DOCSLIB.ORG

Anet Bibliotheeknetwerk Info En Aanwinstenlijst

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Anet Bibliotheeknetwerk Info En Aanwinstenlijst Anet bibliotheeknetwerk Info en aanwinstenlijst juni 1999 Zentralblatt MATH Academische Bibliografie voor de Handelshogeschool Het Vlaams Overlegorgaan inzake Wetenschappelijk Bibliotheekwerk (VOWB) heeft een overeenkomst In uitbreiding van de overeenkomst i.v.m. de biblio- getekend met de uitgevers van het Zentralblatt MATH theekautomatisering besliste de Handelshogeschool (voorheen Zentralblatt für Mathematik). Via deze haar Academische Bibliografie te automatiseren via consortiumovereenkomst heeft de UA voor de Anet. Alle wetenschappelijke documenten van het komende drie jaar vrije toegang tot deze databank van personeel vanaf 1991 worden opgenomen. Referenties 1.600.000 titels met een groeiritme van 60.000 items van personeelsleden van de Handelshogeschool, die per jaar. Dit is de tweede mathematische databank na ook verbonden zijn aan de Universiteit Antwerpen, MATHSCI (American Mathematical Society), naast worden daarbij automatisch overgenomen. een Amerikaanse nu een Europese (European Mathematical Society) die op de UA en het LUC De Academische Bibliografie van de Handelshoge- beschikbaar komt. school zal permanent raadpleegbaar zijn via de website van de Handelshogeschool IMPALA-dag 27 mei 1999 (www.hha.be/BezWeb/Ond&Publ/Ab/default.htm). Jaarlijks wordt zij ook gedrukt als bijlage bij het 95 gebruikers van IMPALA, het Belgisch document- Jaarverslag. bestelsysteem, hebben op 27 mei 1999 hun jaarlijkse IMPALA-dag gehouden op de UIA. Belnet proxy server Agendapunten: - Elektronische documentleverantie Belnet - het Belgische academische netwerk - - VIRLIB neemt halverwege juni een "transparante proxy - Web interface en terminal interface server" in gebruik. Dit betekent dat verbindingen - IMPALA statistieken en performantie meting met servers buiten Belnet vanaf ca. 18 juni zullen geschieden via een centraal "doorgeefluik". Daarbij Van Dijck in de Stadsbibliotheek wordt het IP-nummer van UA of LUC vervangen door een Belnet IP-nummer. Dat kan problemen In de historische Nottebohmzaal van de Stadsbiblio- geven als u IP-gecontroleerde gegevens opvraagt theek loopt tot 31 oktober 1999 een tentoonstelling buiten Belnet. Dit is vaak het geval voor IP- met de door Van Dijck geïnspireerde literaire bronnen gecontroleerde toegang tot tijdschriften, en boekillustraties in het kader van “Na en naar Van databanken enz. Belnet heeft daarvoor een e Dijck, de romantische recuperatie in de 19 eeuw”, “bypass” oplossing uitgewerkt. IP-gecontroleerde waarvan de andere twee luiken in het Hessenhuis en leveranciers van informatie kunnen worden het Volkskundemuseum zijn opgesteld. opgenomen in een “bypass” lijst, waarbij het UA-, LUC- of HHA-IP adres ongewijzigd blijft. Dat De tentoonstelling is, behalve op maandag, alle dagen moet u doen voor 15 juni. De bibliotheken van de open van 10 tot 17 uur, toegang langs het Hendrik UA, het LUC en de HHA dienen als doorgeefluik Conscienceplein nr. 4. Een unieke kans ook om met van deze IP-adressen naar Belnet. U kan zowel het de Nottebohmzaal kennis te maken of dit bijzonder IP-nummer (bijv. 112.34.12.23) als de IP-naam fraaie interieur nog eens terug te zien. (bijv. ejournals.publisher.com) aan de