HINDSIGHT an Adventure of Forewarning and Forearming
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How the World Ought to Work
How the World Ought to Work By D.G. Laderoute “Seppun-san,” Akodo Toturi asked, “why, exactly, are we here?” A restrained patience tightened Seppun Ishikawa’s reply, like he was answering a child. “Once again, Akodo-san, we are going to meet someone.” Toturi narrowed his eyes. He’d been to the Higashikawa District perhaps one other time in his life, but was put off by its freewheeling, garish, commercial character. The racket of street vendors and merchants, hawking what struck him as mostly junk, clamored around them. At least the rabble was good at distracting itself, barely glancing at the two of them, apparently unremarkable rōnin in drab kimonos and broad, conical straw hats. Toturi kept his gaze on Ishikawa. He was tempted to simply command him to stop being so enigmatic, and actually answer the damned question; being the Emerald Champion, he could do that. But he didn’t, because it might upset their fragile…not friendship. Relationship, at best. In the past three weeks, that relationship had settled into an equilibrium, albeit one as delicate as dragonfly wings. The fact was, Toturi needed Ishikawa. The Seppun provided him a window into the politics and bureaucracy of the Imperial court, one he wouldn’t otherwise have, at least as long as he sought to anonymously track his would-be assassins. Three weeks had also given them no leads beyond ruling out a few, admittedly unlikely, perpetrators. Ishikawa slowed as a crowd spilled out of a shabby sake house called Bitter Oblivion. The resulting commotion gave Toturi a chance to lean close to the Seppun and speak. -
IN TERNATIONAL ESPORT S REFEREE ACADEM Y International
TIONAL E NA SP R O E R T T N S I R Y E F M E E R D E A E C A ONA TI L E A S N P R O E R T T N InternationalS Esports I Referee Academy R Y E F M E E R D E A E C A International Esports Referee Academy 1 CONTENTS 01 Common Subjects 007 Game Genres 024 Careers in Esports 02 International Referee 036 Theory of Referee - Background Information of the Referee - Rights and Responsibilities of the Referee - Technical Commissioners (TD, JURY, IR) 045 Technical Elements - Understanding Computer Settings and Network of Competition - Tournament Methods - Record of Result - Handling Emergencies - Attire and Attitude of Referee 072 Match Operation - Checklist before, During and After the Event - Position and Duties of the Referee During the match - Post-match measures of the referee 080 Media and Referee - The media after competition (Interview, Social Media) 03 Ethics 085 Application - Referee Ethics - Fairness of Referee - Code of conduct (Global Etiquettes) TIONAL E NA SP R O E R T T N S I R Y E F M E E R D E A E C A International Esports Referee Academy Common Subjects 01 Game Genres TIONAL E NA SP R O E R T T N S I R Y E F M E E R D E A E C A Common Subjects International Esports Referee Academy 7 Game Genres There are conflicting points of view concerning the classification of the current game genres. It’s mainly because game genres have developed through a variety of platforms, and in the process, new hybrid genres like the RPG have emerged. -
Oriental Adventures James Wyatt
