President Victorious When Congress Quits
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FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills
Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns) -
16Mm WALTER O. CUTLOHN, Inc
IW16 16mm SOUND UHFILM WALTER O. CUTLOHN, Inc. 35 WEST 45th STREET NEW YORK, N. Y. Gentlemen: et The filo Ti^ to a i ,aS shown stu< faculty and I tcust com hold in getting i* It is a very a. tionally and able From the bave teen collection n V m li East reinger v Jjibrary Dear Mrs. I intone Please fi B ;ictur;7which cc the special on June 5. best t of the e in genetic poychology. school systen San Francisco, California sour an having a, grateful for having set-i fine film. of this 2006 preview this Gratefully/yours, BOARD OF EDUCATION COLLEGE BUFFALO 1940 February 3, cooper- your kind to would like il program. i our "^Jir^^assrtsation with &3S*3~*:3 -sr-sss* teaching S n.r.. ^tending In the*. - ..... falconer, INTRODUCTION The subjects listed in this catalogue were selected because of their excellence from the standpoint of subject matter, photography, sound quality and intelligent presentation. They are composed of feature productions with well-known actors, and short subjects which consist of musicals, cartoons, sports, comedies, travels and miscellaneous films. A number of these are in color. We have particularly stressed pictures suitable for schools, churches and general audiences, but in addition have added a number of programs which will appeal more to mature groups. Pictures marked (*) have been approved by THE NATIONAL BOARD OF REVIEW and/or THE LEGION OF DECENCY as partic- ularly suited for Family, Church or School presentation. Feature pictures marked have been approved by a selected committee of experienced reviewers as suitable for general audiences. -
Descargar Listado (PDF)
CATÁLOGO DE PROSPECTOS DE CINE DE ESPAÑA www.prospectosdecine.com COLECCIÓN COMPLETA 16707 prospectos listados 00001. EL ENEMIGO EN LA SANGRE Distribuidora: Repertorio M.DE MIGUEL Feind im Blut 1931 1h 16min 00002. EL PRÓFUGO (B2) Distribuidora: Metro Goldwyn Mayer VARIEDAD/COLOR `The Squaw Man` de Cecil B. DeMille tt0022428 00003. EL PROFUGO (B1) Distribuidora: METRO VARIEDAD/COLOR 00004. EL PRÓFUGO (A3) Distribuidora: METRO VARIEDAD/COLOR 00005. EL PRÓFUGO (A2) Distribuidora: METRO VARIEDAD/COLOR 00006. EL PRÓFUGO (A1) Distribuidora: METRO VARIEDAD/COLOR 00007. SOY UN PRÓFUGO Distribuidora: Columbia 00008. SOY UN PRÓFUGO Distribuidora: Columbia Programa historieta 00009. SOY UN PRÓFUGO 00010. SOY UN PRÓFUGO 00011. SOY UN PRÓFUGO 00012. SOY UN PRÓFUGO Distribuidora: Columbia Films, S.A. 00013. SOY UN PRÓFUGO Distribuidora: Columbia Films 00014. SOY UN PRÓFUGO 00015. ¡UN TÍO IMPONENTE! (2) Distribuidora: SELECCIONES FUSTER DIFERENCIAS/DISTRIBUIDORA. 00016. CENIZAS BAJO EL SOL Distribuidora: BENGALA FILMS 00017. LOS MERCADERES DE LA MUERTE (3) Distribuidora: PARAMOUNT VARIEDAD/COLOR interno, con respecto a los modelos (1) y (2). 00018. CENTAUROS DEL DESIERTO (2) Distribuidora: MERCURIO DIFERENCIAS/TACHÓN donde ponía Vistavisión. 00019. EL ASESINO INVISIBLE (2) Distribuidora: RADIO FILMS VARIEDAD/COLOR. 00020. JUNTOS HASTA LA MUERTE (2) Distribuidora: WARNER VARIEDAD/COLOR. 00021. EL 113 Distribuidora: EXCLUSIVAS HERRERA ORIA 00022. LA CONSENTIDA Distribuidora: CIFESA 00023. UNA AVENTURA NUPCIAL Distribuidora: ALIANZA CINEMATOGRÁFICA ESPAÑOLA 00024. GUERRA DE VALSES (2) Distribuidora: UFA VARIEDAD/COLOR. 00025. ROSA DE FRANCIA (2) Distribuidora: FOX VARIEDAD/COLOR. 00026. GRANADEROS DEL AMOR (2) Distribuidora: FOX VARIEDAD/COLOR. 00027. HOLLYWOOD CONQUISTADO (2) Distribuidora: FOX VARIEDAD/COLOR. 00028. UN PAR DE DETECTIVES Distribuidora: FOX 00029. -
