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Boxing Practitioners Physiology Review 1. Kinanthropometric Parameters, Skeletal Muscle Recruitment and Ergometry
Open Journal of Molecular and Integrative Physiology, 2020, 10, 1-24 https://www.scirp.org/journal/ojmip ISSN Online: 2162-2167 ISSN Print: 2162-2159 Boxing Practitioners Physiology Review 1. Kinanthropometric Parameters, Skeletal Muscle Recruitment and Ergometry André Mukala Nsengu Tshibangu Department of Basic Sciences, Faculty of Pharmaceutical Sciences, University of Kinshasa, Kinshasa, Democratic Republic of the Congo How to cite this paper: Tshibangu, A.M.N. Abstract (2020) Boxing Practitioners Physiology Re- view 1. Kinanthropometric Parameters, Ske- Seven percent voluntary body weight decrease by boxers requires 21 days letal Muscle Recruitment and Ergometry. while 4.4 percent increase needs only one day. Energy and fluid intakes reduc- Open Journal of Molecular and Integrative tion does not affect boxers punching force. Boxers effective punch masses and Physiology, 10, 1-24. https://doi.org/10.4236/ojmip.2020.101001 body weights correlate. Wrist girths and competition rankings of boxers cor- relate. Boxers show leanness body fat percentage. Boxers, generally highly me- Received: November 16, 2019 somorphic, with increasing body weight, show ectomorphy decreases but en- Accepted: January 13, 2020 domorphy and mesomorphy increases. Vibration treatment enhances power Published: January 16, 2020 in boxers arm flexors. Presence, nature and thickness of bandages and gloves Copyright © 2020 by author(s) and donned influence boxers punch force. Stance posture adopted by boxers ends Scientific Research Publishing Inc. in locomotion functional parameters adaptations. Muscular recruitment se- This work is licensed under the Creative quence during rear straight punches may be influenced by the target height Commons Attribution International License (CC BY 4.0). (head or body levels) and the boxer intention (produce maximal force or maxim- http://creativecommons.org/licenses/by/4.0/ al speed). -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
EXTENSIONS of REMARKS November 19, 1975 We Can Save a Great Deal in Those the Budget Committee, the Senior Sena
37480 EXTENSIONS OF REMARKS November 19, 1975 We can save a great deal in those the Budget Committee, the senior Sena . Upon the disposition of the congres amounts. But with such things as social tor from Maine (Mr. MusKIE) and the sional budget resolution, the Senate will security, retirement programs, and pen distinguished ranking minority member take up the Interior appropriation bill, sions, we are not going to reduce those, of the committee, the senior Senator with a rollcall vote expected on final and I think we all recognize that. from Oklahoma (Mr. BELLMON). passage. Mr. DOMENICI. There may be some In the past year they have assembled The Senate conceivably could be in reform necessary, and that might occur, a truly excellent staff, and proved that session until a reasonably late hour to but I think my distinguished chairman is the complex provisions of the budget and morrow, with rollcall votes throughout. saying if the Budget Committee were to Impoundment Control Act of 1974 can put a figure in other than the real outlay in fact help to reassert the congressional expected for one of those programs we control over the Nation's purse that the RECESS UNTIL 8:45 A.M. would be fooling ourselves and we would Constitution provides. Mr. MUSKIE. Mr. President, if there be fooling the American people on the Over the past year I have often dis is nothing further that any Senator budget, because there is a legal entitle agreed with a majority of the committee wishes to say at this time, I move that ment that exists in the field on the part on specific issues. -
Read an Excerpt
