DOCSLIB.ORG

Moves to Town T from the Hackensack Meadowlands to Line up Well Before 3 P.M

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Moves to Town T from the Hackensack Meadowlands to Line up Well Before 3 P.M —r CRANFORD (N.J.) CHRONICLE Something For Everyone horal-$ocie LeonardDeStefano help* Brearley^ 7 appointed Garwood Boosters set flea policeman. Mayers Page 14 Thursday, July 24, 1980 market. page 14 honored. page 14 \ '.' '•, .. ,'. -.•..-• ..'•;-• n e Borough Gets Another ! VOL. 88 No. 30 Published Every Thursday Thursday, July 31,1980 . Serving Cranford, Kenilworth and (iarwood USPS-.136 800 Second Class Postage Paid Cranford, N.J, 20 CENTS Reprieve On Dumpine KENILWORTH- The borough has afternoon instead Of 5 p.m. The borough In Our gained yet another temporary reprieve garbage trucks make two or three trips in switching its garbage dumping site wri a day to the dumps and would have to moves to town T from the Hackensack Meadowlands to line up well before 3 p.m. to meet the Edison. deadline. „. A Supreme Court justice last Wednes- The borough was to have begun By ROSALIE GROSS Ireland," said Coffey. "It's not my best, "I'd love to. connect locally-with a Coffey taught for 13 years before day ordered a week's stay for Kenil- hauling its garbage to Middlesex County . There's a new playwright in. town. but it's the most successful financially." theatre group, "he said, "but must learn moving into industrial training and then w6rth, Elizabeth, and five other towns by July 1, but a series of court stays has His name is. Thomas Coffey and he The writer won the Irish Life Drama 'my new job first." He's also looking personnel work. He was employed by ordered to make the move by the state resulted in the borough using the Edison recently moved to'Cranford from Award, the top one in Ireland; for "Gone forward to the Broadway theatre scene, Jhree American companies -in- Ireland;— and this Monday the full Supreme Court dumps only one day-July 16. The round ' Tomorrow,^—which-was" produced in but~with~perhaps more eagerness to subsidiaries of General Electric and Coffey has been writing plays part- 1965. The play is a social commentary on local theatres. "There's, an intimacy Data Products, and Merck. Although a __extended. _t_he;Jernporajry_stay_through..- trip-ta-Edison-took nearly-three hours;—ALL AGESwjere^ttracted-to-the Sargains-Saturday^at the-Knightfs Qf trucks and cars whlle.-at rights women look overracks of clothes. nNeurputhr nex,t Tuesday The Appellate Court last Which is twice as long as the trip to the Columbus flea market." At left Ghris Johnson of Cranfprd surveys Photos by Jon Delano . •. > '•••"', ;.,•'.,• " time for: 22 years and has had nine small town life in Ireland drawn from . and enthusiasm that's more satisfying frequent visitor to the United States on •staged in Ireland, including four at the Coffey's experiences'in his native Ennis business, Coffey and his family moved week, however, had. refused any further dumps in Kearny. '- ,. 1 than the professionalism of big shows," ""Mi Take a look at the top of the.eat - famous Abbey Theatre in. Dublin. His •in Cdlinty Clare. He has won other he said. • to 43.Lewis St. sevoral weeks ago for the stays., • ..-••' • The seven county towns were told two then dike, for the Lenape storm literary awards both, in Gaelic and - ' i£,jS§sffl&kf^Mu credits also include a good deal of Coffey describes himself as a "self- lorig-torm assignment. He and hi»j«ife • The Supreme Court ordered the stay years ago by the Hackensack Meadow- l detention basin above CoUnty"'Park' English.. have three sons, two of whom are a-t' io give, the Board of. Public-.Utilities a lands Development Commission they tejevisibn," including one third of the taught" 'playwright who learned the Drive and you'll see a new bikeway scripts for "The Riordans," a drama tending Union College' and the third chance to-act on a request by Kenilworth could no longer dump garbage there. 