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Flight from the Dark
Flight from the Dark Joe Dever Illustrated by Gary Chalk You are Lone Wolf. In a devastating attack the Darklords have destroyed the monastery where you were learning the skills of the Kai Lords. You are the sole survivor. In Flight from the Dark, you swear revenge. But first you must reach Holmgard to warn the King of the gathering evil. Relent- lessly the servants of darkness hunt you across your country and every turn of the page presents a new challenge. Choose your skills and your weapons carefully—for they can help you succeed in the most fantastic and terrifying journey of your life. Text copyright c 1984 Joe Dever. Illustrations copyright c 1984 Gary Chalk. Distribution of this Internet Edition is restricted under the terms of the Project Aon License. Publication Date: 10 May 2010 Internet Edition published by Project Aon. This edition is intended to reflect the complete text of the original version. Where we have made minor corrections, they will be noted in the Errata. This PDF was typeset with LATEX. To Mel and Yin Contents About the Author and Illustrator 9 Acknowledgements 11 The Story So Far . 13 The Game Rules 15 Kai Wisdom 29 Numbered Sections 31 Action Chart 200 Combat Rules Summary 203 Combat Results Table 204 Random Number Table 206 Errata 207 Project Aon License 211 Map of the Lastlands 216 About the Author and Illustrator Joe Dever, the creator of the bestselling Lone Wolf adven- ture books and novels, has achieved world-wide recognition in three creative fields—as an award-winning author of international renown, as an acclaimed musician and composer, and as a games designer specialising in role-playing games. -
Adventure Quest I Spent the Spring Break of My Junior Year of College
Adventure Quest I spent the spring break of my Junior year of college going through my basement. My mother had charged me with combing my things, throwing out everything I didn’t need and picking what I would take when my family moved to Atlanta, Georgia later the next month. In a box of old papers and binders from high school, I found a notebook containing one of the many “choose your own adventure” stories my best friend, Josh Saville, and I had written. Flipping through the pages it became clear to me what I wanted to spend the next year working on. Excited at my idea, I quickly told Josh of my plans, and he joined my excitement for our future project. That summer we began writing the original story that I would adapt into a choose-your-own-adventure-style comic book that would become Adventure Quest. Then, as well as now, my first interest when it comes to this project is branching storytelling. My first encounter with this type of narration, like many people, was with the classic Choose Your Own Adventure book series. As a child, the ability to have agency in the story in front of me was exhilarating. It wasn’t until later in High School that I, along with Josh, became fascinated with the underlying structure and framework of these stories as well as the unique possibilities second person narration gives to a work of prose. My second interest in this project is the problem of adapting prose in a visual way for a comic book. -
White Warlord White Warlord Contains Two Separate Action-Packed Adventures
Combat Heroes 1: White Warlord White Warlord contains two separate action-packed adventures. Contributors for Project Aon Editions One you play by yourself, the other you play with a copy of the This project would have been impossible without the helpful twin book, Black Baron, and a friend. contributions of: Solo adventure Iain Smith – scanning graphics and text, OCR. You need: White Warlord only Bill Foster – Scanning of the tables. You, White Warlord, are imprisoned in the castle dungeons of your arch-enemy Black Baron. You must use all your cunning Simon Osborne – coordinator of the Combat Heroes books for to survive. Beware the Baron’s deadly traps, solve his mind- Project Aon. boggling riddles, seek out his treasures. You may yet live to Philip Barbier – for invaluable assistance in contacting illustrator avenge your honour! Peter Parr. Dual adventure Special thanks also to Oliver Traxel for providing a spare copy You need: White Warlord, Black Baron, and a friend! of the book for scanning purposes. Your feud with the Black Baron is legendary. Now the Maze- ----------------------------------------------------------------- master of Xenda has challenged you both to fight it out in his Internet Edition published by Project Aon. This edition is combat maze. Sudden death lurks in every shadowy corner of the intended to reflect the complete text of the original version. underground tunnels and you never know when you may come Changes made, such as to correct incorrect or inconsistent face to face with your opponent. Sharpen your senses and tighten spelling, punctuation, and grammar have been noted in the your bow: you must outwit, out-shoot, and out-fight your Errata section. -
Magnamund (Pseudo-Latin for 'Great World') Is the Most Important Planet
