2020-2021 COLLECTION Each Elizabeth Locke Jewel Is Meticulously Handmade

Total Page:16

File Type:pdf, Size:1020Kb

2020-2021 COLLECTION Each Elizabeth Locke Jewel Is Meticulously Handmade 2020-2021 COLLECTION Each Elizabeth Locke jewel is meticulously handmade in 19k gold by skilled artisans using centuries-old BR 104111 Limited edition antique charm bracelet # 2 of 10 (each one unique) 2 ER 104096-Z Pink Venetian glass intaglio earrings with pink tourmalines ER 104097-P Crystal Venetian glass intaglio earrings with moonstones ER 104071-B Black Venetian glass intaglio earrings with onyx P 104180-F Nile Venetian glass intaglio pendant with peridots P 104165-O Peacock Venetian glass intaglio pendant with moonstones P 104090-H Light amber Venetian glass intaglio pendant with citrines 3 N 99189 ‘Borghese’ link necklace P 104068 Blue sapphire and purple spinel pendant 4 ER 104035 Gold stud earrings ER 104034 Aquamarine stud earrings ER 104037 Citrine stud earrings ER 104199 Sleeping Beauty turquoise stud earrings ER 104036 Smoky quartz stud earrings 5 R 104113 Pink spinel ring R 104178 Gold and diamond ring R 103734 Peridot ring R 103703 Blue sapphire and diamond ring R 103995 Rhodolite ring R 104060 Tsavorite and diamond ring R 104112 Blue zircon ring R 103698 Green tourmaline ring R 104151 Cabochon blue sapphire ring 6 BR 104038 Black jade link bracelet with ‘Crane’ clasp BR 104082 ‘Sorano’ link bracelet with ‘Rearing Horse’ clasp 7 ERP 104106 Blue sapphires earring charms ERP 104064 Maltese cross earring charms with blue sapphires ER 2198 ‘Baby’ hoops ERP 104107-S Smoke Venetian glass intaglio earring charms with iolites ERP 104066 Freshwater pearls earring charms ERP 104065 Maltese cross earring charms with diamonds 8 ERP 104209 Gold Maltese cross earring charms ERP 104063 Maltese cross earring charms with rubies ER 4533 ‘Big Baby’ hoops ERP 104107-E Teal Venetian glass intaglio earring charms with blue zircons ERP 104058 Gold earring charms with diamonds ERP 104062 Maltese cross earring charms with tsavorites 9 B 104042 Lemon citrine and peridot brooch/pendant 10 ER 104198 Sleeping Beauty turquoise earrings N 104093 ‘Bellariva’ link necklace P 104110 Sleeping Beauty turquoise pendant with pearls 11 ER 104080 Diamond ‘Ribbon’ 1 inch hoop earrings R 104054 Diamond ‘Ribbon’ stack rings 12 BR 104039 Narrow diamond bangles 13 N 104092 Black jade and gold link necklace 14 ER 104167 Gold earrings ER 104101 Gold and diamond earrings ER 104079 Gold and diamond ‘Bee’ earrings 15 BR 104029 Ancient Roman silver coin bracelet 16 P 104095 Onyx ‘Pegasus’ pendant P 104089 Ancient Roman silver coin and diamond pendant P 104094 Ancient Roman silver coin pendant P 104195 Sleeping Beauty turquoise pendant 17 P 103706 Antique carnelian seal pendant P 103588 19th century pietra dura ‘Bird’ pendant with onyx P 104220 19th century micromosaic ‘Floral’ pendant with lapis and blue sapphires P 103558 19th century micromosaic ‘Scarab’ pendant with tsavorites P 104046 19th century micromosaic ‘Temple of Minerva Medica’ pendant with brown zircons 18 N 104222 ‘Sorano’ link necklace P 103557 19th century micromosaic ‘Colosseum’ pendant with pearls P 104045 19th century micromosaic ‘Bird on Branch’ pendant with red spinels P 103751 19th century micromosaic ‘Floral’ pendant with blue sapphires 19 N 104093 ‘Bellariva’ link necklace 20 N 96504 ‘Bettina’ clasp with freshwater pearls ER 104077 Freshwater pearl earrings B 104087 Ancient Roman silver coin and pearl brooch/pendant 21 22 lizabeth Locke’s timeless designs reflect an ongoing fascination with E the exquisite, the unusual and the forgotten. Always drawn to things rare and beautiful, Elizabeth travels the world in constant pursuit of the un- common elements that make up her designs. She finds them in attics, at auctions, at drizzly pre-dawn markets, in elegant shop windows, in dirt-floored workshops, in bazaars and souks. Coins from ancient Greece and Rome or from forgotten empires Richly colored Venetian glass intaglios made from 17th-century molds Antique carnelian and sardonyx seals Luminous South Sea pearls Cabochon stones of vibrant hues Minutely intricate 19th-century micromosaics from Italy 18th-century gambling counters carved in mother-of-pearl All unconventional treasures that inspire and dictate the exuberant designs, each of which is inevitably unique. The jewels are meticulously handmade by craftsmen using centuries-old techniques. Traveling to Bangkok several times a year, Elizabeth supervises the physical creation of her designs by Thai goldsmiths who deftly hammer the gold, a special 19-karat alloy chosen for its warmth of color, to an unusual burnished finish. Elizabeth Locke jewelry has a weight and substance that no cast jewelry could ever have as well as intrinsic value and a sumptuousness that is imme- diately recognizable. 23 All Jewelry © Elizabeth Locke 2020 • Jewelry photography by Richard Pierce • Design by Michael diCanio .
