DOCSLIB.ORG

Oriental Adventures James Wyatt

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Oriental Adventures James Wyatt 620_T12015 OrientalAdvCh1b.qxd 8/9/01 10:44 AM Page 2 ® ORIENTAL ADVENTURES JAMES WYATT EDITORS: GWENDOLYN F. M. KESTREL PLAYTESTERS: BILL E. ANDERSON, FRANK ARMENANTE, RICHARD BAKER, EIRIK BULL-HANSEN, ERIC CAGLE, BRAIN MICHELE CARTER CAMPBELL, JASON CARL, MICHELE CARTER, MAC CHAMBERS, TOM KRISTENSEN JENNIFER CLARKE WILKES, MONTE COOK , DANIEL COOPER, BRUCE R. CORDELL, LILY A. DOUGLAS, CHRISTIAN DUUS, TROY ADDITIONAL EDITING: DUANE MAXWELL D. ELLIS, ROBERT N. EMERSON, ANDREW FINCH , LEWIS A. FLEAK, HELGE FURUSETH, ROB HEINSOO, CORY J. HERNDON, MANAGING EDITOR: KIM MOHAN WILLIAM H. HEZELTINE, ROBERT HOBART, STEVE HORVATH, OLAV B. HOVET, TYLER T. HURST, RHONDA L. HUTCHESON, CREATIVE DIRECTOR: RICHARD BAKER JEFFREY IBACH, BRIAN JENKINS, GWENDOLYN F.M. KESTREL, TOM KRISTENSEN, CATIE A. MARTOLIN, DUANE MAXWELL, ART DIRECTOR: DAWN MURIN ANGEL LEIGH MCCOY, DANEEN MCDERMOTT, BRANDON H. MCKEE, ROBERT MOORE, DAVID NOONAN, SHERRY L. O’NEAL- GRAPHIC DESIGNER: CYNTHIA FLIEGE HANCOCK, TAMMY R. OVERSTREET, JOHN D. RATELIFF, RICH REDMAN, THOMAS REFSDAL, THOMAS M. REID, SEAN K COVER ARTIST: RAVEN MIMURA REYNOLDS, TIM RHOADES, MIKE SELINKER, JAMES B. SHARKEY, JR., STAN!, ED STARK, CHRISTIAN STENERUD, OWEN K.C. INTERIOR ARTISTS: MATT CAVOTTA STEPHENS, SCOTT B. THOMAS, CHERYL A. VANMATER-MINER, LARRY DIXON PHILIPS R. VANMATER-MINER, ALLEN WILKINS, PENNY WILLIAMS, SKIP WILLIAMS CRIS DORNAUS PRONUNCIATION HELP: DAVID MARTIN RON FOSTER, MOE MURAYAMA, CHRIS PASCUAL, STAN! RAVEN MIMURA ADDITIONAL THANKS: WAYNE REYNOLDS ED BOLME, ANDY HECKT, LUKE PETERSCHMIDT, REE SOESBEE, PAUL TIMM DARRELL RICHE RICHARD SARDINHA Dedication: To the people who have taught me about the cultures of Asia—Knight Biggerstaff, Paula Richman, and my father, RIAN NODDY B S David K. Wyatt. ARNIE SWEKEL Resources: Sources for this work include the original Oriental CARTOGRAPHER: ROB LAZZARETTI Adventures, by Gary Gygax with David “Zeb” Cook and François Marcela-Froideval; The Complete Ninja’s Handbook by Aaron Allston; TYPESETTER: ERIN DORRIES the Legend of the Five Rings™ roleplaying game, written by John Wick; numerous L5R supplements by John Wick, Ree Soesbee, and BUSINESS MANAGER: ANTHONY VALTERRA others; Sword and Fist by Jason Carl et al.; Dragon Fist by Chris Pramas; “Rhino’s Armor, Tiger’s Claws,” by Michael J. Varhola PROJECT MANAGER: JUSTIN ZIRAN (DRAGON® Magazine #189); “Caste of Characters,” “Monsoons and the Power of Om,” and “Bazaar of the Bizarre,” by Michael Selinker PRODUCTION MANAGER: CHAS DELONG (DRAGON Magazine #225, #226, and #229); and “The Right Tool for the Job,” by Andy Collins (DRAGON Magazine #275). Based on the original DUNGEONS & DRAGONS® rules created by Gary Gygax and Dave Arneson, and the new DUNGEONS & DRAGONS game designed by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. U.S., CANADA, EUROPEAN HEADQUARTERS ASIA, PACIFIC, & LATIN AMERICA Wizards of the Coast, Belgium Wizards of the Coast, Inc. P.B. 2031 P.O. Box 707 2600 Berchem Renton WA 98057–0707 Belgium (Questions?) 