DOCSLIB.ORG

Music Catalog

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music Catalog ® Advanced eXperience PlatinumAX TM Music Catalog P.O. Box 936 Lancaster, Ohio 43130 | 800.344.7464 | ChimeMaster.com All musical arrangements are Copyright © 1988-2019 by Chime Master®. All bell instrumentation used in this system are Copyright © 2019 by Chime Master®. All rights reserved. All musical compositions listed are in the Public Domain as of the date of compilation. Copyrighted music will be made available as separately listed add- on albums. Public performance licensing of copyrighted music is the responsibility of the end user. Chime Master has used their decades of church music experience to automatically choose seasonal music lists suitable for most organizations when the Guided Setup AX installation mode is selected. The Chime Center SmartAlmanac™ portal will provide user customization of seasonal play lists and seasons. Please direct questions and requests to [email protected] TITLE TUNE COMPOSER A Charge to Keep I Have Boylston Lowell Mason A Great and Mighty Wonder Es Ist Ein Ros Alte Catholische Geistliche A Hymn of Glory Let Us Sing! Lasst uns erfreuen Geistliche Kirchengesange A Hymn of Glory, Let Us Sing Deo Gracias English Melody A Mighty Fortress Is Our God Ein' feste Burg Martin Luther A New Commandment Un Mandamiento Nuevo Traditional A New Joy A New Joy Traditional Ukrainian A Parting Hymn We Sing Boylston Lowell Mason A Voice From Heaven We Have Heard Forest Green English Melody A Wonderful Savior is Jesus my Lord He Hideth My Soul William James Kirkpatrick Abide Not in the Realm of Dreams Melcombe Samuel Webbe Sr. Abide, O Dearest Jesus Christus, Der Ist Mein Leben Melchior Vulpius Abide with Me Eventide William Henry Monk Abide with Us, Our Savior Christus, Der Ist Mein Leben Melchior Vulpius Abundant Life How Can I Keep From Singing Robert Lowry Accept, Almighty Father Accept Almighty Traditional According to Thy Gracious Word Martyrdom (Avon) Hugh Wilson Across the Sky the Shades of Night Allein Gott In Der Höh Nikolaus Decius Adeste Fideles Adeste Fideles John F. Wade's Cantus Diversi Adoro Te Devote Adoro Te Devote (Gounod) Charles Francois Gounod Adoro Te Devote Noel Nouvelet Trad. French carol Advent of Our God, The St. Thomas Aaron Williams Advent of Our God, The Franconia Johann Balthasar Konig Again We Keep This Solemn Fast Erhalt Uns, Herr J. Klug Ah Holy Jesus How Hast Thou Offended Herzliebster Jesu Johann Cruger Ah! May the Red Rose Live Alway Ah! May the Red Rose Live Alway! Stephen Collins Foster Air Force Hymn Air Force Hymn Traditional Alas and Did My Savior Bleed Hudson Ralph E. Hudson Alas! And Did My Saviour Bleed Martyrdom (Avon) Hugh Wilson Alas, My God, My Sins Are Great Ach Gott Und Herr Christoph Peter All Christians Who Have Been Baptized Nun Freut Euch Etlich Christlich lider All Creatures of Our God and King Lasst uns erfreuen Geistliche Kirchengesange All Day All Night (Angels Watching Over Me) All Day Traditional All Glory Be to God Alone All Her und Lob Kirchengesangbuch All Glory be to God Most High Carol Richard Storrs Willis All Glory Be to God On High Allein Gott In Der Höh Nikolaus Decius All Glory, Laud and Honor St. Theodulph Melchior Teschner