" "Abbott, Lyman**1835-1922, American Romantic
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Handel's Sacred Music
The Cambridge Companion to HANDEL Edited byD oNAtD BURROWS Professor of Music, The Open University, Milton Keynes CATvTNnIDGE UNTVERSITY PRESS 165 Ha; strings, a 1708 fbr 1l Handel's sacred music extended written to Graydon Beeks quake on sary of th; The m< Jesus rath Handel was involved in the composition of sacred music throughout his strings. Tl career, although it was rarely the focal point of his activities. Only during compositi the brief period in 1702-3 when he was organist for the Cathedral in Cardinal ( Halle did he hold a church job which required regular weekly duties and, one of FIi since the cathedral congregation was Calvinist, these duties did not Several m include composing much (if any) concerted music. Virtually all of his Esther (H\ sacred music was written for specific events and liturgies, and the choice moYemenr of Handel to compose these works was dictated by his connections with The Ror specific patrons. Handel's sacred music falls into groups of works which of Vespers were written for similar forces and occasions, and will be discussed in followed b terms of those groups in this chapter. or feast, ar During his period of study with Zachow in Halle Handel must have followed b written some music for services at the Marktkirche or the Cathedral, but porarl, Ro no examples survive.l His earliest extant work is the F major setting of chanted, br Psalm 113, Laudate pueri (H\41/ 236),2 for solo soprano and strings. The tradition o autograph is on a type of paper that was available in Hamburg, and he up-to-date may have -
SKIVLISTA 3-2018 Hello Music Lovers, the Following Items Will Be Sold on Open Auction Which Means You Can Ask About Leading Bids by Phone Or Mail
AUCTION – AUKTION SKIVLISTA 3-2018 Hello music lovers, The following items will be sold on open auction which means you can ask about leading bids by phone or mail. Please send your starting bids by mail, phone or post before the last day of auction. Hoppas allt är bra med er och era skivspelare. Här kommer en ny lista och jag hoppas du hittar något intressant till Auction deadline is Tuesday, March 27, 2018 at 22.00 / 10 PM Central samlingen. Jag har reflekterat över att vissa artister som tidigare brukade vara mycket efterfrågade nu är tämligen European time (20.00 / 8 PM UTC/GMT) svårsålda. Två bra exempel är Elvis och Spotnicks. Visst, jag förstår att det är ointressant om man redan har alla STOPPDATUM ALLTSÅ TISDAGEN DEN 27 MARS 2018 KL. 22.00 SVENSK skivorna på listan i samlingen. Men då ser jag heller ingen anledning att aktivt leta efter skivor med dessa artister för SOMMARTID. att eventuellt hitta något ni saknar. Det bästa är om ni som bara vill ha Elvis eller någon annan artist skickar en lista på vad ni har eller vad ni söker. Jag hjälper gärna till att leta fram skivor ni saknar men att lägga ner tid och resurser 7" SINGLES/EPs FOR AUCTION på att köpa in speciella artister som ni ändå aldrig köper verkar knappast meningsfullt. Men kom gärna med förslag på vad ni vill se mer av i mina listor. Någon speciell musikgenre? Minimum bid (M.B.) is SEK 50 / US$ 8 / € 6,- / £ 5 unless otherwise noted . Rutan har fått en fettknöl på huvudet bortopererad i dag men är nu hemma igen, pigg och glad. -
Missa Hercules Dux Ferrarie, Missa D'ung Aultre Amer & Missa
