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Revising the Yellowstone Injunction to Fit New York's Commercial
Brooklyn Journal of Corporate, Financial & Commercial Law Volume 14 Issue 1 Article 7 12-27-2019 “Fair Enough”? Revising the Yellowstone Injunction to Fit New York’s Commercial Leasing Landscape and Promote Judicial Economy Gabriel W. Block Follow this and additional works at: https://brooklynworks.brooklaw.edu/bjcfcl Part of the Bankruptcy Law Commons, Business Organizations Law Commons, Litigation Commons, Property Law and Real Estate Commons, and the State and Local Government Law Commons Recommended Citation Gabriel W. Block, “Fair Enough”? Revising the Yellowstone Injunction to Fit New York’s Commercial Leasing Landscape and Promote Judicial Economy, 14 Brook. J. Corp. Fin. & Com. L. (). Available at: https://brooklynworks.brooklaw.edu/bjcfcl/vol14/iss1/7 This Note is brought to you for free and open access by the Law Journals at BrooklynWorks. It has been accepted for inclusion in Brooklyn Journal of Corporate, Financial & Commercial Law by an authorized editor of BrooklynWorks. FAIR ENOU REIIN TE YELLOWSTONE INJUNCTION TO FIT NEW YORK COMMERCIAL LEAIN LANCAPE AN PROMOTE JUICIAL ECONOMY ABTRACT The Yellowstone injunction is an equitable remedy that tolls any applicable cure period and gives tenants a better opportunity to maintain their leasehold when they have defaulted under their lease. The remedy is available to commercial tenants in New York City and to commercial and residential tenants throughout the State. This Note examines the Yellowstone injunction in the context of New York City’s commercial tenants, who employ it most frequently and benefit most from its protections. This Note examines the development and application of the Yellowstone injunction and proposes changing the doctrine to exclude cases of monetary defaults and expired or nonexistent cure periods from the realm of Yellowstone relief. -
The Radio Urbanism of Robert C. Weinberg, 1966–71 by Christopher Neville for the New York Preservation Archive Project
“Building and Rebuilding New York:” The Radio Urbanism of Robert C. Weinberg, 1966–71 by Christopher Neville for the New York Preservation Archive Project “...This is Robert C. Weinberg, critic-at-large in architecture and planning for WNYC.” Introduction: Robert Weinberg, Department of Parks (under Robert Moses), New York City, and WNYC and at the Department of City Planning. Robert C. Weinberg was an architect and urban planner active in New York from the He taught courses in planning and related early 1930s until his death in 1974. Over four fields at New York University, the Pratt Insti- decades of vigorous engagement with preser- tute, the New School for Social Research, and vation and planning issues, he was both an ac- Yale, and published roughly 150 articles and tive participant in or astute observer of almost reviews. He was also the co-editor, with every major development in New York urban- Henry Fagin, of the important 1958 report, ism. Between 1966 and 1971, near the end of Planning and Community Appearance, jointly his career, he served as radio station WNYC’s sponsored by the New York chapters of the “critic-at-large in architecture and planning,” American Institute of Architects and the and his broadcasts are a window onto his re- American Institute of Planners. markable career and the transformations he But over his long career, Weinberg devoted witnessed in the city he loved. Weinberg’s the bulk of his considerable energies to a long personal history in the trenches and be- broad range of public-spirited efforts covering hind the scenes gave him unique perspective almost every aspect of urban development and on these changes—an insider’s overview, with city life, including historic preservation, zon- a veteran’s hindsight. -
State of the District a Leadership Team Report of the District 2013-2014
State of the District A Leadership Team Report of the District 2013-2014 Submitted to the Board of Education by Maria C. Rice, Superintendent of Schools 2014 CORE INTELLIGENCE Our Mission... The New Paltz Central School District exists for the children of the community. The focus of its programs and activities is the commitment to measured excellence and continuous growth and development for all. Our Vision... Our school community – students, staff, families and community members – are citizens of the world, passionate about learning and empowered to achieve their dreams. Citizens of the world: responsible, ethical, contributing, participating members of local, national and global communities who value all peoples and care about each other; we respect the environment, work to improve the society in which we live, and understand our role in it. Passionate about learning: confident and reflective, curious, nimble thinkers whose knowledge of the past makes them capable of questioning, analyzing, and assimilating new information. They are technologically creative and able to imagine alternatives to what is and what is yet to be. They also dare to be risk takers in crafting their futures. Empowered: they are well prepared to be self-directed and expressive, to develop and use their personal skills and abilities, to be comfortable with change, achieve deep understanding, make informed and wise decisions, and to cooperate, collaborate, and compete. They live a healthy life style, are creative, and are empowered to achieve their dreams. Our Guiding Principles... 