bibliotheek doorgeven. Deze gegevens meldt u aan [email protected]. Adressen van de Anet-bibliotheken · Universiteit Antwerpen · Hogescholen RUCA-bibliotheek Handelshogeschool Antwerpen Middelheimlaan 1 Bibliotheek 2020 Antwerpen Korte Nieuwstraat 33 Tel. 03/218.07.94 2000 Antwerpen Fax 03/218.06.52 Tel. 03/201.18.27 Fax 03/226.44.04 UFSIA-bibliotheek Hogeschool Antwerpen Prinsstraat 9 Centrale Administratie 2000 Antwerpen Bibliotheek Tel. 03/220.49.96 Keizerstraat 15 Fax 03/220.44.37 2000 Antwerpen Tel. 03/213.93.00 UIA-bibliotheek Fax 03/213.85.43 Universiteitsplein 1 2610 Antwerpen (Wilrijk) Hogeschool Antwerpen Tel. 03/820.21.41 Departement Vertalers en Tolken Fax 03/820.21.59 Schildersstraat 41 2000 Antwerpen · Limburgs Universitair Centrum Tel. 03/238.98.33 Fax 03/248.19.07 LUC-bibliotheek Universitaire Campus, gebouw D Hogeschool Antwerpen 3590 Diepenbeek Dep. Handelswetenschappen en Bedrijfskunde Tel. 011/26.81.29 Bibliotheek Fax 011/26.81.26 Bouwmeestersstraat 3 2000 Antwerpen · Stad Antwerpen Tel. 03/259.08.00 Fax 03/259.08.19 AMVC Minderbroedersstraat 22 Hogeschool Antwerpen 2000 Antwerpen Dep. Industriële Wetenschappen en Technologie Tel. 03/232.55.80 Bibliotheek Fax 03/231.93.10 Paardenmarkt 92 2000 Antwerpen Havenbedrijf Tel. 03/231.50.36 AMCA-gebouw Fax 03/231.86.70 Entrepotkaai 1 Hogeschool Antwerpen 2000 Antwerpen Dep. Lerarenopleiding en Culturele Agogiek Tel. 03/205.20.50 Campus Zuid Fax 03/205.20.21 Verschansingstraat 29 2000 Antwerpen Museum Plantin Moretus Tel. 03/237.42.34 Vrijdagmarkt 22 2000 Antwerpen Hogeschool Antwerpen Tel. 03/233.02.94 Departement Sociale Agogiek Fax 03/226.25.16 Kasteelstraat 17 2000 Antwerpen Stadsbibliotheek Tel. 03/259.01.20 H. Conscienceplein 4 Fax 03/259.11.22 2000 Antwerpen · Andere Tel. 03/206.87.10 Fax 03/206.87.76 Orde van Advocaten te Antwerpen Bibliotheek Stadsarchief Britselei 55a Venusstraat 11 2000 Antwerpen 2000 Antwerpen Tel: 03/242.07.79 Tel. 03/206.94.11 Fax: 03/242.07.87 Fax 03/206.94.10 Lijst A: Algemeen (incl. kunst en varia) juni 1999 00: Algemeen en varia 001.89: Wetenschapsbeleid AHB : MAG-B 2.7194 Bezit: (1995±1998)± Baretje, RenÂe.-Tourisme et musÂees : essai Universiteit Antwerpen. *RUCA : CBM-B 3719 bibliographique /RenÂe Baretje. - Gemmeenschappelijke Onderzoeksraad.- Bezit: (1961) Aix-en-Provence : s.n., 1991-1993. - 2 v. - Werking en onderzoeks®nanciering van de *SBA : E 161588 (Essai ; 419) Gemeenschappelijke Onderzoeksraad, GOZR / Bezit: 1(1951)± [233136] UFSIA : MAG-B 44479 Universiteit Antwerpen. Bezit: 1±2 Gemmeenschappelijke Onderzoeksraad. - 2e *UFSIA : MAG 4184/3 ed. - Antwerpen, 1999. - 58 p. Bezit: 1(1951)±; onvolledig Bogaert, vanden, Petrus-Josephus.-Tarief der oude speciÈen in de Zuydelijke ProvinciÈen van UFSIA : MAG-A 13005 *UIA : RECH 34 E-MIDD Bezit: (1962±1972); (1975±1980) het Nederland / Petrus-Josephus vanden Vlaams indicatorenboek : wetenschap, innovatie, Bogaert. - Antwerpen : Delacroix, 1824. - 92 p. technologie 1999 / [edit.] Koenraad Koninklijke Volker Stevin [Rotterdam].- UFSIA : MAG-A 13011 Debackere. - Brussel : Ministerie van de Jaarverslag / Koninklijke Volker Stevin *UFSIA : MAG-P 11.47.43 Vlaamse Gemeenschap, 1999. - 133 p. [Rotterdam]. - Rotterdam Buuren, van, Hans.-Onderzoek : de basis / LUC : 001.89 DEBA 1999 AHB : J 1.428 KVWS Hans van Buuren ; Hans Hummel. - Bezit: (1991±1998)± Groningen : Wolters-Noordhoff, 1997. - 132 p. Lloyd's Register [London].