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Hfl39-Web.Pdf Hfl_39k.qxd 04. 10. 04 15:08 Page 1 Hrvatski filmski u ovom broju: Hrvatski filmski suvremeni japanski film: vrvilo i iwamotto festivali: krelja i ajanovi} o animafestu sever i leni} o pulskom festivalu Zagreb 39/2004 leni} o motovunskom festivalu ilin~i} o po`e{koj jednominutnoj reviji ze~evi} o dje~joj reviji LJETOPIS 39/2004 radovan ivan~evi} (1931-2004): turkovi} o ivan~evi}evim perspektivama bilje{ke ivan~evi}a o animaciji 50-ih ivan~evi}eva filmografija kulturna politika: polim~ev osobni osvrt na distribuciju u hrvatskoj jagec priredio razgovor o nekomercijalnoj kinomre`i tuma~enja: radi} o krvi i mesu markovi} o rock n roll filmovima hribar o ekranizacijama kino i videorepertoar studije i istra`ivanja: matija{evi} o fincherovoj igri von~ina o povijesti zagreba~ke televizije u povodu knjiga: maru{i} o ajanovi}evoj animaciji i realizmu krivak o monografiji autorskog studija ljetopisov ljetopis: jeli}: kronika bibliografija leksikon preminulih ranglista glasanja za oktavijana na danima hrvatskog filma u narednom jubilarnom (40) broju: desetgodi{nji kumulativni indeks ljetopisa tema: filmski blockbusteri bendazzi o alexieffu ajanovi} o don kihoteu vladimira kristla peterli} o H-8 antologija hrvatskog filmskog eseja i dr. CODEN.H7LJ7V UDK 761.43/45 Hrvat.film.ljeto. god. 10. (2004.) br. 39 str.1-226 ISSN 1330-7665 39/2004. CODEN HFLJFV Sadr`aj / Contents SUVREMENI JAPANSKI FILM CONTEMPORARY JAPANESE FILM Gostuju}a urednica: Tanja Vrvilo Guest editor: Tanja Vrvilo Tanja Vrvilo: O SUVREMENOM JAPANSKOM FILMU 3 Tanja Vrvilo: ABOUT CONTEMPORARY JAPANESE FILM 3 Kenji Iwamoto: ESTETIKA JAPANSKOG FILMA 8 Kenji Iwamoto: AESTHETICS OF JAPANESE FILM 8 Kenji Iwamoto: PREDO^AVANJE KULTURE I DRU[TVA U Kenji Iwamoto: REPRESENTATION OF CULTURE AND SOCIETY SUVREMENOM JAPANSKOM FILMU 12 PORTRAYAL IN CONTEMPORARY JAPANESE FILM 12 FESTIVALI FESTIVALS Petar Krelja: ANIMACIJA NA DLANU ZAGREB 2004 15 Petar Krelja: ANIMATED FILM ON A PALM OF YOUR HAND Midhat Ajanovi}: STUDENTSKI FILMOVI ZAGREB 2004 24 ZAGREB 2004 15 Vladimir C. Sever: ALITERACIJE NA P PULA 2004 31 Midhat Ajanovi} Ajan: STUDENT FILMS ZAGREB 2004 24 Elvis Leni}: SUVREMENI SLOVENSKI FILM PULA 2004 37 Vladimir Cvetkovi} Sever: P ALLITERATION PULA 2004 31 Elvis Leni}: 6. MOTOVUNSKI FILMSKI FESTIVAL, 2004 41 Elvis Leni}: CONTEMPORARY SLOVENIAN FILM IN PULA 37 Diana Nenadi}: O FRAGMENTIMA MOZAIKA SPLIT 2004 47 Elvis Leni}: 6TH MOTOVUN FILM FESTIVAL, 2004 41 Dra`en Ilin~i}: ISKORISTI SVAKU MINUTU PO@EGA 2004 54 Diana Nenadi}: ON FRAGMENTS OF A MOSAIC SPLIT 2004 47 Slaven Ze~evi}: MIRIS MORA ZADAR 2004 58 Dra`en Ilin~i}: SEIZE EACH MINUTE! PO@EGA 2004 54 Slaven Ze~evi}: SCENT OF THE SEA ZADAR 2004 58 RADOVAN IVAN^EVI] (1931-2004) RADOVAN IVAN^EVI] (1931-2004) Hrvoje Turkovi}: POJMOVNI FILM 65 Hrvoje Turkovi}: CONCEPTUAL FILM 65 Radovan Ivan~evi}: AVANGARDNI ZAGREBA^KI ANIMIRANI FILM 50-IH BILJE[KE 85 Radovan Ivan~evi}: ZAGREB AVANT-GARDE ANIMATED FILM OF THE 50s 85 FILMOGRAFIJA RADOVANA IVAN^EVI]A 86 RADOVAN IVAN^EVI]S FILMOGRAPHY 86 KULTURNA POLITIKA: DISTRIBUCIJA, PRIKAZIVANJE CULTURAL POLICY: DISTRIBUTION, EXHIBITION Nenad Polimac: NAKUPCI FILMOVA DISTRIBUCIJA Nenad Polimac: FILM DISTRIBUTION IN CROATIA 91 U HRVATSKOJ 91 Tomislav Jagec, ed.: IS THERE A CHANCE FOR A NON-COMMERCIAL Tomislav Jagec, prir.: IMA LI NEKOMERCIJALNA MRE@A [ANSE? 97 CINEMA THEATRE NETWORK? 