All Hail Adored Trinity Old 100th Louis Bourgeois All Hail the Power of Jesus' Name Diadem James Ellor All Hail the Power of Jesus' Name! Coronation Oliver Holden All My Hope on God is Founded Michael Herbert Norman Howells All Nature's Works His Praise Declare Bethlehem Gottfried William Fink All People that on Earth Do Dwell Old 100th Louis Bourgeois All Praise to Our Redeeming Lord Land of Rest American Folk Melody All Praise to Our Redeeming Lord Azmon Carl Gotthelf Glaser All Praise to Our Redeeming Lord Armenia Sylvanus Billings Pond All Praise to Thee for Thou O King Sine Nomine Ralph Vaughan Williams All Praise to Thee, For Thou, O King Divine Engelberg Charles Villiers Stanford All Praise to Thee, My God, This Night Tallis' Canon Thomas Tallis All Praise to You Finlandia Jean Sibelius All the Way My Savior Leads Me All the Way Robert Lowry All Things are Thine; No Gift Have We Germany Ludwig van Beethoven All Things Bright and Beautiful Royal Oak 17th cent. English melody All Through the Night Ar Hyd Y Nos Welsh Melody All Who Hunger Holy Manna William Moore All Who Keep the Faith of Jesus Den des Vaters Sinn geboren Johann Anastasius Freylinghausen All You On Earth Lasst uns erfreuen Geistliche Kirchengesange All You Who Have Been Baptized All You Who Have Been Baptized Traditional Ukrainian All You Who Seek a Comfort Sure Kingsfold English Folk Melody Allegro Triumphale Ukrainian Carol Allegro Triumphale Ukrainian Carol Traditional Ukrainian Alleluia Alelu, Alelu Traditional V1.0.9 Chime Master® Platinum AX™ Music Catalog 3 TITLE TUNE COMPOSER Alleluia Cannon Mozart Alleluia Wolfgang Amadeus Mozart Alleluia! Alleluia! From Symphony No. 9 Hymn to Joy Ludwig van Beethoven Alleluia! Alleluia! Let the Holy Anthem Rise Holy Anthem Traditional Melody Alleluia! Let Praises Ring Wie Schon Leuchtet Philipp Nicolai Alleluia! Sing to Jesus Hymn to Joy Ludwig van Beethoven Alleluia! Sing to Jesus Hyfrydol Rowland Hugh Prichard Alleluia, alleluia, hearts and voices heavenward raise Lux eoi Arthur Seymour Sullivan Alleluia, Song of Sweetness Tantum Ergo Stonyhurst Almighty Father, Bless the Word Old 100th Louis Bourgeois Almighty Father, hear our cry Mendon Lowell Mason Almighty Father, Heaven and Earth Steht Auf, Ihr Lieben Kinderlein Nikolaus Herman Almighty Father, Strong to Save Melita John Bacchus Dykes Almighty God, Your Word Is Cast St. Flavian Day’s Psalter, 1563 Almighty God, Your Word is Cast Dundee Scottish Hymn Almighty Lord, With One Accord Azmon Carl Gotthelf Glaser Alone Thou Goest Forth Bangor William Tans'ur Alouette Alouette French-Canadian Am I a Soldier of the Cross Arlington Thomas Augustine Arne Amazing Grace McIntosh E. O. Excell America America Henry Carey America the Beautiful Materna Samuel Augustus Ward An Evening Prayer An Evening Prayer C. Maude Battersby And Are We Yet Alive Dennis Johann Hans Georg Naegeli And Can It Be that I Should Gain? Sagina Thomas Campbell And Did Those Feet in Ancient Time Jerusalem Charles Hubert Hastings Parry And Have the Bright Immensities Kingsfold English Folk Melody And Now, O Father, Mindful of the Love Unde et Memores William Henry Monk Angel Greeting Angel Greeting Traditional Ukrainian Angel Greeted the Blessed Mother, The Anhel Vopeeyashe