Strategic Partnership Deed of Agreement Between the BBC and S4C

Total Page:16

File Type:pdf, Size:1020Kb

Strategic Partnership Deed of Agreement Between the BBC and S4C Strategic Partnership Deed of Agreement between the BBC and S4C This Deed of Agreement is made the xxx between: THE BRITISH BROADCASTING CORPORATION, a corporation incorporated under Royal Charter, whose principal office is at Broadcasting House, 1 Portland Place, London W1A 1AA (“BBC”); and S4C a statutory corporation of Parc Tŷ Glas, Llanishen, Cardiff, CF14 5DU (“S4C”). (together “the Parties”) WHEREAS th (A) On 17 October 2006, the Parties entered into a deed (the “Original Agreement”) in which they agreed upon the principles and procedures according to which a range of BBC licence fee funded programmes and other services would be provided by the BBC to S4C in a manner appropriate for the needs of public service broadcasting through the medium of the Welsh language. (B) The Original Agreement recognised the responsibilities and traditions of both organisations in providing high-quality public services to audiences in the Welsh language. and that both S4C and the BBC perform critical roles in supporting and nurturing the development of the Welsh language, and that the public value of Welsh language services, across various media and platforms, would benefit from a closer strategic partnership between the two broadcasters and the Parties intend that these principles are taken forward in this Agreement. It is agreed and this Deed witnesses as follows: 1.1 Section 58(1) of the Broadcasting Act 1990 provides that: For the purpose mentioned in subsection (1A) the BBC shall: (a) provide to the Welsh Authority (free of charge) sufficient television programmes in Welsh to occupy not less than ten hours’ transmission time per week; and (b) do so in a way which meets the reasonable requirements of the Authority. (1A) The purpose is to enable the Welsh Authority to fulfil— (a) so much of the public service remit for S4C as is contained in paragraph 3(2)(a) and (b) of Schedule 12 to the Communications Act 2003; and (b) so much of the public service remit for S4C Digital as is contained in paragraph 3(3) of that Schedule”. Nothing in this Deed diminishes or replaces that statutory duty. 1.2 S4C recognises that the BBC must operate within the duties placed upon it by its Royal Charter and the Agreement between it and the Secretary of State for Culture, Olympics, Media and Sport and must deal with the licence fee as set out therein. The BBC recognises that S4C is a statutory entity. As such S4C derives its powers from statute and is unable to act in a manner that is outside the specific powers granted to S4C by Parliament. S4C is under a duty to spend its grant-in-aid in accordance with the provisions of the Broadcasting Acts 1990 and 1996 and the Communications Act 2003. From 1 April 2013, S4C will be under an obligation to spend licence fee funding which it receives from the BBC Trust in accordance with an Operating Agreement between the BBC Trust and the S4C Authority. 1.3 The word partnership throughout this document is defined as the process of two bodies acting together with goodwill and co-operation. Nothing contained in this Deed shall be taken to imply that a legal partnership exists between the BBC and S4C. 1.4 References in this Deed to the BBC’s Royal Charter and its Agreement with the Secretary of State for Culture, Olympics, Media and Sport and to any statute, statutory provision, regulation, rule or code shall be construed as a reference to such Charter, Agreement, statute, statutory provision, regulation, rule or code as amended, modified, replaced or re-enacted from time to time. 1.5 This Deed sets out a strategic framework for the BBC’s renewed commitment to provide its Contributed Programming to S4C. A separate Operating Agreement specifies the scope of the wider S4C services to be funded out of the BBC licence fee from April 2013 until March 2017. Any application or interpretation of this Deed shall take into account the principles set forth in the Operating Agreement 2 Scope of the Agreement 2.1 This Deed and in particular the process set out at paragraph 5 shall be underpinned by two balancing obligations: 2.1.1 On the BBC to recognise that S4C is solely responsible for delivering its remit, its statutory duties (including duties in respect of expenditure of grant in aid) and its additional activities and objectives as set out in its Corporate Plan, Content Strategy and Statement of Programme Policy. The BBC both in its consultation and in its proposals, will respond positively and practically to S4C’s overall content strategy, and so seek to maximise the value delivered to the S4C services and audiences. 