1–800–324–6496 620-T12015-001-EN +32–70–23–32–77 DUNGEONS & DRAGONS, D&D, DRAGON, Legend of the Five Rings, and the Wizards of the Coast logo are trademarks owned by Wizards of the Coast, Inc., a subsidiary of Hasbro, Inc. All Wizards characters, character names, and the distinctive likenesses thereof are trademarks owned by Wizards of the Coast, Inc.Distributed to the hobby, toy, and comic trade in the United States and Canada by regional distributors. Distributed in the United States to the book trade by Holtzbrinck Publishing. Distributed in Canada to the book trade by Fenn Ltd. Distributed worldwide by Wizards of the Coast, Inc. and regional distributors.This material is protected under the copyright laws of the United States of America. Any reproduction or unauthorized use of the material or artwork contained herein is prohibited without the express written permission of Wizards of the Coast, Inc. This product is a work of fiction. Any similarity to actual people, organizations, places, or events is purely coincidental. ©2001 Wizards of the Coast, Inc. All rights reserved. Made in the U.S.A. Visit our website at www.wizards.com/dnd 620_T12015 OrientalAdvCh1b.qxd 7/25/01 3:01 PM Page 3 Vital Statistics . 69 Shen Lung (Spirit Dragon) . 159 CONTENTS Equipping a Character. 70 T’ien Lung (Celestial Dragon). 161 Weapons . 70 Tun Mi Lung (Typhoon Introduction . 5 Armor . 75 Dragon) . 162 Adventuring Gear. 77 Gaki . 163 Character Creation Basics . 6 Class Tools and Skill Kits . 77 Jiki-niku-gaki . 163 Clothing . 77 Shikki-gaki. 163 C Chapter 1: Races. 7 Food, Drink, and Lodging. 77 Shinen-gaki . 163 O Human . 7 Mounts and Related Gear. 77 Jiki-ketsu-gaki. 164 Hengeyokai . 10 Special and Superior Items. 78 Ghost. 165 N Korobokuru . 11 Hannya . 166 Nezumi . 13 Chapter 6: Combat . 79 Hebi-no-onna . 167 T Spirit Folk. 14 Martial Arts . 79 Hengeyokai . 168 Vanara . 15 Empty Hand Mastery . 80 Hopping Vampire. 169 E Other Races . 16 Mighty Works Mastery I . 80 Kappa . 169 Mighty Works Mastery II . 80 Ki-rin. 170 N Chapter 2: Classes. 17 Foot and Fist Mastery . 80 Korobokuru . 171 T Barbarian . 17 The Gentle Way Mastery . 81 Mamono . 172 Fighter. 18 Meditation of War Mastery . 81 Naga, Shinomen . 172 S Monk. 18 Iaijutsu Duels. 81 Greensnake . 174 Ranger. 19 Psychic Duels. 82 Chameleon . 174 Rogue . 19 Asp. 174 Samurai. 20 Chapter 7: Magic and Spells . 83 Cobra. 174 Shaman . 22 Shugenjas and Spellcasting . 83 Constrictor . 175 Shugenja. 24 Spells . 83 Nat . 175 Sohei . 27 Shaman Spells . 84 Einsaung Nat . 