1 One of his other plays which has been craft from his interest in staging, in the'm^king. The paved path atop series Which ran five years, the'longest produced in America is "Them," which acting and directing. He '-'scribbled a lot attending an engineering school in that the. hours vof operation of theAfter,several delays, the state Depart- I'th'e'dikeMH'be about 1.5 miles long. England. Mrs.. Coffey and their sons Middlesex County dump be extended. ment of Environmental Protection running series on Irish; -te|evision. concerns the difficulties of a family with ifuuny own amusement" at school and County officials plan to extend it up Writing is a "spare time hobby".for a retarded son who reaches his 21st wrote a three-act -melodrama "which also enjoy amateur acting. Closing time in Edison is 3 p.m. ordered the towns to Middlesex County I past Geiger's to Springfield Avenue compared with 5 p.m. in the Meadow- by July 1. That decision is awaiting Coffey who has been a teacher and now .birthday and.focusefl OH problems within never saw! the light of day." While an What's writer Coffey up to now? He is I where cyclists can hook into the is personnel manager, for Merck & the community. "Critics consider this English and drama teacher aLa college almost finished with his first novel, a lands and Saturday closing is early appeal in. the Appellate Court. The Echo Lake Park path. At the Company's International Division. He my best play, but I don't agree," said of commerce, Cbffey- entered a com- humorous work loosely based on ex- Supreme Court two weeks ago refused to I Cranford end, it will run down close grant a permanent stay until the appeal worked for Merck seven years in Ireland Coffey. He. explaiped the play is petition for a one-act play in Gaelic. He periences in. personnel work irl Ireland. • | to Kenilworth Boulevard where "technically not so good, but the .sin- is decided. ' and is on'a three-year assignment with won an award and' was prompted to "It's a departure forme," he-said. He cyclists can connect with a forth-' the company in Rahway. cerity is there. It's a. subject I. feel, also has a play drafted for Irish' I coming extension of the Cranford enter another competition and won Jaycees Blood Coffey's most successful play, strongly about. I'd love Jo rewrite it. but another award. television which he expects to finish.by ) bikeway network which will run "Anyone Could. Rob ajSank," a farce, would probably damage the sincerity." Christmas. ' across- the top of Nomahegan Park. This spurred him to "read more and MBS;T&E On ran the past two Weekends at Seton Coffey also has acted in and directed educate myself" and the result was a Has he ever considered turning to Hall's Summer Theatre-in-the-Round. amateur and semi:prbfjessional groups full length play in English, "Stranger playwrighting,as a full-time profession? Drive Aug. 2 1 v The play was written 21 years ago and in Ireland. He has direij*ra three of-his ;• Beware," a who-done-it set in an "If I had a trig hit, I wijuld consider it,"' KENILWORTH-- The Kenilworth Regional Agenda hifs had two runs at the Abbey Theatre own plays. He has given courses' for isolated Irish village and the impact of Coffey stated. "Now I doubt if I would be Jaycees, in conjunction with the New The Union. County Regional High Bud route and two television presentations. "It's amateur groups and has adjudicated the murder On the community. It.was able to support my family. "I don't have, "Jersey Blood Services and, the American School District will conduct several very popular with amateur groups in drama festivals in Ireland. accepted, by the: Abbey.Theatre.. the nerve to take the risk,". •i ThomasCoffey Red Cross; is holding its annual blood discussions from August to November to drive Saturday, Aug. 2 from 10 a.m. to 3 • consider assessment, Minimum Basic p.m. at David Brearley High School, - Skills test.results', the; monitoring 14th Street and Monroe Avenue. reports of the county superintendent of ^,JPersons_UeiweerLthe-ages-of47-and66- schools, and the district's "T and E" are eligible to donate blood. Donors need plan including budgetary requirements . not be Kenilworth residents and their The first discussion is scheduled for immediate family and grandparents ,.. ._ -WK-.1 will be covered .for blood .needs fora Tuesday, Aug. 5 at Jonathan Dayton r—FBIENDLY-CHA-T |d' Regional High £chooi,-Spr4ngfieldr.t-T-h;e discussion will be-conducted-during the begins at 8 p>m. 276-4247. • a new This meeting- will emphasize heringTHas Record Sales Minimum Basic Skills test results, KENILWORTH - Schering-Plough quarter despite the recession, but that Council To Name monitoring reports of the county TEENS, Uke Walter CaldwelI of