Brochure 2011.Pdf
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
After Four Successful Editions
fter four successful editions the A concepts which inspired the creation of Ten Days on the Island in 2001 have well and truly proved themselves. With performances and works across the artistic spectrum drawn from island cultures around the world, including of course our own, Ten Days on the Island has become Tasmania’s premier cultural event and an event of national and international significance. Under the creative leadership of our Artistic Director, Elizabeth Walsh, I MY ISLAND HOME know that the 2009 event will take us to even greater heights. I would like to thank the Tasmanian Government, our corporate sponsors and Philos patrons, local government and the governments of countries around the world for their continuing support for Ten Days on the Island. They are making a very significant contribution to building and enriching our island culture. SIR GUY GREEN Chairman, Ten Days on the Island 1 he opening bash for 2009 will T centre on Constitution Dock. In addition to Junk Theory, there are free bands, the sounds of Groove Ganesh (see page 24), food stalls, roving entertainment and the first of the amazing Dance Halls will be held just up Macquarie Street in City Hall (see opposite). The CELEBRATE Tasmanian Museum & Art Gallery will be open late so you can see all the shows (see pages 4 & 34) with special performances by the Ruined piano man, Ross Bolleter in the café courtyard… Don’t miss it for quids! HOBART CONSTITUTION DOCK DAVEY STREET 27 MARCH FROM 7.30PM Supported by JUNK TASMANIA t dusk on opening night, in the heart of Hobart at Constitution Dock, a HOBART LAUNCESTON A traditional Chinese junk, the Suzy Wong, will drift by, her sails set and CONSTITUTION DOCK SEAPORT DAVEY STREET 4 & 5 APRIL FROM DUSK filled with moving imagery. -
Hop, Skip and Jump: Indigenous Australian Women Performing Within and Against Aboriginalism
JOURNAL OF RESEARCH ONLINE MusicA JOURNAL OF THE MUSIC COUNCIL OF AUSTRALIA Hop, Skip and Jump: Indigenous Australian Women Performing Within and Against Aboriginalism Introduction KATELYN BARNEY was in The University of Queensland library talking to one of the librarians, James, about my PhD research. He asked, ‘So, what are you researching again?’ and I replied, ‘Well, I’m working with Indigenous Australian1 women ■ Aboriginal and Torres Strait Iwho perform contemporary music, you know, popular music singers’. James Islander Studies Unit looked confused, ‘Oh, so are you going to interview that guy from the band The University of Queensland 2 Yothu Yindi ?’ This was not the first time I had been asked this and inwardly I Brisbane sighed and replied, ‘No, I’m just focusing my research on Indigenous Australian QLD 4072 women’. Streit-Warburton’s words immediately reverberated in my mind: ‘Ask Australia an Australian to name an Aboriginal singer and there is a fair chance that the answer will be Yothu Yindi’s Mandawuy Yunupingu. Ask again for the name of an Aboriginal woman singer and there is an overwhelming chance that the answer will be Deafening Silence. Deafening Silence is not the name of a singer; it is the pervasive response to most questions about Aboriginal women.’ (1993: 86). As Email: [email protected] I looked at James, I wondered if anything had really changed in more than 10 years. The account above highlights how Indigenous Australian women performers continue to be silenced in discussions and discourses about Indigenous Australian 3 www.jmro.org.au performance. -
Sun 16 September 2007