97 TUMA^ENJA INTERPRETATIONS Damir Radi}: BINARNO NA^ELO I LJUBAVNA MOTIVACIJA (Meso Damir Radi}: BINARY PRINCIPLE AND LOVE MOTIVATION (Flesh + ikrv) 113 Blood) 113 Dejan Markovi}: ROCK N ROLL NA FILMU 118 Dejan D. Markovi}: ROCK & ROLL ON FILM 118 Hrvoje Hribar: EKRANIZACIJA 126 Hrvoje Hribar: FILM ADAPTATION 126 REPERTOAR FILM AND VIDEO REPERTOIRE REVIEWS Uredila: Katarina Mari} Edited by: Katarina Mari} KINOREPERTOAR 129 MOVIE THEATERS 129 VIDEOIZBOR 157 VIDEO AND DVD 157 STUDIJE I ISTRA@IVANJA STUDIES AND RESEARCH @eljka Matija{evi}: STROGO KONTROLIRANO PROSVJETLJENJE @eljka Matija{evi}: STRICTLY CONTROLLED ENLIGHTENMENT (The IGRA DAVIDA FINCHERA 177 Game, D. Fincher) 177 Nikola Von~ina: IZ POVIJESTI HRVATSKE TELEVIZIJE (2) 183 Nikola Von~ina: HISTORY OF CROATIAN TELEVISION (2) 183 U POVODU KNJIGA DISCUSSING BOOKS Jo{ko Maru{i}: KNJIGA ZA SLADOKUSCE ANIMACIJE (M. Ajanovi}: Jo{ko Maru{i}: BOOK FOR ANIMATION GOURMETS (M. Ajanovi}: Animacija i realizam) 187 Animation and Realism) 187 Marijan Krivak: 11 GODINA AUTORSKOG STUDIJA 191 Marijan Krivak: 11 YEARS OF AUCTORIAL STUDIO 191 LJETOPISOV LJETOPIS CHRONICLES CHRONICLE Marcella Jeli}: KRONIKA (svibanj rujan, 2004) 193 Marcella Jeli}: CHRONICLE (May-September 2004) 193 BIBLIOGRAFIJA 199 BIBLIOGRAPHY 199 LEKSIKON PREMINULIH (V. Ber~i}, R. Karabelj, V. Kristl, R. LEXICON OF THE DECEISED (V. Ber~i}, R. Karabej, V. Kristl, R. Kursar) 203 Kursar) 203 O. Milat: OKTAVIJAN KAKO SU GLASALI KRITI^ARI 205 O. Milat: OKTAVIJAN CRITICS VOTES 205 ISPRAVCI 207 CORRECTIONS 207 SA@ECI 208 ABSTRACTS 208 O SURADNICIMA I UREDNICIMA 223 ON CONTRIBUTORS AND EDITORS 223 39/2004. HRVATSKI FILMSKI LJETOPIS THE CROATIAN CINEMA CHRONICLE ISSN 1330-7665 ISSN 1330-7665 UDK 791.43/.45 UDC 791.43/.45 Hrvat.film.ljeto., god. 10. (2004), br. 39 Hrvat.film.ljeto., Vol 10 (2004), No 39 Zagreb, listopad 2004. Zagreb, October 2004 Copyright 1995: Croatian Film Clubs Association Nakladnik: Publisher: Hrvatski filmski savez Croatian Film Clubs Association Utemeljitelji: Founders: Hrvatsko dru{tvo filmskih kriti~ara, Croatian Society of Film Critics, Hrvatski dr`avni arhiv Hrvatska kinoteka, Croatian State Archive Croatian Cinematheque, Filmoteka 16 Filmoteka 16 Za nakladnika: Publishing Manager: Vera Robi}-[karica Vera Robi}-[karica Uredni{tvo: Editorial Board: Nikica Gili}, Bruno Kragi}, Diana Nenadi}, Ivo [krabalo, Nikica Gili}, Bruno Kragi}, Diana Nenadi}, Ivo [krabalo, Igor Tomljanovi}, Hrvoje Turkovi} (glavni urednik), Igor Tomljanovi}, Hrvoje Turkovi} (chief editor), Katarina Mari} (gostuju}a urednica) Katarina Mari} (guest editor) Likovni urednik: Design: Luka Gusi} Luka Gusi} Lektorica: Language advisor: Sa{a Vagner-Peri} Sa{a Vagner-Peri} Prijevodi na engleski: English translations: Snje`ana Grlju{i}-Kordi} Snje`ana Grlju{i}-Kordi} Priprema: Prepress: Kolumna d.o.o., Zagreb Kolumna d.o.o., Zagreb Tisak: Printed by: Tiskara CB Print, Samobor Tiskara CB Print, Samobor Hrvatski filmski ljetopis izlazi tromjese~no u nakladi od 1000 CCC is published quarterly, with circulation of 1000 copies primjeraka. Price of each copy: 18 =C Cijena ovom broju 50 kn Subscription abroad: 60 US Dollars, 60 =C Godi{nja pretplata: 150.00 kn Account Number: @iro ra~un: Zagreba~ka banka, 2100058638/070 S.W.I.F.T. ZABA HR 2X br. ra~una: 2360000-1101556872 Editors