ACROSS THE PLAINS The Journey of the Palace Wagon Family by SANDRA FENlCHEL ASHER Dramatic Publishing Wcxxlstock, lllinois • London, England • Melooume, Australia © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** TIle amaleur and stock acting rights to this wen: are controlled exclusively by TIm DRAMATIC PUBUSHING COMPANY without wha;e pennission in writing 00 performance of it may be given. Royalty fees are given in our current catalogue and are subject to change without notice. Royalty must be paid every time a play is perfonned whether or not it is JI=lted for profit and whether a- not admission is charged. A play is perfonned any time it is acted bef<re an audience. All inquiries conceming amateur and stock rights should be addressed to: DRAMATIC PUBUSlllNG P. O. Box 129, Woodstock, lliioois 60098. COPYRIGHT UW GWES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides lIlIlhcrs with a fair return fa- their creative efforts. Authas earn their living from the royalties they receive fnm book sales and from the perfonnance of their work Conscientious offiervance ofcopyright law is not ooly ethical, it encour ages authors to continue their creative work. This wa-k is fully protected by copyright No altecations, deletions a- substitutions may be made in the work without the pria- written consent of the publisher. No part of this work may be reproduced a- ttansmitted in any form or by any means, electrooic or me chanical, including photocopy, recording, videotape, film, or any information storage and retrieval system, without pennission in writing from the publisher. -
National Prohibition and Jazz Age Literature, 1920-1933
Missouri University of Science and Technology Scholars' Mine English and Technical Communication Faculty Research & Creative Works English and Technical Communication 01 Jan 2005 Spirits of Defiance: National Prohibition and Jazz Age Literature, 1920-1933 Kathleen Morgan Drowne Missouri University of Science and Technology, [email protected] Follow this and additional works at: https://scholarsmine.mst.edu/eng_teccom_facwork Part of the Business and Corporate Communications Commons, and the English Language and Literature Commons Recommended Citation Drowne, Kathleen. "Spirits of Defiance: National Prohibition and Jazz Age Literature, 1920-1933." Columbus, Ohio, The Ohio State University Press, 2005. This Book is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in English and Technical Communication Faculty Research & Creative Works by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page i SPIRITS OF DEFIANCE Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page iii Spirits of Defiance NATIONAL PROHIBITION AND JAZZ AGE LITERATURE, 1920–1933 Kathleen Drowne The Ohio State University Press Columbus Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page iv Copyright © 2005 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Drowne, Kathleen Morgan. Spirits of defiance : national prohibition and jazz age literature, 1920–1933 / Kathleen Drowne. p. cm. Includes bibliographical references and index. ISBN 0–8142–0997–1 (alk. paper)—ISBN 0–8142–5142–0 (pbk. -
The General Stud Book : Containing Pedigrees of Race Horses, &C
^--v ''*4# ^^^j^ r- "^. Digitized by tine Internet Arciiive in 2009 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/generalstudbookc02fair THE GENERAL STUD BOOK VOL. II. : THE deiterol STUD BOOK, CONTAINING PEDIGREES OF RACE HORSES, &C. &-C. From the earliest Accounts to the Year 1831. inclusice. ITS FOUR VOLUMES. VOL. II. Brussels PRINTED FOR MELINE, CANS A.ND C"., EOILEVARD DE WATERLOO, Zi. M DCCC XXXIX. MR V. un:ve PREFACE TO THE FIRST EDITION. To assist in the detection of spurious and the correction of inaccu- rate pedigrees, is one of the purposes of the present publication, in which respect the first Volume has been of acknowledged utility. The two together, it is hoped, will form a comprehensive and tole- rably correct Register of Pedigrees. It will be observed that some of the Mares which appeared in the last Supplement (whereof this is a republication and continua- tion) stand as they did there, i. e. without any additions to their produce since 1813 or 1814. — It has been ascertained that several of them were about that time sold by public auction, and as all attempts to trace them have failed, the probability is that they have either been converted to some other use, or been sent abroad. If any proof were wanting of the superiority of the English breed of horses over that of every other country, it might be found in the avidity with which they are sought by Foreigners. The exportation of them to Russia, France, Germany, etc. for the last five years has been so considerable, as to render it an object of some importance in a commercial point of view. -