620_T12015 OrientalAdvCh1b.qxd 8/9/01 10:44 AM Page 2 ® ORIENTAL ADVENTURES JAMES WYATT EDITORS: GWENDOLYN F. M. KESTREL PLAYTESTERS: BILL E. ANDERSON, FRANK ARMENANTE, RICHARD BAKER, EIRIK BULL-HANSEN, ERIC CAGLE, BRAIN MICHELE CARTER CAMPBELL, JASON CARL, MICHELE CARTER, MAC CHAMBERS, TOM KRISTENSEN JENNIFER CLARKE WILKES, MONTE COOK , DANIEL COOPER, BRUCE R. CORDELL, LILY A. DOUGLAS, CHRISTIAN DUUS, TROY ADDITIONAL EDITING: DUANE MAXWELL D. ELLIS, ROBERT N. EMERSON, ANDREW FINCH , LEWIS A. FLEAK, HELGE FURUSETH, ROB HEINSOO, CORY J. HERNDON, MANAGING EDITOR: KIM MOHAN WILLIAM H. HEZELTINE, ROBERT HOBART, STEVE HORVATH, OLAV B. HOVET, TYLER T. HURST, RHONDA L. HUTCHESON, CREATIVE DIRECTOR: RICHARD BAKER JEFFREY IBACH, BRIAN JENKINS, GWENDOLYN F.M. KESTREL, TOM KRISTENSEN, CATIE A. MARTOLIN, DUANE MAXWELL, ART DIRECTOR: DAWN MURIN ANGEL LEIGH MCCOY, DANEEN MCDERMOTT, BRANDON H. MCKEE, ROBERT MOORE, DAVID NOONAN, SHERRY L. O’NEAL- GRAPHIC DESIGNER: CYNTHIA FLIEGE HANCOCK, TAMMY R. OVERSTREET, JOHN D. RATELIFF, RICH REDMAN, THOMAS REFSDAL, THOMAS M. REID, SEAN K COVER ARTIST: RAVEN MIMURA REYNOLDS, TIM RHOADES, MIKE SELINKER, JAMES B. SHARKEY, JR., STAN!, ED STARK, CHRISTIAN STENERUD, OWEN K.C. INTERIOR ARTISTS: MATT CAVOTTA STEPHENS, SCOTT B. THOMAS, CHERYL A. VANMATER-MINER, LARRY DIXON PHILIPS R. VANMATER-MINER, ALLEN WILKINS, PENNY WILLIAMS, SKIP WILLIAMS CRIS DORNAUS PRONUNCIATION HELP: DAVID MARTIN RON FOSTER, MOE MURAYAMA, CHRIS PASCUAL, STAN! RAVEN MIMURA ADDITIONAL THANKS: WAYNE REYNOLDS ED BOLME, ANDY HECKT, LUKE PETERSCHMIDT, REE SOESBEE, PAUL TIMM DARRELL RICHE RICHARD SARDINHA Dedication: To the people who have taught me about the cultures of Asia—Knight Biggerstaff, Paula Richman, and my father, RIAN NODDY B S David K. -
SIÊU BÃO ĐỊA CẦU Geostorm Géotempête
CHƯƠNG TRÌNH GIẢI TRÍ TRÊN CHUYẾN BAY INFLIGHT ENTERTAINMENT GUIDE GUIDE DE DIVERTISSEMENT À BORD 03-04 | 2018 SIÊU BÃO ĐỊA CẦU Geostorm Géotempête Up to 500 hours of entertainment Chào mừng Quý khách trên chuyến bay của Vietnam Airlines! Với hình ảnh bông sen vàng thân quen, LotuStar là thành quả của quá trình không ngừng nâng cao của Vietnam Airlines với mong muốn mang đến cho quý khách những phút giây giải trí thư giãn trên chuyến bay. Chữ “Star” – “Ngôi sao” được Vietnam Airlines lựa chọn đưa vào tên gọi của cuốn chương trình giải trí như một ẩn dụ cho hình ảnh các ngôi sao điện ảnh, ngôi sao ca nhạc sẽ xuất hiện trong các chương trình giải trí. “Ngôi sao”, hơn thế nữa, còn đại diện cho mục tiêu mà Vietnam Airlines đang hướng tới: chất lượng phục vụ quí khách ngày càng hoàn hảo hơn. Mỗi trang thông tin trong cuốn cẩm nang hứa hẹn mang đến cho Quý khách một thế giới nghe-nhìn sôi động với các bộ phim điện ảnh kinh điển, những bộ phim bom tấn, các tác phẩm âm nhạc bất hủ, đang được yêu thích, các chương trình sách nói và chương trình trò chơi lôi cuốn, hấp dẫn. Tất cả các nội dung trên đều được sắp xếp, trình bày theo từng chuyên mục để thuận tiện cho lựa chọn của Quý khách. Và bây giờ, xin mời Quý khách cùng du hành vào thế giới giải trí trên chuyến bay của Vietnam Airlines…. Welcome aboard! LotuStar, your inflight entertainment guide, will give you details of an exciting and diversified entertainment programme, representing Vietnam Airlines’ endeavour to make your flight a relaxing experience. -
Legend of the Five Rings Fields of Victory the Essential Guide To
Sample file Credits EXPANSION DESIGN AND DEVELOPMENT Tim Huckelbery with Max Brooke WRITING AND ADDITIONAL DEVELOPMENT Robert Denton III, Lisa Farrell, Jordan Goldfarb, Dustin Hall, Josiah “Duke” Harrist, and D.G. Laderoute EDITING Christine Crabb PROOFREADING Jeremiah J. Shaw and Megyn Johanson RPG MANAGER Sam Gregor-Stewart LEGEND OF THE FIVE RINGS STORY REVIEW Daniel Lovat Clark and Tyler Parrott CREATIVE DIRECTOR OF STORY AND SETTING Katrina Ostrander EXPANSION GRAPHIC DESIGN Scott Nicely GRAPHIC DESIGN COORDINATOR Joseph D. Olson GRAPHIC DESIGN MANAGER Christopher Hosch FRONT AND BACK COVER ART Mauro Dal Bo INTERIOR ART Daniel Alekow, Imad Awan, Francesca Baerald, Lukas Banas, Stu Barnes, Sergio Camarena Bernabeu, Cassandre Bolan, Marius Bota, Matt Bulahao, Joshua Cairós, Alexander Chelyshev, Calvin Chua, Mauro Dal Bo, Stanislav Dikolenko, Jason Engle, Shen Fei, Felipe Gaona, Lin Hsiang, Amélie Hutt, MuYoung Kim, Pavel Kolomeyets, Alayna Lemmer, Joyce