JSC Capabilities Deep Dive Introduction

Total Page:16

File Type:pdf, Size:1020Kb

JSC Capabilities Deep Dive Introduction JSC Capabilities Deep Dive Introduction Johnson Space Center September 19, 2019 Capabilities Deep Dive September 19, 2019 [email protected] Agenda • Points of Contact • Meeting Purpose & Disclaimers • JSC Unique Capabilities • Questions of Clarification /Closing Remarks 3 Center Points of Contact 4 Purpose • Today is an opportunity for potential vendors to further understand JSC capabilities in greater detail than provided during Industry Day – JSC considers its capabilities both unique & world-class – We will describe differences in capability between JSC vs. other Centers, where applicable • Through this Forum, an improved understanding of JSC capabilities will be achieved, while offline meetings are encouraged to further develop Appendix H support content & ideas • Today’s audience consists of potential Appendix H vendors & NASA JSC personnel – However, NASA participants have no knowledge of and cannot provide guidance to Appendix H requirements or Industry comments previously submitted – Deep Dive / Center Appendix H Support Team Is firewalled from HLS Program – See FedBiz Ops for official contacts 5 JSC Unique Capabilities 9:00-9:05 Introduction – Carlos Westhelle 9:05-9:20 Mission Analysis 9:20-9:35 System Engineering 9:35-9:45 Safety and Mission Assurance 9:45-9:55 Extravehicular Activity 9:55-10:15 Mission Operations 10:15-10:40 Human Health and Performance 10:40-12:05 Engineering Domain Expertise and Test – JSC & WSTF 12:05-12:15 Science 12:15-12:30 Questions of Clarification /Closing Remarks – Carlos Westhelle 6 Mission Analysis Johnson Space Center September 19, 2019 JSC Exploration Mission Planning • Strategic Analysis & Formulation – Advanced concept analysis, capabilities definition, and performance assessments – Development and analysis of concept architectures across disciplines • Mission Analysis & Integrated Assessments (MAIA) – Artemis mission design definition, integration, and implementation – Systems and mission analysis, identification of cross-program constraints, and definition of mission achievability • Project & Systems Integration – Technical integration, management, and coordination of projects for advanced systems evaluation and testing – High-fidelity integrated multi-disciplinary operational testing and mission planning to demonstrate exploration missions – Integrated vehicle performance modeling and simulation 8 MAIA Support to Program Lifecycle External/Program Offices Phase Arch Proposal Pre-Phase A Feasibility Review & Analysis Prelim Architectural Analysis SRR/SDR Prelim Mission GR&A Development Mission GRAs Element Concept Requirements Development (>4 years) & Integration Bounding Trajectories Conops Development Conceptual Flight Profiles As-Designed Values PDR to CDR Design Implementation GRA refinement Mission Constraints (~L-4 years) Requirements refinement Constraint accommodation, mission CFPs Vehicle Sizing and Bounding reintegration Annular Scans/Variations Constraints Init. Mission Baseline CDR to dd250 Conceptual Flight Profiles As-Built Values (MDB) (~L-2/3 years) Initial Contingency Analysis Mission Constraints Design Verification GR&A refinement Hardware Implementation -or- Mission Availability Baselining Constraint accommodation, mission As-built values and constraints Msn Mitigations/Redesign Mission in reintegration Manifest Mission Definition Baseline (MDB) MDB Baseline MIR Dd250 to Launch Final Mission Integration Workarounds (if needed) Flight Certification (~L-18months) Mission Availability Calendar Flight Trajectories Flight Ops Products -or- Launch Period/Aborts viewers Initiating Mission Management Databook MMT Products Transition to Flight Ops 9 HLS Mission Planning through MAIA • Mission Design and Integration Products/Services – Establish mission objectives, groundrules and constraints in integrated mission context • Mission GR&A Documents – Conduct mission trades for conditions, objectives, and/or design solutions • Mission Analysis Task Mgmt. & Analysis Memos – Identify/respond to programmatic or vehicle concerns resulting from mission design • Mission & Architecture Graphics • Mission requirements, – Coordinate/resolve conflicts related to mission design across programs objectives, contingency content – Coordination of end-to-end trajectory design, optimization, and cross-program implementation of • Mission Design