1. To maintain a focus on learning and success for all. 2. To create a cohesive and inclusive culture PK-12, across buildings and departments. -
A072d7cb17b564d401082d34b5
THE LIFE AND WORK OF LUTHER ORLANDO EMERSON 1 820- 1915 by KA IN S. BLAND FORD A thesis Prese nted to the Faculty of t he Department o f Mus i c o f Christopher Newport Un iversity I n par t i a l fulfi l l me n t of the Requireme nts f or the Degre e Ba c he l or o f Mus i c Apri l, 1994 CAPTAINJOHN SMITH LffiRARY CHRISTOPHER NEWPORT UNIVERSITY NEWPORT NEWS. VIRGINIA Approved by Director /'p, v Hines, Ph .D . /71c~ « . 2~:r4 -~ Ma rk U. Re i me r D.M . Reader ABSTRACT Luther Orlando Emerson (1820-1915), along with many other New England composers, was a pioneer in the field of music education. Compiler and composer of music for churches, singing schools, choral societies, and public schools, and through his work at music conventions, and teaching positions in various institutes throughout Massachusetts, Emerson played a maj or role in the promotion of music education for the masses. Widely popular in his day, Emerson made great contributions in sacred music, as he was devoted to elevating the standards and general character of church music. The objective of this thesis is to explore the life and work of this most .prolific, nineteenth-century composer. The content of the first chapter is the early life of Emerson: his home life, early musical experiences, and his early education. The second chapter's subjects are his formal music education, beginning professional work in teaching and conventions, and his first books. The subjects of the third chapter are Emerson's main convention work and his later life. -
Federal Register Volume 32 • Number 67
FEDERAL REGISTER VOLUME 32 • NUMBER 67 Friday, April 7, 1967 • Washington, D.C. Pages 5667-5723 Agencies in this issue— Agricultural Stabilization and Conservation Service Agriculture Department Civil Aeronautics Board Civil Service Commission Commodity Credit Corporation Consumer and Marketing Service Defense Department Engineers Corps Federal Aviation Agency Federal Communications Commission Federal Crop Insurance Corporation Federal Housing Administration Federal Power Commission Fish and Wildlife Service Food and Drug Administration General Services Administration Interstate Commerce Commission Land Management Bureau National Park Service Post Office Department Public Health Service Securities and Exchange Commission Small Business Administration Wage and Hour Division Detailed list of Contents appears inside. Current White House Releases WEEKLY COMPILATION OF PRESIDENTIAL DOCUMENTS The Weekly Compilation of Presidential Documents Issues at the end. Cumulation of this index terminates began with the issue dated Monday, August 2, 1965. at thé end of each quarter and begins anew with the It contains transcripts of the’ President’s news confer following issue. Semiannual and annual indexes are ences, messages to Congress, public speeches, remarks published separately. and statements, and other Presidential material released by the White House up to 5 p.m. of each Friday. The Weekly Compilation of Presidential Documents is This weekly service includes an Index of Contents sold to the public on a subscription basis. The price preceding the text and a Cumulative Index to Prior of individual copies varies. Subscription Price: $6.00 per year Compiled by Office of the Federal Register, National Archives and Records Service, General Services Administration Order from: Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. -
Download Artist's CV
