DOCSLIB.ORG

CSC Revamps Student Recycling of Their Operations in One Place

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CSC Revamps Student Recycling of Their Operations in One Place 1955 2013 Thursday, November 7, 2013 - Volume 60.08 14049 Scenic Highway, Lookout Mountain, Georgia, 30750 www.bagpipeonline.com Fall Bakertree Chattanooga Festival brings Whiskey plans to high student move involvement by Kendi Anderson by Mary Grace Stocker Chattanooga Whiskey is not just changing liquor laws in the city Bakertree, a fall music and art but is also changing locations festival, was held on Covenant’s ats they move closer to the heart campus on Saturday, Nov. 2. of downtown. Throughout the day, musicians, Last week the company artisans, and local vendors announced that they are moving shared their music and goods locations from the Southside to with the Covenant community. the corner of Market and 4th “The student involvement Street. The new plan is to build this year was awesome. We had Christina Schuman a 60,000-square-foot building around 30 vendors,” said Emily that will allow them to house all Hartshorn, the campus community CSC revamps student recycling of their operations in one place. coordinator. The event featured They plan to spend $6 million booths showcasing student’s by S. Boone & R. Bergman creating a sustainable campus Last Thursday was the first on the distillery which will homemade jewelry, scarves, community. pick-up day for recyclables. involve renovating the four-story artwork, postcards, journals, Covenant College students “This recycling program is as “Over 130 students have John Ross building. This location Christmas ornaments, baked are welcoming new recycling easy as it gets,” said Connor already signed up, and we puts them in direct vicinity with goods and more. habits into their dorm rooms. Castillo, the recycling lead for are constantly getting more The Block and at the center of “I sold necklaces this year and it Last week, the Campus the CSC. requests for recycling bags,” Chattanooga’s tourist district. was really fun,” said Kailey Franks, Stewardship Committee (CSC) Students who signed up said Castillo. Co-founders Joe Ledbetter a sophomore at Covenant. “I implemented a recycling pro- in the Great Hall after fall Covenant’s recycling service and Tim Piersant think that this enjoyed the feel of having a fall gram that provides a weekly break received blue and white provider, Allied Waste, does change in locations is in the festival instead of a spring festival. pick-up of a wide variety of recycling bags. These bags are not require sorting and best interest for Chattanooga The essence of the haystacks, recyclable materials from the kept in dorm rooms during the accepts a wide variety of Whiskey as “we’re maximizing bonfires, music, and falling leaves dorm room door. week and filled with recyclable materials: paper, cardboard, our opportunity for our brand was capturing.” Tested last spring and materials. Every Thursday they aluminum and steel cans, and and for the city of Chatta- In addition to student vendors, launched this semester, the are hung on the outside of plastic containers numbered nooga,” Piersant told the Times alumni John Michael Foreman ‘10 new system is designed to dorm doors before 6 p.m., 1-7. Paper clips and staples Free Press. and Kathryn Allison ‘13 set up booths make it easy for students when CSC practical service are not a problem. Even paper The plans to renovate and sold pottery and organic, hand- to recycle more than paper workers collect and transport cups from the Great Hall are this building that has stood printed headbands, respectively. at Covenant and to enable the materials to the recycling recyclable. Only food waste abandoned for years downtown CONTINUED ON PAGE 3 student participation in dumpster behind Carter Hall. CONTINUED ON PAGE 2 CONTINUED ON PAGE 3 NEWS 1-3 Do you like Dancing done Inked and What to rock music? right proud of it make of ARTS 4-5 Miley Cyrus OPINIONS 6-7 SPORTS 8 PAGE 5 PAGE 6 PAGE 4 PAGE 7 NEWS 2 THE BAGPIPE Volume 60.07 2013 Alumni of the Year by Lily Davis to choose people who are as pastor of Covenant Presby- motto for my whole life. They Scott and Amy Marshall committed to faithfully living terian Church in Naples, FL and don’t just say they will pray. Dillon, the Alumni Volunteers For many Scots alumni, “all out Covenant’s motto, “In all Evie taught and worked as the They actually do pray… for the of the Year, strive to carry out things in Christ preeminent” things Christ’s preeminent,” in pre-school administrator for college and the students,” said the motto of Covenant in their doesn’t end at graduation. their daily