FRI 14 - SUN 16 SEPTEMBER 2007 PRESENTED BY ASSEMBLY DIRECT AND ISLAY ARTS ASSOCIATION Information: 0131 467 5200 Weekender Ticket: 0131 467 5200 Friday 14 September Famous for its seven whisky distilleries, distinctive bird life, golf and Islay 1 Phil Alexander / Catriona McKay * stunning views, Islay is the most southerly of the Hebridean islands. Exuding charm Full of surprise, beauty, power and complexity, Salsa Celtica/Moishe’s the island provides the perfect backdrop for the Black Bottle Islay Jazz Festival. Bagel pianist, Alexander, contrasts his rhythmic verve with the rippling harp of one of Scotland’s leading traditional musicians, harpist, McKay. 6PM-7PM PORT MÒR, Venue 1, £7 (£5 conc) 2 Anders Bergcrantz Quartet * BUNNAHABHAIN Bergcrantz is a trumpeting phenomenon. He’s got the fire and passion of D1 V7 Dizzy Gillespie, the chops of Freddie Hubbard, and the subtlety of Miles. He’s one of the few European musicians who have cracked the New York D2 establishment, playing bebop and beyond. He is joined by Paul Harrison (p), V9 Aidan O’Donnell (b), Alyn Cosker (d). BALLYGRANT 7.30-9.30PM BRUICHLADDICH HALL, Venue 2, £8 (£6 conc) • • PORT D8 ASKAIG V2 • V8 3 Tommy Smith / Brian Kellock D7 V3 BOWMORE A masterful duo collaboration from the two giants PORT D6 of Scottish jazz. “scintillating .... they can play CHARLOTTE • V1 anything they think and can think of things other people don’t ... totally captivating” (The Guardian). PORTNAHAVEN 8-10PM IONAD CHALIUM CHILLE ILE (COLUMBA CENTRE) • AIRPORT Venue 3, £10 (£8 conc) V5 V12 4 Haftor Medbøe Mini Group V4/V6 D3 V10 PORT ELLEN High energy approach from guitarist Medbøe, trombonist Greive • D4 D5 V11 and a host of electronics. -
Devil of a Time AUSTRALIAN INSURANCE LAW ASSOCIATION
AUSTRALIAN Devil of a Time INSURANCE LAW ASSOCIATION NATIONAL CONFERENCE HOTEL GRAND CHANCELLOR HOBART TASMANIA Wednesday 31 October – Friday 2 November 2012 REGISTRATION BROCHURE Devil of a Time www.cdesign.com.au/aila2012 1 2012Devil of a Time Invitation from the Gold Sponsors AILA President It is a great pleasure to welcome you in conjunction with Steve Knight and his organising committee, CGU Insurance to the great state of Tasmania for this year’s annual 181 William Street, Melbourne VIC 3000 conference. 13 15 32 As was noted by Michael Kirby during the speech he made www.cgu.com.au to launch AILA in 1983 “it is vitally important to ensure that it does not become a captive of the Sydney Insurance Industry. It must bend its efforts to secure the co-operation of insurers, lawyers and others from the four corners of this continent”. Forensic Advisory Services SYDNEY I congratulate Steve Knight and his committee for organising Level 10, 45 Clarence Street, Sydney NSW 2000 what will be a terrifi c conference from both an educational 02 9251 2333 and social perspective. www.fas-au.com The combination of fi rst class speakers both local and PERTH international together with unique local activities including Level 3, 45 St Georges Terrace, Perth WA 6000 an exhibition by the world famous axe man David Foster, 08 9221 7499 a visit to MONA, and an optional day tour to Bruny Island, www.fas-au.com indicates that this is a conference not to be missed. I urge you to register as soon as possible and look forward to AILA 2012 Dinner Sponsor personally welcoming you to the conference. -
191 Launceston Tasmania 7250 State Secretary: [email protected] Journal Editors: [email protected] Home Page
Tasmanian Family History Society Inc. PO Box 191 Launceston Tasmania 7250 State Secretary: [email protected] Journal Editors: [email protected] Home Page: http://www.tasfhs.org Patron: Dr Alison Alexander Fellows: Dr Neil Chick, David Harris and Denise McNeice Executive: President Anita Swan (03) 6326 5778 Vice President Maurice Appleyard (03) 6248 4229 Vice President Peter Cocker (03) 6435 4103 State Secretary Muriel Bissett (03) 6344 4034 State Treasurer Betty Bissett (03) 6344 4034 Committee: Judy Cocker Jim Rouse Kerrie Blyth Brian Hortle Leo Prior John Gillham Libby Gillham Helen Stuart Judith Whish-Wilson By-laws Officer Denise McNeice (03) 6228 3564 Assistant By-laws Officer Maurice Appleyard (03) 6248 4229 Webmaster Robert Tanner (03) 6231 0794 Journal Editors Anita Swan (03) 6326 5778 Betty Bissett (03) 