-Annual review of 2 Floppydisk/diskette. - (Praktische 05: Dagbladen. Algemene the LR group / Lloyd's Register [London]. - vaardigheden ; 1997:1). - ISBN 90-01-18260-7 tijdschriften London. - Voortzetting van: Annual report RUCA : HENDE AHB : J 1.630 LR-GROUP *HA-S : 301.08 G-BUUR 1997 Aannemingsmaatschappij CFE [Brussel].- Bezit: (1990±1998)± *UIA : GEN - SPRU Verslagen aan de Gewone Algemene *RUCA : CBM 65 E 11.797 Comptes faits pour faire et recevoir des Vergadering / Aannemingsmaatschappij CFE Bezit: (1996±1998) paiemens en monnaies et espÁeces de Belgique, [Brussel] . - Brussel. - Voortzetting van: *UFSIA : MAG 4228/1 de Brabant et de France et des Pays-Bas, avec Verslagen aan de Gewone Algemene Bezit: (1994)± les rÂeductions rÂeciproques et comparatives Vergadering = Rapportsa Á l'AssemblÂee Nedship Bank [Rotterdam].-Corporate report desdites monnaies : prÂecÂedÂes des, Lois gÂenÂerale ordinaire; auteursnaam varieert: for the year... / Nedship Bank [Rotterdam]. - monÂetaires de Belgique. - Bruxelles : Aannemingsmaatschappij FrancËois CFE Rotterdam. - Voortzetting van: Jaarverslag - Vanderborght, 1836. - 72 p. : ill. AHB : J 1.407 CFE Nederlandse Scheepshypotheekbank Bezit: (1995±1998)± UFSIA : MAG-A 13009 AHB : J 1.310 NEDSHIP Fitzpatrick, Jacqueline.-Secrets for a succesful *RUCA : CB 65 EE-EUR-B 5.523 Bezit: (1990±1998)± Bezit: 98(1978)±; ontbreekt: 99(1979); 101(1981); dissertation / Jacqueline Fitzpatrick ; Jan *UFSIA : MAG-ANN-B/357 Secrist ; Debra J. Wright. - Thousand Oaks : *UFSIA : MAG-ANN B/586 Bezit: (1996)± Sage, 1998. - 184 p. - ISBN 0-7619-1251-7 Bezit: 101(1981)± The new anatomist. - Supplement bij: The LUC : 001 FITZ 1998 BASF [Antwerpen].-Jaarverslag /BASF anatomical record. - ISSN 0003-276X [Antwerpen]. - Antwerpen Hall, Edward Twitchell.-Beyond culture / LUC :611 Edward Twitchell Hall. - New York, N.Y. : AHB : J 1.101 BASF Bezit: 253(1998)± Doubleday, 1989. - 298 p. - (Anchor books ; Bezit: (1990±1998)± 1989:2). - ISBN 0-385-12474-0 *AHB : MAG-B 1.6079 Port of London Authority.-Annual report and accounts / Port of London Authority. - RUCA : CB 39 M-B 41.891 Bezit: (1973±1988) *RUCA : CB 65 EE-EUR-B 5.514 London : Port Authority. - ISSN 0266-3856 Huff, Anne Sigismund.-Writing for scholarly Bezit: (1991)±; ontbreekt: (1992) AHB : J 2.541 LONDON publication / Anne Sigismund Huff. - *UFSIA : MAG 4168/3 Bezit: (1970)± Thousand Oaks : Sage, 1999. - 185 p. - Bezit: (1972)± *UFSIA : MAG 4189/6 ISBN 0-7619-1805-1 Dienst voor Regeling der Binnenvaart.- Bezit: 36(1945)±; ontbreekt: 37(1946) LUC : 001 HUFF 1999 Jaarverslag / Dienst voor Regeling der Port of ReykjavÂõk.-Port handbook /Portof Lande, de la, JÂerÃome.-Tables de logarithmes, Binnenvaart. - Antwerpen ReykjavÂõk. - ReykjavÂõk etendues aseptd Á ecimales : prÂecÂedÂees de, Plusieurs tables contenant les bases des AHB :J2.6DRB AHB : J 2.245 REYK Bezit: (1983)± calculs les plus usuels /JÂerÃome de la Lande ; Bezit: (1996)± [medew.] F.C. Marie ; et al. - Bruxelles :
Load more

Recommended publications
  • The Influence of Plainchant on French Organ Music After the Revolution