2.1.2 On S4C to recognise that the BBC’s contribution to S4C’s services pursuant to section 58 of the Broadcasting Act 1990 is an important element of the BBC’s remit and overall delivery to Welsh language audiences of its public purposes and the public service characteristics enshrined in its Charter and Agreement. Further, S4C recognises that the BBC and its Trust are solely responsible both for how they do this and for the value for money of the BBC’s expenditure, subject always to Section 58 of the Broadcasting Act 1990. 3 The BBC’s contribution of television programmes to S4C 3.1 The BBC shall provide S4C (free of charge) with sufficient television programmes in Welsh to occupy not less than 10 hours’ transmission time per week pursuant to its statutory obligations (the “Contributed Programming”) for exhibition on the S4C Services (as defined in Appendix 3) and otherwise in accordance with Appendix 3. The Contributed Programming shall be original first run Welsh language programming (“original” meaning new UK content and not repeats or acquisitions, except as agreed within the annual planning process set out in paragraph 5 below and set out within the Editorial Synopsis, and “first run” meaning that the Contributed Programming shall be exhibited in accordance with Appendix 3). Unless otherwise varied in the Editorial Synopsis, S4C shall have the rights in the Contributed Programming which are set out in Appendix 3 (“the Terms of Supply”). 3.2 Without limitation to the BBC’s statutory duty and commitment referred to at paragraphs 1.3 and 3.1 above the actual number of hours of programmes to be provided to S4C each year shall be determined during the annual planning cycle described below, and shall be subject to approval by the S4C Authority within the framework of its approval of the S4C Statement of annual Programme Policy and by the BBC Trust within the BBC’s annual strategic governance framework, and shall be included in the definition of “Contributed Programming”. Approval from either organisation shall not be unreasonably withheld or delayed. 4 Financial level of the BBC contribution 4.1 Subject to paragraphs 4.2 - 4.4 and Note 1, between the Financial Years 2013/14 and 2016/17 the financial value of the Contributed Programming and other programme- related and non-programme contributions (including, without limitation to the generality of the foregoing, sub-titling) from the BBC as reflected in each annual programming plan (together the “BBC’s Contribution”) will be as follows: 4.1.1 2013/14 £19.4 million – forecast 4.1.2 2014/15 £19.4 million – forecast 4.1.3 2015/16 £19.4 million – forecast 4.1.4 2016/2017 £19.4 million - forecast Note 1 The figures above are subject to a 2.5% tolerance to allow for short-term timing differences across the year end. Any variances from the figures set out above would be matched by balancing variances in the following period, save that the sums set out above must be expended in full on the BBC’s Contribution by the end of the 2016/17 Financial Year unless otherwise agreed by S4C. 4.2 For the avoidance of doubt the BBC may at any time increase the forecast budget for for 2013/14, 2014/15, 2015/2016 and 2016/2017 and will inform S4C of any such decision. 4.3 Any BBC proposal to reduce the planned real financial value of the contribution from the levels indicated in this Deed shall be subject to prior consultation between the S4C Authority and the BBC Trust under the BBC’s Royal Charter. 4.4 The BBC Trust shall not consent to any reduction in the financial level of the forecast contribution in 4.1.1, 4.1.2 and 4.1.3 and 4.1.4 unless it is satisfied that the public value of the BBC’s contribution to S4C, and to the S4C Service as a whole, shall not be reduced by the proposed change. 5. Annual editorial planning framework 5.1 In this section, in all cases where agreement is required between the BBC and S4C, or between the Audience Council for Wales (ACW) and the Authority, or between the BBC Trust and the Authority, each party shall be under an equal and balancing obligation to use all reasonable endeavours to reach such agreement. Neither party shall act unreasonably or cause undue delay. 5.2 The understanding of both the BBC and S4C in relation to the supply by the BBC of the drama series “Pobol y Cwm” is more particularly set out in a framework agreement made between the parties and of even date with this Deed, but insofar as “Pobol y Cwm” forms part of the Contributed Programming, the provisions of this Deed shall also apply. However, in circumstances where either party intends to implement a material change of programme supply in the areas of Sport or Pobol y Cwm during the term of this Deed, either party shall: 5.2.1 in the case of Sport content featuring international rugby and/or RaboDirect Pro12 provided as part of the Contributed Programming each give the other at least twenty four months written notice of such an intention unless the notice period is determined by the term of any relevant underlying sports agreement; 5.2.2 in the case of Pobol y Cwm either party shall each give the other such notice as may be required in accordance with the provisions set out in the framework agreement.