THE HOLLYWOOD LEFT: CINEMATIC ART and ACTIVISM in the 1930S
THE HOLLYWOOD LEFT: CINEMATIC ART AND ACTIVISM IN THE 1930s by Sam Mithani ____________________________________________________________________ A Dissertation Presented to the FACULTY OF THE GRADUATE SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY (CINEMA-TELEVISION—CRITICAL STUDIES) December 2007 Copyright 2007 Sam Mithani UMI Number: 3291776 Copyright 2007 by Mithani, Sam All rights reserved. UMI Microform 3291776 Copyright 2008 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 ii EPIGRAPH When Arjuna observed the vast armies assembled on the battlefield of Kuruksetra, full of great and valiant fighters, he was full of fear. And when he saw that arrayed before him were his fathers, brothers, sons, cousins, grandfathers and uncles, whom he must fight to achieve victory, his apprehension grew vastly. Seeing them all filled him with compassion and he declared to Lord Krsna “I do not see how any good can come from killing my own kinsmen in this battle, nor can I, my dear Krsna, desire any subsequent victory, kingdom, or happiness.” Arjuna, having thus spoken on the battlefield, cast aside his bow and arrows and sat down on the chariot, his mind overwhelmed with grief. But Lord Krsna told him to perform his prescribed duty, take up his weapons and to go forth into the battle of life for “action is better than inaction…the doubts which have arisen in your heart out of ignorance should be slashed by the weapon of knowledge.” --adapted from The Bhagavad Gita iii DEDICATION I wish to express my keenest appreciation for and gratitude to Frank Capra (Caltech, 1918), whose life and work inspired me, while a student at Caltech, to become first a cineaste and then a cinema studies scholar. -
1933-10-28 [P B-14]
WAR SHADOW % l I NEWS DRAMA Jack Pearl Makes His Bow O’Neill s Whirl at Comedy J GIVES PLOT { Comedy Team at the Rialto IS UNFOLDED AT COLUMBIA Movie Bid of As a Star of the Movies TO VIVID PLAY , Brings $100,000 Miss and Frances Dee Leads Spirited Bidding Ends There With Culver City But “Meet the Baron" Has a Group of Featured Stanwyck Studio Winner, Hollywood Going Lewis and His Musicians Mr. at Comedians—Ted Kruger f Junior League. Produce Harmony in Gran d Old Manner. S the Earle. Incidents. My Mollie Merrick. E. de S. Melcher. AYS that illuminate the heart of Incident* of news »nd By jyjAGNlFlED Calif., October 28.—Happy days seem to be here nationalism, it the period of war, picture gathering among the big again for playwrights, with M. G. M. paying what the boys in the new at Loew's is a stories furnish the background of Hollywood call ‘‘a hunnerd gran”—one hundred thousand dol- (i EET THE BARON.’’ comedy fyx, shoot out of the pl^y. ‘‘Ever in My \ \ in which this country’s most “Headline Shooter/' the new film at HOLLYWOOD,lars to you—for Eugene O'Neill's hit, “Ah, Wilderness frolic /\/l mad and amusing Heart,” -which presents, at the Earle 1 make Some of our favorite nitwits Four weeks of with almost / V A insane clov.ns sprightly. and Otto the Columbia Theater. and bidding, every in the Zasu and Theater. Barbara Stanwyck Earthquakes company busi- _Jimmie Durante, Jack Pearl. Ted Healy. Pitts, ness coming in on the deal, ended in the Culver in situations which are other catastrophes come in rapid suc- City studio paying even Edna Oliver—run around as they may. -
FILM CREDITS Last Update: 7/08
