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Algemeen (incl. Kunst en varia). At the table: metaphorical and material cultures of food in Aanwinsten van Anet — Periode 2015/01 medieval and early modern Europe / [edit.] Timothy J. Tomasik ; [edit.] Juiann M. Vitullo. — Turnhout : Brepols, [1]Algemeen (incl. Kunst en varia). Aanwinsten van Anet bmp 2007. — 225 p. — (Arizona studies in the Middle Ages and the Renaissance ; 18). — ISBN 978–2–503–52398–9 Algemeen en varia RUB: 2 D 1 / 2007 / a / 1 UA–CST: MAG–OW–B 49020 50 fictieve gebouwen / [edit.] Christophe van Gerrewey. — EHC: 709453 [C0–422 b] Gent : MER. Paper Kunsthalle, 2014. — 116 p. : ill. — KMSKA: MONO–BB 5713 ISBN 978–94–91775–72–7 AP–KC: LA–BELG–VANGE-fictiev-1 Dit is onderzoek! Richtlijnen voor het opzetten, uitvoeren en EHC: 793120 evalueren van kwantitatief en kwalitatief onderzoek / Ben Baarda [Dr.] ; Ben Baarda. — Groningen : Noordhoff, 2009. — De 250 leukste musea van Nederland en Vlaanderen. — Breda : 160 p. — ISBN 978–90–01–71386–7 Mo'media, 2012. — 366 p. : ill. — ISBN 978–90–5767–546–1 ARK: 300.6 EHC: 793368 ARK: 311.2 Activiteitenverslag / Commissie Cultureel Verdrag The historic urban landscape : managing heritage in an urban Vlaanderen-Nederland. — Brussel : Commissie Cultureel century / Francesco Bandarin ; Ron van Oers. — Chichester : Verdrag Vlaanderen-Nederland, 2001. — ISSN 1780–1915 Wiley Blackwell, 2014. — 236 p. : ill. — EHC: 792895 [C2–346 e] ISBN 978–0–470–65574–0 ; ISBN 978–1–118–93272–8 (2007) UA–CST: ONTW 702.5 G–BAND 2014 KdG–SAW: 497 (2008) From mastery to mystery : a phenomenological foundation for an environmental ethic / Bryan E. Bannon. — Athens, Ohio : Mechelsche bibliographie / Raymond Van Aerde. — Mechelen : Ohio University Press, 2014. — 200 p. — (Series in continental H. Dierickx-Beke Zonen, 1935. — 14 p. — Overdruk uit thought ; 46). — ISBN 978–0–8214–2064–5 ; Handelingen van den Mechelschen Kring voor Oudheidkunde, ISBN 978–0–8214–2063–8 ; ISBN 978–0–8214–4469–6 Letteren en Kunst. - 39(1934) UA–CST: FILO 173 G–BANN 2014 EHC: 792803 Tot leeringhe ende vermaeck : de verrassende beerputinhoud Arab TV-audiences : negotiating religion and identity / van een voormalig hofhuis in Breda / Cora van Beek. — 96 p. : [edit.] Ehab Galal. — Frankfurt am Main : PL, 2014. — 150 ill p. — ISBN 978–3–631–65611–2 ; ISBN 978–3–653–04835–3 ; DB: ARCH 441 BEEK doi doi:10.3726/978–3–653–04835–3 UA–CST: PSW 301.188.4 G–GALA 2014 Analyseren in kwalitatief onderzoek: denken en doen / Hennie Boeije. — Amsterdam : Boom, 2014. — 224 p. — Archi.Pop : mediating architecture in popular culture / ISBN 978–94–6236–397–7 ; ISBN 978–94–6274–022–8 [edit.] D. Medina Lasansky. — London : Bloomsbury, 2014. — UA–CZU: L 001 M–B 47507 233 p. — ISBN 978–1–4725–2254–2 ; ISBN 978–1–4725–3146–9 ; ISBN 978–1–4725–8644–5 ; Kinderprenten, volksprenten, centsprenten, schoolprenten : ISBN 978–1–4725–2669–4 populaire grafiek in de Nederlanden, 1650–1950 / Nico UA–CST: ONTW 301.173 G–LASA 2014 Boerma ; Aernout Borms ; Alfons Thijs ; Jo Thijssen ; [medew.] Philip Breuker ; [medew.] Pascal Lefevre.` — Arduin / Archief en Museum voor het Vlaams Leven te Nijmegen : Vantilt, 2014. — 1001 p. : ill. — Brussel. — Brussel. — Voortzetting van Tijdingen. — ISBN 978–94–6004–184–6 ISSN 1784–3111 UA–CST: IBW 09 G–BOER 2014 SA: 215#1- UA–CST: RG 2147 F 27 1(2007)– MPM: PK–A 6807 EHC: 711429 [C2–325 e] 8dbr>em>strong>Huidige standplaats: (e:MPM:943) 1(2007)– KMSKA: MONO–BC 7355 Trials of Arab modernity : literary affects and the new political / A propos de trois chapiteaux de l'hotelˆ de ville / Paul Tarek El- Ariss. — New York, N.Y. : Fordham University Press, Bonenfant. — Bruxelles : A. Ballieu, 1935. — p. 141–153. — 2013. — 233 p. — ISBN 978–0–8232–5171–1 ; Overdruk uit Bulletin de la Societ´ e´ royale d'Archeologie´ de ISBN 978–0–8232–5172–8 Bruxelles. - Aout(1935)ˆ UA–CST: GES 950 H 73 ARIS 2013 EHC: 792834 Book history / Society for the History of Authorship, Reading La civilisation Romaine de la Moselle a` la Sarre : vestiges and Publishing. — University Park, Pa : Pennsylvania State romains en Lorraine, au Luxembourg, dans la region´ de Treves` University Press, 1998. — ISSN 1098–7371 ; ISSN 1529–1499 et en Sarre / [edit.] Jurgen¨ A. 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    PRIX Television EUROPA Fiction Franz Fuchs - A Patriot 01 Franz Fuchs - Ein Patriot Entering organisation: Österreichischer Rundfunk - ORF Contact: Susanne Spellitz When the terrorist Franz Fuchs committed suicide Email: [email protected] in 2000, it seemed as if Austria had buried a painful chapter of its past. Elisabeth Scharang has taken another Author/s: Elisabeth Scharang look at the case. This programme reveals new facets Director: Elisabeth Scharang that go beyond the actual criminal case. Camera: Helmut Wimmer A feature documentary film, this psychogram of a lone Commissioning editor: Klaus Lintschinger perpetrator interwoven with documentary sequences Production company: epo-film produktionsges.m.b.h. and archival material, becomes the first film to tackle Producer: Dieter Pochlatko this subject comprehensively, questioning the political Co-Producer/s: ORF, Austrian Television Fund, climate in Austria and Europe as well. It is the story Cine Styria Kunst of an exceptionally talented person who ended up becoming a terrorist instead of a nuclear physicist. Length: 89’ Total budget: €1,000,000.- Production format: Super 16 Date of production: September 2007 First broadcast: 20:15, 2 October 2008, ORF Screened on: Monday, 20 October 2008 AUSTRIA Television PRIX Fiction EUROPA 02 The Intruder De Indringer Entering organisation: episode 1/3 Vlaamse Radio- en Televisieomroep - VRT Contact: Franky Audenaerde Tom Vansant, a 40-year-old doctor in Brussels, is Email: [email protected] desperately searching for traces of his daughter Louise who disappeared 18 months ago. In his search, he Author/s: Ward Hulselmans comes across another 16-year-old runaway who left Director: Frank Van Mechelen her hometown in the Ardennes at about the same time Camera: Lou Bergmans as Louise disappeared.
  • Religious Workshop and Gregorian Chant: the Janus Liszt, Or How to Make New with the Old Nicolas Dufetel