Traditional Ukrainian Angels At the Savior’s Birth Salzburg Jakob Hintze, J.S. Bach Angels from the Realms of Glory Regent Square Henry Thomas Smart Angels We Have Heard on High Gloria Old French Carol Angels, Roll the Rock Away Seymour Carl Maria von Weber Anhel Wopiyashe Anhel Wopiyashe Traditional Ukrainian Anniversary Waltz Anniversary Waltz Traditional Are Ye Able Beacon Hill Harry Silverdale Mason Are You Washed in the Blood? Washed In the Blood Elisha Albright Hoffman Arise and Shine in Splendor O Welt, Ich Muss Dich lassen Heinrich Isaac Arise, Arise and Shine Potsdam Johann Sebastian Bach Arise David Arise David Traditional Ukrainian Arise, My Soul, Arise Lenox Lewis Edson Arise O God, And Shine Rhosymedre John David Edwards Arise Ye People, Take Your Stand Melita John Bacchus Dykes Arise, O Lord, Our God, Arise Federal Street Henry K. Oliver Arise, Your Light Is Come! Festal Song William H. Walker Around the Throne of God a Band Wareham William Knapp Around the Throne, A Glorious Band Rockingham Anonymous; arr. E. Miller As Angels Joyed with One Accord Puer Nobis European tune As Joseph was Awalking Cherry Tree Carol Old English Carol As Man and Woman We Were Made Sussex Carol Ralph Vaughan Williams As Pants the Hart for Cooling Streams Martyrdom (Avon) Hugh Wilson As the Sun Doth Daily Rise Innocents The Parish Choir As We Begin Another Week Herr Jesu Christ, Meins As hymnodus sacer As We Gather at Your Table Nettleton John Wyeth As When, In Far Samaria Ellacombe Hofkapelle As with Gladness Men of Old Dix Konrad Kocher Ash Grove (The) Ash Grove, The Welsh folk tune Ask Ye What Great Thing I Know Hendon Henri Abraham Cesar Malan At that First Eucharist Unde et Memores William Henry Monk At The Cross Hudson Ralph E. Hudson At the Cross, Her Vigil Keeping Stabat Mater Dolorosa Gesangbuch, Mainz - Traditional V1.0.9 Chime Master® Platinum AX™ Music Catalog 4 TITLE TUNE COMPOSER At The Lamb's High Feast We Sing Salzburg Jakob Hintze, J.S. Bach At the Lamb's High Feast We Sing Tichfield John Richardson At the Name of Jesus Wye Valley James Mountain Attende Domine Attende Domine Traditional Auld Lang Syne Auld Lang Syne Robert Burns Aura Lea Aura Lea George Pulton Aurelia Aurelia Samuel Sebastian Wesley Ave Maria Ave Maria (Schubert) Franz Peter Schubert Ave Maria Ave Maria (Bach-Gounod) J. S. Bach, Charles Francois Gounod Ave Maria Solesmus Salutatio Angelica Ave Maria Ave Maria (Traditional) Traditional Ave Maris Stella Ave Maris Stella Caspar Ett Ave Maris Stella Ave Maris Stella (Lambillotte) Lambillotte Ave Verum Ave Verum Gregorian Chant Ave Verum Corpus Ave Verum Corpus Charles Francois Gounod Ave Verum Corpus Prosa antiqua usu recepta Gregorian Awake, Arise, Lift Up Your Voice Chesterfield Attr. to Thomas Haweis Awake, Awake: Fling Off the Night Deus Tuorum Militum Grenoble Antiphoner, 1753 Awake, My Soul, and With the Sun Morning Hymn Francois H. Barthelemon Awake, My Soul, Stretch Every Nerve Christmas George Frederick Handel Awake, O Sleeper, Rise from Death Azmon Carl Gotthelf Glaser Awake, O Spirit, Who Inspired All Her und Lob Kirchengesangbuch Away in a Manger Mueller James R. Murray Away in a Manger Cradle Song William James Kirkpatrick Band Played on, The Band Played on Charles B.
