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AYELET GIL-EFRAT Editor
AYELET GIL-EFRAT Editor Feature Films: THE OVEN - NEM Corp – Jake Paltrow, director; Oren Moverman, producer DOOSRA – Ramesh Deo Productions – Abhinay Deo, director LUST LIFE LOVE – 1091 Pictures – Stephanie Sellar & Ben Feuer, directors Berlin International Film Festival, World Premiere HARMONIA – KESHET – Ori Sivan, director Jerusalem International Film Festival Winner, Jewish Experience Award NO EXIT – Cia.La Salamandra – Dror Sabu, director Jerusalem International Film Festival Winner, Best Film Television: SMALL MONSTERS – Reshet – director, Dani Sirkin LOST IN ASIA – YES Cable Network– Yuval Shefferman, director THE PLAGUE – HOT Cable Network– Yami Wisler, director LOST IN ASIA – YES Cable Network– Yuval Shefferman, director EAGLES (NEVELOT) – HOT Cable Network– Dror Sabu, director BAREFOOT – HOT Cable Network– Ori Sivan, director THE FIRST FAMILY – HOT Cable Network– Alon Bennary, director THE SADDEST SKETCH SHOW IN THE WORLD – Channel 10 – Yammi Wisler, director UNTIL THE WEDDING – Channel 2 / RESHET – Daphna Levin & Oded Lotan, directors NOT IN FRONT OF THE CHILDREN – Channel 10 – Eyal Sella, director I NEVER PROMISED YOU –YES Cable Network–Gabi Biblyovich & Ophir Babayof, directors Unscripted: 90 HIGHWAY – Channel 8 – director, Anat Seltzer PAIRS – Channel 3 / HOT Cable Network – director, Adva Sheffer Y AT TEN – YES Cable Network – various directors Y PROJECT – YES Cable Network – director, Dror Sabu Documentaries: ALEX IN WONDERLAND – Channel 8 – director, Ori Sivan STRUDEL WITH TAHINI – YES Cable Network – director, Tomer Shani & Ran Landau IN THE JEWISH STATE – Channel 1 – directors, Gabi Biblyovich, Anat Seltzer, & Moish Goldberg MOTHER OF THE BAND – Channel 3 / HOT Cable Network – directors, Shahar Magen & Ayelet Gil-Efrat VOICE OF THE LAND – Channel 10 – director, Eyal Halfon RED DAYS – Channel 2 / TELAD – director, Dror Sabu 9465 Wilshire Blvd. -
WPL 17 May 1974 Iv.Pdf
OSU WPL 17. iv-lli3 (1974); Pl!OI1E'l'IC ArlD PHOilOWGICAL PRO?BRTIES Or' CO;HiECTED 8?:EECH DISSERTATION Presented in Partial Fulfillment of the Reouirements for the Degree Doctor of Philosoph:r in the Graduate Schoo} of The Ohio State University By Linda Sheekey, B.A. * * * * The Ohio State University 1973 iv Copyright by Linda Shockey 1973 V Acknowledernents 'rhe completion of this document owes a ,:.;reat deal to Professors Arnold Zwick}·, John Black, and Francis Utley vl10 p:eve me valuable advice as to refe:t-ences, to Marlene Pnyhn. who typed far be~rond the call of duty and to Professor Re.j Reddy who ir,enel'.'ously made the facilities of the Computer Science Denartment at Ca.rneeie-Mellon Universit:ir available to me, !'~specially I would like to thank my a.dYise!", Professor Ilse Lehiste, who has been a constant source of encouragement, erudition, and i.nspiration throughout my studies at Ohio State. vi Table .of Contents Acknowledgments vi List of Tables and Fip;ures · viii Chapter I • • I I * • • • • Ill • • • • • . ,• l 1.1. Research Goals 1.2, Experimental Techniques Chapter II ,;, . 1 2.1. Chanter Goals 2.2. Descri~tion of data 2.3. Theoretical considerations 2.24, List of' Processes:Found: Word Internal 2,5, Weird-boundary Insensitive Processes 2.6. External. Sandhi Processes 2.7, Discussion Chapter III • . , . • , . ·. 43 3.1. Chanter Goals 3,2, "Degree .of Reduction11 3,3, Speech Rate 3,4, Results of Speech Re.te Investip;ation 3.5. Rate Determination Procedure · 3.6. Conclusions Chanter IV 54 - 4.1. -