Kenilworth, found eight-track tapes to Corporation this week reported record the company's relatively small home superintendent and the' "T and E" choose from. • sales and earnings for the second products operations experienced a slight a,nnlial plan for 1980- 8*. _-. quarter and the first half of 1980. decrease in sales due to the jsharp • Policeman Tonight Copies of all reports will be available Sales for the second' quarter were decline in home construction.' at Lincobi for viewing by We audience. In addition, $437.5 million, an increase of 14.1 percent' GAIIW00D- The Borough Council is over 1979 second quarter sales of $383.6 slated to appoint a police officer at a residents may inspect these reports, Softball Players Honored By ROSALIjB GROSS . Richard 2uidema of Covenant Christian, upon request, by contacting the million.
Load more

Recommended publications
  • Irish Travellers, the Cinema and (Anti-)Traveller Racism
    GRUNERT FILM JOURNAL 1 (2010) Between discrimination and glorification: Irish Travellers, the cinema and (anti-)Traveller racism Andrea GRUNERT University of Applied Sciences, Bochum, Germany “There’s a bit of a Traveller in everybody of us,” says John Riley, the male protagonist in Mike Newell’s Into the West (UK/IRL, 1992), to his twelve-year-old son Tito, who has asked him whether the Travellers are Cowboys or Indians. This evasive answer is matched by the film’s happy ending, which masks the fact that the film presents the Travellers as Ireland’s Indians: an excluded and forgotten minority living on the social margins. Today an estimated 23,000 Travellers live in the Republic of Ireland, 15,000 in Great Britain and 7,000 in the United States of America. Their Irish origins have been the object of speculation. Some writers trace them back to landowners made homeless during Cromwell’s campaign in Ireland or during the Great Famine of the mid-nineteenth century; others argue that Travellers have dwelt in Ireland since the Middle Ages. These nomads have their roots in Ireland and must be distinguished from Gypsies, even if they share many similar customs. In the past, they played an important role as messengers in isolated rural areas. The term “tinker,” which today has negative connotations, refers to one of their main occupations, tinkering. Industrialisation and modern technology have destroyed this economic basis of their life. Having been forced to adapt to new social Page 1 GRUNERT FILM JOURNAL 1 (2010) and economic conditions, Irish Travellers or Pavee1, as they now call themselves, have found new occupations such as collecting scrap.
    [Show full text]
  • Writing the History of Women's Programming at Telifís Éireann: A
    Alphaville: Journal of Film and Screen Media no. 20, 2020, pp. 38–53 DOI: https://doi.org/10.33178/alpha.20.04 Writing the History of Women’s Programming at Telifís Éireann: A Case Study of Home for Tea Morgan Wait Abstract: The history of women’s programming at the Irish television station Teilifís Éireann has long been neglected within the historiography of Irish television. Seminal studies within the field have focused quite specifically on the institutional history of the Irish station and have not paid much attention to programming. This is particularly true in regard to women’s programmes. This paper addresses this gap in the literature by demonstrating a methodological approach for reconstructing this lost segment of programming using the example of Home for Tea, a women’s magazine programme that ran on TÉ from 1964 to 1966. It was the network’s flagship women’s programme during this period but is completely absent from within the scholarship on Irish television. Drawing on the international literature on the history of women’s programmes this paper utilises press sources to reconstruct the Home for Tea’s content and discourse around it. It argues that, though Home for Tea has been neglected, a reconstruction of the programme illuminates wider themes of the everyday at Teilifís Éireann, such as a middle-class bias and the treatment of its actors. As such, its reconstruction, and that of other similar programmes, are exceptionally important in moving towards a more holistic history of the Irish station. In 1964, a woman from Rush wrote to the RTV Guide with a complaint about Irish national broadcaster Telifís Éireann’s schedule.