    Technological University Dublin ARROW@TU Dublin Doctoral Applied Arts 2013-8 The Influence of Plainchant on rF ench Organ Music after the Revolution David Connolly Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/appadoc Part of the Musicology Commons Recommended Citation Connolly, D. (2013) The Influence of Plainchant on rF ench Organ Music after the Revolution. Doctoral Thesis. Dublin, Technological University Dublin. doi:10.21427/D76S34 This Theses, Ph.D is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Doctoral by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License The Influence of Plainchant on French Organ Music after the Revolution David Connolly, BA, MA, HDip.Ed Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Music Dublin Institute of Technology Conservatory of Music and Drama Supervisor: Dr David Mooney Conservatory of Music and Drama August 2013 i I certify that this thesis which I now submit for examination for the award of Doctor of Philosophy in Music, is entirely my own work and has not been taken from the work of others, save and to the extent that such work has been cited and acknowledged within the text of my work. This thesis was prepared according to the regulations for postgraduate study by research of the Dublin Institute of Technology and has not been submitted in whole or in part for another award in any other third level institution.
    [Show full text]
  • Jesuit Catechisms for Soldiers (Seventeenth– Nineteenth Centuries): Changes and Continuities
    journal of jesuit studies 4 (2017) 599-623 brill.com/jjs Jesuit Catechisms for Soldiers (Seventeenth– Nineteenth Centuries): Changes and Continuities Vincenzo Lavenia Università di Macerata, Italy [email protected] Abstract This paper proposes a literary journey through the manuals for soldiers written by Jesuits prior to the twentieth century. After briefly outlining the debut of these publications, at the hands of Antonio Possevino and of Thomas Sailly, who led the first permanent mission of military chaplains in Flanders, it will focus on three mo- ments: the second half of the seventeenth century, when the wars of religion wound down and we find the first manuals where, alongside the desire to impose discipline on armies, a patriotic rhetoric begins to be heard; the middle years of the eighteenth century, before the French Revolution, when, after the establishment of barracks and permanent chaplaincies, even texts aimed at the Christian soldier transposed the vocabulary of the Droit des gens in; finally, the nineteenth century, when the Society was restored and undertook the religious conversion of the soldiery against the perils of the modern world. In Belgium, the birth of a liberal Catholic regime supported a patriotically-toned missionary effort from Jesuit chaplains. Later, the mystique of the nation would affect the majority of texts aimed at combatants and their chaplains during the Great War. Keywords soldiers’ catechisms – Jesuit military chaplains – Thomas Sailly – Alonso de Andrade – Thomas Le Blanc – Pierre Daguet – Antonio Cordoniu – Giovanni Regoli – Paul Barbieux – Jean Baptiste Boone As recent studies have highlighted, two Jesuits, Emond Auger (1530–91) and Antonio Possevino (1533–1611), were the originators, in the wake of the Council © Lavenia, 2017 | doi 10.1163/22141332-00404004 This is an open access article distributed under the terms of the Creative Commons Attribution- Noncommercial 4.0 Unported (CC-BY-NC 4.0) License.