Recommended publications
  • Rhodochrosite Gems Unstable Colouration of Padparadscha-Like
    Volume 36 / No. 4 / 2018 Effect of Blue Fluorescence on the Colour Appearance of Diamonds Rhodochrosite Gems The Hope Diamond Unstable Colouration of in London Padparadscha-like Sapphires Volume 36 / No. 4 / 2018 Cover photo: Rhodochrosite is prized as both mineral specimens and faceted stones, which are represented here by ‘The Snail’ (5.5 × 8.6 cm, COLUMNS from N’Chwaning, South Africa) and a 40.14 ct square-cut gemstone from the Sweet Home mine, Colorado, USA. For more on rhodochrosite, see What’s New 275 the article on pp. 332–345 of this issue. Specimens courtesy of Bill Larson J-Smart | SciAps Handheld (Pala International/The Collector, Fallbrook, California, USA); photo by LIBS Unit | SYNTHdetect XL | Ben DeCamp. Bursztynisko, The Amber Magazine | CIBJO 2018 Special Reports | De Beers Diamond ARTICLES Insight Report 2018 | Diamonds — Source to Use 2018 The Effect of Blue Fluorescence on the Colour 298 Proceedings | Gem Testing Appearance of Round-Brilliant-Cut Diamonds Laboratory (Jaipur, India) By Marleen Bouman, Ans Anthonis, John Chapman, Newsletter | IMA List of Gem Stefan Smans and Katrien De Corte Materials Updated | Journal of Jewellery Research | ‘The Curse Out of the Blue: The Hope Diamond in London 316 of the Hope Diamond’ Podcast | By Jack M. Ogden New Diamond Museum in Antwerp Rhodochrosite Gems: Properties and Provenance 332 278 By J. C. (Hanco) Zwaan, Regina Mertz-Kraus, Nathan D. Renfro, Shane F. McClure and Brendan M. Laurs Unstable Colouration of Padparadscha-like Sapphires 346 By Michael S. Krzemnicki, Alexander Klumb and Judith Braun 323 333 © DIVA, Antwerp Home of Diamonds Gem Notes 280 W.
    [Show full text]
  • Download Lot Listing
    IMPORTANT JEWELRY Wednesday, December 16, 2020 DOYLE.COM Lot 26 IMPORTANT JEWELRY AUCTION Wednesday, December 16, 2020 at 12pm Eastern VIEWINGS BY APPOINTMENT Please contact Laura Chambers to schedule your appointment: [email protected] Safety protocols will be in place with limited capacity. Please maintain social distance during your visit. LOCATION Doyle Auctioneers & Appraisers 175 East 87th Street New York, NY 10128 212-427-2730 DOYLE.COM Sale Info View Lots and Place Bids The journey of the Wilson family from the deep became intimate with “Old New York Society,” summering antebellum South to the pinnacle of New York with their new peers in Newport and traveling to Gilded Age society began with the marriage in 1852 London and Paris. Highlighting the December 16 of the enterprising Georgia-born Richard Thornton auction is an antique natural pearl and diamond tiara Wilson, the son of a tanner and shoemaker, to with provenance of Melissa Clementine Johnston Melissa Clementine Johnston, the daughter of a Wilson (lot 111). She is seen wearing the tiara in a prosperous Tennessee merchant and planter. With an portrait painted by French artist Léon Bonnat initial investment from his new father-in-law, Wilson’s (1833-1922). early business ventures flourished. During the Civil War, Wilson served in important roles in the office of The couple’s five children all made brilliant marriages, the Commissary-General of the Confederacy, traveling to aligning the Wilsons with the some of the most elite London to broker the Southern cotton crop. families of New York and Great Britain and earning Emerging from the war $500,000 richer, he began them the moniker, “The Marrying Wilsons.” buying up defunct railroads.