Load more

Recommended publications
  • THE ORGAN WORKS of HEALEY WILLAN THESIS Presented to The
    { to,26?5 THE ORGAN WORKS OF HEALEY WILLAN THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of Master of Music By Robert L. Massingham, B. S., M. S. Denton, Texas August, 1957 PREFACE LHealey Willan occupies an unique position in Canadian Music and can be considered as that nation's "elder musical statesman." At the time of writing he is a septuagenarian and still very much active in his profession. Born and trained in England, he was well-established there when he was persuaded to come to Toronto, Canada, in 1913 at the age of thirty-three. Since that time he has contributed enor- iously to the growth of music in his adopted country, carry- ing on the traditions of his fine English background in music while encouraging the development of native individuality in Canadian music. Iillan has been first and foremost a musician of the church--an organist and choirmaster--a proud field which can boast many an eminent name in music including that of J. S. Bach. Willan's creativity in music has flowered in many other directions--as a distinguished teacher, as a lecturer and recitalist, and as a composer. He has written in all forms and for all instruments, but his greatest renown, at any rate in the TUnited States, is for his organ and choral works. The latter constitute his largest single body of compositions by numerical count of titles, and his organ works are in a close second place. iii Willants Introduction, Passaqaglia, and Fuue has been well-known for decades as one of the finest compositions in organ literature, enjoying a position alongside the organ works of Liszt, Yranck, and Reubke.
    [Show full text]
  • The Land of Harmony a M E R I C a N C H O R a L G E M S
    invites you to The Land of Harmony A MERIC A N C HOR A L G EMS April 5 • Shaker Heights April 6 • Cleveland QClevelanduire Ross W. Duffin, Artistic Director The Land of Harmony American Choral Gems from the Bay Psalm Book to Amy Beach April 5, 2014 April 6, 2014 Christ Episcopal Church Historic St. Peter Church shaker heights cleveland 1 Star-spangled banner (1814) John Stafford Smith (1750–1836) arr. R. Duffin 2 Psalm 98 [SOLOISTS: 2, 3, 5] Thomas Ravenscroft (ca.1590–ca.1635) from the Bay Psalm Book, 1640 3 Psalm 23 [1, 4] John Playford (1623–1686) from the Bay Psalm Book, 9th ed. 1698 4 The Lord descended [1, 7] (psalm 18:9-10) (1761) James Lyon (1735–1794) 5 When Jesus wep’t the falling tear (1770) William Billings (1746–1800) 6 The dying Christian’s last farewell (1794) [4] William Billings 7 I am the rose of Sharon (1778) William Billings Solomon 2:1-8,10-11 8 Down steers the bass (1786) Daniel Read (1757–1836) 9 Modern Music (1781) William Billings 10 O look to Golgotha (1843) Lowell Mason (1792–1872) 11 Amazing Grace (1847) [2, 5] arr. William Walker (1809–1875) intermission 12 Flow gently, sweet Afton (1857) J. E. Spilman (1812–1896) arr. J. S. Warren 13 Come where my love lies dreaming (1855) Stephen Foster (1826–1864) 14 Hymn of Peace (1869) O. W. Holmes (1809–1894)/ Matthias Keller (1813–1875) 15 Minuet (1903) Patty Stair (1868–1926) 16 Through the house give glimmering light (1897) Amy Beach (1867–1944) 17 So sweet is she (1916) Patty Stair 18 The Witch (1898) Edward MacDowell (1860–1908) writing as Edgar Thorn 19 Don’t be weary, traveler (1920) [6] R.
    [Show full text]
  • The Musical Heritage of the Lutheran Church Volume I
    The Musical Heritage of the Lutheran Church Volume I Edited by Theodore Hoelty-Nickel Valparaiso, Indiana The greatest contribution of the Lutheran Church to the culture of Western civilization lies in the field of music. Our Lutheran University is therefore particularly happy over the fact that, under the guidance of Professor Theodore Hoelty-Nickel, head of its Department of Music, it has been able to make a definite contribution to the advancement of musical taste in the Lutheran Church of America. The essays of this volume, originally presented at the Seminar in Church Music during the summer of 1944, are an encouraging evidence of the growing appreciation of our unique musical heritage. O. P. Kretzmann The Musical Heritage of the Lutheran Church Volume I Table of Contents Foreword Opening Address -Prof. Theo. Hoelty-Nickel, Valparaiso, Ind. Benefits Derived from a More Scholarly Approach to the Rich Musical and Liturgical Heritage of the Lutheran Church -Prof. Walter E. Buszin, Concordia College, Fort Wayne, Ind. The Chorale—Artistic Weapon of the Lutheran Church -Dr. Hans Rosenwald, Chicago, Ill. Problems Connected with Editing Lutheran Church Music -Prof. Walter E. Buszin The Radio and Our Musical Heritage -Mr. Gerhard Schroth, University of Chicago, Chicago, Ill. Is the Musical Training at Our Synodical Institutions Adequate for the Preserving of Our Musical Heritage? -Dr. Theo. G. Stelzer, Concordia Teachers College, Seward, Nebr. Problems of the Church Organist -Mr. Herbert D. Bruening, St. Luke’s Lutheran Church, Chicago, Ill. Members of the Seminar, 1944 From The Musical Heritage of the Lutheran Church, Volume I (Valparaiso, Ind.: Valparaiso University, 1945).