    [Show full text]
  • Sacred Music Volume 115 Number 2
    Volume 115, Number 2 SACRED MUSIC (Summer) 1988 n 1 ?i^ Aachen, Minister SACRED MUSIC Volume 115, Number 2, Summer 1988 FROM THE EDITORS Quality in Sacred Music 3 THE ROLE OF SEMIOLOGY, SOME REFLECTIONS Fr. Columba Kelly, O.5.B. 5 DOM EUGENE CARDINE, AN OBITUARY Reverend Richard M. Hogan 12 GREGORIAN CHANT IN TODAY'S PARISH Monsignor Richard J. Schuler 13 PRINTED EDITIONS OF THE CHANT BOOKS Monsignor Robert F. Hayburn 19 REVIEWS 26 NEWS 29 OPEN FORUM 31 CONTRIBUTORS 32 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publications: 548 Lafond Avenue, Saint Paul, Minnesota 55103. Editorial Board: Rev. Msgr. Richard J. Schuler, Editor Rev. Ralph S. March, S.O. Cist. Rev. John Buchanan Harold Hughesdon William P. Mahrt Virginia A. Schubert Cal Stepan Rev. Richard M. Hogan Mary Ellen Strapp Judy Labon News: Rev. Msgr. Richard J. Schuler 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Paul Salamunovich, 10828 Valley Spring Lane, N. Hollywood, Calif. 91602 Paul Manz, 1700 E. 56th St., Chicago, Illinois 60637 Membership, Circulation and Advertising: 548 Lafond Avenue, Saint Paul, Minnesota 55103 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Monsignor Richard J. Schuler Vice-President Gerhard Track General Secretary Virginia A. Schubert Treasurer Earl D. Hogan Directors Rev. Ralph S. March, S.O. Cist. Mrs. Donald G. Vellek William P. Mahrt Rev. Robert A.