    [Show full text]
  • The Good Germans the Hemmerles, Munich’S First Family of Jewelry, Design Baubles That Are Truly One of a Kind
    Clockwise from left: Chris- tian and Stefan Hemmerle at home; Hemmerle’s 18k white gold, black iron and aquamarine ring, 18k red gold, moonstone, amethyst and sapphire brooch, and 18k white gold, red patinated copper, spinel and amethyst earrings, prices available upon request, at Hemmerle, 011.800.2422.6000. ccessories ∂lash ccessories a W The Good Germans The Hemmerles, Munich’s first family of jewelry, design baubles that are truly one of a kind. Photographs by S t e f a n K o r t e t’s not every client request that 230 pieces of haute joaillerie each year in its inspires a designer to branch off into a 12-artisan Munich workshop, is renowned direction he never before imagined— for its austere architectural settings ren- I and subsequently to develop an entirely dered in unorthodox materials including new style in doing so. But that’s exactly how copper, stainless steel, brass, aluminum and the German jewelry house Hemmerle came rare woods, and for its use of exquisitely to enjoy its current status as one of today’s cut colored gemstones. The heaviness of most inventive and sought-after jewelers. a masculine charcoal-hued iron band, for It all began in 1995, when a prominent instance, only enhances the sharp angles of Munich art collector commissioned Ste- an emerald-cut 40-carat electric blue aqua- fan Hemmerle, a third-generation jeweler, marine ring, while the warm hues of orange to create a birthday present for his wife, a and red patinated copper perfectly com- woman who detested flashy gems.
    [Show full text]
  • Making a Skull Ring
    Making a skull ring The first people to utilize the lost wax process is unknown as it is shrouded in history. It is well documented that it has been used for thousands of years to produce objects in metal which could not be produced any other way, due to the complexity of their design. The lost wax process allows anything that can be modeled in wax to be accurately transmuted into metal. Most fine jewelry made from gold and sterling are made using lost wax casting as it produces the highest detail The Wax Models are placed in a Plaster Mixture which then aloud to harden. Once the plaster mixture (investment) has set hard, the flasks are placed in a kiln, slowly heated to between 1000 and 1250 degrees F, and held at that temperature until all wax residues have disappeared. The place where the wax was is now a void, hence the "lost wax" designation for this process. The metal is then melted in a metal furnace and the molds are filled with liquid silver by hand while the mold is still very hot. The flask is then allowed to cool and the investment mold is broken away revealing the metal piece. This process faithfully reproduces every detail of the original wax as well as the gates and vents, which must latter be cut off with a jeweler's saw. http://davescustomskulls.com/MAKING_OF_A_SKULL_RING.html (1 of 7) [10/27/2007 8:07:45 AM] Making a skull ring After cutting away the Silver Tail-(Sprue) the Hand Finishing Process begins with the Many different Steps shown below to BRING final Details and a Mirror Finish to the RING surface.