Matrix • Trajectory design GRAs mission design (nominal, alternatives, and aborts) • Technical Performance • Mission Modeling & Simulation Measures • Conceptual Flight Profiles – Mission architecting and parametric sizing of spacecraft and in-space propulsion elements • Mission element sizing integrated with trajectory – Analysis and assessments for mission integration and design trades/investigations optimization (in development) • Mission Availability Calendars • Data Analytics • Launch Period and Abort – Trajectory database and post-processing tooling development Availability Summaries • Mission Management Databook – Analysis and production of mission management products and mission metrics – Analysis of characteristics, correlation of constraints, and products to aid decision makers Establishes mission requirements, assesses competing cross-program capabilities, develops integrated mission solutions, and ensures mission achievability per the vehicles being delivered 10 Mission Planning & Design Services • MAIA – In-line placement of systems engineering expertise specific to mission execution and integration representing contractor vehicle to integrated mission team • Examples: timeline analysis, operations definition, performance analysis and integration, etc. – Cross-program flight requirements definition and decomposition from mission designs • Examples: performance allocations, integrated vehicle system requirements, cross-program system knowledge and interfaces • Projects & Systems Integration – Inter-disciplinary project management and integration • Conops development and system requirement definition • Development and Implementation of appropriate Field Testing, – Single environment facilities (e.g., NBL) – High fidelity mission analogs (including crew office end operators, MCC, Science Team, comm latency, etc.) – Crew and Operator supported evaluations • Mission suitability evaluation for design alternatives • Operational integration of vehicles for cross-program integration – Vehicle systems performance modeling, simulation, and analysis • Examples: power/thermal sub-system modeling, time domain performance analysis 11 System Engineering and Integration Capabilities Johnson Space Center September 19, 2019 JSC SE&I Core Skills • Program Formulation – ConOps Definition – Mission/Architectural Modeling – Requirements development and flow-down (including interfaces) – V&V Policy and Process Definition – Human Rating Certification • Architecture Definition – Integrated Architecture – design constraints and interfaces definition Key Skills: – Integrated Groundrules and Assumptions for Design Analysis Cycles • Cross-Discipline Integration – Integration with data systems and tools • Technical Issue Resolution – Issue resolution, deep-dive assessments • Cross-Program Integration • Interface Definition for • Verification Planning, Assessments, Execution & Closure (includes interfaces) pressurized elements • Pre-flight Processing and Flight Test – Coordination and management of qualification and acceptance test requirement definition, assessment, and flow-down from system to unit (component) level – Test planning and tailored execution of spacecraft-level projects and subsystems such as Morpheus or AA2 testing – moved from above – Technical review of verification products – Validation closure: integrated tests and flight tests – Integrated HW/SW certification for flight – Support failure analysis reviews to identify impacts and/or recommend changes to test programs 13 Cross-Program Systems Integration Support • Mission level integration function provides horizontal and vertical integration and issue Ground Integration resolution to help coordinate and integrate between lander, Gateway, Orion, SLS, Exploration Ground Systems, Lunar Surface Systems • Product(s) engagement – Ensures content meets mission goals/objective and represents the intent of Requirements and Artemis ConOps – Works with vendors to ensure crew and flight operational concerns are incorporated into design – Works with vendors by reviewing program developed products prior to formal release, as necessary, to identify/resolve technical issues Aborts – Evaluates design against interface definition and requirements to identify/resolve disconnects • Communication and Network Integration and Testing • Cross-Program Avionics Software Design, Integration and Testing • Cross-Program Payload Interface Definition and Processes • Integrated