Gimell Other Masses by Josquin previously recorded by The Tallis Scholars Missa Ad fugam CDGIM 039 Missa Ave maris stella CDGIM 044 Missa Da pacem (formerly attrib.) CDGIM 052 Missa De beata virgine CDGIM 044 Missa Di dadi ‘The Dice Mass’ CDGIM 048 Missa Fortuna desperata CDGIM 042 Missa Gaudeamus CDGIM 050 Missa L’ami Baudichon CDGIM 050 Missa La sol fa re mi CDGIM 009 Missa L’homme armé sexti toni CDGIM 019 Missa L’homme armé super voces musicales CDGIM 019 Missa Malheur me bat CDGIM 042 Missa Mater Patris CDGIM 052 Missa Pange lingua CDGIM 009 Missa Sine nomine CDGIM 039 Missa Une mousse de Biscaye CDGIM 048 Cover illustration: Ercole I d’Este, Duke of Ferrara, by Dosso Dossi C A. De Gregorio / De Agostini Picture Library / Bridgeman Images 2 s mell Record i ve Barda. © 2013 G ve i Photo by Cl “With this ninth and final release in our Josquin Mass cycle, we come to three of his greatest works. Together they form a perfect showcase for a genius who felt challenged to make each setting different.” Peter Phillips 3 CONTENTS Track listing and credits page 5 Music note page 7 Sung texts and translation page 11 Notice en Français page 14 Textes chantés et traduction page 18 Kommentar auf Deutsch Seite 21 Gesangstexte und Übersetzung Seite 25 4 Josquin des Prés (c1450–1521) Missa Hercules Dux Ferrarie 27.29 Tu solus qui facis mirabilia 4.48 CONTENTS Kyrie 2.47 24. Tu solus qui facis mirabilia 1.47 1. Kyrie I 1.06 25. -
Fra Sabba Da Castiglione: the Self-Fashioning of a Renaissance Knight Hospitaller”
“Fra Sabba da Castiglione: The Self-Fashioning of a Renaissance Knight Hospitaller” by Ranieri Moore Cavaceppi B.A., University of Pennsylvania 1988 M.A., University of North Carolina 1996 Thesis Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Italian Studies at Brown University May 2011 © Copyright 2011 by Ranieri Moore Cavaceppi This dissertation by Ranieri Moore Cavaceppi is accepted in its present form by the Department of Italian Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date Ronald L. Martinez, Advisor Recommended to the Graduate Council Date Evelyn Lincoln, Reader Date Ennio Rao, Reader Approved by the Graduate Council Date Peter M. Weber, Dean of the Graduate School iii CURRICULUM VITAE Ranieri Moore Cavaceppi was born in Rome, Italy on October 11, 1965, and moved to Washington, DC at the age of ten. A Fulbright Fellow and a graduate of the University of Pennsylvania, Ranieri received an M.A. in Italian literature from the University of North Carolina at Chapel Hill in 1996, whereupon he began his doctoral studies at Brown University with an emphasis on medieval and Renaissance Italian literature. Returning home to Washington in the fall of 2000, Ranieri became the father of three children, commenced his dissertation research on Knights Hospitaller, and was appointed the primary full-time instructor at American University, acting as language coordinator for the Italian program. iv PREFACE AND ACKNOWLEDGMENTS I deeply appreciate the generous help that I received from each member of my dissertation committee: my advisor Ronald Martinez took a keen interest in this project since its inception in 2004 and suggested many of its leading insights; my readers Evelyn Lincoln and Ennio Rao contributed numerous observations and suggestions. -
Keyboard & Instrumental
Keyboard & Instrumental GIA PUBLICATIONS, INC. New THRee PSALM PRELUDES FOR ORGAN Raymond Haan This set of three preludes is based on psalm texts—“Repose” based on Psalm 4:8, “Contemplation” based on Psalm 8:3a, 4a, and “Meditation” based on Psalm 143:5. The pieces can be used as a set or as individual move- ments. Extensive registration suggestions and nuance of dynamics are included. Contents: Repose • Contemplation • Meditation G-8088 ......................................................................... $12.00 LORD, I WANT TO BE A CHRISTIAN FOR ORGAN AND FLUTE arr. Kenneth Dake Kenneth Dake’s arrangement for flute and organ is based on the familiar African American spiritual “Lord, I Want to Be a Christian.” This charming piece is highly accessible for both parts and offers endless expressive possibilities for interpretation. Perfect for a brief moment of reflection and meditation. G-8184 ......................................................................... $10.00 RESIGNATION MY ShePheRD WILL SUPPLY MY NeeD FOR ORGAN AND VIOLA OR HORN IN F arr. Kenneth Dake Originally written for well-known violist Lawrence Dutton, this beautiful arrangement for viola and organ meanders gently as if floating on a soft