176 Sorcerer. 29 Shaman Domains . 86 Hkum Yeng Nat . 176 Wu Jen. 30 Shugenja Spells. 89 Lu Nat. 177 NPC Classes. 32 Shugenja School Spells . 91 Nature Spirit . 177 Banned Classes . 32 Sohei Spells . 92 Nezumi . 178 Multiclass Characters . 32 Wu Jen Spells. 93 Oni. 179 Caste and Class in Rokugan. 32 Spell Descriptions . 96 Common Oni . 179 Go-zu Oni . 180 Chapter 3: Prestige Classes . 33 Chapter 8: Magic Items. 121 Me-zu Oni . 180 Monk Prestige Classes. 33 Limit on Magic Items Worn . 121 Oni, Shadowlands . 181 Battle Maiden . 34 Magic Armor . 121 Haino No Oni. 181 Bear Warrior. 36 Magic Weapons. 124 Ashi No Oni . 181 Blade Dancer . 37 Potions . 128 Sanru No Oni . 182 Eunuch Warlock. 38 Rings . 129 Kamu No Oni . 182 Henshin Mystic . 39 Scrolls . 129 Shikibu No Oni . 183 Iaijutsu Master . 41 Talismans . 135 Ugulu No Oni. 183 Kishi Charger . 42 Wands . 136 Akuma No Oni. 184 Ninja Spy . 43 Wondrous Items . 137 Kyoso No Oni . 185 Shadow Scout . 44 Creating Magic Items . 142 Yattoko No Oni. 186 Shapeshifter. 45 Byoki No Oni . 186 Shintao Monk . 46 Chapter 9: Monsters . 143 Gekido No Oni. 187 Singh Rager . 48 Type Modifiers . 143 Tsuburu No Oni . 188 Tattooed.
Load more

Recommended publications
  • How the World Ought to Work
    How the World Ought to Work By D.G. Laderoute “Seppun-san,” Akodo Toturi asked, “why, exactly, are we here?” A restrained patience tightened Seppun Ishikawa’s reply, like he was answering a child. “Once again, Akodo-san, we are going to meet someone.” Toturi narrowed his eyes. He’d been to the Higashikawa District perhaps one other time in his life, but was put off by its freewheeling, garish, commercial character. The racket of street vendors and merchants, hawking what struck him as mostly junk, clamored around them. At least the rabble was good at distracting itself, barely glancing at the two of them, apparently unremarkable rōnin in drab kimonos and broad, conical straw hats. Toturi kept his gaze on Ishikawa. He was tempted to simply command him to stop being so enigmatic, and actually answer the damned question; being the Emerald Champion, he could do that. But he didn’t, because it might upset their fragile…not friendship. Relationship, at best. In the past three weeks, that relationship had settled into an equilibrium, albeit one as delicate as dragonfly wings. The fact was, Toturi needed Ishikawa. The Seppun provided him a window into the politics and bureaucracy of the Imperial court, one he wouldn’t otherwise have, at least as long as he sought to anonymously track his would-be assassins. Three weeks had also given them no leads beyond ruling out a few, admittedly unlikely, perpetrators. Ishikawa slowed as a crowd spilled out of a shabby sake house called Bitter Oblivion. The resulting commotion gave Toturi a chance to lean close to the Seppun and speak.