    [Show full text]
  • Memory, Music, Epistemology, and the Emergence of Gregorian Chant As Corporate Knowledge
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2012 "Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge Jordan Timothy Ray Baker [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Epistemology Commons, Medieval Studies Commons, and the Musicology Commons Recommended Citation Baker, Jordan Timothy Ray, ""Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge. " Master's Thesis, University of Tennessee, 2012. https://trace.tennessee.edu/utk_gradthes/1360 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Jordan Timothy Ray Baker entitled ""Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance:
    [Show full text]
  • Théodore Nisard's Accompagnement Du Plain-Chant from Dictionnaire Liturgique, Historique Et Théorique De Plain-Chant Et
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of November 2006 Théodore Nisard’s Accompagnement du Plain-Chant from Dictionnaire Liturgique, Historique et Théorique de Plain-Chant et de Musique d’Église Au Moyen Age dans les Temps Modernes (1854): An English Translation Gerald W. Holbrook University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Holbrook, Gerald W., "Théodore Nisard’s Accompagnement du Plain-Chant from Dictionnaire Liturgique, Historique et Théorique de Plain-Chant et de Musique d’Église Au Moyen Age dans les Temps Modernes (1854): An English Translation" (2006). Student Research, Creative Activity, and Performance - School of Music. 6. https://digitalcommons.unl.edu/musicstudent/6 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Théodore Nisard’s Accompagnement du Plain-Chant From Dictionnaire Liturgique, Historique et Théorique de Plain-Chant et de Musique d’Église Au Moyen Age dans les Temps Modernes (1854) An English Translation By Gerald Wayne Holbrook A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professors Quentin Faulkner and Christopher Marks Lincoln, Nebraska December 2006 THEODORE NISARD’S TREATISE ACCOMPAGNEMENT DU PLAIN-CHANT FROM JOSEPH LOUIS D’ORTIGUE’S DICTIONNAIRE LITURGIQUE, HISTORIQUE ET THÉORIQUE DE PLAIN-CHANT ET DE MUSIQUE D’ÉGLISE AU MOYEN AGE ET DANS LES TEMPS MODERNES AN ENGLISH TRANSLATION Gerald Wayne Holbrook, D.M.A.
    [Show full text]
  • Religious Workshop and Gregorian Chant: the Janus Liszt, Or How to Make New with the Old Nicolas Dufetel
    Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old Nicolas Dufetel To cite this version: Nicolas Dufetel. Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old. James Deaville et Michael Saffle. Liszt’s Legacies. Based on papers presented at the International Liszt Conference held at Carleton University, Ottawa, Canada , Pendragon Press, pp.43-71, 2014. halshs-01422220 HAL Id: halshs-01422220 https://halshs.archives-ouvertes.fr/halshs-01422220 Submitted on 24 Dec 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old NICOLAS DUFETEL Introduction: the vague Meaning of “religious” Music Franz Liszt regarded his religious music as central to his output. In spite of renewed interest on the part of musicians and musicologists,1 however, Liszt’s Masses, motets, oratorios and psalm settings remain underappreciated. Some ten
    [Show full text]
  • The Origins of Western Notation
    Constantin Floros Modern music notation developed out of the so-called square notation and this out of the Latin neumes. The question of where these neumes came from has long been the subject of scholarly debate. As the author demonstrated in his three-volume Universale Neumenkunde published in German in 1970, there is a very close relationship between the Paleo-Byzantine notation and the Latin neumes. Although the study aroused a great deal of dispute, more recent studies have revealed that the relevance of the Neumenkunde re- mains essentially unchallenged after 40 years. Those path-breaking research results on the relationship of the Greek and Latin notational systems are now available for the first time in a completely revised and augmented English translation. “[Floros’] work, while not giving the last word in the domain of semiology, could today certainly again be the point of departure for productive develop- ments, both in the domain of Byzantine music as well as in the area of Gregorian chant.” (Luca Basilio Ricossa) The Origins of Western Notation Western Western Notation Revised and Translated by Neil Moran The Origins of of Origins The Constantin Floros is a professor emeritus of musicology at the University of Hamburg and a prolific writer on diverse subjects. He was the first researcher who systematically examined, compared and decoded the oldest Byzantine, Slavic and Latin neumatic notations. Neil K. Moran is the author of numerous studies on European cultural history in Antiquity and the Middle Ages. His books are of fundamental importance · Floros Constantin for those interested in the Ordinary chants of the Byzantine rite and for the iconography of church singers in the Middle Ages.