summer breeze. The peaceful repose of this work makes it perfect for any reflective moment in your worship service. A part for horn in F is also provided. G-8185 .......................................................................... $12.00 HIS EYE IS ON The SPARROW FOR ORGAN AND HORN IN F OR CLARINET IN B< Charles H. Gabriel arr. Kenneth Dake This meditative piece based on Matthew 6:26 and John 14:1, 27 employs the tender hymn tune sparrow. Scored for horn in F and organ, both parts begin in a quiet, thoughtful manner before soaring to a majestic climax and then returning to the opening mood. -
The Music and Musicians of St. James Cathedral, Seattle, 1903-1953: the First 50 Years
THE MUSIC AND MUSICIANS OF ST. JAMES CATHEDRAL, SEATTLE, 1903-1953: THE FIRST 50 YEARS CLINT MICHAEL KRAUS JUNE 2009 TABLE OF CONTENTS List of figures................................................................................................................... iii List of tables..................................................................................................................... iv Introduction.......................................................................................................................1 Chapter 1 – Music at Our Lady of Good Help and St. Edward’s Chapel (1890- 1907)..................................................................................................................5 Seattle’s temporary cathedrals......................................................................5 Seattle’s first cathedral musicians ................................................................8 Alfred Lueben..................................................................................................9 William Martius ............................................................................................14 Organs in Our Lady of Good Help ............................................................18 The transition from Martius to Ederer.......................................................19 Edward P. Ederer..........................................................................................20 Reaction to the Motu Proprio........................................................................24 -
Tune Name Arranger Page Volume Hymn Title Allein Gott in Der Hoh Albrecht, Timothy 6 Easter All Glory Be to God on High Alleluia No
Tune Name Arranger Page Volume Hymn Title Allein Gott In Der Hoh Albrecht, Timothy 6 Easter All Glory Be to God on High Alleluia No. 1 Honore, Jeffrey 9 Easter Alleluia, Alleluia, Give Thanks Bridegroom Biery, James 14 Easter Like the Murmer of the Dove's Song Bryn Calfaria Haller, William 18 Easter Look, the Sight is Glorious Christ Arose Ferguson, John 21 Easter Up from the Grave He Arose Christ Ist Erstanden Leupold, Anton Wilhelm 24 Easter Christ Is Arisen Crimond Harbach, Barbara 27 Easter The Lord's My Shepherd Cristo Vive (Central) Farlee, Robert Buckley 32 Easter Christ Is Risen, Christ Is Living Den Signede Dag Wold, Wayne L. 36 Easter O Day Full of Grace Down Ampney Sedio, Mark 39 Easter Come Down, O Love Divine Duke Street Held, Wilbur 42 Easter I Know that My Redeemer Lives! Dunlap's Creek Biery, James 45 Easter We Walk by Faith and Not by Sight Earth And All Stars Kolander, Keith 49 Easter Earth And All Stars Easter Hymn Powell, Robert J. 53 Easter Jesus Christ is Risen Today Easter Hymn Goemanne, Noel 57 Easter Jesus Christ is Risen Today Engelberg Cherwien, David M. 60 Easter We Know That Christ is Raised Fortunatus Neswick, Bruce 66 Easter Welcome, Happy Morning! Gaudeamus Pariter Farlee, Robert Buckley 76 Easter Come, You Faithful, Raise the Strain Gelobt Sei Gott Leavitt, John 79 Easter Good Christian Friends, Rejoice and Sing Jesus, Meine Zuversicht Leupold, Anton Wilhelm 81 Easter Jesus Lives! The Victory's Won! Judas Maccabaeus Porter, Emily Maxson 83 Easter Thine Is the Glory Lasst Uns Erfreuen Sedio, Mark 87 Easter Now All the Vault of Heaven Resounds Llanfair Powell, Robert J. -