Adress: Za inozemstvo: 60.00 USD, 60.00 =C Hrvatski filmski ljetopis / Croatian Cinema Chronicle Adresa uredni{tva: Hrvatski filmski savez / Croatian Film Clubs Association 10000 Zagreb, Dalmatinska 12 Dalmatinska 12 tel: 385 01/48 48 771, 385 01/48 48 764 10000 Zagreb, Croatia fax: 385 01/48 48 764 tel: 385 1/48 48 771 E-mail: [email protected] fax: 385 1/48 48 764 hrvoje.turkovic zg.htnet.hr @ E-mail: [email protected] [email protected] hrvoje.turkovic zg.htnet.hr nikica hfs.hr @ @ [email protected] Web stranica: www.hfs.hr [email protected] Hrvatski filmski ljetopis evidentiran je u International Index to Web site: www.hfs.hr Film/TV Periodicals, Rue Defacqz 1, 1000 Bruxelles, Belgium. Hrvatski filmski ljetopis (The Croatian Cinema Chronicle) is Cijena oglasnog prostora: 1/4 str. 5.000,00 kn indexed in the International Index to Film/TV Periodicals, 1/2 str. 10.000,00 kn Rue Defacqz 1, 1000 Bruxelles, Belgium 1 str. 20.000,00 kn Hrvatski filmski ljetopis izlazi uz potporu Ministarstva kulture CCC is subsidized by the Ministry of Culture, Republike Hrvatske i Gradskog ureda za kulturu, Zagreb Republic of Croatia and Zagreb City Office for Culture Fotografija na koricama: Zatoichi samuraj, Takeshi Kitano Cover photo: Takeshi Kitanos Zatoichi Samurai SUVREMENI JAPANSKI FILM UDK: 791(520)199 Tanja Vrvilo O suvremenom japanskom filmu Ovaj uvodni tekst i dva prilago|ena predavanja japanskoga filmologa Kenjija Iwamota o suvremenom japanskom filmu jesu poku{aj pru`anja nekih obavijesti o tematskim i stilsko- retori~kim obilje`jima toga nepreglednog podru~ja u povo- du Ciklusa suvremenog japanskog filma {to su ga ovoga pro- lje}a organizirali Japansko veleposlanstvo i Multimedijalni centar SC-a u Zagrebu i Splitu.1 Poznato je da su tekstovi ja- panskih filmologa rijetko prevo|eni i da nijedna izvorna po- vijest japanskoga filma nije prevedena na engleski jezik. Do- sljedno tome, ni knjige zapadnja~kih filmologa o povijesti ja- panskoga filma nisu prevedene na japanski jezik. O Richije- voj i Andersonovoj knjizi, dugo vremena (do posljednje Ri- chijeve) jedinom {irem povijesnom pregledu japanskoga fil- ma na engleskom jeziku, profesor Iwamoto ka`e: »Ideja je iznimno vrijedna, ali mnogo je toga propu{teno. No, donosi neke nove poglede s gledi{ta zapadnjaka.«2 ^ini se da je u Ja- panu i dalje klju~ni izvor podataka iscrpna petosve{~ana po- vijest Junichira Tanake, koji je jo{ kao student tijekom 1920- ih godina po~eo prikupljati dokumentaciju i razgovarati s pi- onirima japanskoga filma. Ali postoje i brojna druga istra`i- vanja, poput dvodijelne povijesti uglednoga prijeratnog po- vjesni~ara i kriti~ara Tadashija Iijime, koji je od 1950-ih pre- davao na sveu~ili{tu Waseda kao prvi stalni profesor filma u Japanu, a ~iji je student bio i profesor Iwamoto. Kada je Do- nald Richie prije pedesetak godina, o~aran otkrivenim fil- movima, pisao svoj prvi od mnogih uvoda u japanski film, Yasujiro Ozu na snimanju nije dobro poznavao jezik i nije bio u mogu}nosti vidjeti ve}i broj filmova. S tim se osje}ajem i danas, nakon ne{to vi{e (ne)dostupnih knjiga i filmova, mogu poistovjetiti gotovo svi Zapadu nadahnulo je pedesetak godina zaka{njelo otkri}e koji poku{avaju upoznati, ili makar vidjeti, japanski film japanskoga filma, a u Japanu se ve} u razdoblju nijemoga fil- izvan Japana.
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