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WISIN Y YANDEL Nuevamente Juntos
28 • NOVIEMBRE 15, 2018 MMÚSICAÚSICA Y ESPECTÁCULOSESPECTÁCULOS WISIN Y YANDEL nuevamente juntos l icónico dúo de música ur- bana Wisin y Yandel lanzó E recientemente, “Reggaetón en lo Oscuro”, el primer sencillo ofi cial como dúo después de cinco años de separación. “Reggaetón en lo Oscuro” es de la autoría de Wisin, Yandel, Luis Ángel O’Neill, Víctor Viera Moore y José To- rres Castro. El tema, se convierte en el primer sencillo ofi cial del nuevo ál- bum de Wisin y Yandel, aunque ambos colaboraron en otros sencillos en sus carreras como solistas el año pasado. Wisin y Yandel recientemente anun- ciaron su regreso como dúo con su “Como Antes Tour” y no les tomó mucho tiempo para nuevamente hacer historia juntos, estableciendo el récord de ocho concier- tos vendidos en el prestigioso Coliseo de Puerto Rico, y logrando un nuevo récord con la cantidad de más conciertos con- secutivos vendidos en ese local de nin- gún otro género musical o artista alguno. y como dúo disfrutaron de un éxito sin GRAMMYs; así como diez #1s en las Sus más recientes colaboraciones El “Como Antes Tour” llevó a Wisin precedentes, convirtiéndose en los ar- listas de Billboard Latin Airplay. musicales incluyen los temas “Como y Yandel en el mes de marzo al Anfi - tistas latinos urbanos líderes en ventas En los escenarios, Wisin y Yandel Antes” (Yandel ft. Wisin); “Todo Co- teatro Altos de Chavón en la República de música y conciertos a nivel mundial. han demostrado ser una fuerza que mienza en la Disco” (Wisin ft. Yandel y Dominicana y en el verano abarrotaron Durante sus 14 años de carrera co- hay que respetar, convirtiéndose en Daddy Yankee); y “Fiebre” (Ricky Mar- el famoso Madison Square Garden en mo dúo, Wisin y Yandel recibieron nu- los únicos artistas en el género urba- tin featuring Wisin y Yandel) y las tres esta ciudad. -
Hip-Hop Superstar Daddy Yankee Sued for Copyright Infringement
Hip-Hop Superstar Daddy Yankee Sued For Copyright Infringement Hip-Hop artist Daddy Yankee has been sued for copyright infringement because of a song appearing on his multi-platinum album, “Barrio Fino.” The plaintiff, Victor M. Lopez, Jr., alleges that Daddy Yankee used without permission one of Lopez’s musical compositions for the song, “Salud Y Vida.” Los Angeles, California (PRWeb) August 6, 2007 -- Reggaeton superstar Daddy Yankee has been sued for copyright infringement in the United States District Court for the Central District of California (CV07-5060 DDP (AGRx)). Victor M. Lopez, Jr., a Latin hip-hop songwriter and performer, alleges in the lawsuit that Daddy Yankee used a musical composition belonging to Lopez for use on “Salud Y Vida,” a track on Daddy Yankee’s breakthrough album “Barrio Fino.” Daddy Yankee and the record companies that helped produce and distribute his album, including Universal Music, also included Lopez’s musical composition on a DVD, a music video, and other products. According to Lopez’s lawyers, Peter Afrasiabi and Chris Arledge of the law firm Turner Green Afrasiabi & Arledge LLP, the defendants’ theft of Lopez’s music is particularly shocking in light of the fact that there is no dispute as to Lopez’s authorship. Indeed, the album cover for “Barrio Fino” gives Lopez songwriting credit. “Daddy Yankee’s representatives tried to negotiate a deal with Lopez to include the song on the “Barrio Fino” album, but when negotiations broke down, they simply used the composition without permission,” explained Afrasiabi. According to Arledge, Lopez intends to recover copyright infringement damages from Daddy Yankee, all of the record companies involved in the project, and the retailers and others who have profited from Lopez’s allegedly stolen work. -
