Devils and Angels
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rte Guide Tv Listings Ten
Rte guide tv listings ten Continue For the radio station RTS, watch Radio RTS 1. RTE1 redirects here. For sister service channel, see Irish television station This article needs additional quotes to check. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Найти источники: РТЗ Один - новости газеты книги ученый JSTOR (March 2020) (Learn how and when to remove this template message) RTÉ One / RTÉ a hAonCountryIrelandBroadcast areaIreland & Northern IrelandWorldwide (online)SloganFuel Your Imagination Stay at home (during the Covid 19 pandemic)HeadquartersDonnybrook, DublinProgrammingLanguage(s)EnglishIrishIrish Sign LanguagePicture format1080i 16:9 (HDTV) (2013–) 576i 16:9 (SDTV) (2005–) 576i 4:3 (SDTV) (1961–2005)Timeshift serviceRTÉ One +1OwnershipOwnerRaidió Teilifís ÉireannKey peopleGeorge Dixon(Channel Controller)Sister channelsRTÉ2RTÉ News NowRTÉjrTRTÉHistoryLaunched31 December 1961Former namesTelefís Éireann (1961–1966) RTÉ (1966–1978) RTÉ 1 (1978–1995)LinksWebsitewww.rte.ie/tv/rteone.htmlAvailabilityTerrestrialSaorviewChannel 1 (HD)Channel 11 (+1)Freeview (Northern Ireland only)Channel 52CableVirgin Media IrelandChannel 101Channel 107 (+1)Channel 135 (HD)Virgin Media UK (Northern Ireland only)Channel 875SatelliteSaorsatChannel 1 (HD)Channel 11 (+1)Sky IrelandChannel 101 (SD/HD)Channel 201 (+1)Channel 801 (SD)Sky UK (Northern Ireland only)Channel 161IPTVEir TVChannel 101Channel 107 (+1)Channel 115 (HD)Streaming mediaVirgin TV AnywhereWatch liveAer TVWatch live (Ireland only)RTÉ PlayerWatch live (Ireland Only / Worldwide - depending on rights) RT'One (Irish : RTH hAon) is the main television channel of the Irish state broadcaster, Raidi'teilif's Siranne (RTW), and it is the most popular and most popular television channel in Ireland. It was launched as Telefes Siranne on December 31, 1961, it was renamed RTH in 1966, and it was renamed RTS 1 after the launch of RTW 2 in 1978. -
Report on Future Funding of Public Service Broadcasting
Tithe an Oireachtais An Comhchoiste um Chumarsáid, Gníomhú ar son na hAeráide agus Comhshaol Tuarascáil ón gComhchoiste maidir leis Craoltóireacht Seirbhíse Poiblí a Mhaoiniú sa Todhchaí A leagadh faoi bhráid dhá Theach an Oireachtais 28 Samhain 2017 Houses of the Oireachtas Joint Committee on Communications, Climate Action and Environment Report of the Joint Committee on the Future Funding of Public Service Broadcasting Laid before both Houses of the Oireachtas 28 November 2017 32CCAE002 Tithe an Oireachtais An Comhchoiste um Chumarsáid, Gníomhú ar son na hAeráide agus Comhshaol Tuarascáil ón gComhchoiste maidir leis Craoltóireacht Seirbhíse Poiblí a Mhaoiniú sa Todhchaí A leagadh faoi bhráid dhá Theach an Oireachtais 28 Samhain 2017 Houses of the Oireachtas Joint Committee on Communications, Climate Action and Environment Report of the Joint Committee on the Future Funding of Public Service Broadcasting Laid before both Houses of the Oireachtas 28 November 2017 32CCAE002 Report on Future Funding of Public Service Broadcasting TABLE OF CONTENTS Brollach .............................................................................................................. 3 Preface ............................................................................................................... 4 1. Key Issue: The Funding Model – Short Term Solutions .......................... 6 Recommendation 1 - Fairness and Equity ............................................................ 6 Recommendation 2 – All Media Consumed ........................................................... -
UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Life on-air: talk radio and popular culture in Ireland Author(s) Doyle-O'Neill, Finola Editor(s) Ní Fhuartháin, Méabh Doyle, David M. Publication date 2013-05 Original citation Doyle-O'Neill, F. (2013) 'Life on-air: talk radio and popular culture in Ireland', in Ní Fhuartháin, M. and Doyle, D.M. (eds.) Ordinary Irish life: music, sport and culture. Dublin : Irish Academic Press, pp. 128-145. Type of publication Book chapter Link to publisher's http://irishacademicpress.ie/product/ordinary-irish-life-music-sport-and- version culture/ Access to the full text of the published version may require a subscription. Rights © 2013, Irish Academic Press. Item downloaded http://hdl.handle.net/10468/2855 from Downloaded on 2021-09-30T05:50:06Z 1 TALK RADIO AND POPULAR CULTURE “It used to be the parish pump, but in the Ireland of the 1990’s, national radio seems to have taken over as the place where the nation meets”.2 Talk radio affords Irish audiences the opportunity to participate in mass mediated debate and discussion. This was not always the case. Women in particular were excluded from many areas of public discourse. Reaching back into the 19th century, the distinction between public and private spheres was an ideological one. As men moved out of the home to work and acquired increasing power, the public world inhabited by men became identified with influence and control, the private with moral value and support. -
