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The Influence of Plainchant on French Organ Music After the Revolution
Technological University Dublin ARROW@TU Dublin Doctoral Applied Arts 2013-8 The Influence of Plainchant on rF ench Organ Music after the Revolution David Connolly Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/appadoc Part of the Musicology Commons Recommended Citation Connolly, D. (2013) The Influence of Plainchant on rF ench Organ Music after the Revolution. Doctoral Thesis. Dublin, Technological University Dublin. doi:10.21427/D76S34 This Theses, Ph.D is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Doctoral by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License The Influence of Plainchant on French Organ Music after the Revolution David Connolly, BA, MA, HDip.Ed Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Music Dublin Institute of Technology Conservatory of Music and Drama Supervisor: Dr David Mooney Conservatory of Music and Drama August 2013 i I certify that this thesis which I now submit for examination for the award of Doctor of Philosophy in Music, is entirely my own work and has not been taken from the work of others, save and to the extent that such work has been cited and acknowledged within the text of my work. This thesis was prepared according to the regulations for postgraduate study by research of the Dublin Institute of Technology and has not been submitted in whole or in part for another award in any other third level institution. -
Jesuit Catechisms for Soldiers (Seventeenth– Nineteenth Centuries): Changes and Continuities
journal of jesuit studies 4 (2017) 599-623 brill.com/jjs Jesuit Catechisms for Soldiers (Seventeenth– Nineteenth Centuries): Changes and Continuities Vincenzo Lavenia Università di Macerata, Italy [email protected] Abstract This paper proposes a literary journey through the manuals for soldiers written by Jesuits prior to the twentieth century. After briefly outlining the debut of these publications, at the hands of Antonio Possevino and of Thomas Sailly, who led the first permanent mission of military chaplains in Flanders, it will focus on three mo- ments: the second half of the seventeenth century, when the wars of religion wound down and we find the first manuals where, alongside the desire to impose discipline on armies, a patriotic rhetoric begins to be heard; the middle years of the eighteenth century, before the French Revolution, when, after the establishment of barracks and permanent chaplaincies, even texts aimed at the Christian soldier transposed the vocabulary of the Droit des gens in; finally, the nineteenth century, when the Society was restored and undertook the religious conversion of the soldiery against the perils of the modern world. In Belgium, the birth of a liberal Catholic regime supported a patriotically-toned missionary effort from Jesuit chaplains. Later, the mystique of the nation would affect the majority of texts aimed at combatants and their chaplains during the Great War. Keywords soldiers’ catechisms – Jesuit military chaplains – Thomas Sailly – Alonso de Andrade – Thomas Le Blanc – Pierre Daguet – Antonio Cordoniu – Giovanni Regoli – Paul Barbieux – Jean Baptiste Boone As recent studies have highlighted, two Jesuits, Emond Auger (1530–91) and Antonio Possevino (1533–1611), were the originators, in the wake of the Council © Lavenia, 2017 | doi 10.1163/22141332-00404004 This is an open access article distributed under the terms of the Creative Commons Attribution- Noncommercial 4.0 Unported (CC-BY-NC 4.0) License. -
Sacred Music Volume 115 Number 2
Volume 115, Number 2 SACRED MUSIC (Summer) 1988 n 1 ?i^ Aachen, Minister SACRED MUSIC Volume 115, Number 2, Summer 1988 FROM THE EDITORS Quality in Sacred Music 3 THE ROLE OF SEMIOLOGY, SOME REFLECTIONS Fr. Columba Kelly, O.5.B. 5 DOM EUGENE CARDINE, AN OBITUARY Reverend Richard M. Hogan 12 GREGORIAN CHANT IN TODAY'S PARISH Monsignor Richard J. Schuler 13 PRINTED EDITIONS OF THE CHANT BOOKS Monsignor Robert F. Hayburn 19 REVIEWS 26 NEWS 29 OPEN FORUM 31 CONTRIBUTORS 32 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publications: 548 Lafond Avenue, Saint Paul, Minnesota 55103. Editorial Board: Rev. Msgr. Richard J. Schuler, Editor Rev. Ralph S. March, S.O. Cist. Rev. John Buchanan Harold Hughesdon William P. Mahrt Virginia A. Schubert Cal Stepan Rev. Richard M. Hogan Mary Ellen Strapp Judy Labon News: Rev. Msgr. Richard J. Schuler 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Paul Salamunovich, 10828 Valley Spring Lane, N. Hollywood, Calif. 91602 Paul Manz, 1700 E. 56th St., Chicago, Illinois 60637 Membership, Circulation and Advertising: 548 Lafond Avenue, Saint Paul, Minnesota 55103 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Monsignor Richard J. Schuler Vice-President Gerhard Track General Secretary Virginia A. Schubert Treasurer Earl D. Hogan Directors Rev. Ralph S. March, S.O. Cist. Mrs. Donald G. Vellek William P. Mahrt Rev. Robert A. -