Talento De Barrio 720P
Talento De Barrio 1 / 3 Ho deciso di scrivere un commento positivo su questo film, non perché ne facessi parte - in realtà ho solo riscritto parte di esso e ho lavorato come AD durante la prima fase delle riprese, che è stata interrotta per un po 'perché Papà Yankee aveva precedenti impegni di canto -, ma perché ritengo che le valutazioni siano un po 'ingiuste, e perché ho apprezzato la sua visione. Durante la pausa DY ha vinto un Grammy ed è diventato ancora più popolare. Ma il primo giorno in cui sono arrivato sul set non avevo idea di chi fosse questo ragazzo con un nome così sciocco. Raymond (come mi ha chiesto di chiamarlo) stava interpretando un personaggio con il mio nome, cosa che non gli piaceva, e ha deciso di chiamare il suo personaggio & quot; Edgar Money & quot ;, quindi eravamo persino in questo senso. Poi ho scoperto che era molto creativo e ha facilmente afferrato i suggerimenti della regia. Dopo aver visto il prodotto finale (che non includeva tutto ciò che ho riscritto, come un bel finale con lui sostenuto dal Children Coro di San Juan in uno stadio enorme, cantando una potente composizione scritta da un giovane talentuoso, che non fare il taglio finale), ho pensato che andava bene, e lo penso ancora. È un film popolare, fatto per la gente, in particolare per gli ammiratori di DY, e credo che alla fine sia in grado di offrire ciò che ci si aspettava dai suoi produttori. Daddy Yankee e gli sceneggiatori-produttori sapevano di cosa stavano parlando, così come molti dei membri del cast, i cantanti del reggae-ton: alcuni erano in libertà vigilata o in "arresti di paese". -
On the Charts
ON THE CHARTS The chart recaps in this Latin music spe- Ht T,a,ti n un s T(» Latin cial are year -to -date starting with the Dec. 3, 2005, issue, the beginning of the chart Pos. TITLE -Artist Imprint/Label year, through the April 1, 2006, issue. 1 ROMPE Daddy Yankee Pos. DISTRIBUTOR (Na Charted Titles) Recaps for Top Latin Albums are based 2 ELLA Y YO Aventura Featuring 1 UNIVERSAL (11O) on sales information compiled by Nielsen Don Omar 2 SONY BMG (39) SoundScan. Recaps for Hot Latin Songs 3 RAKATA Wisin & Yandel 3 EMM (10) are based on gross audience impressions 4 LLAME PA' VERTE Wisin & Yandel 4 INDEPENDENTS (13) from airplay monitored by Nielsen BDS. Ti- 5 VEN BAILALO Angel & Khriz 5 WEA (4) tles receive credit for sales or audience im- 6 MAYOR QUE YO Baby Ranks, pressions accumulated during each week Daddy Yankee, Tonny Tun Tun, Wisin, rh)I) Latin they appear on the pertinent chart. Yandel & Hector 7 CUENTALE Ivy Queen Recaps compiled by rock charts manager 8 NA NA NA (DULCE NINA) Pos. IMPRINT (Na Charted Titles) Anthony Colombo with assistance from A.B. Quintanilla III Presents 1 SONY BMG NORTE (33) Latin charts manager Ricardo Companioni. Kumbia Kings 2 EMI LATIN (8) 9 CONTRA VIENTO Y MAREA 3 EL CARTEL (2) mio Billboard, Flaco Jiménez is inducted into Intocable 4 DISA í77) the Hall of Fame, and Olga Tañón receives the 10 ESO EHH II Alexis & Fido 5 FONOVISA (25) I1O1 Latin ( (If' í\rtisls Spirit of Hope award. 11 LA TORTURA Memorably, Ricky Martin performs "Livin' Pos. -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
Daddy Yankee, Gasolina