KERN COUNTY FILM CREDITS Last Update: 7/08 (TV) Made for Television (D) Documentary (S) Serial TITLE RELEASED LOCATION CAST Keystone Cops unknown Red Rock Canyon The Keystone Cops Opportunity 1913 Taft Fatty Arbuckle Cowboy and the Lady, The 1915 Mojave S. Miller Kent, Hellen Case Back To God's Country 1919 Kern River Valley Nell Shipman, Wheeler Oakman Branded a Bandit 1924 Robbers Roost Yakima Canutt, Alys Murrell King of the Wild Horses, The 1924 Old Kernville Edna Murphy, Charley Chase Man From God's Country, The 1924 Kern River Valley William Fairbanks, Dorothy Revier Greed 1925 Mojave Desert Gibson Gowland, Zasu Pitts White Thunder 1925 Old Kernville Yakima Canutt Wild Horse Canyon 1925 Red Rock Canyon, Kernville Yakima Canutt, Helene Rosson Battling Butler 1926 Bakersfield, Kern River Buster Keaton, Sally O'Neil, Walter James Born to the West 1926 Red Rock Canyon Jack Holt, Margaret Morris Hands Up! 1926 Red Rock Canyon George A Billings, Virginia Lee Corbin Beau Sabreur 1928 Red Rock Canyon Gary Cooper, Evelyn Brent Hell's Heroes 1930 Mojave Desert Charles Bickford, Raymond Hatton Under a Texas Moon 1930 Red Rock Canyon Frank Fay, Myrna Loy Cimarron 1931 Kern River Valley Richard Dix, Irene Dunne Lightning Warrior, The (S) 1931 Old Kernville Rin Tin Tin Phantom of the West, The 1931 Old Kernville Tom Tyler, William Desmond Range Feud 1931 Kernville John Wayne, Buck Jones Vanishing Legion, The 1931 Old Kernville Harry Carey, Edwina Boothe Border Devils 1932 Kern River Valley Harry Carey, Gabby Hayes Flaming Guns 1932 Red Rock Canyon -
Newsletter 03/14 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 03/14 DIGITAL EDITION Nr. 338 - April 2014 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 03/14 (Nr. 338) April 2014 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Es gibt viel zu tun – packen wir’s an! Das zumindest war unsere Devise in den vergangenen Wochen: nicht weni- ger als drei Stuttgarter Kino-Premieren galt es in Bild und Ton für unseren Youtube-Kanal festzuhalten. Dietrich Brüggemanns KREUZWEG, Antje Schneiders & Carsten Waldbauers DIE SCHÖNE KRISTA sowie Thomas Dirnhofers CERRO TORRE – NICHT DEN HAUCH EINER CHANCE hiel- ten unseren Videoschnittplatz auf Trab. Das Ergebnis unseres Premieren- KREUZWEG: Regisseur und Drehbuchautor Dietrich Brüggemann marathons ist bereits online und wir kam zur Premiere seines neuesten Films persönlich nach Stuttgart. freuen uns wie immer auf Ihre Kom- mentare. Aber es gab noch ein weiteres Event, das uns voll in Anspruch genommen hat: die Weltpremiere von REMEMBERING WIDESCREEN, die im Rahmen des “Widescreen Week- ends” in Bradford stattfand. Die Reso- nanz vor fast ausverkauftem Kinosaal war sensationell gut! Die Dokumenta- tion über die “Mutter” aller Breit- format-Filmfestivals wurde vom Publi- kum mit kräftigem Applaus bedacht und sorgte das gesamte Wochenende über für Gesprächsstoff. Die häufigste Frage war jene nach einer DVD oder Blu-ray des Films. Regisseur Wolfram Hannemann dazu: “Wir werden zu ge- gebener Zeit eine DVD und auch eine DIE SCHÖNE KRISTA: im Rahmen einer Kino-Tour machten die Blu-ray des Films veröffentlichen. -
Calendar of Events
CALENDAR OF EVENTS OPEN 7 AM TO 8 PM, JUNE, JULY AND AUGUST June 24-25 14th Annual Plains Indian Pow,ow. -kre Robbie Powwow Garclen. Grand Entry: Saturday, 1 pn'r and 6 pm. Sunday, 1pm. 5-3O 16th Annnal Larom Summer Institlrte in westcrn Amcric:rn Stuclics. Irour trvo week conrses clcsignecl to explore :rncl 26-30 Ciallery demonstrations by Historical Centcr cloccnts and celelrrate the historv of thc American 'West. regior"ral .lfiisans. Times and locations to be announced. Nlonclay thlough lrriclay. Sessionl Jr.ure516 'William H. Truettner: "Drawing Connections: Tl're Art ancl 29 'lwilight Talk: Rrchard $(ihite will spcak on "Constructing IJistory of the 'Old \rcst." tsuffalo." 7:30 pm. Historical Center Coe Auclitolium. Peter Nabokov: "Inclian Environrnents of thc \west: July 'fr:rclitional Architecture and Sacred (leography." 