Recommended publications
  • Ymatebion I'r Ymgynghoriad: Newyddiaduraeth Yng Nghymru
    ------------------------Pecyn dogfennau cyhoeddus ------------------------ Dogfennau Ategol - Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Lleoliad: I gael rhagor o wybodaeth cysylltwch a: Ystafell Bwyllgora 2 - y Senedd Steve George Dyddiad: Dydd Mercher, 24 Mai 2017 Committee Clerk Amser: 09.30 0300 200 6565 [email protected] Noder bod y dogfennau a ganlyn yn ychwanegol i’r dogfennau a gyhoeddwyd yn y prif becyn Agenda ac Adroddiadau ar gyfer y cyfarfod hwn - Ymatebion i'r Ymgynghoriad: Newyddiaduraeth yng Nghymru Ymatebion i'r Ymgynghoriad: Newyddiaduraeth yng Nghymru (Tudalennau 1 - 88) Dogfennau atodol: Clawr Cynnwys NJW01 Prifysgol Bangor NJW02 BBC Cymru NJW03 Media Cymru (Saesneg yn Unig) NJW04 Neil Taylor (Saesneg yn Unig) NJW05 NUJ Cymru NJW06 S4C NJW06 S4C (Mewnol yn Unig) NJW07 Cyngor Bwrdeistref Sirol Caerffili (Saesneg yn Unig) NJW08 Paul Rowland, Trinity Mirror (Saesneg yn Unig) NJW09 Dr. Andy Williams, Prifysgol Caerdydd - Newyddion Cymunedol Hyperleol (Saesneg yn Unig) NJW10 Dr. Andy Williams, Prifysgol Caerdydd – Newyddion Lleol (Saesneg yn Unig) NJW11 ITV Cymru NJW12 Sefydliad Materion Cymreig (Saesneg yn Unig) NJW13 Emma Meese, Prifysgol Caerdydd (Saesneg yn Unig) Tudalen Cefn Eitem 2.1 Y Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Newyddiaduraeth Newyddion yng Nghymru Ymatebion i’r Ymgynghoriad Mai 2017 Cynulliad Cenedlaethol Cymru Y Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Tudalen y pecyn 1 Cynulliad Cenedlaethol Cymru yw’r corff sy’n cael ei ethol yn ddemocrataidd i gynrychioli buddiannau Cymru a’i
    [Show full text]
  • Hollie Withers Art Director/Art Department
    Mob: 07727 871706 www.holliewithers.com Curriculum Vitae Hollie Withers Art Director/Art Department Education and Qualifications Glamorgan University, School of Technology Graduation June 2008 Set Design for Film and Television BA (hons) Degree 2:1 Sussex Downs College: Lewes Campus AVCE and A level June 2005 Art & Design A/A 06/2005 Edexcel Media Studies C 06/2004 AQA Park College Eastbourne AS levels June 2003 Fine Art B 06/2003 AQA Media Studies C 06/2003 OCR World Development D 06/2003 WJEC St. Richards Catholic College GCSE levels June 2002 Design & Tech:Graphic Products A* 06/2002 Edexcel Art: Graphics A 06/2002 AQA Art: Fine Art A 06/2001 AQA English Literature A 06/2002 AQA English Language B 06/2002 AQA Science B B/B 06/2002 OCR Mathematics C 06/2002 AQA Geography B 06/2002 AQA Religious Studies B 06/2002 AQA French B 06/2002 Edexcel Independent Studies Theory of Music Grd.5 Pass 06/2001 ABRSM Jazz saxophone Grd.5 Merit 03/2001 GSMD Clarinet Grd.3 Merit 06/1999 TRINITY Practical Skills Tech drawing – AutoCAD/hand drawn, Photoshop, Graphics, Photography, Model Making, Sewing, Prop Making and Buying, Basic Set Construction, Scenic Painting. Related Achievements/Training 2010 Second Place Cardiff PhotoMarathon, Self Portrait Work. 2008 Graduate Outstanding Achievement Award for TV and Film Set Design. 2010 BBC Manual Handling. 2010 Skill Set Health and Safety Training for film production. 2008 BBC Health and Safety Training. Full driving licence held since 2003. No Points. Employment History Position Programme Film Company Reference 2010 Buyer Promo Art Director Knife Edge.