Daddy Yankee, Gasolina yo..yo..mucha gasolina en el verano de mix 107.7! subelo que esto es barrio fino! (DA-DDY-YAN-KEE!) zumbale mambo pa ke mi gata prenda lo motores zumbale mambo pa ke mi gata prenda lo motores zumbale mambo pa ke mi gata prenda lo motores que se prepararen que lo que viene es pa q le den duro! mamita yo se que tu no temes masticarr(duro!) lo que me gusta es que tu te dejas llevarr(duro!) to los weekenes ella sale a vasilarr(duro!) mi gata no para de janguiar porq a ella le gusta la gasolina(dame mas gasolina!) como le encanta la gasolina(dame mas gasolina!) 2x ella prende la turbina no discrimina no se pierde ni un party de marquesina se ascicala hasta pa la esquina luce tan bien que hasta la sombra le combina asesina, me domina anda en carro,motora, y limosina llega su tanque de adrenalina cuando escucha reggaeton en la cocina a ella le gusta la gasolina(dame mas gasolina!) como le encanta la gasolina(dame mas gasolina!) 2x yo aqui yo soy de los mejores no te me ajores en la pista nos llaman los matadores que hace q cualquiera se enamoren cuando baila al ritmo de los tambores, esto va pa toa la gata de to colores pa la mayores, toa la menores para la ke son mas arreta que los casadores pa la q son mas zorras q los cazadores pa las mujeres q no apagan sus motores (subelo que esto es barrio fino!) tenemos tu y yo algo pendiente tu me debes algo y lo sabes conmigo ella se pierde no le rinde cuentas a nadieee2x zumbale mambo pa ke mi gata prenda lo motores zumbale mambo pa ke mi gata prenda lo motores zumbale mambo pa -
{FREE} a Song for the Dying
A SONG FOR THE DYING PDF, EPUB, EBOOK Stuart MacBride | 544 pages | 24 Mar 2015 | HarperCollins Publishers | 9780007344338 | English | London, United Kingdom A Song for the Dying PDF Book On "Song 32," she lays down her verses with a spoken-word clarity and stamina, and even pays ode to her rise declaring, "Started getting money from writing the haiku. Advertisement - Continue Reading Below. DC talent Ari Lennox 's brand of neo-soul is pretty and feminine, but nixes the idea that to be womanly means keeping quiet about the messy and personal. Rarely does she fail to take her greater aesthetic into consideration: For instance, her debut album Whack World , was a minute visual album odyssey inviting others into her obscure world. Eilish is the bad guy, and you damn well should be scared of this year-old because it's terrifying how talented she is, which she proves on hit. Synthesizers and Hatchie's hushed, yearning voice make "Stay With Me" euphoric, even as she recalls a romance that's ended. This cover of a Dire Straits song has managed to eclipse the original in pop culture, and doubles as a karaoke favorite. Here Birdman comes in handy as a useful example. We're more familiar with causes of death like heart attack , cancer and stroke. The translation sees dollar signs and the finer things in life on the singer's mind, but even as she ascends to pop domination, there's a cynicism to her tone over the upbeat song. It doesn't sound like disco in the slightest, but it sure is a movie-like party we're all longing for an invite to. -
Paisanos Presentes
10741197 04/27/2006 10:36 p.m. Page 1 Culturales: La Escuela de la Música Mexicana presentará “Cascabeleando” | Pág. 4 Viernes 28 de abril de 2006 B Editor: EMMANUEL FÉLIX LESPRÓN Coeditor Gráfico: JESÚS ESPINOZA [email protected] TRISTE | DADDY YANKEE SE LLEVÓ 3 DE 10 NOMINACIONES A LAS QUE ASPIRABA Triunfadora Shakira se coronó ayer como la reina de los Billboard Latinos al obtener cinco galardones gracias al éxito de su disco “Fijación oral Vol. 1”. Sus caderas ■ Álbum Pop del Año Femenino con “Fijación oral Vol. 1” ■ Hot Latin Song, Dúo Vocal del Año ■ Hot Latin Song, Tema del Año ■ Tema Latin Pop Airplay del Año. ■ También por mejor Dúo o Grupo con “La tortura” y la no mienten nueva categoría de Ringtone Shakira y Alejandro Sanz Latino del Año con Al parecer, Elizabeth Taylor agoniza en “La tortura”. su mansión debido a un mal cardiaco. fueron los favoritos de FUENTE: Notimex. Elizabeth Taylor, al los Billboard Latinos con 5 y 4 premios, Vencedor respectivamente borde de la muerte Alejandro Sanz es el segundo gran ganador de la noche con cuatro NOTIMEX NOTIMEX preseas obtenidas. LONDRES, INGLATERRA.- Elizabeth Taylor se MIAMI, EU.- Shakira se convirtió ano- ■ Hot Latin Song Dúo Vocal del encuentra “al borde de la muerte” por la crí- che en la gran ganadora de los Pre- Año. tica situación cardiaca que la mantiene en mios Billboard de Música Latina con ■ Hot Latin Song. cama y que la ha llevado incluso a preparar cinco galardones, seguida de Ale- ■ Tema del Año. su funeral, reveló ayer la prensa londinense jandro Sanz con cuatro, en ceremo- ■ Tema Latin Pop Airplay del al citar fuentes cercanas a la actriz. -