    [Show full text]
  • SIÊU BÃO ĐỊA CẦU Geostorm Géotempête
    CHƯƠNG TRÌNH GIẢI TRÍ TRÊN CHUYẾN BAY INFLIGHT ENTERTAINMENT GUIDE GUIDE DE DIVERTISSEMENT À BORD 03-04 | 2018 SIÊU BÃO ĐỊA CẦU Geostorm Géotempête Up to 500 hours of entertainment Chào mừng Quý khách trên chuyến bay của Vietnam Airlines! Với hình ảnh bông sen vàng thân quen, LotuStar là thành quả của quá trình không ngừng nâng cao của Vietnam Airlines với mong muốn mang đến cho quý khách những phút giây giải trí thư giãn trên chuyến bay. Chữ “Star” – “Ngôi sao” được Vietnam Airlines lựa chọn đưa vào tên gọi của cuốn chương trình giải trí như một ẩn dụ cho hình ảnh các ngôi sao điện ảnh, ngôi sao ca nhạc sẽ xuất hiện trong các chương trình giải trí. “Ngôi sao”, hơn thế nữa, còn đại diện cho mục tiêu mà Vietnam Airlines đang hướng tới: chất lượng phục vụ quí khách ngày càng hoàn hảo hơn. Mỗi trang thông tin trong cuốn cẩm nang hứa hẹn mang đến cho Quý khách một thế giới nghe-nhìn sôi động với các bộ phim điện ảnh kinh điển, những bộ phim bom tấn, các tác phẩm âm nhạc bất hủ, đang được yêu thích, các chương trình sách nói và chương trình trò chơi lôi cuốn, hấp dẫn. Tất cả các nội dung trên đều được sắp xếp, trình bày theo từng chuyên mục để thuận tiện cho lựa chọn của Quý khách. Và bây giờ, xin mời Quý khách cùng du hành vào thế giới giải trí trên chuyến bay của Vietnam Airlines…. Welcome aboard! LotuStar, your inflight entertainment guide, will give you details of an exciting and diversified entertainment programme, representing Vietnam Airlines’ endeavour to make your flight a relaxing experience.
    [Show full text]
  • February 25 Online Auction
    09/25/21 03:30:31 February 25 Online Auction Auction Opens: Thu, Feb 20 5:50pm ET Auction Closes: Tue, Feb 25 7:00pm ET Lot Title Lot Title 1 Old Vintage Gas Station Quaker State Hand 1008 New Necklace Teardrop Ruby Gem and White Crank Oil Pump Dispenser With Original Top Sapphire Pretty, 18" Chain, Lobster Claw Sign, Very Rare Topper Sign, Some Cleaning Clasp, Gold Plated Needed, Rare! 1009 Ten Circulated Kennedy Half Dollars, 40% 10 Hanging Gold Black Plastic Wall Clock, Not Silver, 1965, Three 1967, Four 1968, Two 1971 Working 14"W x 34"H With Matching Candle 101 Ten Wood Dollhouse Furniture Pieces, Nine Holders, 9"W x 4"D x 18"H, All in Good New in Package, Good Condition, Piano, Condition Bench, Desk, Etc. Various Sizes, 1" to 4"W 100 Ice Fishing Gear, One Metal Ice Strainer To 1010 Get Ready For St. Patrick's Day With This Pair Clean Hole, One Jig Pole 24", Two Tip Ups, of Sterling Silver, Four Leaf Clover Pins, Wood 20"L, All in Good Condition Marked Sterling NYE, 13/16 of Inch Square, 1000 Attention Little Dog Lovers! The Danbury Mint Very Good Condition, 3/4"D Yorkie Stained Glass Tiffany Style Lamp, Rare 1011 Two 50 Cent Centavos Coins Estados Unidos Hard To Find, Sold Out, Two Bulb and Two Mexicanos, British Bahamas 1966, Ten Cents Pull Chains, Very Good Condition, 20"H, Very Queen Elizabeth II, Four Opa Red Point Ratio Good Condition, Shade is 14" x 14", Marked on Tokens, Letter Combinations, UX, UT, VU, VY Bottom 1012 Very Nice Silvertone With Simulated Turquoise 1001 1878 S Morgan Silver Dollar, BU Condition, Bracelet, 8"L,
    [Show full text]
  • The Influence of Politics and Culture on English Language Education in Japan
    The Influence of Politics and Culture on English Language Education in Japan During World War II and the Occupation by Mayumi Ohara Doctor of Philosophy 2016 Certificate of Original Authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Production Note: Signature removed prior to publication. Mayumi Ohara 18 June, 2015 i Acknowledgement I owe my longest-standing debt of gratitude to my husband, Koichi Ohara, for his patience and support, and to my families both in Japan and the United States for their constant support and encouragement. Dr. John Buchanan, my principal supervisor, was indeed helpful with valuable suggestions and feedback, along with Dr. Nina Burridge, my alternate supervisor. I am thankful. Appreciation also goes to Charles Wells for his truly generous aid with my English. He tried to find time for me despite his busy schedule with his own work. I am thankful to his wife, Aya, too, for her kind understanding. Grateful acknowledgement is also made to the following people: all research participants, the gatekeepers, and my friends who cooperated with me in searching for potential research participants. I would like to dedicate this thesis to the memory of a research participant and my friend, Chizuko.