    Religious Workshop and Gregorian Chant: the Janus Liszt, Or How to Make New with the Old Nicolas Dufetel

    Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old Nicolas Dufetel To cite this version: Nicolas Dufetel. Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old. James Deaville et Michael Saffle. Liszt’s Legacies. Based on papers presented at the International Liszt Conference held at Carleton University, Ottawa, Canada , Pendragon Press, pp.43-71, 2014. halshs-01422220 HAL Id: halshs-01422220 https://halshs.archives-ouvertes.fr/halshs-01422220 Submitted on 24 Dec 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old NICOLAS DUFETEL Introduction: the vague Meaning of “religious” Music Franz Liszt regarded his religious music as central to his output. In spite of renewed interest on the part of musicians and musicologists,1 however, Liszt’s Masses, motets, oratorios and psalm settings remain underappreciated. Some ten
  • The Origins of Western Notation

    The Origins of Western Notation

    Constantin Floros Modern music notation developed out of the so-called square notation and this out of the Latin neumes. The question of where these neumes came from has long been the subject of scholarly debate. As the author demonstrated in his three-volume Universale Neumenkunde published in German in 1970, there is a very close relationship between the Paleo-Byzantine notation and the Latin neumes. Although the study aroused a great deal of dispute, more recent studies have revealed that the relevance of the Neumenkunde re- mains essentially unchallenged after 40 years. Those path-breaking research results on the relationship of the Greek and Latin notational systems are now available for the first time in a completely revised and augmented English translation. “[Floros’] work, while not giving the last word in the domain of semiology, could today certainly again be the point of departure for productive develop- ments, both in the domain of Byzantine music as well as in the area of Gregorian chant.” (Luca Basilio Ricossa) The Origins of Western Notation Western Western Notation Revised and Translated by Neil Moran The Origins of of Origins The Constantin Floros is a professor emeritus of musicology at the University of Hamburg and a prolific writer on diverse subjects. He was the first researcher who systematically examined, compared and decoded the oldest Byzantine, Slavic and Latin neumatic notations. Neil K. Moran is the author of numerous studies on European cultural history in Antiquity and the Middle Ages. His books are of fundamental importance · Floros Constantin for those interested in the Ordinary chants of the Byzantine rite and for the iconography of church singers in the Middle Ages.