3-3-L Dr:rmatic present,rtions of Western heritagc thror-rghout Session II ,fune 19 30 the day. Nlonclay tl'rrougl-r Friclay, with :r special evening Hon'ard R. L:rnrer: "$ilestern Afi as Social and perfirrmance each'l'hursclay night. 7 pm. Historical Center Invironrnental History: Cl'r:rnging lmages of Landsc:qres, Coe Auclitorium. Pec4rles zLncl I'arLnr in \Vc\tcrn Printing, 18,i0-1990." 3-31 Western Film Sclics: Western filn-rs, rnany cl:rting fuchard -Jt/l-rite : "Bison: The Enr.ironrncntal ancl Sociel frorn the early 1900s, n'ill be shown Nlonclay History ol e Species." thror.rgh Friday. 4 pm. Hrstorical Ccntcr Coe Auditorilrm. Spccial Fr-iday niglrt le:rtrLle Westerns 8 Twillght Talk: Inlonnel evening presentations ]rv Surnrner q'ill bc slrown, 7 pm. -
1933-09-01 Pm
NEWSPAPER THE PLYMOUTH MAIL * VOL. 47, No. 42 PLYMOUTH, MICHIGAN, FRIDAY, SEPTEMBER 1, 1933 $1.50 PER YEAR IN ADVANCE Former Publisher ’7« a Common Determination1 aeaks Here JUDGE PLEADS Plymouth Visitor TEACHERS ARE [ DRIVE FDR THE i H. J. Baker, for many years pub- I lisher of The Plymouth Mail, ac companied by Mrs. Baker, were | guests of old friends in Plymouth SELECTED FOD 1 last week. Mr. Baker siuce leaving 6LDE EAGLE IS Plymouth in 1900 has been asso ciated with The State Journal of* Lansing, one of the biggest news OF NBA DRIVE papers in Michigan. He is at pres IL YEAR ent foreign advertising manager of MAKING GAINS the Journal. During the. time Mr. Prominent Jurist Declares Baker was in business in Plymouth, Additional Work Neces- Movement To Aid Busi- America’s Future De Miles Gray was associated with . sary Owing To A Cut him. Mr. Gray has been clerk of "ness Sweeps Country pends Upon Outcome the "house of representatives in In Staff and Time Lansing for a number of years. Says Reports Here Citizens of Plymouth and the He lived through the recent Demo Supt. George Smith of the Plym entire United States must unite in cratic sliakc-up because the Demo outh public schools lias announced With the Blue Eagle drive daily one great effort to make the NBA crats had no one that felt competent , the teaching staff for tlie new gaining momentum iu every part campaign to provide additional to take the job Mr. Gray has filled ! school year which will opeu Mun of tin* country, there is mount ing employment and to aid business a so well. -
Promotion of Classic Hollywood Film Costume In
PROMOTION OF CLASSIC HOLLYWOOD FILM COSTUME IN 1930S AMERICAN FASHION MAGAZINES by LINDSAY DANIELLE REAVES VIRGINIA S. WIMBERLEY, COMMITTEE CHAIR AMANDA J. THOMPSON XIAO TONG WILLIAM F. BOMAR SHIRLEY P. FOSTER A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Science in the Department of General Human Environmental Sciences in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2013 Copyright Lindsay Danielle Reaves 2013 ALL RIGHTS RESERVED ABSTRACT The world of twenty-first-century fashion evolves into new forms at a more rapid pace when compared with clothing developments of the past. Elements of previous fashion trends are constantly recycled into new clothing to appease the public’s cravings. But, to whom does the public look for fashion inspiration? According to the “trickle-down” theory proposed by Simmel (1904) and Sproles (1985), the lower classes turn to the upper classes to find out what styles are in vogue at the moment. Although emulation of upper-class fashions appears to have been happening for some time, it seems fashion inspiration was “kicked into high gear” with the glamorous effects and global outreach of American Hollywood cinema, beginning in the 1930s. When the American film industry boomed in the first half of the twentieth century, actors became the inspiration for fashion as well. The glamour exuding from the Hollywood films produced during the 1930s inspired and influenced the clothing choices of the American public. Well-known costume designers such as Gilbert Adrian, Edith Head, Travis Banton, Howard Greer, Walter Plunkett, and Orry-Kelly designed costumes and personal clothing for many Hollywood leading ladies. -