Memory, Music, Epistemology, and the Emergence of Gregorian Chant As Corporate Knowledge
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2012 "Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge Jordan Timothy Ray Baker [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Epistemology Commons, Medieval Studies Commons, and the Musicology Commons Recommended Citation Baker, Jordan Timothy Ray, ""Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge. " Master's Thesis, University of Tennessee, 2012. https://trace.tennessee.edu/utk_gradthes/1360 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Jordan Timothy Ray Baker entitled ""Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance: -
Théodore Nisard's Accompagnement Du Plain-Chant from Dictionnaire Liturgique, Historique Et Théorique De Plain-Chant Et
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of November 2006 Théodore Nisard’s Accompagnement du Plain-Chant from Dictionnaire Liturgique, Historique et Théorique de Plain-Chant et de Musique d’Église Au Moyen Age dans les Temps Modernes (1854): An English Translation Gerald W. Holbrook University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Holbrook, Gerald W., "Théodore Nisard’s Accompagnement du Plain-Chant from Dictionnaire Liturgique, Historique et Théorique de Plain-Chant et de Musique d’Église Au Moyen Age dans les Temps Modernes (1854): An English Translation" (2006). Student Research, Creative Activity, and Performance - School of Music. 6. https://digitalcommons.unl.edu/musicstudent/6 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Théodore Nisard’s Accompagnement du Plain-Chant From Dictionnaire Liturgique, Historique et Théorique de Plain-Chant et de Musique d’Église Au Moyen Age dans les Temps Modernes (1854) An English Translation By Gerald Wayne Holbrook A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professors Quentin Faulkner and Christopher Marks Lincoln, Nebraska December 2006 THEODORE NISARD’S TREATISE ACCOMPAGNEMENT DU PLAIN-CHANT FROM JOSEPH LOUIS D’ORTIGUE’S DICTIONNAIRE LITURGIQUE, HISTORIQUE ET THÉORIQUE DE PLAIN-CHANT ET DE MUSIQUE D’ÉGLISE AU MOYEN AGE ET DANS LES TEMPS MODERNES AN ENGLISH TRANSLATION Gerald Wayne Holbrook, D.M.A. -
Religious Workshop and Gregorian Chant: the Janus Liszt, Or How to Make New with the Old Nicolas Dufetel
Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old Nicolas Dufetel To cite this version: Nicolas Dufetel. Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old. James Deaville et Michael Saffle. Liszt’s Legacies. Based on papers presented at the International Liszt Conference held at Carleton University, Ottawa, Canada , Pendragon Press, pp.43-71, 2014. halshs-01422220 HAL Id: halshs-01422220 https://halshs.archives-ouvertes.fr/halshs-01422220 Submitted on 24 Dec 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old NICOLAS DUFETEL Introduction: the vague Meaning of “religious” Music Franz Liszt regarded his religious music as central to his output. In spite of renewed interest on the part of musicians and musicologists,1 however, Liszt’s Masses, motets, oratorios and psalm settings remain underappreciated. Some ten -
The Origins of Western Notation