Westminsterresearch
WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch Palestinian filmmaking in Israel : negotiating conflicting discourses Yael Friedman School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2010. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Palestinian Filmmaking in Israel: Negotiating Conflicting Discourses Yael Friedman PhD 2010 Palestinian Filmmaking in Israel: Negotiating Conflicting Discourses Yael Friedman A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy September 2010 Acknowledgments The successful completion of this research was assisted by many I would like to thank. First, my thanks and appreciation to all the filmmakers and media professionals interviewed during this research. Without the generosity with which many shared their thoughts and experiences this research would have not been possible. -
Branded Reality the Rise of Embedded Branding ('Branded Content'): Implications for the Cultural Public Sphere
GOLDSMITHS UNIVERSITY OF LONDON Branded Reality The Rise of Embedded Branding (‘Branded Content’): Implications for the Cultural Public Sphere Thesis submitted for the degree of PhD in Media and Communications By Anat Balint P a g e | 1 Acknowledgments This thesis has been an intellectual challenge, and much more than that: it was a personal journey and a phase of transformation. This was a shift from the world of investigative journalism to that of scholarly work, from writing 1000 words in one afternoon to creating a narrative of tens of thousands of words over many many months, from the hectic life of a daily reporter to the silent, somewhat isolating routine of a writer with a laptop. Moreover, it was a process of finding a voice and making my arguments heard. Hopefully, these efforts were somewhat successful, as during the work on the thesis, a time that was also devoted to various public activities as well as teaching and writing, the topic of embedded branding became, in my local arena at least, the subject of investigative reporting by other journalists, heated public debate, policy reports and a legislation proposal. I am most thankful to all those who were with me on this journey. First and foremost, I would like to thank my supervisors, Prof. Nick Couldry and Dr. Liz Moor. Prof. Couldry guided me through the early stages of the research, in its London phase, and was most helpful in setting its theoretical and methodological infrastructure. His immense knowledge, critical point of view and passion for the field are an inspiration to any young scholar. -
Awards Feature Length Films
birth: 28.10.72 in Jerusalem Nationality: Israeli, German. Languages: Native speaker of Hebrew and German Fluent English.Avid, Final cut, 16/35 mm,A.B roll. Awards 1. Prize Wolgin award, .Film Festival Jerusalem („Bil’in Habibti“). Special Mention Rotterdam Filmfestival. („Bil’in Habibti“). Grand Prix Sarajevo Filmfestival (“Free Flow”) Other Israel Award Haifa International Film Festival (“Free Flow”) . Rias television award (“Brown Babies”) Editing prize of the Israeli Film Instutute („Winker“). Unesco Prize („Vilonot“, „Courtains“) Main prize of the Student Jury, 14e Festival international Signes de Nuit, Paris („Counterlight“) 1. prize Haifa Filmfestival („Vilonot“ – „Courtains“) German Celeste Art Prize, Berlin. („Mother Economy“) Best foreign Film Pecs Festival, Jury Prize Pecs Festival („Mother Economy“) Feature Length Films 2018 Yes Doku/New Israeli Film Fund „Cause Of