6344 4034 LWFHA Coordinator Anita Swan (03) 6394 8456 Members’ Interests Compiler John Gillham (03) 6239 6529 Membership Registrar Muriel Bissett (03) 6344 4034 Publications Coordinator Denise McNeice (03) 6228 3564 Public Officer Denise McNeice (03) 6228 3564 State Sales Officer Betty Bissett (03) 6344 4034 Branches of the Society Burnie: PO Box 748 Burnie Tasmania 7320 [email protected] Devonport: PO Box 587 Devonport Tasmania 7310 [email protected] Hobart: PO Box 326 Rosny Park Tasmania 7018 [email protected] Huon: PO Box 117 Huonville Tasmania 7109 [email protected] Launceston: PO Box 1290 Launceston Tasmania 7250 [email protected] Volume 29 Number 1 June 2008 ISSN 0159 0677 Contents Editorial .................................................................................................................. -
Barry Douglas Camerata Ireland & Guests
Barry Douglas Camerata Ireland & Guests Andrés Díaz – cello / Ruth Gibson – viola / Jessie Grimes – clarinet / Ailish Tynan – soprano / Elina Vähälä – violin / Richard Watkins – horn GUEST ARTISTS Julie Alcaraz - piano / Michael d’Arcy - violin / Chris Kelly - double bass / Eimear McGeown - flute / Catriona McKay - harp / Keith Pascoe - violin / Chris Stout - fiddle / Jonny Toman - guitar and The Lir Quartet Also Fashion Show with young designers and Musicians of the Future concert featuring students at the Camerata Ireland Academy at Clandeboye. www.goh.co.uk/clandeboye-festival OPENING GALA CONCERT – 7:30PM £27 adult, £22 conc. £7 student/under 18s Featuring Andrés Díaz, Barry Douglas, Ruth Gibson, Chris Ellis, Michael d’Arcy, Elina Vähälä Beethoven Piano Sonata in F minor “Appassionata” Brahms Violin Sonata No 1 in G major Schubert String Quintet LUNCHTIME CONCERT PIANO RECITAL – 1:00PM Unreserved seating £10 Jordan Bagot Winner of Mabel Swainson Award Feis Ceoil AFTERNOON RECITAL – 3:30PM £27 adult, £22 conc. £7 student/under 18s Featuring Julie Alcaraz, Barry Douglas, Elina Vähälä Haydn Piano Sonata in A flat Debussy Reflects dans l’eau (from Images Book 1) Schubert Fantasy for piano duet Brahms Violin Sonata No 2 in A major ä z l a ä í h z D a ä r V s a é c a l r n A d i l n e i E l A u J EVENING CONCERT – 7:30PM £27 adult, £22 conc. £7 student/under 18s Featuring Julie Alcaraz, Andrés Díaz, Barry Douglas, Ruth Gibson, Chris Kelly, Elina Vähälä and Richard Watkins Schubert Trout Quintet Beethoven Horn Sonata Brahms Violin Sonata No 3 in D minor AFTERNOON RECITAL – 3:30PM £27 adult, £22 conc. -
Tasmania's Arts Festival
Tasmania’s Arts Festival 1 2 MESSAGE FROM THE MESSAGE FROM THE ARTS MINISTER CHAIRMAN The Hodgman Government is a proud As an economist I hold firmly to the view supporter of the arts in Tasmania, and that the arts promote true prosperity. we highly value the jobs and investment As well as their role in fostering creativity opportunities the industry brings to the and beauty, helping us to manifest our state. values and building bridges between The 2017 Ten Days on the Island Festival cultures, the arts have a significant will bring performance, exhibitions financial impact. and related activities to 38 locations Ten Days on the Island is intensely in 25 municipalities across the state. proud of the contribution it has made to This is a fantastic effort that will enable Tasmania. We are proud of the support people from all parts of Tasmania to that the Festival has given to Tasmanian share in these experiences, and allows the artists and of the support it has received MESSAGE FROM THE ARTISTIC DIRECTOR opportunity for locals and tourists alike from Tasmanian audiences. to participate in creativity in ways that will The inclusion of local Tasmanian artists enrich their lives and connect them to the in the international Festival, and the The 2017 Ten Days on the Island program again celebrates Tasmania’s creative wider world. presentation of events in communities connections to the world, with work from artists of many different nationalities throughout Tasmania is in line with including China, New Caledonia and Germany. But central to the Festival’s There are experiences in the Ten Days on programming is the outstanding work of our own artists. -