MARUANI MERCIER PETER HALLEY Born in 1953, he lives and works in New York City. Education 1978 BA from Yale University 1980 MFA from the University of New Orleans One Person Exhibitions and Collaborative Exhibitions 2021 Three Paintings, Almine Rech Gallery, Shanghai New Paintings, Galleria Massimo Minini, Brescia, Italy 2020 Peter Halley: New Works, MARUANI MERCIER, Knokke, Belgium Peter Halley: Networks, James Barron Art, Kent, CT Peter Halley: Paintings 2000 – 2018, Galerie Retelet, Monaco Peter Halley / Anselm Reyle, König Galerie and Galerie Thomas, Berlin Peter Halley: New Paintings, Galeria Senda, Barcelona Peter Halley, Baldwin Gallery, Aspen 2019 Heterotopia II, Greene Naftali Gallery, New York Peter Halley: New Paintings, Galerie Thomas Modern, Munich Qube, Split, Croatia (collaborative installation with Lauren Clay, catalogue) Heterotopia I, Magazzini del Sale, with Flash Art Magazine and the Accademia di Venezia (installation) Still, Peter Halley and Ugo Rondinone, Stuart Shave/Modern Art Biel train station, Biel, Switzerland (installation) Galerie Forsblom, Stockholm 2018 Peter Halley: New Paintings, MARUANI MERCIER, Brussels Lever House, New York (installation) Modern I Postmodern: Peter Halley and Robert Mangold, MARUANI MERCIER, Brussels, Belgium AU-DESSOUS / AU DESSUS, Galerie Xippas, Paris (installation) Peter Halley. Patterns and Figures, Gouaches 1977/78, Galerie Thomas Modern, Munich 2017 Greene Naftali Gallery, New York Gary Tatintsian Gallery, Moscow Boats Crosses Trees Figures Gouaches 1977-78, Karma, New York -
Cove P8 UPKNYC P10 Dyckman P9
JANUARY 22 - JANUARY 28, 2014 • Vol. 15 • No. 4 wAshiNgtoN heights • Inwood • hARLEM • eAST hARLEM NORTHERN MANHATTAN’S BILINGUAL NEWSPAPER EL PERIODICO BILINGUE DEL NORTE DE MANHATTAN NOW EVERY WEDNESDAY TODOS LOS MIERCOLES Will Cabrini close? p4 ¿Cierra Cabrini? p4 UPKNYC p10 Cove p8 Dyckman p9 PUT CARE ON YOUR CALENDAR IN JANUARY Visit us at the At EmblemHealth Neighborhood Care you’ll find new Neighborhood Room programs every month to help you stay healthy, get well 215 West 125th Street and live better. All classes are FREE and open to the public. 15 Wednesday 22 Wednesday 28 Tuesday Friends in Deed—Support Group Sitting Chi Breath/Stretch Understanding Asthma Medications for Serious Illness, Grief or Loss 5:30–6:30 pm 11:00 am–12:00 Noon 12:00 Noon–1:00 pm (Space limited–must call to reserve) Eating for Health w/Max 5:30–6:30 pm Sitting Chi Breath/Stretch Thursday 5:30–6:30 pm 23 Wednesday (Space limited–must call to reserve) Healthwise Handbook: 29 Self Care for You & Your Family Friends in Deed—Support Group 16 Thursday 1:00–2:00 pm for Serious Illness, Grief or Loss Harlem Stroke Foundation (EmblemHealth members only) 12:00 Noon–1:00 pm Support Group Friday Sitting Chi Breath/Stretch 4:00–6:00 pm 24 5:30–6:30 pm Cell Phone Literacy For (Space limited–must call to reserve) 17 Friday Older Adults Medicare Seminar* 1:00–2:30 pm 30 Thursday 12:00 Noon–1:30 pm 25 Saturday Healthcare Reform Saturday Intro to Tai Chi and Qigong (Obama Care 101) 18 11:00 am–12:30 pm Intro to Tai Chi and Qigong 11:30 am–12:30 pm 11:30 am–12:30 pm (Space -
Slices of “The Big Apple” This Is New York City
Slices of “The Big Apple” This is New York City An anthology of Wit, Reflections & Amusements Cliff Strome Licensed NYC Private Tour Guide 1 Slices of “The Big Apple” This is New York City An anthology of Wit, Reflections & Amusements Cliff Strome Licensed NYC Private Tour Guide 2 Cliff Strome, is a Licensed New York City Guide, recipient of The City of New York Dept. of Consumer Affairs highest rating, nominated Best Private NYC Tour Guide by The Association of New York Hotel Concierges (2011 and 2014), awarded The TripAdvisor Certificate of Excellence (2013, 2014, 2015, 2016 & 2017,). Cliff has achieved the highest percentage of five star reviews (Excellent) on TripAdvisor, at the rate of 99% based on over 500 reviews. [email protected] www.customandprivate.com Cliff Strome 382 Central Park West New York, NY 10025 212-222-1441 March 2018 3 For Aline My wife, my candle, the light of my life. 4 Table of Slices Introduction 8 Chapter I “No! You Go!” 9 The Legally Blind Woman 17 “Can’t Go To Motor Vehicle Without a Pen!” 14 Dr. Bartha vs. Big Bertha 20 Acts of Kindness, a 1,000 Minute 27 “I’m one of the Owners” 32 “They Better Not!” 37 220 Central Park South 40 Chapter II My Playbook 1 in 8,300,000 45 “Friend of the House” 51 Singles “Seen” 57 One of These Glasses is Not Like the Other 70 A Tree Doesn’t Grow in Central Park 75 “I Got Interests on Both Sides” 78 “Instant Funship” 96 The 47th St. -
Nysba Fall 2001 | Vol