Aborts/Contingency Assessment and Flight Rule Development • Flight Certification determines mission readiness and risk acceptance of crewed systems and provides tools/resources to support CoFR execution Comm/Network/Tracking • Systems Protection Office develops protection plans, conducts system vulnerability assessments, and coordinates threat information 14 Cross-Program Systems Integration Support • Integrated Risk Management – Provides coordination to integrate the risks collected from HLS lander and various Program sources into a coordinated, normalized risk posture from an integrated system perspective – Ensures proper coordination and mitigation of risks with appropriate stakeholders such as Safety & Mission Assurance, Health and Medical,
Recommended publications
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]
  • MARK MORRIS DANCE GROUP and MUSIC ENSEMBLE Wed, Mar 30, 7:30 Pm Carlson Family Stage
    2015 // 16 SEASON Northrop Presents MARK MORRIS DANCE GROUP AND MUSIC ENSEMBLE Wed, Mar 30, 7:30 pm Carlson Family Stage DIDO AND AENEAS Dear Friends of Northrop, Northrop at the University of Minnesota Presents I count myself lucky that I’ve been able to see a number of Mark Morris Dance Group’s performances over the years—a couple of them here at Northrop in the 90s, and many more in New York as far back as the 80s and as recently as last MARK MORRIS year. Aside from the shocking realization of how quickly time flies, I also realized that the reason I am so eager to see Mark Morris’ work is because it always leaves me with a feeling of DANCE GROUP joy and exhilaration. CHELSEA ACREE SAM BLACK DURELL R. COMEDY* RITA DONAHUE With a definite flair for the theatrical, and a marvelous ability DOMINGO ESTRADA, JR. LESLEY GARRISON LAUREN GRANT BRIAN LAWSON to tell a story through movement, Mark Morris has always AARON LOUX LAUREL LYNCH STACY MARTORANA DALLAS McMURRAY been able to make an audience laugh. While most refer to BRANDON RANDOLPH NICOLE SABELLA BILLY SMITH his “delicious wit,” others found his humor outrageous, and NOAH VINSON JENN WEDDEL MICHELLE YARD he earned a reputation as “the bad boy of modern dance.” *apprentice But, as New York Magazine points out, “Like Martha Graham, Merce Cunningham, Paul Taylor, and Twyla Tharp, Morris has Christine Tschida. Photo by Patrick O'Leary, gone from insurgent to icon.” MARK MORRIS, conductor University of Minnesota. The journey probably started when he was eight years old, MMDG MUSIC ENSEMBLE saw a performance by José Greco, and decided to become a Spanish dancer.
    [Show full text]
  • Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
    gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them.
    [Show full text]
  • Exhibition "Art and Myth. Gods at the Prado" at Caixaforum Barcelona
    Press Release CaixaForum Barcelona From 15 October 2020 to 14 March 2021 Press Release The exhibition Art and Myth. Gods at the Prado was produced under the strategic alliance established between the Prado National Museum and ”la Caixa” Foundation CaixaForum Barcelona invites visitors to the Olympus of the gods Art and Myth. Gods at the Prado takes a wide-ranging look at Greco- Roman mythology and its representation throughout art history in paintings, sculptures and objects from the mid-first century BC to the mid-nineteenth century. Organised diachronically and based on 64 works from the collections of the Prado Museum, the exhibition features such key figures in art history as Rubens, Ribera and Zurbarán, among many others. This journey around the Olympus of the gods is divided into eight thematic sections and presents different representations of gods and interpretations of the same mythological episodes, enabling the visitor to appreciate the iconographic, geographic and chronological wealth of the Prado’s collections. Moreover, a number of elements, including an audiovisual featuring various voices from today’s world, seen in Barcelona for the first time, suggest comparisons between the classical discourse of the works on show with contemporary twenty-first-century myths. Art and Myth. Gods at the Prado. Dates: From 15 October 2020 to 14 March 2021 (open to the public from 4 pm on October 15). Place: CaixaForum Barcelona (Av. de Francesc Ferrer i Guàrdia, 6-8). Organised and produced by: ”la Caixa” Foundation and the Prado National Museum. Curator: Fernando Pérez Suescun, Head of Educational Content, Education Department, Prado National Museum.