Death“. Script/Development/Rough Cut (90 min) Dir: Ramy Katz; Jerusalem International film Festival https://jff.org.il/he/movie/21820 2013 - 2017 Saga Media Berlin/ Köln "Die Mitte der Nacht ist der Anfang vom Tag" (84 min Dir:Michaela Kirst) http://aok-bv.de/engagement/index_16618.html Wildart Vienna/ Filmtank Hamburg/ Sagamedia Berlin „Green“ (in Post-Produktion Dir: Michaela Kirst) The New Israeli Film Fund “Nobody home” (59 min Dir Michal Ben Tovim) http://www.7thart.com/films/Nobody-Home 2011 Second Channel Autority/ The new Israeli Film Fund „Free Flow“ (65 min, Dir. Rami Katz. Grand Prix Sarajevo Festival. Other Israel Award Haifa international Film Festival) -
The Map of Media Ownership in Israel
Amir Shira Guy Begas Shari Oren Doron Gal Arik Ben Vladimir AMI Golan Margalit Bahar Yossi Family Arison Ben Zvi Family Ziblin Gez Mor Yair Gusinsky Opportunities Arnon Leonard Recanati Aviv Maiman New Regency Sara Joe & The Map of High tech Blavatnik Family Giladi Milchan Shlomo Ben Zvi, Hillel & Akiva Goldbloom Media abroad Imi Saloona Eiron Ifat Meaning of Life Radio Holes in the Net newsru.co.il Clal Industries Maariv LaNoar Merhav Group Zap group Bank Hapoalim Media Ownership Real estate RGE Horim ViYladim Yellow Pages Noga Real estate Commodities, oil & chemicals Microsoft Kav Manhe Group Tchelet Media More Magazines ZAP Sport 5 Channels Channel 10 Bizportal National Geographic Advertising Agency Rafi REST Warner Music (franchise) Rosenfeld & The Seventh Eye Nir Barzilay in Israel Uri Avraham Sport 5 Online Broadcast TV Channel 10 News Ice More websites Maariv Liyladim Shinar Pirchi MSN Israel Channel 6 Israblog Nana10 Hashavim HPS More Magazines Logi Channel Takdin R&B Media Aniboom Shapam United Channels of Israel Tapuz Eitan Eli Flix Ilan Nidam Forbes Israel (franchise) Haim Ron Yuval Yitzchak Saban Sigler Mirilashvili Avi Bar Lauder Eitan Michael Maimon HaMoshavot Magazine Tishbi Lev Nadav Tami Mozes- Ami Leviev Palti Borovich Patrick Giniger Gennady Alexander Media holdings in Europe Time Out Tel Aviv Shaul Real estate Channel 20 Zoom Channel JCS Studios Kaganovich Levin Drahi Elovich Tourist guides Financing Partner Kick At Africa-Israel Noa Media Degania Energy Menora Real estate Saban Capital Kibbutz Azin TeleAlliance Media -
New Economy Or Transnational Ownership? the Global Political Economy of Israel
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Bichler, Shimshon; Nitzan, Jonathan Preprint New Economy or Transnational Ownership? The Global Political Economy of Israel Provided in Cooperation with: The Bichler & Nitzan Archives Suggested Citation: Bichler, Shimshon; Nitzan, Jonathan (2002) : New Economy or Transnational Ownership? The Global Political Economy of Israel, The Bichler and Nitzan Archives, Toronto, http://bnarchives.yorku.ca/82/ This Version is available at: http://hdl.handle.net/10419/157818 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten -
(Dr. Phil.) Durch Die Philosophische Fakultät Der Heinrich-Heine-Universität Düsseldorf Von Janina Leckler