    [Show full text]
  • Santa's Grotto
    Millennium Ballymun Town Centre Clothing Ballymun’s Own Drapery Store Sportswear Men’s ladies & children’s tracksuits, tops & shorts Gents Tracksuits Jackets, boxers, socks, shirts, jeans, • Rolls and sandwiches made all combats day, rolls baked fresh in shop 66 Joseph Plunkett Tower Ladies Tracksuits Ballymun, Dublin 11 • Full Deli and sandwich bar Tops, jeans, bottoms, underwear, Tel: 8425174 / 087-6724107 • A range of minerals, biscuits, jackets, twin sets, bras [email protected] confectionery and important grocery Items Childrens Tracksuits • Variety of stationery and T-shirts, frilly socks, underwear, school equipment. Page 2 Page 3 Page 6 Page 7 fleeces, body warmers Lot’s of Christmas novelties, Open Mon – Sat chocolates, buscuits and 9.30am – 6pm GREAT many other goods Thursday Late night until 8pm PRICES ! Leap for charity Riordans to Hollywood Community law centre Forum Elections Merry Christmas to all our Customers Happy Christmas Volume 3 Issue 3 Positive News for the Greater Ballymun / Poppintree Area Nov 29th – Dec 31st 2000 Merry ‘Full Time’ Christmas to all our Cascarino readers Secondary school students met former Irish International soccer star Tony Cascarino, when he visited the Ballymun Senior Comprehensive school recently. As part of their transi- Exclusive interview and SHARON’S RESTAURANT & TAKE AWAY Ballymun Shopping Centre tion year, the students photos by Seamus Kelly received the surprise the playing fields at his local treat when Tony walked school. into the school library. Quality food He is currently doing a “I was born in Orpington Kent promotion on his book England, I played football in ‘Full Time, the secret life the playing fields at my school.
    [Show full text]
  • Maple and Shamrock: Seeking a Strategy for Survival in the Audiovisual Jungle
    Maple and Shamrock: seeking a strategy for survival in the audiovisual jungle. Colum Kenny Context Attempting to assess what the future might hold for Irish broadcasters and producers, especially in the light of digital and multimedia developments and of increasing competition, I recently paid a visit to Ontario and Quebec, two adjacent provinces of Canada. It is a country where audiovisual matters have long been taken seriously. Canada's proximity to the U.S. 'elephant', as that neighbour is sometimes known, concentrates the northern state's collective mind on survival strategies. Previous trips to Canada, including attendance at the Toronto Film Festival and participation as a guest in the Banff Television Festival in Alberta, had induced in the author an admiration for the practical ways in which Canadians have responded to audiovisual challenges. In contrast, Irish broadcasting developments have been stunted by bad planning and poor preparation and marked by an absence of clear strategic focus. Policy has been eschewed in favour of politics and opportunities to build up the kind of audiovisual sector we might have had have been lost. It was at Ottawa, in September 1948, that a visiting Taoiseach, John A. Costello, proclaimed for the first time his own government's intention of declaring Ireland a republic. His successors might consider another visit, specifically to see how a relatively small country can articulate successfully an elaborate media policy. Canada enjoys a remarkably sophisticated system of regulation, licensing and support which manages to keep scores of television stations and hundreds of radio services on the air in a country of under 30 million people.