Privateditioner /Bild: Hos Villa Vodana (Tullinge) Huserar Privateditioner/ Bloggen
Privateditioner /Bild: Hos Villa Vodana (Tullinge) huserar privateditioner/ Bloggen - www.vivaopera.se absolut inte bara opera - har ett arkiv (audio och video) med privateditioner. Samtliga anförda titlar står - såsom gåva - till förfogande för Nyhetsbladets prenumeranter GRATIS och FRANCO. Samhörigt innehåll överföres till BLURAY (audio eller video). Naturligtvis eftersträvas för dessa konkreta medieprodukter - att ta i - den allra optimalaste ljudkvalitet. Den första av våra hembrända BD-R upptar tre cykler med de sex stråkkvartetterna av Béla Bartók. (En kuriositet är att Bartoks andra stråkkvartett har en roll i deckaren ”Paganinikontraktet” - 2010 - av författarnamnet Lars Kepler.) Följer såsom BD-R audio Ellington, Sjostakovitj och Armstrong samt Symfonie Fatastique av Berlioz i flera versioner alltifrån Rhené- Baton (1923) och Klemperer i Stockholm 650512. Samt ännu inte definitivt nummersatta BD-R: Av JS Bach ”Die Kunst der Fuge”, kantater. Mahler symfonier med Rafael Kubelik. Sena stråkkvartetter av Beethoven (Lindsay, Melos, Fine Arts). ”Pli selon pli” av Pierre Boulez. Stråkkvartetter av Hilding Rosenberg, Arnold Schoenberg, Paul Hindemith. Sibelii symfonier med Sixten Ehrling 1952. Carl Nielsens hela orkestermusik med Herbert Blomstedt (DR 1974). Paul Mägis inspelningar med Uppsala Kammarsolister. TV-föreställningen (Lars Norén) ”Och ge oss skuggorna” föreligger på DVD-R. Wagner TMP på en BD-R, vad är det? Vidare Wagners förstlingar uppdelade såsom tetralogi enligt Wagners egen uppdelning med nytt förspel inför ursprungliga Rienzi akt III: 1) Rienzis Größe (I och II) 2) Die Feen 3) Das Liebesverbot 4) Rienzis Fall (III, IV, V). Varvid del 1 Rienzis Größe i andra akten förväntas innehålla den fyrtio minuter långa pantomimen ”Lucrezia blir våldtagen”, aldrig framförd men komponerd just ett sekel före Benjamin Brittens opera på samma tema. -
EASTER TERM 2014 SERVICES HOLY COMMUNION Is Celebrated Every Sunday Morning at 9.30 A.M
CLARE COLLEGE, CAMBRIDGE CHAPEL SERVICES EASTER TERM 2014 SERVICES HOLY COMMUNION is celebrated every Sunday morning at 9.30 a.m. – a service with hymns and a homily, followed by breakfast in E3. On 18 May we shall meet with members of Trinity Hall for the service in their Chapel at 9 a.m., and then return here for breakfast. MORNING PRAYER is said every Monday-Thursday at 8.15 a.m. On Friday, it is said at 8.00 a.m. and is followed by breakfast in buttery. EVENING PRAYER is said every Monday and Friday at 6.15 p.m. and Wednesday at 5.00 p.m. MIDDAY PRAYER is said every Wednesday at 12.45 p.m. Silence for meditation and private prayer is kept in Chapel every day from noon until 1.00 p.m. CHORAL SERVICES Tuesdays Evensong, 6.15 p.m. Wednesdays Compline, 10.00 p.m. on 30 April, 21 May and 11 June Thursday Evensong, 6.15 p.m. Sundays Evensong, 6.00 p.m. Members of College are warmly encouraged to wear gowns to Sunday evening services. This service is followed by drinks and dinner in Hall, to which all who attend Chapel are warmly invited (subject to places available). Cost: £4.50 members of College; £7.50 others. On Sunday 11 May, there will be a special dinner in Hall when we are joined by the Bishop of Ely. Tickets for that dinner must be booked with the Chapel Administrator ([email protected]; tel. 333206) by noon on Thursday 1 May. -
Josquin Des Prez
