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Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
Fragile, Emergent, and Absent Tonics in Pop and Rock Songs *
Fragile, Emergent, and Absent Tonics in Pop and Rock Songs * Mark Spicer NOTE: The examples for the (text-only) PDF version of this item are available online at: h'p://www.mtosmt.org/issues/mto.17.23..(mto.17.23.2.spicer.php 0E1WORDS: tonality, popular song, rock harmony, ragile tonics, emergent tonics, absent tonics, soul dominant, Sisyphus e3ect A4STRACT: This article explores the sometimes tricky 6uestion o tonality in pop and rock songs by positing three tonal scenarios: 1) songs with a fragile tonic, in which the tonic chord is present but its hierarchical status is weakened, either by relegating the tonic to a more unstable chord in 7rst or second inversion or by positioning the tonic mid-phrase rather than at structural points o departure or arrival8 .) songs with an emergent tonic, in which the tonic chord is initially absent yet deliberately saved or a triumphant arrival later in the song, usually at the onset o the chorus8 and 3) songs with an absent tonic, an extreme case in which the promised tonic chord never actually materiali9es. In each o these scenarios, the composer’s toying with tonality and listeners’ expectations may be considered hermeneutically as a means o enriching the song’s overall message. Close analyses o songs with ragile, emergent, and absent tonics are o3ered, drawing representative examples rom a wide range o styles and genres across the past 7 ty years o popular music, including 1960s Motown, 1970s soul, 1980s synthpop, 1990s alternative rock, and recent A.S. and A.0. B1 hits. Received November 2016 Colume 23, Number 2, Dune 2017 Copyright © 2017 Society for Music Theory F,G Skilled nineteenth-century song composers such as Robert Schumann and Dohannes 4rahms o ten exploited tonality and its expectations or symbolic or expressive purposes. -
Gospel Music The
Section 2 October 14, 1967 ocirill TheWorld of GOSPEL MUSIC THE EGC:311iiim THING IN GOSPEL MP "SIG HERE ARE JUST NINE OF THE MANY GREATGOSPEL HITS FEATURED BY PATHWAY GreiA a Name am. P.tw -OW Ow LP 6053 -SIP 6053 LP 3219 -SIP 3219 LP 6050-SLP 6050 BLACKWOOD MINERS afI SfR 4 ENSEMILE LP 6044-SLP 6044 LP 6055-SLP 6055 LP 6045-SLP 6045 LP 6051-SLP 6051 smirrrGATLIN TRIO 1-JAT H WAY RECORDS P. 0. BOX 880 I CLEVELAND, TENNESSEE 3 7 3 1 1 Exclusive Distributors for SKYLITE/SING (-4"HIGH VIDALaxy Sole International Distributors LP 6000-SLP 6000 LP 6056 -SIP 6056 and Sales Representatives for CHRISTIAN FAITH/TEMPLE/WORSHIP TheWorld of GOSPEL 1111SIC Contents GMA Gains in Stature 6 Gospel Enters the Mainstream -1967 8 It Is No Secret 10 Gos-Pop Sound Emerges 12 Religious Records Enjoy Longer Sales Life 16 Almost All Bluesmen Cut Gospel Records 18 Cathedral of Tomorrow 20 Chuck Wagon Gang 22 Nashville, a Center of Religious Music 22 National Quartet Convention 30 Bible Interest on Rise 32 Gospel Is Davis First Love 34 From Sausages to Sacred Music 36 Supreme Breaks Through 38 Gospel Symposium Honors Edwards 38 Women Promote Gospel Music 40 New Sound in Gospel Music 40 The Churches Are Singing More 42 Back to Historical Hymnity 44 Gospel Music Discography 46 Billboard Publications,Inc. General Advertising Office, N. Y. 2160 Patterson St., Cincinnati, 0. 45214 Advertising Manager Ron Carpenter Tel.: Area Code 513, 381-6450 PromotionDirector GeraldinePlatt Midwest MusicSales Richard Wilson West Coast Gen. -
Monday December 21, 2020
AXS TV Schedule for Mon. December 21, 2020 to Sun. December 27, 2020 Monday December 21, 2020 6:00 PM ET / 3:00 PM PT 8:00 AM ET / 5:00 AM PT The Big Interview The Big Interview Neil Young - Music legend Neil Young sits down for a rare and candid interview about his career, Buddy Guy - Guitar legend Buddy Guy reflects on his life, career, and the blues on this episode of his music and his environmental activism. The Big Interview with Dan Rather. 7:00 PM ET / 4:00 PM PT 9:00 AM ET / 6:00 AM PT Rock Legends Eric Clapton: The 1970s Review Women Who Rock - Women have sung on jazz, pop and soul tracks since the 1930s, but when Eric Clapton’s musical journey through the seventies is recalled, from his days with musical it came to rock, however, there were few women in the 1950s who wrote and performed their collectives after Cream disbanded, to his hugely successful solo career, as told by musicians and own songs. In the 60s, artists such as Grace Slick and Janis Joplin were fronting A-list bands. biographers who knew him best during that period. All-female garage bands, such as The Runaways and Fanny, achieved limited success. As rock developed in the late 60s and 70s alongside the women’s liberation movement, women refused 12:00 PM ET / 9:00 AM PT to be just the pretty singer or the manufactured glam groups. This episode features bands such B.B. King With Special Guests Terrence Howard, Richie Sambora and Solange as Heart, Suzie Quatro and The Bangles. -
Disney Channel’S That’S So Raven Is Classified in BARB As ‘Entertainment Situation Comedy US’