    [Show full text]
  • The Politics of Plainchant in Fin-De-Siècle France
    The Politics of Plainchant in fin-de-siècle France This book tells three inter-related stories that radically alter our perspective on plainchant reform at the turn of the twentieth century and highlight the value of liturgical music history to our understanding of French government anticlericalism. It offers at once a new history of the rise of the Benedictines of Solesmes to official dominance over Catholic editions of plainchant worldwide, a new optic on the French liturgical publishing industry during a period of international crisis for the publication of plainchant notation, and an exploration of how, both despite and because of official hostility, French Catholics could bend Republican anticlericalism at the highest level to their own ends. The narrative relates how Auguste Pécoul, a former French diplomat and Benedictine novice, masterminded an undercover campaign to aid the Gregorian agenda of the Solesmes monks via French government intervention at the Vatican. His vehicle: trades unionists from within the book industry, whom he mobilized into nationalist protest against Vatican attempts to enshrine a single, contested, and German, version of the musical text as canon law. Yet the political scheming necessitated by Pécoul’s double involvement with Solesmes and the print unions almost spun out of control as his Benedictine contacts struggled with internal division and anticlerical persecution. The results are as musicologically significant for the study of Solesmes as they are instructive for the study of Church–State relations. ROYAL MUSICAL ASSOCIATION MONOGRAPHS General Editor: Simon P. Keefe This series is supported by funds made available to the Royal Musical Association from the estate of Thurston Dart, former King Edward Professor of Music at the University of London.
    [Show full text]
  • Religious Workshop and Gregorian Chant: the Janus Liszt, Or How to Make New with the Old Nicolas Dufetel
    Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old Nicolas Dufetel To cite this version: Nicolas Dufetel. Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old. James Deaville et Michael Saffle. Liszt’s Legacies. Based on papers presented at the International Liszt Conference held at Carleton University, Ottawa, Canada , Pendragon Press, pp.43-71, 2014. halshs-01422220 HAL Id: halshs-01422220 https://halshs.archives-ouvertes.fr/halshs-01422220 Submitted on 24 Dec 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old NICOLAS DUFETEL Introduction: the vague Meaning of “religious” Music Franz Liszt regarded his religious music as central to his output. In spite of renewed interest on the part of musicians and musicologists,1 however, Liszt’s Masses, motets, oratorios and psalm settings remain underappreciated. Some ten
    [Show full text]
  • Caecilia V82n02 1955
    ~ IntI'. "j ------I --H- 5. -~-.--II-II-'r-.' : .. ~ G --Ircumdede-runt· me.- • gemi...tus mortis, do-lo- res Intr. G----f-..----------- ta-~1 t · =-. f!~. ~~ ~~ I. • .- t-~ € Xsurge, - qua-re obd6rmis D6mine? exsur- Intp. 1----+ 6. .• ~ • ., '-;;-~-,-,.-... IilI ~ A •• I•• ~ € -sto mlhi - in De- um pro- te-ct6- rem, et in VOLUME 82 - Number 2 JANUARY - FEBRUARY, 1955 thtRe\Jlem Ol=-cuthoacchuRCh d;smool,muSlc What the Critics Say: "Can you imagine a hymnal in which every single entry is completely acceptable on all grounds, musical and liturgical? I am not in the pay of the publisher when I urge every organist in the country to rush out and buy the new Pius X THE Hymnal ..." Paul Hume in The Sign. • "One can earnestly recommend this outstanding hymnal for the serious consideration of all choir PIUS Inasters looking for music of exceptional quality and worth." A. C.· B. in The Diapason. • "This collection is in every way superior to all our TENTH hymnals now in use". ]. W. E. in The Catholic Standard, Washington, D. C. • "The hymnal is rich in gems and choinnasters HYMNAL will find much to interest singers and to enrich their repertoire." J. V. H. in The Catholic Choirmaster. Edited, Arranged and Compiled • by the "The organist. and choir director will find in its 500 pages a rich treasure of music that blends, in PIUS TENTH SCHOOL the words of Cardinal Spelhnan, 'mind, heart and voice in adoration, praise and thanksgiving of to Almighty God and His wondrous works.'" Bartholomew Sales, aSB, in Worship. LITURGICAL MUSIC • Manhattanville College of the Sacred Heart "A rich anthology of true church music from all centuries".