(LEMS 8081, formerly released as LLST 7265) Josquin Des Prez Missa Gaudeamus Dominus regnavit In exitu Israel Nymphes des bois Capella Cordina Alejandro Planchart, director In 1502 the Venetian printer Ottaviano Petrucci, who had issued the previous year the first collection of part-music ever printed (the Harmonice musices odhecaton), published his first book of Masses; the Misse Josquin. The book contained five Masses: L’Homme armé super voces musicales; La, sol, fa, re, mi; Gaudeamus; Fortuna desperata; and L’Homme armé sexti toni. 1 The choice of Josquin for such a volume was an obvious one, for the composer was then at the very height of his fame and influence. Indeed, although Petrucci eventually brought out books of Masses by other composers, only Josquin merited three complete prints from him (Book II, 1505; Book III, 1514), and only the Josquin Mass books were reprinted (Book I in 1516, Book II in 1515). Thus, virtually all the extant authentic Masses of Josquin were published by Petrucci. The exceptions are the Missa Pange lingua, probably composed after 1516, and the Missa Allez regretz, an inferior work that may well be spurious. A third Mass attributed to Josquin in some sources, the Missa Da pacem, has been shown to be the work of a minor composer, Noel Bauldweyn. In 1502, however, neither Petrucci nor Josquin (who most likely had a say in the selection of pieces) could have known that there would be eventually three complete books of Josquin’s Masses from the Venetian’s press, and the choice of pieces reflects a great deal of care. -
Josquin Des Prez Discography
Josquin des Prez Discography Compiled by Jerome F. Weber This discography of Josquin des Prez (Josquin Lebloitte dit des Prez, formerly cited as Josquin Desprez or Josquin des Près and alphabetized under D, J or P), compiled by Jerome F. Weber, adopts the format of the Du Fay discography previously posted on this website. It may be noted that at least three book titles since 2000 have named him simply “Josquin,” bypassing the spelling problem. Acknowledgment is due to Pierre-F. Roberge and Todd McComb for an exhaustive list of records containing Josquin’s music in www.medieval.org/emfaq. It incorporates listings from the work of Sydney Robinson Charles in Josquin des Prez: A Guide to Research (Garland Composer Resource Manuals, 1983) and Peter Urquhart in The Josquin Companion (ed. Richard Sherr, Oxford, 2000), which continued where Charles left off. The last two lists each included a title index. This work has also used the following publications already incorporated in the three cited discographies. The 78rpm and early LP eras were covered in discographic format by The Gramophone Shop Encyclopedia of Recorded Music (three editions, 1936, 1942, 1948) and The World’s Encyclopaedia of Recorded Music (three volumes, 1952, 1953, 1957). James Coover and Richard Colvig compiled Medieval and Renaissance Music on Long-Playing Records in two volumes (1964 and 1973), and Trevor Croucher compiled Early Music Discography from Plainsong to the Sons of Bach (Oryx Press, 1981). The Index to Record Reviews compiled by Kurtz Myers (G. K. Hall, 1978) provided useful information. Michael Gray’s classical-discography.org has furnished many details. -
Notes on Heinrich Isaac's Virgo Prudentissima Author(S): Alejandro Enrique Planchart Source: the Journal of Musicology, Vol
Notes on Heinrich Isaac's Virgo prudentissima Author(s): Alejandro Enrique Planchart Source: The Journal of Musicology, Vol. 28, No. 1 (Winter 2011), pp. 81-117 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/jm.2011.28.1.81 Accessed: 26-06-2017 18:47 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms University of California Press is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Musicology This content downloaded from 128.135.12.127 on Mon, 26 Jun 2017 18:47:45 UTC All use subject to http://about.jstor.org/terms Notes on Heinrich Isaac’s Virgo prudentissima ALEJandro ENRIQUE PLANCHART Thomas Binkley in memoriam In 1520 Sigmund Grimm and Marx Wirsung published their Liber selectarum cantionum quas vulgo mutetas appellant, a choirbook that combined double impression printing in the manner of Petrucci with decorative woodcuts. As noted in the dedicatory letter by the printers and the epilogue by the humanist Conrad Peutinger, the music was selected and edited by Ludwig Senfl, who had succeeded his teacher, Heinrich Isaac, as head of Emperor Maximilian’s chapel 81 until the emperor’s death in 1519.