    [Show full text]
  • LL-L5R Rules.Pdf
    A few months ago, the Empress of Rokugan’s third child, Iweko Miaka, came of age. This instantly made her the most eligible maiden in the Empire, and prominent samurai from every clan and faction have set out to court her. Of course, in Rokugan marriage is a matter of duty and politics far more often than love, but the personal affection of a potential spouse can be a very effective tool in marriage negotiations. And when that potential spouse is an Imperial princess, her affection can be more influential than any number of political favors. 2 Of course, winning a princess’ heart is hardly an easy task in the tightly- monitored world of the Imperial Palace. The preferred tool of courtly romance in Rokugan is the letter, and every palace’s corridors are filled with the soft steps of servants carrying letters back and forth. But such letters can be intercepted by rivals or turned away by hostile guards. For a samurai to succeed in his suit, he will have to find ways of getting his own letters into Miaka’s hands – while blocking the similar efforts of rival suitors. 3 Object In the wake of many recent tragic events, Empress Iweko I has sought to bring a note of joy back to the Imperial City, Toshi Ranbo, by announcing the gempukku (coming- of-age) of her youngest child and only daughter, Iweko Miaka. Prominent samurai throughout the Imperial City have immediately started to court the Imperial princess, whose hand in marriage would be a prize beyond price in Rokugan.
    [Show full text]
  • Traditional Igbo Society in World
    IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN(E): 2321-8878; ISSN(P): 2347-4564 Vol. 2, Issue 11, Nov 2014, 59-70 © Impact Journals TRADITIONAL IGBO SOCIETY IN WORLD LITERATURE THEMES: A STUDY OF THE PORTRAYAL OF THE INTERACTION BETWEEN WATER SPIRITS AND THE HUMAN SOCIETY IN ELECHI AMADI’S NOVEL “THE CONCUBINE” (1966) JOSEPHINE UZO AKABOGU Senior Lecturer, Department of Arts Education, University of Nigeria, Nsukka, Nigeria ABSTRACT Creation, its purpose and progression remain man’s greatest enigma, scriptural and scientific explanations not withstanding. However, certain ideas of Elemental beings identified with the four elements of Fire, Water, Air and Earth, is one such idea. Of these beings, the water elements have received the greatest attention in the folklores and literatures of all people. In Igboland where this study focuses, tales about Ezenwanyi, Owummiri, or Mammy water are common currency. This universal theme of folklores handled by Amadi in this his complete Igbo novel, The Concubine (1966) is the focus of this work, studying its Igboness in perspective and ideas, showing how his holds its own in a globalized world, according respect, dignity and university to the Igbo, creating hence a sense of self knowledge and positive pride. KEYWORDS: Literature, Water Spirits INTRODUCTION Human nature is certainly universal. Environmental factors only go to give it the different colours it displays on the surface. Hence the basic needs of man are ever recurring issues in the modern world. One aspect of man’s nature that portrays this universality is Literature. Every society has a literature, its own literature.