    [Show full text]
  • The Diamond Glass Companies of Montreal, Canada
    The Diamond Glass Companies of Montreal, Canada Bill Lockhart, Beau Schriever, Bill Lindsey, and Carol Serr The Diamond Glass Co. and Diamond Flint Glass Co. were two in a series of Canadian companies (headquartered in Montreal) that began with the Excelsior Glass Co. in 1879 and culminated as Domglas in the 1990s. This chapter deals with the first four firms during the 1879-1913 period (see the Dominion Glass section for the later companies). None of the glass houses used manufacturer’s marks on bottles, but all of them left embossed jars that can be traced to them. The Diamond Flint Glass Co. also made – and marked – insulators. Histories Excelsior Glass Co., St. Johns and Montreal, Quebec (1879-1883) William and David Yuile acquired control of the bankrupt St. Johns Glass Co. at St. Johns, Quebec, in 1878. They renovated the factory and incorporated in April of the following year as the Excelsior Glass Co. The plant made fruit jars, a general line of bottles, and insulators. Unhappy with the location, the brothers moved the factory to Parthenais St., Montreal, in 1880. The new plant produced prescription ware, fruit jars, and some tableware. The firm reorganized in 1883 as the North American Glass Co. (King 1987:67-70). Figure 1 – Beaver Goblet (Sean George Pressed Glass & Goblets) Toulouse (1971:189) told a slightly different story. He claimed that the Yuile brothers “had taken over the Foster Bros. Glass Co. Shortly after it was founded.” They renamed the plant the St. Johns Glass Figure 2 – Beaver band Co. in 1875 and the Excelsior Glass Co.
    [Show full text]
  • Invictus Catalog Lowres.Pdf
    At Invictus Body Jewelry we believe that professional piercers and body modifi cation artists desire high quality, implant grade jewelry at a reasonable price. To accomplish this, we designed and developed Invictus Body Jewelry to supply implant grade titanium jewelry to professional piercers all over the world. Invictus Body Jewelry is manufactured out of Ti 6Al-4V ELI ASTM F-136 implant grade titanium. All of our jewelry is internally threaded and adheres to industry standard thread patterns. At Invictus Body Jewelry we strive to provide the professional piercer with safe, customizable, and affordable implant grade jewelry. 2 www.invictusbodyjewelry.com Invictus Body Jewelry is manufactured only using implant grade materials - Ti 6Al-4V ELI ASTM-F136. All Invictus Body Jewelry products are internally threaded for professional piercers and their clients. Invictus Body Jewelry uses industry standard thread patterns. We use M1.2 threading on our 14ga and M0.9 threading on our 16ga & 18ga. We believe in providing quality piercing products at reasonable prices to our customers. We fulfi ll orders within 24 to 48 hours from being entered into the system. Invictus Body Jewelry is only available to wholesale customers. Only piercing shops and retailers may purchase our products, not the general public. 203.803.1129 3 HORSESHOES & CURVES TIHI (Internally Threaded Titanium Horseshoes) TICI (Internally Threaded Titanium Curves) CodeSizeDiameter Ends Code Size Diameter Ends TIHI601 16g 1/4” 3mm TIHI411 14g 5/16” 4mm TIHI611 16g 5/16” 3mm TIHI421
    [Show full text]
  • 9F41a1f5e9.Pdf
    index windsor pearls 1 freshwater in silver 7 tahitian in silver 23 brilliance 28 lace 4 1 pearl exotics 49 vintage795 57 classics in 14k gold 65 tahitian in 14k gold 79 pearl basics studs & strands 87 modern-king by imperial Luxury statement pearl jewelry designs crafted in sterling silver. For decades freshwater pearl farmers have been attempting to develop new culturing techniques in order to produce larger and rounder pearls than ever before. We are proud to announce that our farmers have cracked the code producing affordable top quality pearls from 13-16mm! Ring: 616079/FW-WT 1 Pendant: 686453/FW18 Earrings: 626453/FW Pendant: 687230/FW18-1S Earrings: 627230/FW Ring: 617230/FW 2 Pendant: 684791/FW18 Earrings: 624791/FW Ring: 613791/FW Pendant: 689947/FW18 Earrings: 624671/FW Ring: 619947/FW 3 Necklace: 996520/18WH Earrings: 626913/FW 4 Necklace: 669913 5 Pendant: 689913/18 Earrings: 629913 Bracelet: 639913 Pendant: 686971/FW18 Earrings: 626971/FW 6 VALUE, SELECTION and STYLE Pendant: 683786/18 Earrings: 623786 Ring: 613786 7 Pendant: 684095/FW18 Earrings: 624095/FW Pendant: 685919/FW18 Earrings: 625919/FW Ring: 615919/FW 8 Pendant: 685991/FW18 Earrings: 625991/FW Pendant: 689951/FW18 Earrings: 629951/FW Ring: 619951/FW 9 Pendant: 685103/FW18 Earrings: 625103/FW18 Pendant: 685417/18 Earrings: 625417 Ring: 615417 10 Necklace: 664010 Bracelet: 633149 Necklace: 663760 Earrings: 623760 Bracelet: 633760 11 A. Pendant: 688304/FW18 B. Earrings: 628304/FW C. Pendant: 688340/FW18 D. Earrings: 628340/FW C A B D 12 E. Pendant: 683699/FW18 F. Earrings: 623699/FW G. Pendant: 687330/FW18 H.
