIC COMPOSITION BY MICHAEL REGNER SOUND CHRISTIAN HERMANS SOUND DESIGN BY CHRISTOPH EBHARDT VFX SUPERVISOR MANFRED BUTTNER MIX BY HUBERTUS RATH PRODUCTION MANAGEMENT KAI KEPPNER LINE PRODUCTION DIRK EHMEN PRODUCER VIOLA-FRANZISKA BLOESS EXECUTIVE PRODUCER RTL PHILIPP STEFFENS SYLKE POENSGEN LEONINE JASNA VAVRA MAX CONRADT PRODUCER TOMMY WOSCH SCRIPT BY KATJA KITTENDORF TOMMY WOSCH DIRECTED BY ANDRE ERKAU INTERNATIONAL PRESSKIT Picture Tree International presents GOD YOU’RE SUCH A PRICK! Starring Sinje Irslinger, Max Hubacher, Heike Makatsch, Til Schweiger, Jürgen Vogel, Jasmin Gerat, Benno Fürmann and many more Director: André Erkau Written by: Katja Kittendorf and Tommy Wosch Producer: Tommy Wosch A UFA FICTION Production in Co-Production with RTL Funded by Film- und Medienstiftung NRW, FFF Bayern, FFA and the DFFF German Distributor: LEONINE Distribution GmbH Duration: 97:27min Format: 1:2,39 Cinemascope // Filmed in 2K Apple Pro Res 4444 Sound: 5.1 WORLD SALES Picture Tree International GmbH Husemannstraße 7 10435 Berlin Tel: +49 30 / 4208 248 0 [email protected] www.picturetree-international.com Website: http://www.picturetree-international.com/films/details/god-youre-such-a- prick.html TABLE OF CONTENT CAST ......................................................................................................................... -
DCP – Film Distribution 09/2018
DCP – Film distribution 09/2018 Friedrich-Wilhelm-Murnau-Stiftung Murnaustraße 6 65189 Wiesbaden Film distribution Patricia Heckert phone.: +49 (0) 611 / 9 77 08 - 45 Fax: +49 (0) 611 / 9 77 08 - 19 [email protected] Friedrich-Wilhelm-Murnau-Stiftung Film distribution (DCP) 09/2018 Film title / Year Silent film / Music Type Credits Languages / Length Subtitles Abschied sound film directed by: Robert Siodmak german 77'25" DE 1930 cast: Brigitte Horney, Aribert Mog, Emilie alternate ending on DCP Unda Akrobat Schö-ö-ö-n sound film directed by: Wolfgang Staudte german 84'06'' DE 1943 cast: Charlie Rivell, Clara Tabody, Karl Schönböck, Fritz Kampers Als ich tot war music: Aljoscha Zimmermann silent film directed by: Ernst Lubitsch german intertitles 37'43" DE 1915 arrangement: Sabrina Hausmann cast: Ernst Lubitsch, Helene Voß tinted ensemble: Sabrina Hausmann, Mark Pogolski Amphitryon sound film directed by: Reinhold Schünzel german 103'11" DE 1935 cast: Willy Fritsch, Paul Kemp, Lilian Harvey Anna Boleyn music: Javier Pérez de Azpeitia silent film directed by: Ernst Lubitsch german intertitles 123'47" DE 1920 cast: Emil Jannings, Henny Porten, tinted Paul Hartmann restoration 1998 Apachen von Paris, Die without music silent film director: Nikolai Malikoff german intertitles 108'08'' DE 1927 cast: Jaque Catelain, Lia Eibenschütz, Olga Limburg Asphalt music: Karl-Ernst Sasse without mus directed by: Joe May german intertitles 94'14'' DE 1929 recording: Brandenburgische Philharmonie cast: Betty Amann, Gustav Fröhlich, Albert restoration -
Hindenburg - the Last Flight
MIPCOM 2010 Line-Up Booth R31.01A Phone: +33 (0) 4 92 99 88 53 www.betafilm.com Visit our Screeningroom! Miniseries (2 x two hours, HD) Hindenburg - The Last Flight An awe-inspiring airship. A murderous conspiracy. A devastating catastrophe. Frankfurt, May 1937. The Hindenburg, the world's largest airship, is getting ready to fly to New York. A vehicle of staggering dimensions, it is the pride of Nazi Germany. But it has one serious flaw: due to an American embargo preventing the sale of helium to Germany, the Hindenburg is filled with highly combustible hydrogen gas instead. To Merten Kröger, an engineer who helped design the Hindenburg, the ship is a stick of dynamite waiting for a spark. The young man of great charm but modest means has fallen in love with the wealthy Jennifer van Zandt, the daughter of an American industrialist who wants to sell helium to the Germans. Just before the ship takes off, Merten learns how far the industrialist will go: he has had a bomb placed on the airship. What van Zandt didn't know is that his wife and daughter would be on board. Merten sneaks aboard the airship without a minute to spare. The young couple is reunited, and despite the great difference in class and social status between them, Jennifer, too, avows her love for Merten. He tells her of the bomb hidden somewhere on the airship. But there is little time for explanations, since Merten must flee: he is being sought for a murder he says he did not commit.