PHILOSOPHISCHE FAKULTAET HHUD Jüdische Motive in den Kriminalromanen von Harry Kemelman und Batya Gur Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) durch die Philosophische Fakultät der Heinrich-Heine-Universität Düsseldorf von Janina Leckler 1. Prüfer: Professor Dr. Dagmar Börner-Klein 2. Prüfer: Professor Dr. Gerhard Langer Tag der mündlichen Promotionsleistung: 30.06.2014 "D 61" Die Dissertation wurde für den Druck überarbeitet. 1 Inhaltsverzeichnis Einleitung 5 1 Kriminalliteratur 9 1.1 Besonderheiten der Gattung 10 1.2 Die Krimi-Serie 14 1.3 Der Held des Krimis 15 2 Jüdische Motive im Kriminalroman 17 2.1 Der jüdische Ermittler 18 2.1.1 Jüdische Ermittler in den USA 19 2.1.2 Jüdische Ermittler in Israel 42 2.2 Der jüdische Kriminalroman 46 3 Die Falllösungen 50 3.1 Charles Sanders Peirce 51 3.2 Sherlock Holmes 54 3.3 C. Auguste Dupin 56 3.4 Die Logik des Talmuds 57 4 Die Kriminalromane von Harry Kemelman 58 4.1 Der Autor und sein Werk 58 4.2 Die Kriminalfälle mit Rabbi Small 62 4.3 Der Rabbi, seine Familie und seine Gemeinde 66 4.3.1 Die Figur des Rabbis 68 4.3.2 Die Figur der Rebezin 89 4.3.3 Die Jüdische Gemeinde 91 4.4 Judentum und Christentum bei Harry Kemelman 98 4.4.1 Hugh Lanigan und der jüdisch-christliche Dialog 99 4.4.2 John Scofield und die Mischehe 102 4.4.3 Patricia Hirsh und die Mischehe 104 4.4.4 Sarah McBride und die Mischehe 105 4.4.5 Agnes Burke 105 4.4.6 Margaret Merton und die Keuschheit 107 4.4.7 Kathy Dunlop – die Konvertitin 109 4.4.8 Ellsworth Jordon -
The Global Political Economy of Israel
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Nitzan, Jonathan; Bichler, Shimshon Book The Global Political Economy of Israel Provided in Cooperation with: The Bichler & Nitzan Archives Suggested Citation: Nitzan, Jonathan; Bichler, Shimshon (2002) : The Global Political Economy of Israel, ISBN 0-7453-1676-X, Pluto Press, London, http://bnarchives.yorku.ca/8/ This Version is available at: http://hdl.handle.net/10419/157972 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified -
The Journalistic Treatment of Terrorism Victims As Political Activists
News Media and the Authority of Grief: The Journalistic Treatment of Terrorism Victims as Political Activists Zohar Kadmon Sella Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Zohar Kadmon Sella All rights reserved ABSTRACT News Media and the Authority of Grief: The Journalistic Treatment of Terrorism Victims as Political Activists Zohar Kadmon Sella The personal and national dimensions of terrorism victimhood lend the victims their unique moral authority and political legitimacy. The analysis of the news media coverage of victims’ campaigns, on issues such as memorialization, criminal justice, hostage crises and peace activism, reveals that the more such campaigns are closer in time, space, and relevance to the attack that the victim-advocates underwent, the greater are their chances for positive coverage. Deferential coverage of victims’ campaigns reflects journalism’s cultural role as reinforcing common values and myths, including by way of portraying victims as heroes. Where victims’ campaigns are less related to the physical memory of the attack and more concerned with the military or legal aspects of terrorism, journalists take on their informational role and employ traditional professional standards. Such standards include subjecting victims to potential criticism, and at the very least “balancing” their arguments with official views. In issues where the victims’ arguments seem far removed from their personal experience, their influence over the news media is small. This range of journalistic notions is offered under the organizing mechanism of the Experience-Argument Scale. The two extreme ends of the Scale, the “deferential” end and the “disregarding” end, are where journalism’s missions are in danger of compromise. -
17. Internationales Dokumentarfilmfestival München