    [Show full text]
  • Brother G's Cyclopedia
    Brother G’s Cyclopedia Of Comparative Mythology 380+ building blocks for the aspiring mythopoet Dedicated To Messrs. Mircea Eliade and Hugh Nibley, who introduced a young boy to comparative mythology. To Lord Dunsany and Mr. H. P. Lovecraft, who pioneered the art of literary mythopoeia. And To Messrs. M. A. R. Barker and J. R. R. Tolkien, who taught us that master worldbuilders must be referred to by three initials and a last name. Table of Contents Introduction…………………………………………………………………...................................1 From Acosmism to the Year-King...………………………………………………………….....3 Appendix A: Non-Standard Portfolios………………………………………………………...52 Appendix B: Epithets and Fusions……………………………………………………………..55 Appendix C: Meta-Theory…………………………………………………………………......... 56 Appendix D: Story-starting Phrases…………………………………………………………… 62 Appendix E: Random Tables…………………………………………………………………... 65 1 Introduction What is this? Why is it here? Where is it going? Why, for the sake of all that’s holy, do I think that you care about yet another book on mythology? Surely, you must be thinking to yourself, you have no need for one (even if it is free). You have three already. Maybe even more! Here’s the difference: Those books that you have will tell you who Hades was. Maybe it’ll be incredibly in-depth and inform you of every variation of every myth that ever featured him. You’ll know a lot about Hades after you read that incredibly thorough book. And after you read the entries on a dozen or so other death divinities, you’ll have a pretty good idea of their common traits. This book approaches the matter from the complete opposite direction. It tells you about death divinities as a class, and then it casually mentions Hades as a number of examples.
    [Show full text]
  • Chapter One by Robert Denton III
    Chapter One By Robert Denton III 9th Day of the Month of Togashi, 1123, on the shores of Cherry Blossom Snow Lake Hida Sukune knew the battle was lost the instant a spear broke through his father’s armor and pierced his belly. Kisada only noticed the wound after he’d flung his opponent screaming from the side of the battlements. He collapsed like the fortress gates, blood running free like the fire. The grim honor guard formed a circle around him, and as they withdrew, Kisada would not look at his son. It was later said that the Castle of the Forgotten fell only after the Great Bear did. Kyūden Hida’s halls thundered with the wet hasty script of rushed scribes and scrolls rolled before the ink fully dried. Heralds would carry them to the Great Clan families, to the Imperial Palace, and beyond. They would learn the Crab’s shame and be warned of what was coming. It is my failure, not yours. Kisada’s words echoed in Sukune’s head even now. Yakamo had protested. If the other clans had heeded the Crab—if they’d sent the jade, the resources, then… Kisada’s wound left him unable to fight. You must lead now, Sukune. Redeem the clan. Do what you can. Stop Akuma’s march. At any cost. Sukune banished the memory and traced the invaders’ course on the map. Akuma no Oni’s forces had an uncontested path straight to Otosan Uchi. But he wasn’t going there. Instead, the horde marched northwest, to the Shinomen Forest.
    [Show full text]
  • Silva Iaponicarum Fasc. 43/44/45/46
    SILVA IAPONICARUM 日林 FASC. XLIII/XLIV/XLV/XLVI 第四十三・四十四・四十五・四十六 号 SPRING/SUMMER/AUTUMN/WINTER 春・夏・秋・冬 2015 SPECIAL EDITION POLISH FILM STUDIES AND JAPANESE CINEMA edited by Krzysztof Loska and Dawid Głownia Posnaniae, Cracoviae, Varsoviae, Kuki MMXV ISSN 1734-4328 2 Drodzy Czytelnicy. Niniejszy specjalny zeszyt Silva Iaponicarum 日林 zawiera artykuły zebrane od polskich filmoznawców specjalizuj ących si ę w kinie japo ńskim. Cieszymy si ę, że mo żemy przedstawi ć w ten sposób najnowsze prace zarówno uznanych polskich badaczy japo ńskiego kina, jak i filmoznawców pokolenia młodszego, znajduj ących si ę u progu ich kariery akademickiej. Nawet wydanie filmowe specjalne naszego kwartalnika pozostaje wielow ątkowe. St ąd jako jedynego klucza porz ądkowania artykułów w trakcie jego kompilacji zastosowano porz ądek alfabetyczny elementów składowych, według nazwisk autorów artykułów. Serdecznie dzi ękujemy autorom wszystkich prac zamieszczonych w tym wydaniu Silva Iaponicarum za gotowo ść do ich publikacji w jednym specjalnym zeszycie naszego kwartalnika oraz za efektywn ą współprac ę w procesie opracowania tekstów. Redaktorzy Kolegium redakcyjne Kraków – Pozna ń –Toru ń – Warszawa – Kuki grudzie ń 2015 3 Dear Readers, This special issue of Silva Iaponicarum 日 林 contains articles received from Polish researchers focusing on Japanese film and cinema studies. We are delighted and honoured to present the most recent works of both the established representatives of Polish academics of the Japanese film studies together with conctributions from younger generation of scholars, who are at the begining of their academic careers. The special film fascicle is very diverse in terms of topics. This is why in the process of the compilation we decided to introduce the alphabetical order of papers (by the authors’ names) in the fascicle.