    [Show full text]
  • Spinel and Its Treatments: a Current Status Report
    GEMOLOGY Spinel and its Treatments: A Current Status Report By Christopher P. Smith, American Gemological Laboratories Introduction and they are only rarely encountered Clarity Enhancement by the major labs around the world. Spinel has historically been one of However, the author has noticed a The practice of filling fissures to reduce the most highly revered gemstones. general increase in the attempts to their visibility and improve the apparent However, over an extended period improve spinel quality and color, clarity of a gemstone is probably of time, its popularity had suffered utilizing a variety of treatment the single most prevalent treatment as a result of many factors, including practices. applied to gemstones. Oils and other its classification as “semi-precious” and a general confusion with another dominant red gemstone: ruby. More recently though, spinel has been making a strong comeback and so its popularity is once again on the rise. Articles of important new sources and even a book devoted to this beautiful and colorfully diverse gemstone have helped to focus attention back onto spinel (see e.g. Smith et.al., 2007; Senoble, 2008; Pardieu et.al., 2009; Krzemnicki, 2010; Yavorskyy and Hughes, 2010). In addition to exhibiting a vibrant array of shades and nuances of color, spinel has also traditionally been spared the controversy of treatments that have encumbered many other gem varieties, such as ruby, sapphire, emerald, quartz, topaz and tanzanite among others. Fortunately, spinel remains a gemstone that is generally free of treatment considerations. However, today some treatments are starting to be encountered (Robertson, 2012). This article is a review of those treatments and the gemological characteristics that help to distinguish them.
    [Show full text]
  • MAGAZINE • LEAWOOD, KS SPECIAL EDITION 2016 ISSUE 3 Fine Jewelers Magazine
    A TUFTS COMMUNICATIONS fine jewelry PUBLICATION MAZZARESE MAGAZINE • LEAWOOD, KS SPECIAL EDITION 2016 ISSUE 3 fine jewelers magazine Chopard: Racing Special The New Ferrari 488 GTB The Natural Flair of John Hardy Black Beauties Omega’s New 007 SPECIAL EDITION 2016 • ISSUE 3 MAZZARESE FINE JEWELERS MAGAZINE • SPECIAL EDITION 2016 welcome It is our belief that we have an indelible link with the past and a responsibility to the future. In representing the fourth generation of master jewelers and craftsmen, and even as the keepers of a second generation family business, we believe that the responsibility to continually evolve and develop lies with us. We endeavor to always stay ahead of the latest jewelry and watch trends and innovations. We stay true to our high standards and objectives set forth by those that came before us by delivering a jewelry experience like no other; through the utmost attention to service, knowledge and value. Every great story begins with a spark of inspiration. We are reminded day after day of our spark of inspiration: you, our esteemed customer. Your stories help drive our passion to pursue the finest quality pieces. It is a privilege that we are trusted to provide the perfect gift; one that stands the test of time and is passed along through generations. We find great joy in assisting the eager couple searching for the perfect engagement ring, as they embark on a lifetime of love, helping to select a quality timepiece, or sourcing a rare jewel to mark and celebrate a milestone. We are dedicated to creating an experience that nurtures relationships and allows those who visit our store to enter as customers, but leave as members of our family.