Tesis Los Orígenes De La Canción Popular En El Cine Mudo
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN Departamento de Comunicación Audiovisual y Publicidad I TESIS DOCTORAL Los orígenes de la canción popular en el cine mudo español, (1896-1932) MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Benito Martínez Vicente Director Emilio Carlos García Fernández Madrid, 2012 © Benito Martínez Vicente, 2012 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN Departamento de Comunicación Audiovisual y Publicidad I LOS ORÍGENES DE LA CANCIÓN POPULAR EN EL CINE MUDO ESPAÑOL (1896-1932) Tesis Doctoral Benito Martínez Vicente Director Dr. Emilio Carlos García Fernández Madrid, 2011 Los Orígenes de la Canción Popular en el Cine Mudo Español (1896-1932) 2 Los Orígenes de la Canción Popular en el Cine Mudo Español (1896-1932) UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL Y PUBLICIDAD I LOS ORÍGENES DE LA CANCIÓN POPULAR EN EL CINE MUDO ESPAÑOL (1896-1932) Tesis Doctoral Benito Martínez Vicente Director Dr. Emilio Carlos García Fernández Madrid, 2011 3 Los Orígenes de la Canción Popular en el Cine Mudo Español (1896-1932) 4 Los Orígenes de la Canción Popular en el Cine Mudo Español (1896-1932) ¡RESPETABLE PÚBLICO! Señores: no alborotéis Aunque á oscuras os quedéis, Que á oscuras no se está mal Y si esperáis hasta el final, ¡ya veréis!... 1 1 Berriatúa, Luciano. “ Los primeros años del cine en las zarzuelas ”. Lahoz Rodrigo, Juan Ignacio (coord.). A propósito de Cuesta. Escritos sobre los comienzos del cine español 1896-1920. Ediciones de la Filmoteca. Institut Valencià de l’Audiovisual i la Cinematografia Ricardo Muñoz Suay. -
17LG Nominees ENGLISH
Nominee_Export Latin Academy of Recording Arts & Sciences, Inc. List of Nominees for the 17th Annual Latin GRAMMY Awards Nominee Name Category #s Combined Category Names A Corte Musical 42 Best Classical Album Enrique Abdón Collazo 18 Best Traditional Tropical Album Sophia Abrahão 4 Best New Artist Raúl Acea Rivera 18 Best Traditional Tropical Album Dani Acedo 47 Best Short Form Music Video Héctor Acosta "El Torito" 17 Best Contemporary Tropical Album Dario Adames 11 Best Pop/Rock Album Mario Adnet 31 Best Latin Jazz Album Antonio Adolfo 31 Best Latin Jazz Album Adrián 6 Best Traditional Pop Vocal Album Raul Agraz 31 Best Latin Jazz Album Gustavo Aguado 17 Best Contemporary Tropical Album Lino Agualimpia Murillo 19 Best Tropical Fusion Album Pepe Aguilar 1 Record Of The Year José Aguirre 15 Best Salsa Album Lisa Akerman Stefaneli 44 Best Recording Package Bori Alarcón 2 Album Of The Year Pablo Alborán 1, 2, 5 Record Of The Year, Album Of The Year, Best Contemporary Pop Vocal Album Rolando Alejandro 2 Album Of The Year Álvaro Alencar 2 Album Of The Year Alexis 7 Best Urban Fusion/Performance Alexis y Fido 7 Best Urban Fusion/Performance Omar Alfanno 20 Best Tropical Song Sergio Alvarado 47 Best Short Form Music Video Page 1 Nominee_Export Andrea Álvarez 10 Best Rock Album Diego Álvarez 48 Best Long Form Music Video Julión Álvarez 23 Best Banda Album Laryssa Alves 39 Best Brazilian Roots Album Lizete Alves 39 Best Brazilian Roots Album Lucy Alves & Clã Brasil 39 Best Brazilian Roots Album Lucy Alves 39 Best Brazilian Roots Album Jorge Amaro 11 Best Pop/Rock Album Remedios Amaya 30 Best Flamenco Album Elvis "Magno" Angulo 15 Best Salsa Album Juan Alonzo V. -