    [Show full text]
  • Braids of Song Gwead Y Gân
    Braids of Song Gwead y Gân by Mari Morgan BMus (Hons), MA. Supervised by: Professor Menna Elfyn and Dr Jeni Williams Submitted in partial fulfilment for the award of the degree of Doctor of Philosophy in Creative Writing University of Wales Trinity Saint David 2019 Er cof am fy nhad, Y Parchedig E D Morgan a ddiogelodd drysor. In memory of my father, the Reverend E D Morgan who preserved a treasure. iii ACKNOWLEDGEMENTS With grateful thanks for the generous support of: North America Wales Foundation (Dr Philip Davies and Hefina Phillips) Welsh Women’s Clubs of America (Barbara Crysler) Welsh Society of Philadelphia (Jack R. Williams, Jr.) Diolch o galon: for the experience and guidance of my supervisors, Professor Menna Elfyn and Dr Jeni Williams, for the friendship and encouragement of Karen Rice, for my siblings always, Nest ac Arwel, for the love and steadfast support of Lisa E Hopkins, and for the unconditional love of my mother, Thelma Morgan. Diolch am fod yn gefn. iv Abstract The desire to recognise the richness, humanity, and cross fertilisation of cultures and identities that built today’s America is the starting point for Braids of Song. Its overarching concerns trace the interrelation between immigration, identity and creativity within a Welsh Trans-Atlantic context. Braids of Song is a mixed-genre collection of stories that acknowledges the preciousness of culture; in particular, the music, which is both able to cross different linguistic boundaries and to breach those between melody and language itself. The stories are shared through four intertwined narrative strands in a mixture of literary styles, ranging from creative non-fiction essays and poems to dramatic monologues.
    [Show full text]
  • Xvii. Tempo En Fermates Bij De Uitvoering Van Koralen in Bachs Cantates En Passies
    XVII. TEMPO EN FERMATES BIJ DE UITVOERING VAN KORALEN IN BACHS CANTATES EN PASSIES In dit hoofdstuk staan het tempo van de koralen en de wijze waarop de fermates werden uitgevoerd centraal. Zoals bekend zijn koralen door de gemeente gezongen gezangen tijdens erediensten. In Bachs tijd stonden de tekst en soms ook de melodie hiervan in de gebruikte gezangboeken. De gezangen waren over het algemeen bij de gemeente bekend. Onder kora- len zullen tevens verstaan worden de – meestal vierstemmig homofoon gezette – gezangen, zoals die in Bachs cantates en passies veel voorkomen: zij hadden immers dezelfde tekst en melodie als de gemeentegezangen. Ook wanneer instrumenten een zelfstandige rol hadden, in de vorm van tussenspelen (bijvoorbeeld in het slotkoraal ‘Jesus bleibet meine Freude‘ BWV 147/10) of extra partijen (‘Weil du vom Tod erstanden bist' BWV 95/7), worden ze hier gerekend tot Bachs koralen. Deze studie richt zich niet primair op koraalmelodieën die – meestal éénstemmig – als cantus firmus gezongen of gespeeld worden tijdens een aria of reci- tatief, maar het ligt voor de hand dat de beschreven conclusies hierbij ook van toepassing zijn. In de eerste paragraaf wordt gekeken naar de ontwikkeling van de gemeentezang in Duits- land, en hoe die op orgel begeleid werd. Vervolgens wordt onderzocht hoe er in traktaten over het tempo van de gemeentezang werd gesproken. Daarna worden de resultaten geëx- trapoleerd naar de hoofdkerken in Leipzig onder Johann Sebastian Bach. Het moge zo zijn dat de koralen als gemeentezang langzaam werden uitgevoerd, maar gold dat ook voor de koralen in Bachs cantates? In deze paragraaf wordt getracht een antwoord te vinden op deze vraag.