    [Show full text]
  • Hungría, Yugoeslavia, Rumania Tircid:I, Provocanilo
    ~;,-. ·~ .- URTARRILLA + ENERO confianza se1•eua ó / ó cuaüUo l)i ,1íto 1037 se djspou1a a trasponer el cii11tc1 u~ J,t eternidad dejaba tras de s.í un h undo surco de miseria::; Mlereoles 1 Eeuaztena ~ de llanto, de ruin~ Y de dcsolac!ón, de h_orror ~'. ~e vergüenza. ·t iorque a ¡;¡ le hab1a correspondido ei Lr;_~Le p1·1v1legio de que Año 1938 uraule ~u decnr~o :::e agravasen lps pleitos quo de w anle­ 1938'gn. urtia ~esór hereda~a y que_ se _suscitas?º oll'os nuevos cnyo alcance v consecuencias es _d~ffc1¿ pr~dec,r. Redac. y Adminis.: Cortes, 589, pral.-Bar~elona.-Teléf. 11430.-lmprenta: Barbará, 11 y 13.-.:Teléf. 19603.-Año XXVI.-Núm. 7661 • ('n \'islazo al V1eJo Conlmenle nus per:rnl1a apreciar una el, ·pecliva francamente alerra<lora; por la siLuación en q,~ie = p "hallan algunos puebl os' en su propensi.ón a originar. • nuc- Inestabilidad Centroeuropea 6.~5 conflictos y, sobre Lodo, más que por Id q'ue veíamqs, por ~o que podía temerse dejando el amplio margen a lo desco­ NOTA LOCAL Para nuestros "umetxus" iocido que la más elemental prudencia aconseja dejar. o 1 Veíamos -Y seguimos viendo- nna. Oermania ensobcr­ Ens 3embla que ha1,1ria <i'ésser lo­ Hungría, Yugoeslavia, Rumania tircid:i, provocanilo. ron insensata obstinación. a l11s polen­ cal i d'arreu, aquesta nota. Per molt ·ia,; den'inrrálicas que con sólo pl'onunciar ·un " mol d'ordre" que es faci, mal no sera._ prou com­ Pasa4o el tiempo se ha visto que el indudablemente, estas palabras fue¡.:on '.
    [Show full text]
  • A Missional Approach to the Traditional Social Associations of the Nso’ People of Cameroon
    A MISSIONAL APPROACH TO THE TRADITIONAL SOCIAL ASSOCIATIONS OF THE NSO’ PEOPLE OF CAMEROON BY PETER SIYSI NYUYKI (14442168) THESIS SUBMITTED TO THE UNIVERSITY OF PRETORIA, FACULTY OF THEOLOGY, DEPARTMENT OF SCIENCE OF RELIGION AND MISSIOLOGY IN FULFILMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE DOCTOR OF PHILOSOPHY (PhD) IN THE SUBJECT SCIENCE OF RELIGION AND MISSIOLOGY SUPERVISOR: DR. ATTIE VAN NIEKERK APRIL 2017 © University of Pretoria DECLARATION I hereby declare that, except for the references to other people’s works, which have been duly acknowledged; “A Missional Approach to the Traditional Social Associations of the Nso’ People of Cameroon” is as a result of my own research and that it has not been submitted elsewhere for another degree. Additionally, I take responsibility for any inaccuracies and shortcomings, which may be detected in this work. _______________________ Date: ___________________ Peter Siysi Nyuyki (Student No.14442168) ________________________ Date: ____________________ Dr. Attie van Niekerk (Supervisor) i © University of Pretoria DEDICATION This work is dedicated to my elder brother, Gaius Yuwong for his tireless efforts in seeing to it that all of us in the family grow responsibly. “I do not claim that I have succeeded or have already become perfect. I keep striving to win the prize for which Christ Jesus has already won me to himself” (Philippians 3:12). ii © University of Pretoria ACKNOWLEDGMENT No one has yet been able to carry out any research without assistance from other people. That is the reason why the first acknowledgement of any scholarly work is based on sources used. That has been done in this work as required.