    [Show full text]
  • Algemeen (Incl. Kunst En Varia). Aanwinsten Van Anet — Periode 2015/01
    Algemeen (incl. Kunst en varia). At the table: metaphorical and material cultures of food in Aanwinsten van Anet — Periode 2015/01 medieval and early modern Europe / [edit.] Timothy J. Tomasik ; [edit.] Juiann M. Vitullo. — Turnhout : Brepols, [1]Algemeen (incl. Kunst en varia). Aanwinsten van Anet bmp 2007. — 225 p. — (Arizona studies in the Middle Ages and the Renaissance ; 18). — ISBN 978–2–503–52398–9 Algemeen en varia RUB: 2 D 1 / 2007 / a / 1 UA–CST: MAG–OW–B 49020 50 fictieve gebouwen / [edit.] Christophe van Gerrewey. — EHC: 709453 [C0–422 b] Gent : MER. Paper Kunsthalle, 2014. — 116 p. : ill. — KMSKA: MONO–BB 5713 ISBN 978–94–91775–72–7 AP–KC: LA–BELG–VANGE-fictiev-1 Dit is onderzoek! Richtlijnen voor het opzetten, uitvoeren en EHC: 793120 evalueren van kwantitatief en kwalitatief onderzoek / Ben Baarda [Dr.] ; Ben Baarda. — Groningen : Noordhoff, 2009. — De 250 leukste musea van Nederland en Vlaanderen. — Breda : 160 p. — ISBN 978–90–01–71386–7 Mo'media, 2012. — 366 p. : ill. — ISBN 978–90–5767–546–1 ARK: 300.6 EHC: 793368 ARK: 311.2 Activiteitenverslag / Commissie Cultureel Verdrag The historic urban landscape : managing heritage in an urban Vlaanderen-Nederland. — Brussel : Commissie Cultureel century / Francesco Bandarin ; Ron van Oers. — Chichester : Verdrag Vlaanderen-Nederland, 2001. — ISSN 1780–1915 Wiley Blackwell, 2014. — 236 p. : ill. — EHC: 792895 [C2–346 e] ISBN 978–0–470–65574–0 ; ISBN 978–1–118–93272–8 (2007) UA–CST: ONTW 702.5 G–BAND 2014 KdG–SAW: 497 (2008) From mastery to mystery : a phenomenological foundation for an environmental ethic / Bryan E.
    [Show full text]
  • Louis Lambillotte, S.J. (1796-1855)
    48 CAECILIA LOUIS LAMBILLOTTE, S.J. (1796-1855) by Rev. Paul L. Callens, S.J. ...----, HE SWEET AND LILTING MEL­ odies of Lambillotte which held a prominent place in popular hym­ nals of a former generation are fast becoming unfamiliar, although a few of his tunes are likely to survive for some time. "Come, Holy Ghost!" "Panis Angelicus" "On This Day, 0 Beautiful l\tIother" are still on the repertoire of most school children. In a few Jesuit novitiates, the strains of his melodramatic "Suscipe" are still heard on a Vow Day. But there is no doubt that the name of Lambillotte is hardly ever mentioned among church musicians. The purpose of these pages is by no means to lament the neglect and oblivion into which the music of this church musician has fallen, but mere­ ly to call attention to a little known fact: Lam­ billotte spent the last twenty years of his life - he died on February 27, 1855 - laboring zealously, although immaturely for the restoration of Greg­ orian Chant. er than 64 Fublished works under his name. vVhen Lambillotte was born near Charleroi, Belgium, in 1842, Fetis, the editor of the "Revue Musi­ in 1796. At the age of seven, he began taking cale," called the attention of the French clergy to lessons in solfege, piano and harmony from an the need of a restoration of Gregorian Chant, Italian priest, who acted as chaplain in a neigh­ Lambillotte threw himself heart and soul into the boring manor house. He was a gifted little boy. work of research.
    [Show full text]