    [Show full text]
  • The Bible in Music
    The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.
    [Show full text]
  • Myfanwy Mynyddog (Richard Davies), Joseph Parry
    CANTABILE – THE LONDON QUARTET THE GREAT BRITISH A CAPPELLA SONGBOOK EIGENTUM DES VERLEGERS · ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED PETERS EDITION LTD A member of the Edition Peters Group FRANKFURT/M. · LEIPZIG · LONDON · NEW YORK CCantabileantabile AAnthologynthology LLAYOUT.inddAYOUT.indd 1 110/8/20120/8/2012 1:06:361:06:36 PPMM Cantabile − The London Quartet is managed by artist management A Foggy Day. Music and Lyrics by George Gershwin and Ira Gershwin. Arranged by Cantabile − The London Quartet. © 1937 (renewed) Chappell & Co Inc, USA. This arrangement © 2012 Chappell & Co Inc, USA. Warner/Chappell North America Ltd, London W6 8BS. Reproduced by permission of Faber Music Ltd. All Rights Reserved. Pomp and Circumstance by Edward Elgar. Words © 2012 by Margarete and Julian Forsyth. Lullaby (‘Hush Macushla’) by Cantabile − The London Quartet. © Copyright 2012 by Cantabile − The London Quartet. All other arrangements in this collection © Copyright 2012 by Cantabile − The London Quartet. Peters Edition Limited 2−6 Baches Street London N1 6DN Tel: +44 (0)20 7553 4000 Fax: +44 (0)20 7490 4921 Email: [email protected] Internet: www.editionpeters.com CCantabileantabile AAnthologynthology LLAYOUT.inddAYOUT.indd 2 110/8/20120/8/2012 1:07:041:07:04 PPMM CONTENTS Foreword . 4 Vorwort . 5 About the Songs . 6 Über die Stücke . 8 Pastime with Good Company King Henry VIII of England . 11 Greensleeves Traditional English . 14 Oranges and Lemons Traditional English . 22 Myfanwy Mynyddog (Richard Davies), Joseph Parry . 30 Danny Boy, ‘I Would be True’ Traditional Irish (Londonderry Air) Frederic E. Weatherly, Howard Walter . 35 A Man’s a Man for A’ That Traditional Scottish / Robert Burns (‘Lady McIntosh’s Reel’) .