Maureira, Jorge Matar, Reiko Murakami, Billy Norrby, Chris Ostrowski, Borja Pindado, Polar Engine, Stormbrush, Nikolay Stoyanov, Darren Tan, Alberto Tavira, Halil Ural, Nino Vecia, Mario Wibisono, and Robin Wouters ART DIRECTION Jeff Lee Johnson MANAGING ART DIRECTOR Tony Bradt QUALITY ASSURANCE COORDINATOR Zach Tewalthomas PRODUCTION MANAGEMENT Justin Anger and Jason Glawe VISUAL CREATIVE DIRECTOR Brian Schomburg SENIOR PROJECT MANAGER John Franz-Wichlacz EXECUTIVE GAME DESIGNER Nate French HEAD OF STUDIO Chris Gerber PLAYTESTERS Roger Ashton-Winter, Cady Belicki, Joe Belicki, Howard -
The Influence of Politics and Culture on English Language Education in Japan
The Influence of Politics and Culture on English Language Education in Japan During World War II and the Occupation by Mayumi Ohara Doctor of Philosophy 2016 Certificate of Original Authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Production Note: Signature removed prior to publication. Mayumi Ohara 18 June, 2015 i Acknowledgement I owe my longest-standing debt of gratitude to my husband, Koichi Ohara, for his patience and support, and to my families both in Japan and the United States for their constant support and encouragement. Dr. John Buchanan, my principal supervisor, was indeed helpful with valuable suggestions and feedback, along with Dr. Nina Burridge, my alternate supervisor. I am thankful. Appreciation also goes to Charles Wells for his truly generous aid with my English. He tried to find time for me despite his busy schedule with his own work. I am thankful to his wife, Aya, too, for her kind understanding. Grateful acknowledgement is also made to the following people: all research participants, the gatekeepers, and my friends who cooperated with me in searching for potential research participants. I would like to dedicate this thesis to the memory of a research participant and my friend, Chizuko. -
LL-L5R Rules.Pdf
A few months ago, the Empress of Rokugan’s third child, Iweko Miaka, came of age. This instantly made her the most eligible maiden in the Empire, and prominent samurai from every clan and faction have set out to court her. Of course, in Rokugan marriage is a matter of duty and politics far more often than love, but the personal affection of a potential spouse can be a very effective tool in marriage negotiations. And when that potential spouse is an Imperial princess, her affection can be more influential than any number of political favors. 2 Of course, winning a princess’ heart is hardly an easy task in the tightly- monitored world of the Imperial Palace. The preferred tool of courtly romance in Rokugan is the letter, and every palace’s corridors are filled with the soft steps of servants carrying letters back and forth. But such letters can be intercepted by rivals or turned away by hostile guards. For a samurai to succeed in his suit, he will have to find ways of getting his own letters into Miaka’s hands – while blocking the similar efforts of rival suitors. 3 Object In the wake of many recent tragic events, Empress Iweko I has sought to bring a note of joy back to the Imperial City, Toshi Ranbo, by announcing the gempukku (coming- of-age) of her youngest child and only daughter, Iweko Miaka. Prominent samurai throughout the Imperial City have immediately started to court the Imperial princess, whose hand in marriage would be a prize beyond price in Rokugan. -
Legend of the Five Rings Rulebook