    [Show full text]
  • Cultural and Structural Change in Irish Television Drama
    Irish Communication Review Volume 8 Issue 1 Article 1 January 2000 Cultural and Structural Change in Irish Television Drama Edward Brennan Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/icr Part of the Communication Technology and New Media Commons Recommended Citation Brennan, Edward (2000) "Cultural and Structural Change in Irish Television Drama," Irish Communication Review: Vol. 8: Iss. 1, Article 1. doi:10.21427/D79Q7W Available at: https://arrow.tudublin.ie/icr/vol8/iss1/1 This Article is brought to you for free and open access by the Current Publications at ARROW@TU Dublin. It has been accepted for inclusion in Irish Communication Review by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License IRISH COMMUNICATIONS REVIEW VOL 8 2000 Edward Brennan is a Cultural and Structural Change in PhD candidate in the Department of Irish Television Drama Sociology, University College Dublin. Edward Brennan A dominant ideology in RTÉ? According to Devereux (1998), RTÉ drama, and RTÉ television in general, excludes 1. Glenroe is a long society’s powerless. This is, in his view, a result of the ideology of RTÉ drama producers. running soap opera set in Devereux’s research on RTÉ drama concentrates on Glenroe1. It states that Glenroe fails a small rural community to represent adequately those who are marginalised in Irish society. In passing, within Dublin’s hinterland. It is unusual in that it has Devereux mentions some material and organisational constraints which may help to continuity in characters, explain why this is so.
    [Show full text]
  • Irish Television Drama: a Society and Its Stories
    Irish Television Drama: A Society and Its Stories Helena Sheehan published by Radio Telefís Éireann in 1987 2nd (revised) edition published in 2004 ISBN 0 86029 011 5 pb ISBN 0 86029 012 3 hb © Helena Sheehan Professor Helena Sheehan website: http://webpages.dcu.ie/~sheehanh/sheehan.htm e-mail: [email protected] Table of Contents Introduction Part 1: Concepts / Contexts / Criteria Chapter 1: Story, Myth, Dream and Drama Chapter 2: Television as a Medium of Drama Chapter 3: Judgments of Television Drama Part 2: The Evolution of Irish Television Drama Chapter 4: The 60s: The Coming of Television Chapter 5: The 70s: Progress, Pressures and Protests Chapter 6: The 80s: The Satellite Era Appendix: RTE Television Drama Productions 1962-1987 Titles index Introduction This is essentially a story about storytelling. It is, first of all, an account of why people tell stories. It is an exploration of what has been at stake in the whole, long and complex history of storytelling, stretching from the voices of the ancient bards to the signals of space age satellites. It is, in the second instance, a story about why particular people have told particular stories at a particular time in the history of a particular society. The Irish people have always been renowned as storytellers. This is the story of Irish storytelling in the television era. Although storytelling would seem to be a universal activity, fundamental to the human condition, it has by no means been a static one. It has not been the same for all times. It is an activity that has undergone enormous transformations.
    [Show full text]
  • Cultural and Structural Change in Irish
    IRISH COMMUNICATIONS REVIEW VOL 8 2000 Edward Brennan is a Cultural and Structural Change in PhD candidate in the Department of Irish Television Drama Sociology, University College Dublin. Edward Brennan A dominant ideology in RTÉ? According to Devereux (1998), RTÉ drama, and RTÉ television in general, excludes 1. Glenroe is a long society’s powerless. This is, in his view, a result of the ideology of RTÉ drama producers. running soap opera set in Devereux’s research on RTÉ drama concentrates on Glenroe1. It states that Glenroe fails a small rural community to represent adequately those who are marginalised in Irish society. In passing, within Dublin’s hinterland. It is unusual in that it has Devereux mentions some material and organisational constraints which may help to continuity in characters, explain why this is so. However, disregarding these constraints, he argues that the families and so on from ideology of RTÉ producers is the real reason for the exclusion of society's powerless from two preceding soap operas, The Riordans and Bracken. television drama: The limitations and possibilities of Glenroe all boil down to the kinds of decisions made amongst the programmes makers. There is no real reason other than perhaps an ideological one which is preventing the series from placing either a traveller or unemployed character at the centre of the programme… (Devereux, 1998: 124). In his conclusion, the financial difficulties faced by RTÉ merely occupy the background and do not explain the ‘ideological decisions’ made by RTÉ producers (Devereux, 1998: 146). RTÉ television is described as ideological, that is, it ‘facilitates… the continuation of capitalism’ (1998:146).