Constantin Floros Modern music notation developed out of the so-called square notation and this out of the Latin neumes. The question of where these neumes came from has long been the subject of scholarly debate. As the author demonstrated in his three-volume Universale Neumenkunde published in German in 1970, there is a very close relationship between the Paleo-Byzantine notation and the Latin neumes. Although the study aroused a great deal of dispute, more recent studies have revealed that the relevance of the Neumenkunde re- mains essentially unchallenged after 40 years. Those path-breaking research results on the relationship of the Greek and Latin notational systems are now available for the first time in a completely revised and augmented English translation. “[Floros’] work, while not giving the last word in the domain of semiology, could today certainly again be the point of departure for productive develop- ments, both in the domain of Byzantine music as well as in the area of Gregorian chant.” (Luca Basilio Ricossa) The Origins of Western Notation Western Western Notation Revised and Translated by Neil Moran The Origins of of Origins The Constantin Floros is a professor emeritus of musicology at the University of Hamburg and a prolific writer on diverse subjects. He was the first researcher who systematically examined, compared and decoded the oldest Byzantine, Slavic and Latin neumatic notations. Neil K. Moran is the author of numerous studies on European cultural history in Antiquity and the Middle Ages. His books are of fundamental importance · Floros Constantin for those interested in the Ordinary chants of the Byzantine rite and for the iconography of church singers in the Middle Ages. -
The Politics of Plainchant in Fin-De-Siècle France
The Politics of Plainchant in fin-de-siècle France This book tells three inter-related stories that radically alter our perspective on plainchant reform at the turn of the twentieth century and highlight the value of liturgical music history to our understanding of French government anticlericalism. It offers at once a new history of the rise of the Benedictines of Solesmes to official dominance over Catholic editions of plainchant worldwide, a new optic on the French liturgical publishing industry during a period of international crisis for the publication of plainchant notation, and an exploration of how, both despite and because of official hostility, French Catholics could bend Republican anticlericalism at the highest level to their own ends. The narrative relates how Auguste Pécoul, a former French diplomat and Benedictine novice, masterminded an undercover campaign to aid the Gregorian agenda of the Solesmes monks via French government intervention at the Vatican. His vehicle: trades unionists from within the book industry, whom he mobilized into nationalist protest against Vatican attempts to enshrine a single, contested, and German, version of the musical text as canon law. Yet the political scheming necessitated by Pécoul’s double involvement with Solesmes and the print unions almost spun out of control as his Benedictine contacts struggled with internal division and anticlerical persecution. The results are as musicologically significant for the study of Solesmes as they are instructive for the study of Church–State relations. ROYAL MUSICAL ASSOCIATION MONOGRAPHS General Editor: Simon P. Keefe This series is supported by funds made available to the Royal Musical Association from the estate of Thurston Dart, former King Edward Professor of Music at the University of London. -
Religious Workshop and Gregorian Chant: the Janus Liszt, Or How to Make New with the Old Nicolas Dufetel
Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old Nicolas Dufetel To cite this version: Nicolas Dufetel. Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old. James Deaville et Michael Saffle. Liszt’s Legacies. Based on papers presented at the International Liszt Conference held at Carleton University, Ottawa, Canada , Pendragon Press, pp.43-71, 2014. halshs-01422220 HAL Id: halshs-01422220 https://halshs.archives-ouvertes.fr/halshs-01422220 Submitted on 24 Dec 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old NICOLAS DUFETEL Introduction: the vague Meaning of “religious” Music Franz Liszt regarded his religious music as central to his output. In spite of renewed interest on the part of musicians and musicologists,1 however, Liszt’s Masses, motets, oratorios and psalm settings remain underappreciated. Some ten -
Caecilia V82n02 1955