Modern Screen
Be a Color Magician!" . says JOHN HELD, Jr. ''1 The Famous Artist and Author Reveals a Simple Trick That Assures You a Smart, Colorful Wardrobe 'TUST wave a magic wand over faded "undies", J sportswear, dresses, stockings, etc. But in- stead of saying 'presto', use Tintex! Then watch all your faded apparel become gay and new again—in the original colors, or in different col- ors, if you wish. That's the trick of a gay, color- correct wardrobe. Yet, there's no trick to using Tintex. These famous Tints and Dyes are so quick, so simple, so professionally perfect in results. And so I say to you — for a smarter wardrobe, be a color magician with Tintex!" Here's a mighty important point about Tintex. Any ma- terial that water alone will not harm, you can trust to Tintex. It's as safe as it is sure. And no streaks or spots when you useTintexl Modern Screen WHAT A FOOL sh E IS! healthy. They tend to bleed. Any massage it directly into your gums. dentist would tell her that her gums Soft modern foods do not stimulate must be restored to health. your gums— but the ziratol in Ipana, with the massage, makes up for this This young lady certainly isn't go- For not only can dinginess of the ' exercise. ing to allow her silver to become teeth be traced to 'pink tooth brush" lack of tarnished and dull. But wouldn't you —but gum troubles as serious as gin- Ipana and Massage think she'd give her teeth as much givitis, Vincent's disease, and even Defeat "Pink Tooth Brush" care— do something about their tar- pyorrhea may follow. -
Warner Bros. Animation During the Depression
ANIMATING AMERICA: WARNER BROS. ANIMATION DURING THE DEPRESSION Tiffany L. Knoell A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2012 Committee: Andrew M. Schocket, Advisor Jolie A. Sheffer © 2012 Tiffany L. Knoell All Rights Reserved iii ABSTRACT Andrew M. Schocket, Advisor During the 1930s the Depression shook the emotional and financial cores of many Americans, casting doubt on not only their futures but also their identities. As Americans sought to replace broken ideological foundations with something new and more stable, there were many entities willing to supply materials. Leveraging the power of film, Hollywood producers crafted narratives around an ethos of shared civic values that could be used to instruct readers, listeners or viewers on how to be the “ideal American.” The focus in movies was on the heroic and the blessed, not the marginalized and excluded. Warner Bros. animation, on the other hand, filled their cartoons with characters that did not fit the ideal and turned story-telling conventions inside out rather than simply transmitting the messages without question. They showed working class audiences as foregrounded characters rather than those who occupied the background of live-action films and pulled at the seams binding genres to their messages, giving viewers something to laugh at as well as to think about. In a time when all sorts of expectations were shaken and ideologies re-evaluated, Warner Bros. animation embraced Vittorio Hosle’s maxim that "in times of ideological uncertainty comedy may share the task of questioning…the basic conventions of the age." i Rather than simply accepting and transmitting those narratives absolutely, Warner Bros.