Magnamund (pseudo-Latin for 'Great World') is the most important planet in the setting of Lone Wolf, Magnamund is the fulcrum of the struggle between the Lords of Good and Evil - the last world in Aon which has not fallen to the Darkness (under the god Naar) or been rescued by the Light (under the gods Kai and Ishir); the victor of this battle wins total domination over the plane of Aon. The land mass is split into the two continents of Northern Magnamund and Southern Magnamund, separated by the Tentarias strait. Originally Magnamund comprised one land mass. During the Age of Chaos, when Naar sought to destroy the wise dragon Nyxator, Magnamund was torn asunder, and the Tentarias strait split the land into the two continents of Northern Magnamund and Southern Magnamund. There are many notable geographic features on Magnamund. Features of other worlds and places can also be found here. The northwestern quarter of Northern Magnamund is the Darklands, a hellish wasteland ruled by the Darklords. It is in this terrible land that the Darklords create their armies and breed creatures of darkness. The northeastern quarter of Northern Magnamund is the Lastlands, giving rise to the human nations of Sommerlund and Durenor. It is against these bastions of hope that the full might of the Darklords is directed, for if Sommerlund and Durenor should fall, the rest of Magnamund would fall in their wake. The eastern third of Southern Magnamund is characterized by the Sadi desert and the Shadakine Empire. The tyrannical Shadakine Empire arose under the rulership of Shasarak the Wytch-king to conquer the free states of the south. -
Immersion and Reading Comprehension: a Comparison of Reading from Print Or Video Game Text
Jacqueline Schaepman S1133330 Dr. Prof. P.A.F. Verhaar Master Thesis January 2020 Word count: 18025 Immersion and reading comprehension: a comparison of reading from print or video game text 0 Table of contents Abstract 2 Introduction 4 Chapter 1: Related literature and theoretical focus 8 1.1 Navigability 8 1.2 Immersion 11 1.3 Narrative 15 1.4 Reading Comprehension 17 1.5 Summary 18 Chapter 2: Methodology of the case study 20 Chapter 3: Research Results 29 3.1 Navigability in The Shamutanti Hills 31 3.2 Immersion in The Shamutanti Hills 32 3.3 Reading comprehension and reading speed 35 Chapter 4: Discussion 38 4.1 Navigability 39 4.2 Immersion 40 4.3 Narrative 40 4.4 Reading Comprehension 41 Chapter 5: Conclusion and Recommendations 41 Conclusion 42 Recommendations 42 Recommendations for methodology 42 Recommended areas for future research 43 Acknowledgment 44 References 44 Appendix 47 List of Figures 47 List of Tables 48 1 Abstract A study published in 2017 about leisure time use of average American citizens depicted the percentage of time Americans read, played video games or did other leisure activities on the computer.1 On an average day, only 21% of respondents in 2015 would read as a pastime, a decrease from the 27% of respondents that would read for pleasure in 2005. As opposed to this, the playing of video games as a pastime increased by 38%. With the preference of time use leaning towards gaming as well as the increasing popularity of smartphones and online devices, most people tend to spend more time reading from a screen rather than from print with the average adult spending around nine hours per day reading, swiping and listening to media.2 This, however, is claimed to crucially affect our level of text comprehension. -
Authoring RPG Gamebooks for Learning Game Writing and Design José P
Fighting Fantasies: Authoring RPG Gamebooks for Learning Game Writing and Design José P. Zagal & Corrinne Lewis Entertainment Arts & Engineering University of Utah 50 S. Central Campus Dr, RM 3190 Salt Lake City, UT 84112, USA [email protected], [email protected] ABSTRACT Students learning to design and write games face a diversity of challenges. For example, they might lack knowledge and experience in certain game types (Zagal and Bruckman 2007), or an understanding of fundamental components of narrative structure. In this article we describe an assignment we feel helps address some of these challenges. We have developed a gamebook writing assignment, specifically one using the Fighting Fantasy system (Jackson and Livingstone 1982), as a way to introduce students to game design, narrative and narrative construction in games, and how to think about non-linear storytelling. We argue that this assignment, which has been used successfully in multiple undergraduate and graduate classes, affords myriad learning opportunities including practice knitting story with game mechanics and an opportunity to gain a more nuanced understanding of how they interact and interrelate. Keywords Game education, fighting fantasy, gamebook, RPG gamebook INTRODUCTION While role-playing has been considered an important tool and technique for encouraging learning (e.g. Wohlking and Gill 1980; van Ments 1999), it seems to be used less often for learning about game design, interactive storytelling, or narrative development as it relates to games. We argue that role-playing gamebooks (RPG gamebooks) provide a unique set of affordances that can be used by instructors to help their students. For example, Newman (1988) described how using gamebooks was helpful for students planning their adventure game designs while Siddle and Platts (2011) argued they could be productive in supporting software design education. -