    [Show full text]
  • Mineral Collecting Sites in North Carolina by W
    .'.' .., Mineral Collecting Sites in North Carolina By W. F. Wilson and B. J. McKenzie RUTILE GUMMITE IN GARNET RUBY CORUNDUM GOLD TORBERNITE GARNET IN MICA ANATASE RUTILE AJTUNITE AND TORBERNITE THULITE AND PYRITE MONAZITE EMERALD CUPRITE SMOKY QUARTZ ZIRCON TORBERNITE ~/ UBRAR'l USE ONLV ,~O NOT REMOVE. fROM LIBRARY N. C. GEOLOGICAL SUHVEY Information Circular 24 Mineral Collecting Sites in North Carolina By W. F. Wilson and B. J. McKenzie Raleigh 1978 Second Printing 1980. Additional copies of this publication may be obtained from: North CarOlina Department of Natural Resources and Community Development Geological Survey Section P. O. Box 27687 ~ Raleigh. N. C. 27611 1823 --~- GEOLOGICAL SURVEY SECTION The Geological Survey Section shall, by law"...make such exami­ nation, survey, and mapping of the geology, mineralogy, and topo­ graphy of the state, including their industrial and economic utilization as it may consider necessary." In carrying out its duties under this law, the section promotes the wise conservation and use of mineral resources by industry, commerce, agriculture, and other governmental agencies for the general welfare of the citizens of North Carolina. The Section conducts a number of basic and applied research projects in environmental resource planning, mineral resource explora­ tion, mineral statistics, and systematic geologic mapping. Services constitute a major portion ofthe Sections's activities and include identi­ fying rock and mineral samples submitted by the citizens of the state and providing consulting services and specially prepared reports to other agencies that require geological information. The Geological Survey Section publishes results of research in a series of Bulletins, Economic Papers, Information Circulars, Educa­ tional Series, Geologic Maps, and Special Publications.
    [Show full text]
  • Gemmology Bulletin Summer 2020 the First Identification of Spinel
    Summer 2020 Gemmology Bulletin Published: 17 May (revised 30 June) www.LustreGemmology.com/research By Lustre Gemmology ® All rights reserved The First Identification of Spinel By James Evans, FGA The credit for the first identif ication of ‘Spinel’ is commonly given to Jean-Baptiste Louis de Romé de L'Isle. Within his 1783 work Crystallography, De Romé de L'Isle identified ‘Spinel Ruby’ through its octahedral and macle forms. But is this credit warranted? After all, The octahedral and macle today’s gemmologists would be ill- forms of ‘Spinel Ruby’.1 advised to rely on crystal form alone. Historically, all red gemstones were considered varieties of ‘Ruby’. Nevertheless, the ‘True Ruby’ (also known as ‘Oriental Ruby’) was commonly separated from other varieties by its hardness.2 As such, Anselme Boece de Boot gave a practical account of the identification of ‘True Ruby’ in 1644: The RUBY is a transparent gem of a reddish colour, with a small portion of blue, and cannot be touched by a file. The redness is not like that of vermillion3 but of blood, or rather of cochineal4, or kermess5; but the less blue it has in it the better it is […]. In Pegu [Myanmar] they are found in a river of that name and the inhabitants try their goodness with their teeth and tongue, for they judge those that are coldest and hardest are the best. (De Boot, 1644. As summarised by Brookes, 1763, pp.133-134) De Boot thus described ‘True Ruby’ as: a transparent gem of purple-red colour; extremely hard; and a good conductor of heat… all useful information in examining a water-worn stone.
    [Show full text]
  • Paris Fashion Week and Its Gems
    InDesign 1 Evoking the Amalfi coast, Piaget’s Sunlight Journey Paris Fashion Week collection features a mosaic of luminous colors, includ- ing opal, sapphire, emerald, spinel and diamond as well and Its Gems 8 as feather marquetry. The Swiss brand is quickly joining the very closed circle of high jewelry, with gems that pay Paris was aglow during the first week of July as Fashion vibrant homage to the work of Yves Piaget. Among Week kicked off to an international audience. This year, these beautiful stones was a 10.09-carat pink spinel the Place Vendôme was even a little bit Italian as four 7 from Tanzania and an 11.85-carat fancy intense yel- global brands unveiled collections inspired by Italy and low diamond. the Mediterranean Sea. On trend were joyful collections Other brands explored elsewhere for inspira- flamboyant colors and cheerfulness. tion. For one day at Dior, the brand’s offices were By Marie Chabrol transformed into a mysterious garden like those of Versailles. Victoire de Castellane designed a hile there were not really any major trends, four very colorful and highly technical collection by mix- Italian brands that joined the event showcased 2 ing different colors of gold and rare stones, such as Wnew pieces that drew inspiration from their Ital- hauyne or demantoid garnet with a multitude of gem- ian heritage. stones whose colors blended festively together. Giampiero Bodino looked to Italy and the Mediter- ranean Sea for a collection of 19 pieces that celebrate 9 11 color and a joie de vivre. Contrasts between pink opal and amethyst, blue sapphire, yellow beryl and fire opal 3 attracted attention with smaller stones for a softer result.
    [Show full text]