2021 Summer Schedule May Sun Mon Tue Wed Thu Fri Sat the Bees Are Back!
2021 SUMMER SCHEDULE MAY SUN MON TUE WED THU FRI SAT THE BEES ARE BACK! 23 24 25 26 27 28 29 We are excited to join the Prospect League and look forward to seeing fans in the stadium this summer! @CLI @CLI @NOR 30 31 CALL (319) 754-5705 to order tickets ALL TICKETS PURCHASED FOR THE 2020 SEASON CLI @CLI are redeemable at the box office for the 2021 season. (single game, season, bonus books & special ticket packages) JUNE SUN MON TUE WED THU FRI SAT 1 2 3 4 5 OFF @ALT ALT OFA @SPG 6 7 8 9 10 11 12 @NOR OFF ALT @SPG CLI @NOR @OFA 13 14 15 16 17 18 19 CLI OFF OFF @LAF @LAF @NOR OFA 20 21 22 23 24 25 26 QUI CAP SPG @CAP OFF @QUI CAP 27 28 29 30 @CAP OFF ALT @ALT JULY SUN MON TUE WED THU FRI SAT PROSPECT LEAGUE TEAMS Western Conference Eastern Conference 1 2 3 NOR CLI CLI ALT - Alton River Dragons CCK - Champion City Kings BUR - Burlington Bees CHL - Chillicothe Paints 4 5 6 7 8 9 10 CAP - Cape Catfish DAN - Danville Dans OFA OFF CLI OFF @OFA @ALT NOR CLI - Clinton LumberKings IV - Illinois Valley Pistol Shrimp 11 12 13 14 15 16 17 NOR - Normal Cornbelters JMR - Johnstown Mill Rats NOR OFF @IV IV @CLI NOR @QUI OFA - O’Fallon Hoots LAF - Lafayette Aviators 18 19 20 21 22 23 24 QUI - Quincy Gems REX - Terre Haute REX SPG - Springfield Sliders WVA - West Virginia Miners QUI OFF @QUI IV @IV QUI LAF 25 26 27 28 29 30 31 Home LAF OFF @CLI @QUI QUI @QUI NOR AUGUST Away SUN MON TUE WED THU FRI SAT Burlington Bees 1 2 3 4 5 SPG OFF @CLI QUI PLAYOFFS AUG. -
Twisted Trails of the Wold West by Matthew Baugh © 2006
Twisted Trails of the Wold West By Matthew Baugh © 2006 The Old West was an interesting place, and even more so in the Wold- Newton Universe. Until fairly recently only a few of the heroes and villains who inhabited the early western United States had been confirmed through crossover stories as existing in the WNU. Several comic book miniseries have done a lot to change this, and though there are some problems fitting each into the tapestry of the WNU, it has been worth the effort. Marvel Comics’ miniseries, Rawhide Kid: Slap Leather was a humorous storyline, parodying the Kid’s established image and lampooning westerns in general. It is best known for ‘outing’ the Kid as a homosexual. While that assertion remains an open issue with fans, it isn’t what causes the problems with incorporating the story into the WNU. What is of more concern are the blatant anachronisms and impossibilities the story offers. We can accept it, but only with the caveat that some of the details have been distorted for comic effect. When the Rawhide Kid is established as a character in the Wold-Newton Universe he provides links to a number of other western characters, both from the Marvel Universe and from classic western novels and movies. It draws in the Marvel Comics series’ Blaze of Glory, Apache Skies, and Sunset Riders as wall as DC Comics’ The Kents. As with most Marvel and DC characters there is the problem with bringing in the mammoth superhero continuities of the Marvel and DC universes, though this is not insurmountable. -
Dans Host Family Info
The Danville Dans Need Your Help Do you LOVE Baseball?? Or maybe you just like meeting new people! Are you interested in helping to shape a young man’s career, possibly a professional baseball career? If so, you may be a perfect candidate to host a Danville Dans player this summer. The Dans are looking for host parents/families in the Danville area for the 2009 baseball season. This summer, approximately 25 young men will move to Danville to play for the Dans, a member of the Prospect League. From June 1 through Mid-August, these aspiring “professional” ballplayers have the opportunity to hone their baseball skills. Players come from all over the United States to play for the Dans. The Host Family Program has been a vital part of the Dan’s success the past 19 years, both on and off the field. Many of the players become more than just a houseguest; they become part of the family!! To Become A Host Family…..Here’s The Pitch !" Provide a home and meals for player during the season !" Your family receives free season tickets !" Your family will be invited to attend special events !" The player will be a positive role model for your children !" You will have the opportunity to make a positive impact on the future of a young man !" You might be getting to know a future Major League Baseball star !" You have the potential for the creation of a long-term friendship If you are interested, please contact Lisa Smith at (217) 759-7290 or [email protected] for more information. -