    [Show full text]
  • Bibliographie
    Bibliographie Es werden alle Titel aufgeführt, aus denen im Text zitiert bzw. auf die ausdrücklich verwiesen wor­ den ist. Die Anordnung der Titel folgt dem alphabethischen Wortlaut, aber ohne Berücksichtigung der Artikel. Umfangreiche Titel aus dem 17. Jahrhundert werden gekürzt. Wenn Nachdrucke oder neuere, leichter zugängliche Ausgaben existieren, wird in der Regel auf diese verwiesen. Lediglich im Text genannte Titel wurden nicht aufgenommen. 1. Bibliographien/wichtige Überblickswerke/Einführungen Die hier verzeichneten Titel sowie Einzelbeiträge sind ebenfalls unter der Rubrik >Forschungsliteratur< aufgeführt. Burbaum, Sabine: Barock, in: Kunst-Epochen, Bd. 8, Stuttgart 2003. Deutsche Drucke des Barock 1600-1720. Katalog der Herzog August Bibliothek Wolfenbüttel, München, New York u.a. 1977-1996. Dülmen, Richard van: Kultur und Alltag in der Frühen Neuzeit, München 21999. Dünnhaupt, Gerhard: Personalbibliographien zu den Drucken des Barock, Stuttgart 1990-1993. Emrich, Wilhelm: Deutsche Literatur der Barockzeit, Königstein/Ts. 1981. Enzyklopädie der Neuzeit, hg. von Friedrich Jaeger u. a., Stuttgatt, Weimar 2005 ff. Faber du Fa ur, Curt v.: German Baroque Literature. A Cataloque of the Collection in the Yale Uni- versity, New Haven 1958, 1969. Faulstich, Werner: Die Geschichte der Medien, Göttingen 1997-2004. Freund, Winfried: Abenteuer Barock. Kultur im Zeitalter der Entdeckungen, Darmstadt 2004. Gaede, Friedrich: Humanismus- Barock- Aufklärung. Geschichte der deutschen Literatur vom 16. bis zum 18. Jahrhundett, in: Handbuch der deutschen Literaturgeschichte, Abt. Darstellungen, Bd. 2, Bern, München 1971 Grimm, Gunter E., Max, Frank Rainer (Hg.): Deutsche Dichter. Bd. 2: Reformation, Renaissance und Barock, Stuttgart 1990. Habersetzer, Kar! Heinz: Bibliographie der deutschen Barockliteratur. Ausgaben und Reprints 1945-1976, Wiesbaden 1978. Hoffmeister, Gerhart: Deutsche und europäische Barockliteratur, Stuttgart 1987.
    [Show full text]
  • The Second Sunday of Advent
    The Second Sunday of Advent THE HOLY EUCHARIST December 6, 2020, 11:00 AM The Church of Saint Mary the Virgin in the City of New York We Need Your Help We are enormously grateful to all the members and friends of Saint Mary’s from far and wide who have supported the parish during the extraordinary events of the past several months. Your gifts have encouraged us and they have kept us going. We hope that you will make a pledge to the parish for 2021 at this time. Pledge cards may be found on the ushers’ table at the Forty-sixth Street entrance to the church. If you are able to make an additional donation to support the parish at this time, we would happily receive it. Donations may be made online via the Giving section of the parish website. You may also make arrangements for other forms of payment by contacting our parish administrator, Christopher Howatt, who would be happy to assist you. He may be reached at 212-869-5830 x 10. If you have questions about pledging, please speak to a member of the clergy or to one of the members of the Stewardship Committee, MaryJane Boland, Steven Heffner, or Marie Rosseels. We are grateful to you for your support of Saint Mary’s. About the Music Today’s organ voluntaries are both from the North German Baroque school and are based upon Luther’s chorale Nun komm, der Heiden Heiland (“Come now, Savior of the Gentiles”). This chorale (54 in The Hymnal 1982) is Martin Luther’s sixteenth-century adaptation of the fourth-century Latin hymn Veni Redemptor gentium attributed to Ambrose of Milan (55 in The Hymnal 1982).