17. Internationales Dokumentarfilmfestival München Filmmuseum, St. Jakobsplatz 1 27. April bis 4. Mai 2002 Maxim, Landshuter Allee 33 27. April bis 4. Mai 2002 Vortragssaal der Bibliothek Am Gasteig 27. April bis 4. Mai 2002 Rio-Filmpalast, Rosenheimer Platz 27. April bis 1. Mai 2002 Arri-Kino, Türkenstraße 91 27. April bis 1. Mai 2002 Literaturhaus Forum, Salvatorplatz 1 27. und 28. April 2002 HFF-Kino, Frankenthalerstraße 23 2. Mai bis 4. Mai 2002 Veranstalter: Filmstadt München e.V., Internationales Dokumentarfilmfestival München e.V., zusammen mit der Arbeitsgemeinschaft Dokumentarfilm, Münchner Stadtbibliothek Am Gasteig, Münchner Filmmuseum, Kulturreferat der Landeshauptstadt München (Sachgebiete Film, Medien) und der Stiftung Literaturhaus. Gefördert von der Bayerischen Staatskanzlei im Rahmen der Bayerischen Filmförderung, vom Auswärtigen Amt, Berlin, und dem MEDIA Plus-Programm der Europäischen Komission, Brüssel. FILMMUSEUM imMünchnerStadtmuseum RENTAL . Cameras, Lighting, Dollies, Cranes, Scorpio Remote Heads . MUNICH - COLOGNE - BERLIN LAB . 16mm, Super 16mm, 35mm, 65mm, Super 35mm to Cinemascope STUDIO . 660 qm, fully air-conditioned, sound proof, digitally vision and sound control rooms SOUND . Harrison Series 10 + 12, SR*D, DTS, SDDS, Optical Sound Transfer . TELECINE . Spirit HD, 2 Ursa Gold, 1 Ursa 4:2:2, Pogle PiXi, Da Vinci Renaissance, Edwin, Electric Sunroof, NTSC, 16:9 . OFFLINE / ONLINE . Infinity, D1-Online, 11 Avids, 1 Symphony DIGITAL FILM . Inferno, Flame, Cineon, Shake, After Effects, Maya, Softimage, XSI, Imagica and Genesis Filmscanner, ARRILASER LIGHTING . ARRI Daylight and Tungsten . CAMERA . ARRICAM Studio + Lite, ARRIFLEX 535, 435, 16SR 3 Advanced RENTAL.LAB.STUDIO.SOUND.LIGHTING.CREATIVE DESIGN THE BEST SUPPORT YOUR VISIONS CAN GET OFFLINE/ONLINE.TELECINE.DIGITAL FILM.CAMERA TÜRKENSTR. -
Adv. Aharon Abramovitch Director-General of the Israeli Ministry of Foreign Affairs
Adv. Aharon Abramovitch Director-General of the Israeli Ministry of Foreign Affairs. Served as Director-General of the Ministry of Justice, and as a legal advisor for the Jewish Agency, the World Zionist Organization, the World Jewish Restitution Organization and Keren Hayesod. Served as a member of the Board of Directors of the Israel Museum, the Israel Lands Administration and El Al. Earned a degree in law from the Hebrew University of Jerusalem. Ms. Ora Achimeir Director of the Jerusalem Institute for Israel Studies. Served as Head of the Committee for the Status of Women during Yitzhak Rabin's term. Has edited various books and publications on Jerusalem, the status of women in Israel, and Hebrew culture in Israel, including "1900-2000: A Hundred Years of Culture" and "Jerusalem: A City and its Future." Studied History and Business at the Hebrew University of Jerusalem. Dr. Peter Ackerman Founding Chair of the International Center on Nonviolent Conflict in Washington, DC. Managing Director of Rockport Capital Incorporated. Serves as Chairman of the Board of Overseers at the Fletcher School of Law and Diplomacy. Chairman of the Board of Freedom House, and a member of the Board of the Council on Foreign Relations. Serves on the Executive Council of the International Institute for Strategic Studies in London. Co-author of two seminal books on nonviolent resistance. Holds a Ph.D. from the Fletcher School of Law and Diplomacy. Dr. Jon B. Alterman Director and Senior Fellow of the Middle East Program at the Center for Strategic and International Studies. Served as a member of the Policy Planning Staff at the U.S.