Rolling Stone | Rollingstoneaus.Com January, 2016
Issue 770 January 2016 $9.95 (GST INC) >> NZ $9.95 (GST INC) The Dark Web INSIDE THE HIDDEN INTERNET The Weeknd SEX, DRUGS AND R&B Tom Petty’s Lost Years Kurt Cobain HIS SECRET RECORDINGS Plus BUDDY GUY BILLY GIBBONS ARCHIE ROACH PHIL COLLINS TIM ROGERS COLDPLAY Adele GRIMES A Private Life 100007738 Print Post Approved Print Post More rooms. More music. More happy. 2 Room Starter Set - $529 $YDLODEOHDW-%+L)L+DUYH\1RUPDQ 6SHFLDOLVW+L)L6WRUHV Limited time offer. Save $69. 2σHUSHULRGDSSOLHV1RYWR'HF ELVIS PRESLEY JOE COCKER Elvis as you have never heard him before! The first comprehensive double album of Joe’s entire Featuring classic Elvis hits including musical history 36 unforgettable recordings, including ‘Burning Love’, Love Me Tender’, and ‘Fever’ ‘You Are So Beautiful’, ‘Many Rivers To Cross’, and (featuring Michael Buble). ‘You Can Leave Your Hat On’. ROGER WATERS BOB DYLAN The eponymous soundtrack to the globally acclaimed Latest volume in acclaimed Dylan Bootleg series feature filmCaptures Waters’ sold-out 2010-2013 premieres previously unreleased studio recordings. ‘The Wall Live’ tour, the first complete staging of the Includes never-before-heard songs, outtakes, rehearsal classic Pink Floyd concept album since 1990. tracks, and alternate versions, from the BRINGING IT ALL BACK HOME, HIGHWAY 61 REVISITED and BLONDE ON BLONDE Sessions. LEGENDS ALBUMS AC/DC DAVID GILMOUR ROCK OR BUST! Brand new solo album. New album featuring ‘Play Ball’, and ‘Rock Or Bust’. Features ‘Rattle That Lock’, A Boat Lies Waiting’, and ‘The Girl In The Yellow Dress’. JEFF LYNNE’S ELO BRUCE SPRINGSTEEN First album of all-new ELO music in over a decade! Contains 4 CDs, with a wealth of unreleased material, Features new songs including ‘When I Was A Boy’, and 4 hours of never-before-seen video on 3 DVDs ‘When The Night Comes’, and ‘ The Sun Will Includes studio outtakes; a two-DVD film of never- Shine on You’. -
Conference Guide
THIS CONFERENCE IS ALL ABOUT YOU. CONFERENCE GUIDE Fruit Growers Tasmania is proud to host NATIONAL CHERRY CONFERENCE 3-6 August NATIONAL APPLE & PEAR CONFERENCE 4-6 August Introduction and destination | Page 2 INTRODUCTION It has been well established over time that if orchardists are to The basic definition of conference is meeting, discussion, talks, be competitive, profit making and sustainable into the future, consultation. Conferences obviously provide opportunity they need to continually review the way they produce their for growers to gather information and knowledge over a product and do business. In basic terms, the tools required to conveniently packaged few short days. Conferences also do this come from gathering new information and acquiring provide further opportunity for exchange of information knowledge, at least at the same rate as your competitors and between growers across the country, and development ideally at a greater rate! of contacts with other industry stakeholders – suppliers, exporters, agencies, reseachers and marketers. So how do you go about acquiring the knowledge and maintaining the growth in knowledge while simultaneously The 2009 National Cherry Growers Conference and National undertaking the production, harvest, packing and marketing of Apple & Pear Growers Conference are proudly hosted by Fruit your product and generally running your business? Growers Tasmania Inc (FGT) on behalf of CGA and APAL. Both the conferences are well supported by Horticulture Apple & Pear Australia Ltd (APAL), Cherry Growers Australia Australia Ltd. (CGA) and Horticulture Australia (HAL) are significant organisations in Australia’s Horticulture industry representing Fruit Growers Tasmania Inc conference committee has the interests of producers throughout growing regions all over comprised, not just FGT staff to manage the conference, but Australia. -