    [Show full text]
  • Greek Gods/Mythology Notes - Information on the Greek Belief System Comes from Many Sources
    Greek Gods/Mythology Notes - Information on the Greek belief system comes from many sources. Unlike followers of religions such as Christianity, Judaism, & Islam, the Greeks did not have a single sacred text, such as the Bible or Koran from which their beliefs and religious practices derived. Instead, they generally used oral traditions, passed on by word of mouth, to relate sacred stories. Priest and priestesses to various gods would also guide people in worship in various temples across Greece. We know something about these beliefs because Greek poets such as Homer, Hesiod and Pindar, and Greek dramatists such as Euripides, Aristophanes & Sophocles mention the myths in their various works. Greek mythology, however, was not static- it was constantly changing and evolving. Thus, there are often many different versions (and some that are contradictory toward one another) of the various Greek myths. Thus, some of the example myths you read in here may differ from ones you have previously heard. It does not necessarily make either version “wrong”- simply different. - The Greeks had many Gods & Goddesses- over three thousand if one were to count the many minor gods and goddesses. These deities made up the Greek pantheon, a word used to mean all the gods and goddesses (from the Greek word “pan” meaning all, and “theos” meaning gods). However, throughout Greece, there were always twelve (called the Twelve Olympians) that were the most important. They are: 1. Zeus 2. Hera 3. Poseidon 4. Athena 5. Apollo 6. Artemis 7. Hephaestus 8. Ares 9. Hermes 10. Aphrodite 11. Demeter 12. Dionysus 13.
    [Show full text]
  • Greek God Pantheon.Pdf
    Zeus Cronos, father of the gods, who gave his name to time, married his sister Rhea, goddess of earth. Now, Cronos had become king of the gods by killing his father Oranos, the First One, and the dying Oranos had prophesied, saying, “You murder me now, and steal my throne — but one of your own Sons twill dethrone you, for crime begets crime.” So Cronos was very careful. One by one, he swallowed his children as they were born; First, three daughters Hestia, Demeter, and Hera; then two sons — Hades and Poseidon. One by one, he swallowed them all. Rhea was furious. She was determined that he should not eat her next child who she felt sure would he a son. When her time came, she crept down the slope of Olympus to a dark place to have her baby. It was a son, and she named him Zeus. She hung a golden cradle from the branches of an olive tree, and put him to sleep there. Then she went back to the top of the mountain. She took a rock and wrapped it in swaddling clothes and held it to her breast, humming a lullaby. Cronos came snorting and bellowing out of his great bed, snatched the bundle from her, and swallowed it, clothes and all. Rhea stole down the mountainside to the swinging golden cradle, and took her son down into the fields. She gave him to a shepherd family to raise, promising that their sheep would never be eaten by wolves. Here Zeus grew to be a beautiful young boy, and Cronos, his father, knew nothing about him.
    [Show full text]
  • Greek and Roman Deities at the Villa
    The Getty Pre-Visit Activity Villa Ancient Greek and Roman Talk Show GREEK AND ROMAN DEITIES AT THE VILLA ZEUS (JUPITER) The most powerful of all, Zeus was god of the sky and the king of Olympus. His temper affected the weather, and he threw thunderbolts when he was unhappy. He was married to Hera but had many other lovers. His attributes include the oak and the thunderbolt, and he was typically shown seated on a throne holding a scepter. Enthroned Zeus Unknown Greek, about 100 B.C. Marble 29 1/8 x 18 1/8 x 17 15/16 in. 92.AA.10 Gallery 106, Basilica This statuette may have served as a cult statue in a private shrine of a wealthy Greek or Roman home. This statuette spent a long period of time submerged in the sea. The right side (facing the object) was probably protected buried in the sand, while the left side was marred by encrustations. Marbury Hall Zeus Unknown Roman, Italy, A.D. 1–100 Marble 81 1/2 in. 73.AA.32 Gallery 104, Gods and Goddesses Education Education Portrayed as a mature bearded man, Zeus 6/8 point The J. Paul Getty Museum The J. Paul Getty Museum at the Getty Center sits enthroned in his role as king of the gods. Originally, he would have held his attributes: a scepter and a thunderbolt. Education The J. Paul Getty Museum at the Getty Villa 1 © 2011 J. Paul Getty Trust Education Education The J. Paul Getty Museum The J. Paul Getty Museum 7/9 point at the Getty Center Education The J.