Children’s television output analysis 2003-2006 Publication date: 2nd October 2007 ©Ofcom Contents • Introduction • Executive summary • Children’s subgenre range • Children’s subgenre range by channel • Children’s subgenre range by daypart: PSB main channels • Appendix ©Ofcom Introduction • This annex is published as a supplement to Section 2 ‘Broadcaster Output’ of Ofcom’s report The future of children’s television programming. • It provides detail on individual channel output by children’s sub-genre for the PSB main channels, the BBC’s dedicated children’s channels, CBBC and CBeebies, and the commercial children’s channels, as well as detail on genre output by day-part for the PSB main channels. (It does not include any children’s output on other commercial generalist non-terrestrial channels, such as GMTV,ABC1, Sky One.) • This output analysis examines the genre range within children’s programming and looks at how this range has changed since 2003. It is based on the BARB Children’s genre classification only and uses the BARB subgenres of Children’s Drama, Factual, Cartoons, Light entertainment/quizzes, Pre-school and Miscellaneous. • It is important to note that the BARB genre classifications have some drawbacks: – All programme output that is targeted at children is not classified as Children’s within BARB. Some shows targeted at younger viewers, either within children’s slots on the PSB main channels or on the dedicated children’s channels are not classified as Children’s. For example, Disney Channel’s That’s so raven is classified in BARB as ‘Entertainment Situation Comedy US’. This output analysis is not based on the total output of each specific children’s channel, e.g. -
The Psychedelic Furs
Periódico # 17 Marzo 2018 ……………………………………………………………………………………………………………… NEW TECHNOLOGIES IN EDUCATION Nowadays in our society, new technologies are an important aspect to consider in the academic world because it is true that we live in the society of technological changes. But, is using new technologies in education and advantage or a disadvantage? By Leticia Jiménez Some teachers argue that using new technologies in education is affecting young people´s concentration span, but I´m not convinced because new technologies bring us some benefits. For example, it helps motivate students, since it is more dynamic and entertaining. What is more, it offers us distance learning thanks to the Internet. In addition to this, distance learning offers opportunities to those who cannot attend class regularly. Fortunately, there has been a huge increase in the use of new technologies. Personally, I prefer face-to-face education but distance learning is a good alternative if you want to study in your free time. True, it is a different kind of education, but we should see it as a complement to face-to-face education. So, what is the answer? I am sure that new technologies are good in the academic world and they have some advantages, if and when we make good use of them. The riddle of axing time wasting All of us live in a hurry. Our way of life requires paying attention to a lot of things: job, family, friends, gym... So, time management has become 'El Dorado'. By Pedro Padilla We cannot avoid 21st century obligations, but at least we are able to manage our time better, for instance, in the workplace. -
"/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
{"/title/tt3702160/": {"director": [["Kimberly Jessy"]], "plot": ["\nBeautiful D anger is an Animated 3D Made for TV/Short Film. It's a Thriller that combines, M TV's Teen Wolf, Pretty Little Liars, Gossip Girl, Sorcery, Twilight, in one film , Epic fight scenes, No-one is who you think they are, Alternate Universes, Teen Young Adult Action Good Verses Evil, flick with tons of Cliff Hangers! It takes place In Dark Oak, CA were the typical mean girl with magical powers tries to t ake over the school with her mean girl clique. Brooke Charles Takes on Kimberly Jesika and her good girl team. Death Becomes Brook cause she keeps coming back, Think Katherine Vampire Diaries. Kimberly has magical powers and so does her cla n. It's a match to the death. No one is who they seem or who they appear to be! Excitement and sitting on the edge of your seat. Written by\nKimb erly Jessy "], "imdb_rating": [], "mpaa_rating": [], "poster_link": [], "stars": [["Kimberly Jessy"], ["Helena Evans"], ["Chloe Benoit"]], "title": "Beautiful D anger 3D Animated Teen Thriller", "genre": [[" Animation"]], "release_date": [], "writer": [["Kimberly Jesika"], ["Doll Face Animated Films"]]}, "/title/tt25692 02/": {"director": [["Emily Gossett"]], "plot": ["\nThe last year of high school has been barely tolerable for Maggie Masters. After being dumped by her three y ear relationship with Chad, to be traded in for a football dream at UF, she has to succumb to her mother leaving for a better life. Maggie is left to pick up th e remains of her fragmented life. When fate intervenes by the touch from the mys terious and handsome Caleb Jacobson, whom she saves, leaves Maggie breathless, s tartled and captivated. -
A Piece of History