Pro Martial Arts Schools Kickboxing Clubs Brown Belt
PRO MARTIAL ARTS SCHOOLS KICKBOXING CLUBS BROWN BELT Padwork Routine 1 Padwork Routine 2 Shield Routine Defensive Routine Sets Freestyle Hand Combinations Freestyle Hand & Kicking Combinations Freestyle Kicking Combinations – Block & Counter Drill 1 to 14 Rear Jump Side Kick Technical Set 5 ((Defender = [ ] )) Left Stance Technical Set 6 ((Defender = [ ] )) Left Stance Rear Round Kick Thigh drop into right stance – [Take Kick to Thigh] – [Right Rear Round Kick Thigh – [Slip Back] – [Right Hook] – Continue turn from Kick Hook] - Leaning Back Guard – Left Round Kick land back into left stance Bobbing under Hook back to left stance [Step Left] - [Left Hook] – Bob & Weave – Right Hook Body Left Hook – [Leaning Back Guard] – [Left Hook] – Leaning Back Guard Technical Set 7 ((Defender = []) Toe to Toe: Attacker Left Stance/ Technical Set 8 ((Defender = []) Toe to Toe: Attacker Right Stance/ Defender Defender Right Left Rear Axe Kick (out to in) landing in Right Stance – [Slip Back with High Right Jab – [Lean Back] – [Jump Rear Round Kick] – Slip to the Right with Side Guard] – Right Hook – [Slip to Right with High Guard] – [Right Jab] – Parry Head Block – Right Hook – [Slip] – Left Hook – [Slip] – Right Uppercut – [Lean [Left Cross] – Parry Back] Technical Set 9 ((Defender = [ ] )) Left Stance Technical Set 10 ((Defender = [ ] )) Left Stance: Defender Against Wall Step in with Power Shin Kick to Thigh – [Take Kick to Thigh] – [Lead Round Right Uppercut Body – [Double Forearm Block] – Left Hook – [Bob & Weave] – Kick to Head] – Left Hook Body -
NP 2013.Docx
LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books. -
A History of Music in Old Mount Vernon, Ohio with Particular Attention to Woodward Hall and the Nineteenth-Century American Opera House
A HISTORY OF MUSIC IN OLD MOUNT VERNON, OHIO WITH PARTICULAR ATTENTION TO WOODWARD HALL AND THE NINETEENTH-CENTURY AMERICAN OPERA HOUSE A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Elizabeth Bleecker McDaniel, B.A. ***** The Ohio State University 2003 Master's Examination Committee Approved by Dr. Graeme M. Boone, Adviser Dr. Charles M. Atkinson _________________________ Adviser Mr. Christopher R. Weait School of Music ABSTRACT During the antebellum period, the town of Mount Vernon, Ohio had a flourishing music scene that included performances by both local amateur societies and professional touring groups. When Woodward Hall, located on the top floor of a four-story commercial building, opened its doors to the public in 1851, it provided the town with its first dedicated theater. Newspaper items and other early sources show that the hall was a focus of public culture in the 1850s, hosting concerts, plays, lectures, and art exhibits as well as community activities including dances, church fundraisers, and school exhibitions. The early source materials for Mount Vernon, however, like those for many small towns, are lacunary, and especially so in the case of Woodward Hall. These shortcomings are compensated, to some extent, by materials relating to theaters of similar size and age in other towns, which offer points of comparison for the Woodward and prove it to be a typical mid-nineteenth-century American theater in some respects, and a distinctive one in others. Modern-day music histories have heretofore been silent on the subject of music and opera houses in small towns despite Oscar Sonneck’s call, some ninety years ago, for local music historiography as a necessary first step in creating a complete history of American music.