Lone Wolf Bodytext REVISED.Indd
Sample file Lone Wolf The Roleplaying Game August Hahn Contents 2 Welcome to Magnamund Source Author 5 Roleplaying Joe Dever 15 Brother of the Crystal Star Layout & Design 27 Dwarven Gunner of Bor Ian Belcher 32 Kai Lord Cover Art 48 Magician of Dessi Ralph Horsley 56 Shadaki Buccaneer Interior Illustrations 63 Sommerlund Knight of the Realm Tony Parker 70 Telchos Warrior 78 Skills Studio Manager Ian Barstow 105 Equipment 132 Combat Production Director Alexander Fennell 155 Adventuring in Magnamund Sample file 168 The Lone Wolf Games Master Playtesting 173 Supporting Roles Mark Billanie, Adrian Czajkowski, Mark Gedak, Tammy Gedak, Jamie Godfrey, Daniel Haslam, 181 The Magnamund Gazetteer Mark Howe, Alan Moore, Murray Perry, Daniel 250 The Magnamund Bestiary Scothorne, Mark Sizer, Michael J Young 296 Designer’s Notes Proofreading 298 Index Sarah Quinnell 302 Character Sheet Additional Support 304 License Matthew Sprange Lone Wolf, The Roleplaying Game is ©2004 Mongoose Publishing under license from Joe Dever. All rights reserved. Reproduction of non-Open Game Content of this work by any means without the written permission of the publisher is expressly forbidden. Lone Wolf, The Roleplaying Game is presented under the Open Game License. See page 304 for the text of this licence. With the exception of boxed story text and character names, character creation rules detailing the mechanics of assigning dice roll results to attributes and the character advancement rules detailing the effects of applying experience, all text within Lone Wolf, The Roleplaying Game is declared as open content. Printed in Canada. 1 Welcome to Magnamund In the northern land of Sommerlund, it has been the custom for many centuries to send the children of the Warrior Lords to the monastery of Kai. -
Where Stories End and Games Begin by Greg Costikyan
Story vs. Game 25.03.2003 10:16 Uhr Where Stories End and Games Begin by Greg Costikyan "Every medium has been used to tell stories," says Eric Goldberg, one of my oldest friends and president of Unplugged Games. "That's true of books and theater and radio drama and movies. It's true of games as well." I have this argument all the time, and I think Goldberg's statement is balderdash. It's not true of music; music is pleasing sound, that's all. Yes, you can tell a story with music; ballads do that. So do many pop songs . Certainly some types of music -- opera, ballet, the musical -- are "story-telling musical forms," but music itself is not a story-telling medium. The pleasure people derive from music is not dependent on its ability to tell stories: Tell me the story of The Brandenberg Concertoes. Nor is gaming a storytelling medium. The pleasure people derive from games is not dependent on their ability to tell stories. The idea that games have something to do with stories has such a hold on designers' and gamers' imagination that it probably can't be expunged, but it deserves at least to be challenged. Game designers need to understand that gaming is not inherently a storytelling medium any more than is music--and that this is not a flaw, that our field is not intrinsically inferior to, say, film, merely because movies are better at story-telling. Nevertheless, there are games that tell stories--roleplaying games and graphic adventures among others -- and the intersection of game and story, the places where the two (often awkwardly) meet has bred a wide variety of interesting game styles. -
Combat Heroes 2: Scarlet Sorcerer
Combat Heroes 2: Scarlet Sorcerer Scarlet Sorcerer contains two separate action-packed Contributors for Project Aon Editions adventures. One you play by yourself, the other you play with a copy of the twin book, Emerald Enchanter, and a friend. This project would have been impossible without the helpful contributions of: Solo adventure You need: Scarlet Sorcerer only Philip Barbier – for invaluable assistance in contacting illustrator You are the Scarlet Sorcerer, star pupil of the mighty wizard Peter Parr. Silvarion. You helped your master steal the evil Deathlord’s most treasured possession—his Power Crystal. Unluckily, the theft was Jonathan Blake – editing. discovered almost immediately and your master murdered by Deathlord assassins. So where is the Power Crystal now? Can you Simon Osborne – Scanning and editing of images, OCR, unravel the cryptic clues left by your wizard master and reach the coordinator of the Combat Heroes books for Project Aon. precious stone before the cruel Deathlord? Dual adventure ------------------------------------------------------------------ You need: Scarlet Sorcerer, Emerald Enchanter, and a friend! Internet Edition published by Project Aon. This edition is High above the grasslands and plains of Thorasia, you desperately intended to reflect the complete text of the original version. battle against your arch-rival—the Emerald Enchanter —for he Changes made, such as to correct incorrect or inconsistent too seeks the Power Crystal. Skilfully manoeuvring your magical spelling, punctuation, and grammar have been noted in the skyship, you strive to shoot him down. But the Emerald Errata section. Enchanter is a wily assailant and you’ll need every ounce of your strength to defeat him. -