    [Show full text]
  • Night Tocelebrate Reading
    the F IRST ANNU A L Night to Celebrate Reading Thursday, November 19, from 7-9 pm 8 8 the PS8 PTA o PROUDLY Umbrage Gallery, 111 Front Street, N 208, DUMBO PRESENTS GA BRIEL JA MES BYRNE is an Irish actor, film director, film producer, writer, and audiobook narrator. His acting career began in the Focus Theatre before he joined London’s Royal Court Theatre in 1979. Byrne’s screen début came in the Irish soap opera The Riordans and the spin-off show Bracken. The actor has now starred in over 35 feature films, such as The Usual Suspects, Miller’s Crossing and Stigmata, in addition to writing two. Byrne’s producing credits include the Academy Award-nominated In the Name of the Father. Currently, he is receiving much critical acclaim for his role as Dr. Paul Weston in the HBO drama In Treatment. In November 2004, Byrne was appointed a UNICEF Ireland Ambassador. He received the Honorary Patronage of the University Philosophi- cal Society, of Trinity College, Dublin on February 20, 2007. He was awarded an honorary degree in late 2007 by the National University of Ireland, Galway, in recognition of Byrne’s “outstanding contribution to Irish and international film.” 8 Reading Begins, Part I, 7 to 8 PM 8 TA D FRIEND will read from his memoir, Cheerful Money: Me, My Family, and the Last Days of Wasp Splendor. Friend grew up in Buffalo, NY, and Swarthmore, PA (his father was the president of the college), went to Harvard and got a job at Steve Brill’s The American Lawyer out of school.
    [Show full text]
  • Global / Local Film: Working Papers from the 2014 Dalhousie – Sorbonne Nouvelle Summer Institute in Film Studies
    Global / Local Film: Working Papers from the 2014 Dalhousie – Sorbonne Nouvelle Summer Institute in Film Studies Le cinéma entre le global et le local: Papiers de travail de l’Institute d’été 2014 d’études cinématographiques Dalhousie – Sorbonne Nouvelle Published in 2015 by Centre for European Studies 1376 LeMarchant Street Dalhousie University Table of Contents / Table des matières Halifax, Nova Scotia B3H 4P9 Canada Avant-propos / Introduction ..................................................... 6 Copyright © Individual Contributors Donna de Ville (Concordia University) Cover image from the film Nostalgia de la luz (2010) Joanie 4 Jackie: A Challenge, a Promise, ISBN 978-0-7703-0124-8 an Archive of Invisibility ........................................................ 11 Printed in Canada Raphaëlle Moine (Université de Paris 3 – Sorbonne Nouvelle) Global/national/local et films de genre : l’exemple du cinéma français populaire contemporain................................. 41 Conall Ó Duibhir (University College Dublin) Guth Gafa: Local and Global Perspectives of a Rural Film Festival ................................................................. 65 Centre for European Studies Fountain School of Performing Arts Emmanuel Siety (Université de Paris 3 – Sorbonne Nouvelle) Le monde dans une coquille de noix: l’utopie et après ............ 87 Jerry White (Dalhousie University) Towards a Minor Vérité ........................................................ 109 Abstracts/Résumés ...............................................................