A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers. -
Pdf, 384.68 KB
Wonderful! 129: Burning is Anxiety Leaving the Body Published April 15th, 2020 Listen on TheMcElroy.family [theme music plays] Rachel: Hi, this is Rachel McElroy. Griffin: Hello, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: Take a deep breath. [inhales] No, not—no. In your mou—big, in your mouth breath. Rachel: Oh, okay. I didn‘t want to make too much noise, but here we go. [inhales loudly through mouth] Griffin: That‘s perfect! That‘s how they say to do it! Now, hold it for seven minutes. Like Harry Houdini. And we‘ll wait. There‘s gonna be seven minute—and maybe I'll play some gentle, Brian Eno music. And then you'll know when to exhale. Just kidding. Do it now. We don‘t want to be responsible for people‘s… accidental podcast asphixi… asphixi… that‘s a tough word. This is Wonderful. Rachel: [laughs] Griffin: How are you doing, babe? Rachel: I'm pretty good. Griffin: I'm glad to hear it. Rachel: Getting into kind of a rhythm, I think. Griffin: Good, good. Um… I'm—I'm not—this has been a weird—I feel like this has been a weird week. I feel like this week, uh, is where it‘s just kind of—it‘s hitting hard for a lot of—maybe it‘s the one month mark. Rachel: It was so interesting, because a couple days ago, you were telling me that a lot about your life has not changed all that much. Griffin: Right. Rachel: Because you are a man that has worked from home for a long time. -
Mbmbam 531: Mighty Morphin’ Grown-Up Power Rangers Published on October 12Th, 2020 Listen Here on Themcelroy.Family
MBMBaM 531: Mighty Morphin’ Grown-Up Power Rangers Published on October 12th, 2020 Listen here on TheMcElroy.family Intro (Bob Ball): The McElroy brothers are not experts, and their advice should never be followed. Travis insists he‘s a sexpert, but if there‘s a degree on his wall, I haven‘t seen it. Also, this show isn‘t for kids, which I mention only so the babies out there will know how cool they are for listening. What‘s up, you cool baby? [theme music, ―(It‘s a) Departure‖ by The Long Winters, plays] Justin: Hello, everybody, and welcome to My Brother, My Brother and Me, an advice show for the modern era. I‘m your oldest brother, Justin McElroy! Travis: And me, well, I‘m your middlest brother, Travis McElroy. Griffin: [chuckles deviously] Justin and Travis: [join in chuckling] Griffin: [cackles] Travis: [unintelligible spooky noises] Griffin: I‘m your—uh, I‘m your youngest one, Griffin McElroy. What do we—why do we laugh—we record these on Thursdays. We have no fucking idea what kind of a weekend ahead of us we have. Laughter may not be the order of the day, come Monday afternoon. But I—I don‘t know, man. May as well laugh when you can, right? Travis: Right? [laughs] Justin: Hey, all things considered... not a bad week. [laughs] All things considered... [lowly] not a bad week. Travis: Comparatively! Justin: [normally] Comparatively! Travis: Comparatively—all things considered, all things considered— Justin: I— Travis: If you were to take all things into consideration, not a bad week. -
Pacing in Children's Television Programming
DOCUMENT RESUME ED 434 364 CS 510 117 AUTHOR McCollum, James F., Jr.; Bryant, Jennings TITLE Pacing in Children's Television Programming. PUB DATE 1999-03-00 NOTE 42p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (82nd, New Orleans, LA, August 4-7, 1999). PUB TYPE Reports Research (143) Speeches/Meeting Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Childrens Television; Content Analysis; Preschool Education; *Programming (Broadcast); Television Research IDENTIFIERS Sesame Street ABSTRACT Following a content analysis, 85 children's programs were assigned a pacing index derived from the following criteria:(1) frequency of camera cuts;(2) frequency of related scene changes;(3) frequency of unrelated scene changes;(4) frequency of auditory changes;(5) percentage of active motion;(6) percentage of active talking; and (7) percentage of active music. Results indicated significant differences in networks' pacing overall and in the individual criteria: the commercial networks present the bulk of the very rapidly paced programming (much of it in the form of cartoons), and those networks devoted primarily to educational programming--PBS and The Learning Channel--present very slow-paced programs. (Contains 26 references, and 12 tables and a figure of data.) (RS) ******************************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * ******************************************************************************** Pacing in Children's Television Programming James F. McCollum Jr. Assistant Professor Department of Communication Lipscomb University Nashville, TN 37204-3951 (615) 279-5788 [email protected] Jennings Bryant Professor Department of Telecommunication and Film Director Institute for Communication Research College of Communication Box 870172 University of Alabama Tuscaloosa, AL 35487-0172 (205) 348-1235 PERMISSION TO REPRODUCE AND OF EDUCATION [email protected] U.S. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.