Blood. Honor. Steel. elcome to the 4th Edition of the epic Role-Playing WGame Legend of the Five Rings! Join us for the ultimate adventure of fantasy samurai, locked in perpetual battles of honor and glory within the bonds of the Code of Bushido. The Emerald Empire of Rokugan demands much of its samurai: service to one’s lord, service to one’s Clan, and service to one’s Emperor. Bushido’s staunch and unyielding code of conduct binds samurai to duty, strengthening their character and defining their choices. While some samurai serve the greater good, others use the strictures of Bushido to manipulate the lower ranks and advance their own power. Will you follow honor or reject it? The choice is yours! Eight Great Clans form the heart of Rokugan’s culture. Each is defined by its own principles, values, and agendas. Each sees the Code of Bushido in its own way. Each seeks to serve the Emperor with its own unique talents. Take up the soul of your ancestors — the samurai’s daisho — and fight for the glory and honor of your family and Clan. Now is the time for heroes, in a world where Honor is a force more powerful than Steel. The Fourth Edition of L5R is the ultimate edition of the award-winning role-playing game. Inside this tome you will find: c A game unlike any you’ve played elsewhere. Honor and service are valued more than magic swords taken from wandering ogres. Prepare for the glorious life of the samurai! c A unique, comprehensive character sheet. -
Oriental Adventures James Wyatt
® ORIENTAL ADVENTURES JAMES WYATT EDITORS: GWENDOLYN F. M. KESTREL PLAYTESTERS: BILL E. ANDERSON, FRANK ARMENANTE, RICHARD BAKER, EIRIK BULL-HANSEN, ERIC CAGLE, BRAIN MICHELE CARTER CAMPBELL, JASON CARL, MICHELE CARTER, MAC CHAMBERS, TOM KRISTENSEN JENNIFER CLARKE WILKES, MONTE COOK , DANIEL COOPER, BRUCE R. CORDELL, LILY A. DOUGLAS, CHRISTIAN DUUS, TROY ADDITIONAL EDITING: DUANE MAXWELL D. ELLIS, ROBERT N. EMERSON, ANDREW FINCH , LEWIS A. FLEAK, HELGE FURUSETH, ROB HEINSOO, CORY J. HERNDON, MANAGING EDITOR: KIM MOHAN WILLIAM H. HEZELTINE, ROBERT HOBART, STEVE HORVATH, OLAV B. HOVET, TYLER T. HURST, RHONDA L. HUTCHESON, CREATIVE DIRECTOR: RICHARD BAKER JEFFREY IBACH, BRIAN JENKINS, GWENDOLYN F.M. KESTREL, TOM KRISTENSEN, CATIE A. MARTOLIN, DUANE MAXWELL, ART DIRECTOR: DAWN MURIN ANGEL LEIGH MCCOY, DANEEN MCDERMOTT, BRANDON H. MCKEE, ROBERT MOORE, DAVID NOONAN, SHERRY L. O’NEAL- GRAPHIC DESIGNER: CYNTHIA FLIEGE HANCOCK, TAMMY R. OVERSTREET, JOHN D. RATELIFF, RICH REDMAN, THOMAS REFSDAL, THOMAS M. REID, SEAN K COVER ARTIST: RAVEN MIMURA REYNOLDS, TIM RHOADES, MIKE SELINKER, JAMES B. SHARKEY, JR., STAN!, ED STARK, CHRISTIAN STENERUD, OWEN K.C. INTERIOR ARTISTS: MATT CAVOTTA STEPHENS, SCOTT B. THOMAS, CHERYL A. VANMATER-MINER, LARRY DIXON PHILIPS R. VANMATER-MINER, ALLEN WILKINS, PENNY WILLIAMS, SKIP WILLIAMS CRIS DORNAUS PRONUNCIATION HELP: DAVID MARTIN RON FOSTER, MOE MURAYAMA, CHRIS PASCUAL, STAN! RAVEN MIMURA ADDITIONAL THANKS: WAYNE REYNOLDS ED BOLME, ANDY HECKT, LUKE PETERSCHMIDT, REE SOESBEE, PAUL TIMM DARRELL RICHE RICHARD SARDINHA -
Sample File Credits
Sample file credits EXPANSION DESIGN AND DEVELOPMENT Alexis Dykema with Max Brooke ADDITIONAL DEVELOPMENT Robert Denton III, Lisa Farrell, Josiah “Duke” Harrist, James Mendez Hodes, Ian Houlihan, D. G. Laderoute, Monte Lin, and Amudha Venugopalan EDITING Christine Crabb PROOFREADING Dixie Cochran and Riley Miller RPG MANAGER Sam Gregor-Stewart LEGEND OF THE FIVE RINGS STORY REVIEW Tyler Parrott EXPANSION GRAPHIC DESIGN Sebastián Koziner GRAPHIC DESIGN COORDINATOR Joseph D. Olson with WiL Springer GRAPHIC DESIGN MANAGER Christopher Hosch FRONT COVER ART Haibin Wu BACK COVER ART Nele Diel INTERIOR ART Shelia Amajida, Piotr Arendzikowski, Francesca Baerald, Lukas Banas, Sergio Camarena Bernabeu, Mike Capprotti, Marius Bota, Joshua Cairos, Leanna Crossan, Carlos Palma Cruchaga, John Anthony DiGiovanni, Stanislav Dikolenko, Derek D. Edgell, Polar Engine, Tropa Entertainment, Shen Fei, Tawny Fritzinger, Felipe Gaona, Kevin Goeke, Quintin Gleim, Aurelien H., Jeff Himmelman, Hai Hoang, Lin Hsiang, Amelie Hutt, Wen Juinn, Jason Juta, Romana Kendelic, Daria Khlebnikova, Mu Young Kim, Ruwen Liu, Francisco Martin, Jorge Matar, Joyce Maureira, Francisco Miyara, Tomas Muir, Jake Murray, Chris Ostrowski, Borja Pindado, Eli Ring, Yudong Shen, Jazz Siy, Kathryn Steele, Filip Storch, Gong Studios, Albert Tavira, Alex Tooth, Max Tran, Andreia Ugrai, Jokubas Uogintas, Halil Ural, and Le Vuong ART DIRECTION Jeff Lee Johnson MANAGING ART DIRECTOR Tony Bradt QUALITY ASSURANCE Andrew Janeba and Zach Tewalthomas PRODUCTION MANAGEMENT Justin Anger and Jason Glawe -