    [Show full text]
  • Film and Film-Making in Waterford
    FILM AND FILM-MAKING IN WATERFORD PRELIMINARY STUDIES DONALD BRADY © Waterford County Council FFFiiilllmmm aaannnddd FFFiiilllmmm---mmmaaakkkiiinnnggg iiinnn WWWaaattteeerrrfffooorrrddd PPPrrreeellliiimmmiiinnnaaarrryyy ssstttuuudddiiieeesss WWWÉÇtÄwÉÉÇÇttÄÄww UUUÜtwçÜÜttwwçç 22nd October 2009 FFFiiilllmmm aaannnddd FFFiiilllmmm---mmmaaakkkiiinnnggg iiinnn WWWaaattteeerrrfffooorrrddd PPPrrreeellliiimmmiiinnnaaarrryyy ssstttuuudddiiieeesss111 Background The development of film making from its inception as a newsreel medium to fully-fledged feature film making and inevitably to its acceptance as an acknowledged art form was rapid, successful and indeed spectacular. The response from the public was immediate and so remarkable that within a very short time a new and extremely successful Movie Theatre Business was developed with enormous cinemas built to house the insatiable demand. In Ireland the response was no less remarkable. On the 17th of April 1896 the Freeman’s Journal carried the following notice: “Dan Lowrey’s Star of Erin Theatre or Varieties (now the Olympia) announced ‘the world’s most scientific invention: The greatest, most amazing and grandest novelty ever presented in Dublin: The Cinématographe.’”2 and only three days later cinema arrived in Ireland. The first purpose built theatre, the Volta was opened in 1909. Very early filming was made in 1907 when a journey from “London to Killarney” was produced which included some shots of the journey from Waterford to Wexford. During the filming of this newsreel short features were made as interludes including “Irish wives and husbands” which is “probably the first fiction film made in Ireland…”3 The first excursion by American film-makers occurred when the Kalem Company commissioned Sidney Olcott to produce some European based features and he chose Ireland because his mother was from Dublin.
    [Show full text]
  • IRISH FILM and TELEVISION ‐ 2006 the Year in Review Tony Tracy (Ed.) Introduction
    Estudios Irlandeses , Number 2, 2007, pp. 251-2 86 __________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION ‐ 2006 The Year in Review Tony Tracy (ed.) Introduction ....................................................................................................................................251 Industrial In/Action: The Irish Audiovisual Sector in 2006 Roddy Flynn....................................................................................................................................255 TG 4: Ten Years On Eithne O’Connell ............................................................................................................................258 The Wind that Shakes the Barley Ruth Barton ....................................................................................................................................262 Attack of the Killer Cows! Reading Genre and Context in Isolation Barry Monahan ...............................................................................................................................264 Capital Letters Debbie Ging ...................................................................................................................................267 Once Tony Tracy ....................................................................................................................... 269 Misery, Missed Opportunities and Middletown Jane Ruffino .......................................................................................................................
    [Show full text]
  • Soap Opera and Social Order: Glenroe, Fair City and Contemporary Ireland
    Soap Opera and Social Order: Glenroe, Fair City and Contemporary Ireland Dr Helena Sheehan paper given at IMAGINING IRELAND conference at the Irish Film Centre on 31 October 1993 ABSTRACT: Biddy, Bella and the big issues of the day How far can contemporary Ireland recognise itself in Glenroe and Fair City? To what extent do its characters, settings and storylines testify to the temper of the times? What relation do these serials bear to the lives we lead? This paper will look at Ireland's two currently running television serials in terms of the larger pattern of social experience. It will query both the presences and the absences in their representation of contemporary Ireland. It will explore the soap opera form in terms of its potential for imagining Ireland in a more expansive and penetrating fashion. It will draw strong conclusions about the failure of existing serials to fulfill this potential. Soap Opera and Social Order What is the relation between soap operas and the social order in which they are set and seen? To what extent is it possible to trace the temper of the times in television serials? Television soap operas came into the world and into my own life in America in the 1950s. It was my mother and not me who was their target audience, but I saw as much of them as school holidays and parental indulgence would allow. They were utterly addictive. Women would organise their days around their ‘stories’ and they became an essential ritual of everyday life. These stories were meant to be about ordinary lives of ordinary people in ordinary towns of the time, although it was extraordinary how many affairs, surprise appearances and disappearances, exotic diseases, afflictions of amnesia, murders, kidnappings and frauds befell such a small number of characters in such small towns.
    [Show full text]