STORM Report Is a Compilation of Up-And-Coming Bands and Artists Popular Music in America Has Never Been More Who Are Worth Watching
Music Without Borders BLACKPINK Jeremy Zucker RY X MISSIO and more ISSUE NO. 63 SUMMER 2019 TABLE OF CONTENTS 4 EYE OF THE STORM Music Without Borders: The Rise of Non-English Language Music in America 5 STORM TRACKER Clairo, Natti Natasha, Raveena, and Florida Georgia Line 6 STORM FORECAST Rihanna @ NYFW, Discover WORLDZ, Life Is Beautiful, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. On the Cover: Jessie Reyez. Photo by Mabdulle ©2019 ABOUT A LETTER THE STORM FROM THE REPORT EDITOR Watching the MTV Video Music Awards this STORM = STRATEGIC TRACKING OF RELEVANT MEDIA week, it was undeniable to note that, despite a continuing immigration crisis in our country, The STORM Report is a compilation of up-and-coming bands and artists popular music in America has never been more who are worth watching. Only those showing the most promising globally influenced and inspired. One of our potential for future commercial success make it onto our monthly list. favorite new artists Rosalía (who was all of the buzz of Coachella 2019) and Columbian reggaeton How do we know? singer, J Balvin (STORM 35) claimed the award for “Best Latin” at the event this year. And while Through correspondence with industry insiders and our own ravenous there remains some industry controversy in media consumption, we spend our month gathering names of artists defining Rosalía as a “Latinx” artist (she is from who are “bubbling under”. We then extensively vet this information, Barcelona vs. Latin American countries), the fact analyzing an artist’s print & digital media coverage, social media that she primarily performs in Spanish and has growth, sales chart statistics, and various other checks and balances to collaborated with breakthrough Latin musicians ensure that our list represents the cream of the crop. -
ANTH 4370 ANTHROPOLOGY of the CARIBBEAN University of Texas at El Paso
ANTH 4370 ANTHROPOLOGY OF THE CARIBBEAN University of Texas at El Paso. Spring Semester 2020 Department of Sociology and Anthropology Dr. Víctor Vázquez [email protected] Office: Old Main Building 203 Phone number: 915-747-6156 Office Hours: T -R 12 -1:20 pm TA: Ashley McAfee [email protected] Office: Old Main Building 213 Picture: Boulevard in Aguadilla, Puerto Rico. By Office Hour: Dr. Vázquez, 2017. Aguadilla is a town in the northwestern coast of Puerto Rico. Through the M: 2:30-5 / T: 12-4 / W: 2:30-5 / R: 2:30-4 analysis of ethnographic research, we will be able to explore and understand the living conditions, the Phone number 915-747-6467 culture and the government systems in the Spanish Caribbean. Class Code: Studies in Anthropology - 25488 - ANTH 4370 - 011. Class Schedule: TR 1:30 pm -2:50 pm Class Meeting: College Business Admin 304 COURSE DESCRIPTION AND GOALS Updated 01-20-2020 This course focuses on the analysis of the Ethnographic Research accomplished in The Caribbean (Puerto Rico, Dominican Republic, Cuba). Through an anthropological approach, the course discusses the political, economic and cultural aspects that conform the Spanish Speaking Caribbean Societies. This is a critical thinking course based on historical readings, documentaries analysis and cultural research. The students will learn about the main Historic Events, Theories, Culture, Music, Myths, The Living Conditions, Government Systems and the Challenges faced by the Caribbean people in the 21st Century. The main goals of the course are: 1- Providing the students with a new perspective for looking at the Spanish Caribbean.