29Th June 2003 Pigs May Fly Over TV Studios by Bob Quinn If Brian
29th June 2003 Pigs May Fly Over TV Studios By Bob Quinn If Brian Dobson, Irish Television’s chief male newsreader had been sacked for his recent breach of professional ethics, pigs would surely have taken to the air over Dublin. Dobson, was exposed as doing journalistic nixers i.e. privately helping to train Health Board managers in the art of responding to hard media questions – from such as Mr. Dobson. When his professional bilocation was revealed he came out with his hands up – live, by phone, on a popular RTE evening radio current affairs programme – said he was sorry, that he had made a wrong call. If long-standing Staff Guidelines had been invoked, he might well have been sacked. Immediately others confessed, among them Sean O’Rourke, presenter of the station’s flagship News At One. He too, had helped train public figures, presumably in the usual techniques of giving soft answers to hard questions. Last year O’Rourke, on the live news, rubbished the arguments of the Chairman of Primary School Managers against allowing advertisers’ direct access to schoolchildren. O’Rourke said the arguments were ‘po-faced’. It transpires that many prominent Irish public broadcasting figures are as happy with part-time market opportunities as Network 2’s rogue builder, Dustin the Turkey, or the average plumber in the nation’s black economy. National radio success (and TV failure) Gerry Ryan was in the ‘stable of stars’ run by Carol Associates and could command thousands for endorsing a product. Pop music and popcorn cinema expert Dave Fanning lucratively opened a cinema omniplex. -
How Irish Radio Made Strides for Women's Rights
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-11-2020 Her Voice on Air: How Irish Radio Made Strides for Women's Rights Emilie R. Hines Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the English Language and Literature Commons, European History Commons, Film and Media Studies Commons, Women's History Commons, and the Women's Studies Commons Her Voice on Air: How Irish Radio Made Strides for Women’s Rights By Emilie Hines Prepared for Dr. Madeleine Esch Department of English, Communications and Media Salve Regina University May 11, 2020 Hines 1 Her Voice on Air: How Irish Radio Made Strides for Women’s Rights ABSTRACT: Radio is the voice of the people; this is no less true in Ireland, a nation that prefers talk radio and phone-ins. These formats were popular from 1970-2000, formative years for the feminist movement. Scholarship suggests a correlation between radio and women’s issues in Ireland but does not answer what elements create this. Here, I analyze 10 archival radio clips from Ireland’s national public service broadcaster, RTÉ, looking at how women’s issues are framed. After analyzing these clips, I found that Irish identity embedded in the shows allows for the discussion of controversial ideas. Radio promotes an inclusive environment, by dispelling shame and encouraging political conversation among women. This allows women to hear and be heard, creating a space for equal representation. Introduction As I was sitting on a bus from Dublin airport back to my apartment in Cork City, I heard a late-night radio show playing on the bus speakers. -
5 Day Western Ireland and Dublin Incentive Itinerary
SAMPLE PROGRAMME Ireland WEST & DUBLIN’S FAIR CITY 60 – 85 Guests 1 WHY IRELAND AND A TOUCH OF IRELAND? . “Just for fun” – Ireland has a special magic that starts working the minute you touchdown. Barriers are broken down with the emphasis on fun & the unique Irish experience . Painless travel – no special vaccinations needed – just a capacity to drink a few pints of Guinness! . Great programme mix – lively, cultural city action combined with the “hidden Ireland” – wild romantic nature WITHOUT long bus journeys! . Ireland never says “No” – we make things happen! . Excellent standard of hotels . A Touch of Ireland – Creative DMC & expert reliable Partner with multilingual staff – we understand the demands of the corporate client. 2 WEST IRELAND – LUXURY CASTLE ACCOMMODATION Ashford Castle 5* Cong, Co. Mayo www.ashford.ie Ashford Castle in the heart of the Connemara region, is just one and a half hours from Shannon airport, on the northern shores of Lough Corrib. The countryside around it provided the scenery for the John Wayne classic, “The Quiet Man”. Ashford Castle was selected as the best hotel in Ireland in the 1989 and 1990 Egon Ronay Guide. The original Castle dates back to the 13th century. It has been splendidly restored with rich panelling, intricately carved balustrades, suits of armour and masterpiece paintings. This year the hotel has undergone major refurbishment and is looking stunning. There are 83 rooms in total in the castle offering 5* luxury. Ashford boasts two gourmet restaurants; The “George V” dining room offers traditional and continental menus, while “The Connaught Room” specialises in acclaimed French cuisine. -
About the Artists