NYSBA FALL 2001 | VOL. 11 | NO. 4 Elder Law Attorney A publication of the Elder Law Section of the New York State Bar Association Message from the Chair What are the most sig- meeting. In light of the impending release of the Birn- nificant issues that you face baum Commission Report on Fiduciary Appoint- in your practice? As elder ments, having a forum such as the House of Dele- law attorneys, our answers gates to address our guardianship concerns will be to that question will vary. timely and valuable. Are the issues substantive— The Elder Law Section Summer Meeting was Medicaid, guardianship, held August 8-12 in Florence, Italy, the first-ever joint Medicare, estate planning, session with the Trial Lawyers Section, and it was a tax law changes, et al.; or are remarkable success. Presentations by Section mem- they practice oriented—how bers Joan Robert, Steven Rondos, Robert Kruger and do I computerize, market, Bernard Krooks, were all well done and well manage, bill, get retained, received. The participation of Judges Levine, Car- hire, fire and find time for family, friends, life? dona and Nicolai added an aura of judicial credibili- A bar association is a collection of attorneys with ty, and each of the judges proved to be able presen- common interests, designed to serve and help man- ters and excellent listeners to the members of both the age the legal profession. In New York, the House of elder law and trial bars. The tour that preceded the Delegates is the state bar’s governing body, and in conference, which was planned by Mitch Rabbino June I had an opportunity to attend its meeting in and Ellen Makofsky, was a grand tour of northern Cooperstown. -
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Diasporic P'ungmul in the United States
Diasporic P’ungmul in the United States: A Journey between Korea and the United States DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Soo-Jin Kim Graduate Program in Music The Ohio State University 2011 Committee: Professor Udo Will, Advisor Associate Professor Chan E. Park Assistant Professor Danielle Fosler-Lussier Copyright by Soo-Jin Kim 2011 Abstract This study contributes to understanding diaspora and its music cultures by examining the Korean genre of p’ungmul as a particular site of continuous and dynamic cultural socio-political exchange between the homeland and the host society. As practiced in Los Angeles and New York City, this genre of percussion music and dance is shaped by Korean cultural politics, intellectual ideologies and institutions as p’ungmul practitioners in the United States seek performance aesthetics that fit into new performance contexts. This project first describes these contexts by tracing the history of Korean emigration to the United States and identifying the characteristics of immigrant communities in Los Angeles and New York City. While the p’ungmul troupes developed by Korean political refugees, who arrived during the 1980s, show the influence of the minjung cultural movement in Korea, cultural politics of the Korean government also played an important role in stimulating Korean American performers to learn traditional Korean performing arts by sending troupes to the United States. The dissertation then analyzes the various methods by which p’ungmul is transmitted in the United States, including the different methods of teaching and learning p’ungmul—writing verbalizations of instrumental sounds on paper, score, CD/DVD, and audio/video files found on the internet—and the cognitive consequences of those methods. -
The Ring Around the Rose: Jay Defeo and Her Circle
The Ring around The Rose: Jay DeFeo and her Circle By Elizabeth Allison Ferrell A dissertation submitted for partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Emerita Anne M. Wagner, Chair Professor Emeritus Timothy Clark Professor Shannon Jackson Professor Darcy Grigsby Fall 2012 Copyright © Elizabeth Allison Ferrell 2012 All Rights Reserved Abstract The Ring around The Rose by Elizabeth Allison Ferrell Doctor of Philosophy in History of Art University of California, Berkeley Professor Emerita Anne M. Wagner, Chair From 1958 to 1966, the San Francisco artist Jay DeFeo (1929-89) worked on one artwork almost exclusively – a monumental oil-on-canvas painting titled The Rose. The painting’s protracted production isolated DeFeo from the mainstream art world and encouraged contemporaries to cast her as Romanticism’s lonely genius. However, during its creation, The Rose also served as an important matrix for collaboration among artists in DeFeo’s bohemian community. Her neighbors – such as Wallace Berman (1926-76) and Bruce Conner (1933-2008) – appropriated the painting in their works, blurring the boundaries of individual authorship and blending production and reception into a single process of exchange. I argue that these simultaneously creative and social interactions opened up the autonomous artwork, cloistered studio, and the concept of the individualistic artist championed in Cold-War America to negotiate more complex relationships between the individual and the collective. 1 To the memory of my best friend, Mila Noelle Rainof, M.D., whose compassion and courage will always inspire the best things I do i Table of Contents List of Figures………………………………………………………………………………….…iii Acknowledgements ……………………………………………………………………………....xi Introduction ……………………………………………………………………………………….1 Chapter 1…………………………………………………………………………………………24 “S.F.