Women in Music Mentor Program 2020 Advisory Committee
Women In Music Mentor Program 2020 Advisory Committee Ali Tomoana A proud Māori/Samoan woman and Mother, Ali is the Co-Founder/Director of Brisbane-based Indie Record Label and Artist Management agency, Soul Has No Tempo. With a joint passion for cultivating and supporting local music, Ali & her husband Gavin created SHNT as a one-stop-shop for emerging artists to perform, create and release music. Managing breakthrough Australian artist Jordan Rakei through his early development and reloca- tion to London, Ali now proudly represents Ladi6, Tiana Khasi and Ella Haber, along with Melbourne-based singer-songwriter, Laneous, and is inspired daily by the qualities that make each artist unique. As a label, SHNT dive deep into music that pushes the boundaries of Soul, while exploring new methods in which their artists can control their freedom of expression as creators. Anne Wiberg Anne established her own business as a freelance promoter, music programmer and event and project producer in late 2017. Recent clients have included AIR Awards (Australian Independent Records), State Government for the annual Ruby Awards, South Australia’s premier arts awards, Darwin Festival as Music Programmer, Adelaide Festival as Producer of “Picaresque” with Robyn Archer for the 2019 season, Insite Arts, Mercury Cinema, and Adelaide Fringe Festival as content producer in 2018 and Gala Director for the 2020 event. For the past twelve months, she has worked as a consultant for the Adelaide Botanic Gardens and State Herbarium to assist the organisation with developing a public arts program for winter months. As well as starting to promote her own live music events, she also produces programs and talent for private and corporate events. -
Black Arm Band Dirtsong
Sunday, February 12, 2017, 7pm Zellerbach Hall Black Arm Band dirtsong Created by Black Arm Band Original Text Alexis Wright Original Concept Steven Richardson Black Arm Band Artistic Director Emma Donovan Artistic Director— dirtsong Fred Leone Musical Director Michael Meagher Arrangements and Orchestrations Andrea Keller, Eugene Ball, and Julien Wilson, with artists of Black Arm Band Lighting Designer Michelle Preshaw Production Management Daniel Gosling Stage Management Brock Brocklesby Audio Engineer Patrick Murray Screen Visuals Natasha Gadd, Rhys Graham, Daybreak Films Producer Sarah Greentree Vocalists James Henry Ursula Yovich Shellie Morris Troy Brady Nicole Lampton Band Tjupurru , yidaki /didjeribone Michael Meagher, bass Rory McDougall, drums Patrick Wolff, tenor saxophone and clarinet Benito Cortez, violin and viola Jacob Smolowe, piano Black Arm Band is assisted by the Australian government through the Australia Council for the Arts, its arts funding and advisory body, and supported by the Victorian government through Arts Victoria. This project has been assisted by the Australian government through the Department of Communication and the Arts’ Catalyst—Australian Arts and Culture Fund. This evening’s performance will be performed without intermission and will last approximately 90 minutes. Black Arm Band and Cal Performances wish to gratefully acknowledge that we are standing on the ancestral lands of the Muwekma Ohlone Tribe. We thank them for the privileged use of their ancestral lands. Cal Performances Classroom activities with Black Arm Band are generously supported by the Jacques M. Littlefield Foundation. Cal Performances Classroom activities throughout the season are made possible, in part, by Wells Fargo. PROGRAM NOTES he purpose of Black Arm Band is to dirtsong develop, perform, promote, and celebrate Sung in Yorta Yorta Tcontemporary Aboriginal and Torres Written by Lou Bennett and Alexis Wright.