Fishamble: The New Play Company presents Swing Written by Steve Blount, Peter Daly, Gavin Kostick and Janet Moran Performed by Arthur Riordan and Gene Rooney ABOUT THE ARTISTS: Arthur Riordan - Performer (Joe): is a founder member of Rough Magic and has appeared in many of their productions, including Peer Gynt, Improbable Frequency, Solemn Mass for a Full Moon in Summer, and more. He has also worked with the Abbey & Peacock Theatre, Gaiety Theatre, Corcadorca, Pan Pan, Druid, The Corn Exchange, Bedrock Productions, Red Kettle, Fishamble, Project, Bewleys Café Theatre and most recently, with Livin’ Dred, in their production of The Kings Of The Kilburn High Road. Film and TV appearances include Out Of Here, Ripper Street, The Clinic, Fair City, Refuge, Borstal Boy, Rat, Pitch’n’Putt with Joyce’n’Beckett, My Dinner With Oswald, and more. Gene Rooney - Performer (May): has performed on almost every stage in Ireland in over 40 productions. Some of these include: Buck Jones and the Bodysnatchers (Dublin Theatre Festival), The Colleen Bawn Trials (Limerick City of Culture), Pigtown, The Taming of the Shrew, Lovers (Island Theatre Company), The Importance of Being Earnest (Gúna Nua), Our Father (With an F Productions), How I Learned to Drive (The Lyric, Belfast), I ❤Alice ❤ I (Hot for Theatre), TV and film work includes Moone Boy, Stella Days, The Sea, Hideaways, Killinaskully, Botched, The Last Furlong and The Clinic Janet Moran - Writer Janet’s stage work includes Juno and the Paycock (National Theatre, London/Abbey Theatre coproduction), Shibari, Translations, No Romance, The Recruiting Officer, The Cherry orchard, She Stoops to Conquer, Communion, The Barbaric Comedies, The Well of the Saints and The Hostage (all at the Abbey Theatre). -
IRISH FILM and TELEVISION - 2011 the Year in Review Roddy Flynn, Tony Tracy (Eds.)
Estudios Irlandeses, Number 7, 2012, pp. 201-233 ____________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION - 2011 The Year in Review Roddy Flynn, Tony Tracy (eds.) Copyright (c) 2012 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Irish Film 2011. Introduction Roddy Flynn ............................................................................................................................201 “Not in front of the American”: place, parochialism and linguistic play in John Michael McDonagh’s The Guard Laura Canning .........................................................................................................................206 From Rural Electrification to Rural Pornification: Sensation’s Poetics of Dehumanisation Debbie Ging and Laura Canning .............................................................................................209 Ballymun Lullaby Dennis Murphy ........................................................................................................................213 Ballymun Lullaby: Community Film Goes Mainstream Eileen Leahy ............................................................................................................................216 The Other Side of Sleep Tony Tracy...............................................................................................................................220 -
PAYING DIVIDENDS a Report on the Atlantic Philanthropies Investment in Dementia in Ireland
Dem ent ia PAYING DIVIDENDS A Report on The Atlantic Philanthropies Investment in Dementia in Ireland Eamon O’Shea and Patricia Carney National University of Ireland Galway TABLE OF CONTENTS Section Title page Executive Summary 1 1. Introduction 6 2. Dementia by Numbers 9 3. Framing Dementia 15 4. International Developments in Dementia 20 5. Dementia Care in Ireland 25 6. Atlantic’s Investment: Context and Methodology 32 6.1 Investing in Dementia 32 6.2 Methodology 35 7. Atlantic Dementia Grantees in Ireland 38 7.1 Genio 39 7.2 University College Cork (UCC): Centre for Gerontology and Rehabilitation 40 7.3 Trinity College Dublin: Neuro-Enhancement for Independent Lives (NEIL) 41 7.4 Third Age Foundation: Support and Advocacy Service for Older People (SAGE) 42 7.5 Health Service Executive – Single Assessment Tool (SAT) 43 7.6 Alzheimer Society of Ireland 44 7.7 Irish Hospice Foundation 44 7.8 Health Research Board (HRB) 45 7.9 Health Service Executive: National Dementia Strategy 46 7.10 Dublin City University: Dementia Skills Elevator Programme 47 7.11 Age Friendly Ireland: Older people remaining at home (OPRAH) 48 7.12 Trinity College Dublin: Creating Excellence in Dementia Care 48 7.13 Trinity College Dublin: Living with Dementia (LiD) 48 7.14 Trinity College Dublin: Dementia Services Information and Development Centre (DSIDC) 49 7.15 Trinity College Dublin and University of California at San Francisco: Global Brain Health Initiative 49 8. Coherence and Diversity 52 8.1 The Key Themes 52 8.2 Service Transformation 53 8.3 Advocacy and Awareness 56 8.4 Brain Health - Prevention and Diagnosis 63 8.5 Education and Training 65 8.6 Measurement, Research and Evaluation 69 9. -
Who's Who in the Shroud World