~ IntI'. "j ------I --H- 5. -~-.--II-II-'r-.' : .. ~ G --Ircumdede-runt· me.- • gemi...tus mortis, do-lo- res Intr. G----f-..----------- ta-~1 t · =-. f!~. ~~ ~~ I. • .- t-~ € Xsurge, - qua-re obd6rmis D6mine? exsur- Intp. 1----+ 6. .• ~ • ., '-;;-~-,-,.-... IilI ~ A •• I•• ~ € -sto mlhi - in De- um pro- te-ct6- rem, et in VOLUME 82 - Number 2 JANUARY - FEBRUARY, 1955 thtRe\Jlem Ol=-cuthoacchuRCh d;smool,muSlc What the Critics Say: "Can you imagine a hymnal in which every single entry is completely acceptable on all grounds, musical and liturgical? I am not in the pay of the publisher when I urge every organist in the country to rush out and buy the new Pius X THE Hymnal ..." Paul Hume in The Sign. • "One can earnestly recommend this outstanding hymnal for the serious consideration of all choir PIUS Inasters looking for music of exceptional quality and worth." A. C.· B. in The Diapason. • "This collection is in every way superior to all our TENTH hymnals now in use". ]. W. E. in The Catholic Standard, Washington, D. C. • "The hymnal is rich in gems and choinnasters HYMNAL will find much to interest singers and to enrich their repertoire." J. V. H. in The Catholic Choirmaster. Edited, Arranged and Compiled • by the "The organist. and choir director will find in its 500 pages a rich treasure of music that blends, in PIUS TENTH SCHOOL the words of Cardinal Spelhnan, 'mind, heart and voice in adoration, praise and thanksgiving of to Almighty God and His wondrous works.'" Bartholomew Sales, aSB, in Worship. LITURGICAL MUSIC • Manhattanville College of the Sacred Heart "A rich anthology of true church music from all centuries". -
Algemeen (Incl. Kunst En Varia). Aanwinsten Van Anet — Periode 2015/01
Algemeen (incl. Kunst en varia). At the table: metaphorical and material cultures of food in Aanwinsten van Anet — Periode 2015/01 medieval and early modern Europe / [edit.] Timothy J. Tomasik ; [edit.] Juiann M. Vitullo. — Turnhout : Brepols, [1]Algemeen (incl. Kunst en varia). Aanwinsten van Anet bmp 2007. — 225 p. — (Arizona studies in the Middle Ages and the Renaissance ; 18). — ISBN 978–2–503–52398–9 Algemeen en varia RUB: 2 D 1 / 2007 / a / 1 UA–CST: MAG–OW–B 49020 50 fictieve gebouwen / [edit.] Christophe van Gerrewey. — EHC: 709453 [C0–422 b] Gent : MER. Paper Kunsthalle, 2014. — 116 p. : ill. — KMSKA: MONO–BB 5713 ISBN 978–94–91775–72–7 AP–KC: LA–BELG–VANGE-fictiev-1 Dit is onderzoek! Richtlijnen voor het opzetten, uitvoeren en EHC: 793120 evalueren van kwantitatief en kwalitatief onderzoek / Ben Baarda [Dr.] ; Ben Baarda. — Groningen : Noordhoff, 2009. — De 250 leukste musea van Nederland en Vlaanderen. — Breda : 160 p. — ISBN 978–90–01–71386–7 Mo'media, 2012. — 366 p. : ill. — ISBN 978–90–5767–546–1 ARK: 300.6 EHC: 793368 ARK: 311.2 Activiteitenverslag / Commissie Cultureel Verdrag The historic urban landscape : managing heritage in an urban Vlaanderen-Nederland. — Brussel : Commissie Cultureel century / Francesco Bandarin ; Ron van Oers. — Chichester : Verdrag Vlaanderen-Nederland, 2001. — ISSN 1780–1915 Wiley Blackwell, 2014. — 236 p. : ill. — EHC: 792895 [C2–346 e] ISBN 978–0–470–65574–0 ; ISBN 978–1–118–93272–8 (2007) UA–CST: ONTW 702.5 G–BAND 2014 KdG–SAW: 497 (2008) From mastery to mystery : a phenomenological foundation for an environmental ethic / Bryan E. -
Louis Lambillotte, S.J. (1796-1855)
48 CAECILIA LOUIS LAMBILLOTTE, S.J. (1796-1855) by Rev. Paul L. Callens, S.J. ...----, HE SWEET AND LILTING MEL odies of Lambillotte which held a prominent place in popular hym nals of a former generation are fast becoming unfamiliar, although a few of his tunes are likely to survive for some time. "Come, Holy Ghost!" "Panis Angelicus" "On This Day, 0 Beautiful l\tIother" are still on the repertoire of most school children. In a few Jesuit novitiates, the strains of his melodramatic "Suscipe" are still heard on a Vow Day. But there is no doubt that the name of Lambillotte is hardly ever mentioned among church musicians. The purpose of these pages is by no means to lament the neglect and oblivion into which the music of this church musician has fallen, but mere ly to call attention to a little known fact: Lam billotte spent the last twenty years of his life - he died on February 27, 1855 - laboring zealously, although immaturely for the restoration of Greg orian Chant. er than 64 Fublished works under his name. vVhen Lambillotte was born near Charleroi, Belgium, in 1842, Fetis, the editor of the "Revue Musi in 1796. At the age of seven, he began taking cale," called the attention of the French clergy to lessons in solfege, piano and harmony from an the need of a restoration of Gregorian Chant, Italian priest, who acted as chaplain in a neigh Lambillotte threw himself heart and soul into the boring manor house. He was a gifted little boy. work of research.