    [Show full text]
  • Newyddion News Mrs Hart Said: “Currently Healthcare Staff Have to Use Many Different Computer Systems Throughout the Day to Be Able to See the Information They Need
    8 January 2010 W-100013Hlth Health Minister gives go ahead to revolutionise NHS’ computer systems Plans to revolutionise the NHS’ computer systems enabling health professionals to access important patient information quickly and securely have been approved by Health Minister Edwina Hart today [8 January 2010]. Backed by £2.5m of Welsh Assembly Government funding, the new system - known as The Welsh Clinical Portal - will give one view of the information held about the patient, making it easier for healthcare staff to provide better care. It will bring together information held in the many hospital computer systems that doctors, nurses, clinicians and pharmacists use on a day-to-day basis. The first phase of the portal, which has been successfully piloted at some hospitals, gives faster secure access to existing information. Healthcare professionals at these sites are now able to request tests and view results electronically. This latest investment comes as part of the Assembly Government’s Informing Healthcare programme which will improve patient care and the working environment for staff. Other systems recently approved as part of this programme include the patient’s website My Health Online announced earlier this week. Newyddion News Mrs Hart said: “Currently healthcare staff have to use many different computer systems throughout the day to be able to see the information they need. This can take a lot of time and may not provide the information that is needed to best treat patients. “The portal will provide healthcare professionals with more information when they are treating their patients, helping to support their decisions and reduce the chance of inappropriate treatment or error.
    [Show full text]
  • Cofnod Y Trafodion the Record of Proceedings
    Cofnod y Trafodion The Record of Proceedings Y Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu The Culture, Welsh Language and Communications Committee 18/5/2017 Agenda’r Cyfarfod Meeting Agenda Trawsgrifiadau’r Pwyllgor Committee Transcripts 18/5/2017 Cynnwys Contents 4 Teyrnged i’r Cyn Brif Weinidog Rhodri Morgan Tribute to the Former First Minister Rhodri Morgan 5 Cyflwyniad, Ymddiheuriadau, Dirprwyon a Datgan Buddiannau Introductions, Apologies, Substitutions and Declarations of Interest 6 Cyllid ar gyfer Addysg Cerddoriaeth a Mynediad at yr Addysg Honno— Sesiwn Dystiolaeth 12 Funding for and Access to Music Education—Evidence Session 12 34 Dyfodol S4C: Sesiwn Dystiolaeth 10 The Future of S4C: Evidence Session 10 61 Papurau i’w Nodi Papers to Note 62 Cynnig o dan Reol Sefydlog 17.42 i Benderfynu Gwahardd y Cyhoedd o’r Cyfarfod Motion under Standing Order 17.42 to Resolve to Exclude the Public from the Meeting Cofnodir y trafodion yn yr iaith y llefarwyd hwy ynddi yn y pwyllgor. Yn ogystal, cynhwysir trawsgrifiad o’r cyfieithu ar y pryd. Lle y mae cyfranwyr wedi darparu cywiriadau i’w tystiolaeth, nodir y rheini yn y trawsgrifiad. The proceedings are reported in the language in which they were spoken in the committee. In addition, a transcription of the simultaneous interpretation is included. Where contributors have supplied corrections to their evidence, these are noted in the transcript. 18/5/2017 Aelodau’r pwyllgor yn bresennol Committee members in attendance Hannah Blythyn Llafur Bywgraffiad|Biography Labour Dawn Bowden Llafur Bywgraffiad|Biography
    [Show full text]
  • I Am Mediacityuk
    Useful information Events Cycle Contacts I am MediaCityUK is easy to MediaCityUK is a new Commercial office space: reach by bike and there waterfront destination for 07436 839 969 are over 300 cycle bays Manchester with digital [email protected] dotted across our site. creativity, learning and The Studios: MediaCityUK leisure at its heart. We host 0161 886 5111 a wide range of exciting Eat and drink studiobookings@ events: mediacityuk.co.uk/ We have a wide selection of dock10.co.uk destination/whats-on more than 40 venues for you The Pie Factory: to choose from. To find out 0161 660 3600 Getting here more visit: mediacityuk.co.uk/ [email protected] destination/eat-and-drink Road and parking Apartments: Two minutes from the 0161 238 7404 Manchester motorway Shopping anita.jolley@ network via Junctions 2 The Lowry Outlet at mediacityuk.co.uk and 3 of the M602. We have MediaCityUK is home to Hotel: 6,000 secure car parking a range of designer, high 0845 250 8458 spaces at key locations street and individual brands reservations@ across MediaCityUK. Sat offering discounts of up to himediacityuk.co.uk nav reference: M50 2EQ. 70%. lowryoutlet.co.uk Serviced apartments: 0161 820 6868 Tram reservations@ There are tram stops at Studio audiences theheartapartments.co.uk MediaCityUK, Broadway The Studios, MediaCityUK, and Harbour City and it are operated by dock10. General: takes just 15 minutes to To find out more details 0161 886 5300 get to Manchester city on tickets for shows go to: [email protected] centre for all inter-city mediacityuk.co.uk/studios/ connections.