Who’s Who in the Shroud World David Rolfe Mention the words “Silent Witness” and anybody with even the remotest interest in the Shroud will know exactly what you are talking about. The documentary by David Rolfe was the first introduction to the subject for many people in the late 1970’s, myself included, when we were taken from school to see the film at a local cinema in Leeds. The story of how the documentary came to be is fascinating, and was told to me by David in the venue office this summer at the Edinburgh Festival. But first, a quick look at his background. Rolfe received his honours diploma in Film Technique from The London International Film School. He went on to become a freelance director/producer, with credits including "Panorama", BBC1; "Gorbachov’s 5th Anniversary Event" for Newsnight; "Fight Again" for BBC2; many programmes for blue chip companies and TV commercials for Seiko Watches amongst others. Whilst with Screenpro films, he was consultant to BBC Worldwide setting up Drama Co- produc tions in Australia; BAFTA winner for Best Documentary "Silent Witness – An Investigation into the Shroud of Turin" BBC1 & 2; Producer of the main title sequences, cinema trailers, and TV commercials for Paramount Pictures London including: "The Great Gatsby", "A Dolls House", "That Funny Touch", "The Last Tycoon", "Triple Echo", "Sutjeska", "Rachel’s Man" and "Butterfly Ball". He also set up Middle -East film service for a consortium of contractors. As senior partner of the Performance Group, he established, produced and directed Performance Coaching programmes for The Woolwich, Barclays, NatWest, Motorola, Zeneca and others; He was series producer of "Wild Islands" 26 for STV, H4C and RTE; produced "Postcards from the Country" for BBC Natural History Unit; and took the feature CLONE to The Cannes Film Festival. -
Supporting Asylum Seekers and Refugees
Church of Ireland Refugee Working Groups Supporting asylum seekers and refugees Foreword The mass movement of people fleeing war-torn countries in the Middle East and Africa has impacted upon many countries around the world. Approximately 4.3 million refugees are crammed into temporary camps in the countries bordering Syria while others have relocated further afield, with around 1 million migrants coming to Europe by risking the treacherous journey across the Mediterranean. Both the Republic of Ireland and Northern Ireland are playing their part in providing a home for some of those who have been displaced and details are provided within this resource. Two small working groups were set up to monitor the situation on behalf of the Church of Ireland. This has been a frustrating process as authorities have been careful not to disclose personal information. Hence the difficulty in offering the practical support that had initially been requested. As refugees become more fully integrated into their new local communities, opportunities will present themselves for Church of Ireland people across the country to offer welcome and practical support. A small number of positive initiatives, some of them ecumenical, have already been drawn to our attention and are to be applauded. This resource is intended to be informative and encouraging. It is important that we are aware of the efforts being made in both jurisdictions and by our mission partners. We are indebted to Mr Peter Cheney of the Church of Ireland Press Office who has taken responsibility for producing this – he is passionate in his support for all refugees and in conveying their plight to others. -
Irish Environmental Activism: from Woodquay to the ‘Celtic Tiger’
The Environmental Movement in Ireland The Environmental Movement in Ireland Liam Leonard Foreword by John Barry Liam Leonard Social Science Research Centre (SSRC) National University of Ireland Galway, Ireland Cover Images © 2007 Jupiter Images Corporation ISBN 978-1-4020-6811-9 e-ISBN 978-1-4020-6812-6 Library of Congress Control Number: 2007938051 © 2008 Springer Science + Business Media B.V. No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the Publisher, with the exception of any material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Printed on acid-free paper. 9 8 7 6 5 4 3 2 1 springer.com Foreword At the time of writing many of the issues discussed by Liam Leonard in The Environmental Movement in Ireland are reflected in the new political realities of the island of Ireland North and South. The Green Party – since December 2006 organised on an all Ireland basis – is in coalition government in the Republic while in the Northern Ireland Assembly elections in March it gained its first elected Members of the Legislative Assembly (MLA). These developments clearly indicate a level of popular and political success of the Green Movement and issues of (un)sustainable development, but also open up a new and uncharted area for the movement with high expectations of Greens in Government. Long-standing green issues, particularly around climate change and energy security, have received unprecedented levels of popularisation through almost daily media coverage and documentaries such as former US Vice President Al Gore’s An Inconvenient Truth and the ‘Live Earth’ global concerts.