Openned Zine #4
OPENNEDZINE OPENNED.COM 4 ISSUE © Openned January 2011 [email protected] web addresses, e-mail addresses and bold text are clickable hyper- links photo Joe Luna Image © Emily Critchley OPENNED NEWS THE WORKSHOP GREENWICH FESTIVAL H.E. PROTESTS Steven Fowler will be conducting PROJECT A record of information and a series of interviews with past Videos from summer 2010’s thoughts about the student pro- and present participants of Lon- Greenwich Festival, organised by tests that took place at the end of don’s Writers Forum workshop Emily Critchley and Carol 2010 around the UK is available over the next few months. The Watts, will be available to view to view on Openned here. resulting recordings will be very soon on Openned (it has hosted on Openned. Check out taken longer than anticipated to his article in this issue of the process the thousands of feet of Zine for more inform. film we took). Thank you to Emily and Carol for putting on this fantastic event. EDITORIAL Openned is based in welcome to the first issue London, UK, and is By Alex Davies & Steve Willey run by Stephen Willey and Alex Davies. The Openned Zine is setting out with one intention: to provide poets, Openned seeks to publishers and organisers with a space to publicly present explana- create flexible spaces for poetry and poetic tions, thoughts, ideas!and opinions that may not necessarily be repre- practitioners by invit- ing less established OPENNED.COM sentative of a final response. and more established writers to read to- The fourth issue of the Openned Zine is dedicated to gether, curating publi- cations, documenting exploring outside of the bubble. -
Emerald Enchanter
Combat Heroes 2: Emerald Enchanter Emerald Enchanter contains two separate action-packed Contributors for Project Aon Editions adventures. One you play by yourself, the other you play with a copy of the twin book, Scarlet Sorcerer, and a friend. This project would have been impossible without the helpful contributions of: Solo adventure You need: Emerald Enchanter only Philip Barbier – for invaluable assistance in contacting illustrator You are the Emerald Enchanter, star pupil of the mighty wizard Peter Parr. Silvarion. You helped your master steal the evil Deathlord’s most treasured possession—his Power Crystal. Unluckily, the theft was Jonathan Blake – editing. discovered almost immediately and your master murdered by Deathlord assassins. So where is the Power Crystal now? Can you Simon Osborne – scanning and OCR, coordinator of the unravel the cryptic clues left by your wizard master and reach the Combat Heroes books for Project Aon. precious stone before the cruel Deathlord? Dual adventure ----------------------------------------------------------------- You need: Emerald Enchanter, Scarlet Sorcerer, and a friend! Internet Edition published by Project Aon. This edition is High above the grasslands and plains of Thorasia, you desperately intended to reflect the complete text of the original version. battle against your arch-rival—the Scarlet Sorcerer—for he too Changes made, such as to correct incorrect or inconsistent seeks the Power Crystal. Skilfully manoeuvring your magical spelling, punctuation, and grammar have been noted in the skyship, you strive to shoot him down. But the Scarlet Errata section. Sorcerer is a wily assailant and you’ll need every ounce of your strength to defeat him. Publication Date: 07 November 2006 Joe Dever is the creator of the bestselling Lone Wolf adventure Text copyright © 1986 Joe Dever books and novels. -
ERJ 3.2 Version8
1 SPECIAL ONLINE ISSUE: Contents Message from the Editor Page 2 Reading to Survive! – Task-based extensive reading for the de-motivated Page 3 Jake Arnold Using the Best-Selling Novel, Tuesdays with Morrie for Extensive Reading. Page 22 Mayumi Asaba Class Readers: The Learner’s Perspective Page 25 Rory Rosszell 2 Message from the Editor From time to time researchers submit articles which can not go in a standard issue of ERJ. Sometimes they are too long, or do not fit in well with the usual format. This is a problem as they are often articles which would be of interest to the readers of ERJ. To rectify this situation, we are releasing this Special Edition of ERJ containing three such articles. In the future, we plan to release one Special Issue of ERJ each year to give researchers a place to publish worthy articles, that we would otherwise not be able to publish. The lead article by Jake Arnold discusses Gamebooks and includes a 14 page sample chapter which we would not have been able to include is a regular edition of ERJ because of the length. If you have any questions or advice for Jake Arnold, please contact him at <[email protected]>. Mayumi Asaba’s article describing using Tuesdays with Morrie with her students could be considered by some to be intensive reading rather than extensive reading. Her article is included here as it shows the potential strength of using a class reader. Rory Rosszell also deals with the class reader issue and brings in the opinions of the most important people - the students.