    [Show full text]
  • BBC Wales, Management Review, 2009/10
    WALES MANAGEMENT REVIEW 2009/10 a INTRODUCTION FROM DIRECTOR, BBC CYMRU WALES IN A YEAR WHEN DIGITAL SWITCHOVER SWEPT ACROSS THE COUNTRY, THE ROLE OF WALES’ nATIONAL BROADCASTER HAS NEVER BEEN CLEARER. Some said that digital switchover would change everything. By beaming countless additional channels into every home across Wales, some warned it would accelerate the fragmentation of viewing, weakening the social and civic ties that bind us together. And yet take a look at what actually happened. In 2009/10, almost a million viewers – the highest figures for at least five years – tuned into BBC Cymru Wales programming each and every week. On top of this success, our network output continued to attract worldwide attention, including Torchwood’s stunning debut on BBC One and BBC Two’s captivating Last Chance to See. That success is of course a tribute to the skills and resilience of our talented production teams – both in-house and across the independent sector – and many of their achievements are rightly “ THIS YEAR’S SUCCESS IS A POWERFUL REMINDER OF captured in this review. OUR AUDIENCE’S DEMAND FOR HIGH QUALITY AND Our success this year is a powerful reminder that in an age of apparent digital plenty – with all its countless distractions – our audience’s demand for high quality and distinctive national programming DISTINCTIVE NATIONAL PROGRAMMING.” is as strong and robust as ever. MENNA RICHARDS, It is, needless to say, a challenge and responsibility we relish. DIRECTOR, BBC CYMRU WALES Menna Richards COVER IMAGE Director, BBC Cymru Wales Presenter Eddie Butler tells the story of a 5th or early 6th century carved sandstone, part of a trail of historical objects inspired by our History of the World project, and which can be seen at the National Museum Wales in Cardiff.
    [Show full text]
  • House of Commons Welsh Affairs Committee
    House of Commons Welsh Affairs Committee S4C Written evidence - web List of written evidence 1 URDD 3 2 Hugh Evans 5 3 Ron Jones 6 4 Dr Simon Brooks 14 5 The Writers Guild of Great Britain 18 6 Mabon ap Gwynfor 23 7 Welsh Language Board 28 8 Ofcom 34 9 Professor Thomas P O’Malley, Aberystwth University 60 10 Tinopolis 64 11 Institute of Welsh Affairs 69 12 NUJ Parliamentary Group 76 13 Plaim Cymru 77 14 Welsh Language Society 85 15 NUJ and Bectu 94 16 DCMS 98 17 PACT 103 18 TAC 113 19 BBC 126 20 Mercator Institute for Media, Languages and Culture 132 21 Mr S.G. Jones 138 22 Alun Ffred Jones AM, Welsh Assembly Government 139 23 Celebrating Our Language 144 24 Peter Edwards and Huw Walters 146 2 Written evidence submitted by Urdd Gobaith Cymru In the opinion of Urdd Gobaith Cymru, Wales’ largest children and young people’s organisation with 50,000 members under the age of 25: • The provision of good-quality Welsh language programmes is fundamental to establishing a linguistic context for those who speak Welsh and who wish to learn it. • It is vital that this is funded to the necessary level. • A good partnership already exists between S4C and the Urdd, but the Urdd would be happy to co-operate and work with S4C to identify further opportunities for collaboration to offer opportunities for children and young people, thus developing new audiences. • We believe that decisions about the development of S4C should be made in Wales.