    [Show full text]
  • Bestiar / Viliam Ondrejka
    2 Úvod 3 Vodník, Hastrman, také Nix nebo Vodjanoj 4 Wivern, Wyvern čili Saň, Bazilišek 5 Džinové, Prašivec 6 Bahamaut a Behémot 7 Dobytčí děs, Žithola, serpolnica a ti druzí 8 Naecken, Ankou, Broxa, Browniové 9 Garuda, Amfisbaina 10 Ahuizotl, Tengu, Tangie 11 Acheri, Kelpie 12 Water Leaper aneb Llamhigyn Y Dwr, Ceffyl-Dwr, Yali 13 Pixie, někdy Pisky či Pixey, 14 Tarbh Uisge, Each Uisge či Aughisky, případně Cabbyl-Usthey 16 Fachan, Foawr, Ghillie Dhu, Azeman, 17 Mantichora, Katoblepas, Jinšin-Uwo 18 Yuki onna 21 Penáti a Lárové 22 Venusleute, čili Venušin lid, Sa-bdag, Sri, gNyan a bTsan, Jednorožec 23 Gulon 24 Loa 25 Lesovik, Div a Mikola, Klempera 26 Bogyňky a Bogyňozi, Diblík, Boobrie, Cirein cróin, Baobhan Sith 27 Echidna a její rod 29 Gardsvor, Bwca 30 Génius, Domovoj 31 Ludkové, Stopan, Nymfy 33 Co se skrývá v minnesotských lesích? 34 Noggle 35 Dones ďaigua, Drac, Upír 38 Ghúl, Ohnivý muž 39 Rusalky 40 Můra čili Succubus 41 Planetníci a stuhači, Démoni nemocí 42 Čert, j inak též ďábel 43 Zwarte Piet, Asmodeus a další hodnostáři, Hříšní andělé 44 Zlý červ 45 Belzebub 46 Lucifer, kníže pekelný, Satan 47 Lu cifru a přátelé 49 Podsvětí Etrusků 50 Medusa 51 Skylla 52 Charybdis 53 Sirény 55 Kraken 56 Leviathan, Physeter 57 Adamastor, Orc, Hippokampos 358 5 8 Poseidon, Amfitríté 59 Triton, Rhódé, Benthesikyné, Postelníček 60 Nemodlenka, Krvavé koleno, Škrabinožka a Pucnoha, Kordula, Koňská noha 61 Černý muž, Polednice, Půlnočnice 62 Klekánice, Haferbock a Kornmutter, Nočnica 63 Divoký lovec, Hejkal 64 Hejmon, Pán, Faunus a Sylvanus 65 Meza mate 66 Nyrckes a Tapio, Baj Bajania, Tore, Mami Wata, Mokele Mbembe 67 Drak 69 Krupobití a kdo za ně může 70 Prokletí dívek v Čechách 72 Vadleany, Szépasszony, Liderc 73 Upíři v Malajsii, Hathor 74 Bastet, Nut, Seb a Šu - Obloha, Země a Vzduch, Baba Jaga 75 Black Annis, Cailleach Bheur, Blaničtí i jiní rytíři 78 Bludičky, Will-o'-the-wisp 79 La luz del dinero, Vzehlehel a Hlehlehel, Cold Lad, Mr.
    [Show full text]