    [Show full text]
  • [PDF]The Myths and Legends of Ancient Greece and Rome
    The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia
    [Show full text]
  • Brief Descriptions of Olympian Gods
    Brief Descriptions of Olympian Gods Created by Nancy Sultan, Professor of Greek & Roman Studies, IWU ROMAN GOD PARENTAGE SPOUSE FUNCTIONS SANCTUARIES ANIMAL ATTRIBUTE EPITHETS EQUIVALENT King of gods, Guardian of Olympian, State, Savior, Father, Olympia & thunderbolt, ZEUS Cronos & Rhea Hera Guardian of eagle JUPITER Thundering, Dodona scepter Justice, Cloud Guardian of Gathering strangers Queen of Cow-eyed, gods, cow, Ox-eyed, HERA Cronos & Rhea Zeus seasonality, Argos & Samos veil, crown JUNO peacock Argive, marriage, White-armed childbirth dolphin, sea, horses, POSEIDON Cronos & Rhea Amphitrite Sounion bull, trident NEPTUNE Earthshaker earthquakes horse agriculture, DEMETER Cronos & Rhea (Zeus) Eleusis ---- staff of wheat CERES Lady cereal Pythian, flocks, music, Phoebus, poetry, lyre, laurel Delphi, Delos, Delphinius, APOLLO Zeus & Leto ---- archery, ---- wreath, APOLLO Didyma Musagetes, medicine, bow/quiver (leader of prophesy, sun muses) hunt, animals, Ephesus, Delos, bow/quiver, Polymastos, ARTEMIS Zeus & Leto ---- fertility, bear, stag DIANA Brauron crescent Cyntha childbirth Crafts, Pallas, wisdom, owl, armor, spear, Tritogenia, ATHENA Zeus (& Metis) ---- protectress of Athens MINERVA snake aegis (shield) Owl-eyed, Athens & Nike heroes moon HESTIA Cronos & Rhea ---- hearth fire ---- ---- ---- VESTAL ---- messengers, heralds, Psychopompus merchants, caduceus ('carrier of thieves, (staff), souls'), HERMES Zeus & Maia ---- magic, ---- ram petasus (hat), MERCURY Argeiphontes herdsman, winged ('slayer of dead souls, hat/boots gods'),
    [Show full text]
  • Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
    1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS
    [Show full text]
  • Greek Religion
    1 Greek Religion Religion & MythMyth. The Greeks worshipped two types of gods: Olympian and Chthonic. The twelve Olympian gods were Zeus, Hera, Poseidon, Demeter, Apollo, Artemis, Ares, Aphrodite, Hermes, Athena, Hephaestus, Hestia (Guthrie 111). Children of Kronos & Rhea 1. Zeus was the head god, the god of thunder & lightning. He drew lots with Hades & Poseidon, his brothers, to choose territory. He got heaven & the universe; Poseidon got the sea; and Hades got underworld. They shared dominion over Mt. Olympus and the surface of the world. 2. Hera was Zeus' sister & wife. She was very jealous of Zeus's affairs. As his wife, she reigned as the queen of heaven. Hera was the patron of marriage. 3. PoseidonPoseidon. God of the sea. 4. DemeterDemeter. Zeus' sister. Mother of Persephone. Goddess of agriculture. 5. HestiaHestia. Zeus' sister. Goddess of family life & city hearth. Children of Zeus & Hera. 6. AthenaAthena. The goddess of wisdom & crafts, both women's crafts (sewing) & men's (tool use, war strategy). She was born from Zeus' head after he swallowed Metis (mind). He swallowed Mentis after learning of a prophecy that if she had a son, he would displace Zeus (Hesiod 143-147). 7. Hephaestus (= Vulcan) was born from Hera alone. He was the god of fire & metallurgy. He was also lame. He made thunderbolts for Zeus, and arms for gods & heroes. He Forged under Mt. Olympus & Mt. Etna, and the Cyclopes worked for him. 8. Ares (= Mars). son of Zeus & Hera. god of war. His war frenzy contrasts with Athena's rational approach to war. Children of Zeus & Leto 9.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Ifigher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE ANCIENT QUAREIEL BETWEEN POETRY AND PHILOSOPHY IN CALLIMACHUS' HYMN TO ZEUS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Stephanie J.
    [Show full text]