    [Show full text]
  • Scotland's Digital Media Company
    Annual Report and Accounts 2010 Annual Report and Accounts Scotland’s digital media company 2010 STV Group plc STV Group plc In producing this report we have chosen production Pacific Quay methods which aim to minimise the impact on our Glasgow G51 1PQ environment. The papers chosen – Revive 50:50 Gloss and Revive 100 Uncoated contain 50% and 100% recycled Tel: 0141 300 3000 fibre respectively and are certified in accordance with the www.stv.tv FSC (Forest stewardship Council). Both the paper mill and printer involved in this production are environmentally Company Registration Number SC203873 accredited with ISO 14001. Directors’ Report Business Review 02 Highlights of 2010 04 Chairman’s Statement 06 A conversation with Rob Woodward by journalist and media commentator Ray Snoddy 09 Chief Executive’s Review – Scotland’s Digital Media Company 10 – Broadcasting 14 – Content 18 – Ventures 22 KPIs 2010-2012 24 Performance Review 27 Principal Risks and Uncertainties 29 Corporate Social Responsibility Corporate Governance 34 Board of Directors 36 Corporate Governance Report 44 Remuneration Committee Report Accounts 56 STV Group plc Consolidated Financial Statements – Independent Auditors’ Report 58 Consolidated Income Statement 58 Consolidated Statement of Comprehensive Income 59 Consolidated Balance Sheet 60 Consolidated Statement of Changes in Equity 61 Consolidated Statement of Cash Flows 62 Notes to the Financial Statements 90 STV Group plc Company Financial Statements – Independent Auditors’ Report 92 Company Balance Sheet 93 Statement
    [Show full text]
  • “My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
    “My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4.
    [Show full text]
  • BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff
    Sound Apprentice - Drama Company: BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff About the Organisation BBC Cymru Wales is the nation's broadcaster, providing a wide range of English and Welsh language content for audiences across Wales on television, radio and on our websites Roath Lock, is the BBC's state of the art centre of excellence for Drama, a place brimming with new energy and talent. When the first productions moved into Roath Lock in September 2011, they fulfilled a BBC commitment to create a centre of excellence for Drama in Cardiff. Located in Porth Teigr, Cardiff Bay, the 170,000 square foot facility, including nine studios and equivalent in length to three football pitches, is now the permanent, purpose-built home of four flagship BBC dramas - Casualty, Pobol y Cwm, Doctor Who - as well as new productions in the future. Job Description Sound Assistants are a member of the Production Sound Crew and provide general back up and support to the Production Sound Mixer and the Boom Operator. They are responsible for checking all stock, microphones and batteries and making sure that the sound department runs as smoothly as possible. Although the work is physically demanding, the hours are long and are sometimes performed on location in extreme terrain and/or severe weather the work can be very rewarding. Sound Assistants usually begin work early arriving on set half at least an hour before call time, with the rest of the Sound Crew. They help to unload the sound van, and working with the Boom Operator, check that all equipment is prepared and fully operational.
    [Show full text]
  • Annual Report on the BBC 2019/20
    Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third
    [Show full text]
  • ITV Plc Corporate Responsibility Report 04 ITV Plc Corporate Responsibility Report 04 Corporate Responsibility and ITV
    One ITV ITV plc Corporate responsibility report 04 ITV plc Corporate responsibility report 04 Corporate responsibility and ITV ITV’s role in society is defined ITV is a commercial public service by the programmes we make broadcaster. That means we and broadcast. The highest produce programmes appealing ethical standards are essential to to a mass audience alongside maintaining the trust and approval programmes that fulfil a public of our audience. Detailed rules service function. ITV has three core apply to the editorial decisions public service priorities: national we take every day in making and international news, regional programmes and news bulletins news and an investment in and in this report we outline the high-quality UK-originated rules and the procedures in place programming. for delivering them. In 2004, we strengthened our longstanding commitment to ITV News by a major investment in the presentation style. Known as a Theatre of News the new format has won many plaudits and helped us to increase our audience. Researched and presented by some of the finest journalists in the world, the role of ITV News in providing accurate, impartial news to a mass audience is an important social function and one of which I am proud. Our regional news programmes apply the same editorial standards to regional news stories, helping communities to engage with local issues and reinforcing their sense of identity. Contents 02 Corporate responsibility management 04 On air – responsible programming – independent reporting – reflecting society – supporting communities – responsible advertising 14 Behind the scenes – encouraging creativity – our people – protecting the environment 24 About ITV – contacts and feedback Cover Image: 2004 saw the colourful celebration of a Hindu Wedding on Coronation Street, as Dev and Sunita got married.
    [Show full text]