    [Show full text]
  • Chamber Choir
    CHAMBER CHOIR EUGENE ROGERS, DIRECTOR GRADUATE STUDENT CONDUCTORS SCOTT VANORNUM, ORGAN Sunday, April 25, 2021 Hill Auditorium 4:00 PM THREE BACH CANTATAS Aus der Tiefen rufe ich zu dir, BWV 131 Johann Sebastian Bach Aus der Tiefen rufe ich zu dir (1685–1750) So du willt, Herr Jacob Surzyn, bass Margaret Burk, conductor Ich harre des Herrn Meine Seele wartet Tyrese Byrd, tenor David Hahn, conductor Israel hoffe auf dem Herrn Julian Goods, conductor Nach dir, Herr, verlanget mich, BWV 150 Johann Sebastian Bach Sinfonia Nach dir, Herr, verlanget mich Doch bin und bleibe ich vergnügt Maia Aramburú, soprano Katherine Rohwer, conductor Leite mich in deiner Wahrheit Zedern müssen von den Winden Eliana Barwinski, alto; Jacob Carroll, tenor; Jacob Surzyn, bass Bryan Anthony Ijames, conductor Meine Augen sehen stets Meine Tage in dem Leide Maia Aramburu, soprano; Eliana Barwinski, mezzo-soprano Jacob Carroll, tenor; Julian Goods, bass Benjamin Gaughran, conductor THe use of all cameras and recording devices is strictly prohibited. Please turn off all cell phones and pagers or set ringers to silent mode. Nun komm, der Heiden Heiland, BWV 61 Johann Sebastian Bach Nun komm, der Heiden Heiland Der Heiland ist gekommen Tyrese Byrd, tenor Komm, Jesu, komm zu deiner Kirche Jacob Carroll, tenor Siehe, ich stehe vor der Tür Jacob Surzyn, bass Öffne dich, mein ganzes Herze Cecilia Kowara, soprano Amen, Amen, komm du schöne Freudenkrone Joseph Kemper, conductor BACH, AUS DER TIEFEN RUFE ICH ZU DIR, BWV 131 In July 1707, 22-year-old Johann Sebastian Bach began his short tenure as organist of the Bla- siuskirche in Mühlhausen, one of two major churches in the free imperial city.
    [Show full text]
  • The Influence of Plainchant on French Organ Music After the Revolution
    Technological University Dublin ARROW@TU Dublin Doctoral Applied Arts 2013-8 The Influence of Plainchant on rF ench Organ Music after the Revolution David Connolly Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/appadoc Part of the Musicology Commons Recommended Citation Connolly, D. (2013) The Influence of Plainchant on rF ench Organ Music after the Revolution. Doctoral Thesis. Dublin, Technological University Dublin. doi:10.21427/D76S34 This Theses, Ph.D is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Doctoral by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License The Influence of Plainchant on French Organ Music after the Revolution David Connolly, BA, MA, HDip.Ed Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Music Dublin Institute of Technology Conservatory of Music and Drama Supervisor: Dr David Mooney Conservatory of Music and Drama August 2013 i I certify that this thesis which I now submit for examination for the award of Doctor of Philosophy in Music, is entirely my own work and has not been taken from the work of others, save and to the extent that such work has been cited and acknowledged within the text of my work. This thesis was prepared according to the regulations for postgraduate study by research of the Dublin Institute of Technology and has not been submitted in whole or in part for another award in any other third level institution.
    [Show full text]
  • The Enigma of the Mason Hymn-Tunes
    Title: The Enigma of the Mason Hymn-Tunes Author(s): George Brandon Source: Brandon, G. (1992, Fall). The enigma of the Mason hymn- tunes. The Quarterly, 3(3), pp. 48-53. (Reprinted with permission in Visions of Research in Music Education, 16(3), Autumn, 2010). Retrieved from http://www-usr.rider.edu/~vrme/ It is with pleasure that we inaugurate the reprint of the entire seven volumes of The Quarterly Journal of Music Teaching and Learning. The journal began in 1990 as The Quarterly. In 1992, with volume 3, the name changed to The Quarterly Journal of Music Teaching and Learning and continued until 1997. The journal contained articles on issues that were timely when they appeared and are now important for their historical relevance. For many authors, it was their first major publication. Visions of Research in Music Education will publish facsimiles of each issue as it originally appeared. Each article will be a separate pdf file. Jason D. Vodicka has accepted my invitation to serve as guest editor for the reprint project and will compose a new editorial to introduce each volume. Chad Keilman is the production manager. I express deepest thanks to Richard Colwell for granting VRME permission to re-publish The Quarterly in online format. He has graciously prepared an introduction to the reprint series. The Enigma Of The Mason HYfl1fl-Tunes By George Brandon Davis, California orn into a familv of active amateur Many younger men of Mason's time, in- musicians, Lowell Mason attended cludingJ. S. Dwight and A. W. Thayer, prob- Bsinging schools conducted by local ably looked upon Lowell Mason as an elder figures such as Amos Albee and Oliver Shaw.
    [Show full text]