Chapter One by Robert Denton III
Chapter One By Robert Denton III 9th Day of the Month of Togashi, 1123, on the shores of Cherry Blossom Snow Lake Hida Sukune knew the battle was lost the instant a spear broke through his father’s armor and pierced his belly. Kisada only noticed the wound after he’d flung his opponent screaming from the side of the battlements. He collapsed like the fortress gates, blood running free like the fire. The grim honor guard formed a circle around him, and as they withdrew, Kisada would not look at his son. It was later said that the Castle of the Forgotten fell only after the Great Bear did. Kyūden Hida’s halls thundered with the wet hasty script of rushed scribes and scrolls rolled before the ink fully dried. Heralds would carry them to the Great Clan families, to the Imperial Palace, and beyond. They would learn the Crab’s shame and be warned of what was coming. It is my failure, not yours. Kisada’s words echoed in Sukune’s head even now. Yakamo had protested. If the other clans had heeded the Crab—if they’d sent the jade, the resources, then… Kisada’s wound left him unable to fight. You must lead now, Sukune. Redeem the clan. Do what you can. Stop Akuma’s march. At any cost. Sukune banished the memory and traced the invaders’ course on the map. Akuma no Oni’s forces had an uncontested path straight to Otosan Uchi. But he wasn’t going there. Instead, the horde marched northwest, to the Shinomen Forest. -
Silva Iaponicarum Fasc. 43/44/45/46
SILVA IAPONICARUM 日林 FASC. XLIII/XLIV/XLV/XLVI 第四十三・四十四・四十五・四十六 号 SPRING/SUMMER/AUTUMN/WINTER 春・夏・秋・冬 2015 SPECIAL EDITION POLISH FILM STUDIES AND JAPANESE CINEMA edited by Krzysztof Loska and Dawid Głownia Posnaniae, Cracoviae, Varsoviae, Kuki MMXV ISSN 1734-4328 2 Drodzy Czytelnicy. Niniejszy specjalny zeszyt Silva Iaponicarum 日林 zawiera artykuły zebrane od polskich filmoznawców specjalizuj ących si ę w kinie japo ńskim. Cieszymy si ę, że mo żemy przedstawi ć w ten sposób najnowsze prace zarówno uznanych polskich badaczy japo ńskiego kina, jak i filmoznawców pokolenia młodszego, znajduj ących si ę u progu ich kariery akademickiej. Nawet wydanie filmowe specjalne naszego kwartalnika pozostaje wielow ątkowe. St ąd jako jedynego klucza porz ądkowania artykułów w trakcie jego kompilacji zastosowano porz ądek alfabetyczny elementów składowych, według nazwisk autorów artykułów. Serdecznie dzi ękujemy autorom wszystkich prac zamieszczonych w tym wydaniu Silva Iaponicarum za gotowo ść do ich publikacji w jednym specjalnym zeszycie naszego kwartalnika oraz za efektywn ą współprac ę w procesie opracowania tekstów. Redaktorzy Kolegium redakcyjne Kraków – Pozna ń –Toru ń – Warszawa – Kuki grudzie ń 2015 3 Dear Readers, This special issue of Silva Iaponicarum 日 林 contains articles received from Polish researchers focusing on Japanese film and cinema studies. We are delighted and honoured to present the most recent works of both the established representatives of Polish academics of the Japanese film studies together with conctributions from younger generation of scholars, who are at the begining of their academic careers. The special film fascicle is very diverse in terms of topics. This is why in the process of the compilation we decided to introduce the alphabetical order of papers (by the authors’ names) in the fascicle.