lives. Naples Christian Academy. the Conrad’s son, Andrew. work, as they teach, adminis- Each year during homecoming, These can be people who After leaving Naples, Jim The winners of the Young trate, and recruit for Covenant. Covenant recognizes this trend “have done something pastored Providence Presbyterian Alumni award, Dave and Scott and Amy have brought by handing out a special set of prominent for the Kingdom,” Church in Murphy, NC, for six Heather Nation Hess, live in groups of students to visit awards: Alumnus of the Year Harwood said, but the most years before he and Evie retired Chattanooga, where Heather Covenant, hosted lunches in award, Young Alumnus of important thing is that the in 2006 and moved to York, PA. is getting her Ph.D. in English their home, served as panel the Year award, and Alumnus winners are people who strive From 2006 to 2011, however, and Dave is working as an representatives at recruiting Volunteer of the Year award. to show others Christ’s pre- Jim came out of retirement to underwriter. events, recommended students This year, Alumni of the Year eminence in even the smallest serve as assistant pastor at New Dave and Heather attend for admission, and prayed for went to Jim ‘62 and Evie Moore aspects of life. Life Presbyterian Church in York, North Shore Fellowship, where students from their hometown Conrad ‘68, Young Alumni This year’s committee included PA. Dave worked as assistant of Indian Trail, NC. of the Year went to Dave and Harwood, Chaplain Grant Lowe, Jim also served as a member worship leader for several years. The Dillons also work to Heather Hess ‘09, and Alumni Amy Smith, the Center for of Covenant’s Board of Trustees Both are still involved with North encourage and help students Volunteer of the Year went to Calling and Career’s coordinator for years. Shore’s music ministry. from their school, Covenant Scott and Amy Marshall Dillon of volunteers, Troy Duble, vice Now actually retired, the Since graduating from Day, attend Covenant. ‘89. president for advancement, and Conrads attend Spring Run Covenant, the Hesses have Candidates for these awards Anthony Tucker, director of the Presbyterian Church, where Jim maintained close connections are nominated by Covenant Center for Calling and Career. leads a community group and with the school by speaking alumni, and then winners for This year’s Alumni of the Year, Evie leads the Sunday school to guidance counselors for the each of the categories are Jim and Evie Conrad, met while ministry team. admissions office, assisting with chosen by a committee. Jim was working at Covenant “They are Scots through Mountain Affair, participating in According to Jordan Harwood, as dean of men and Evie was a and through—they pray, they alumni focus groups, and gener- assistant director of alumni student. represent, and they give. My ously giving time and resources relations, the committee seeks From 1974-2000, Jim served parents have lived [Covenant’s] to the college. Covenant recycling in Founders Hall, said, “This Hyatt. composed of recyclable mate- ing and discussion of the CONTINUED FROM FRONT PAGE new program seems like it The mission of the CSC is to rials. This means that Cov- award-winning documentary, could be a really effective facilitate innovative steward- enant’s 1000 students could Addicted to Plastic, at 7 p.m. cannot be accepted. solution to the problem and ship on campus. be trashing 2,250 pounds of on Nov. 19. The CSC hopes that this I’m very excited to see the “Covenant is a very special recyclable waste daily. Put Students who would like new system will spread girls on my hall participate.” and amazing place… By another way: every day, the to receive a recycling bag awareness about the potential Many students’ desire recycling I think we can only students already using recy- are encouraged to email for recycling on campus to recycle on campus is add to this environment,” said cling bags could be collectively CampusStewardshipCom@ and encourage students to motivated by a theology of Castillo. saving from the landfill around covenant.edu. become active care-takers of stewardship. The EPA estimates that each 300 pounds - or the weight of their immediate environments. “Not recycling is a way in person in the United States a baby African elephant. Student response has been which we fail at living out the generates a daily average of As part of the recycling positive. Senior Anna Kather- mandate to be good stewards 4.5 pounds of garbage, with launch, the CSC will also ine Horne, a resident assistant of creation,” said senior Madi roughly half of this garbage be hosting a public view- Faculty Quote of the Week “By the way, if you want to a tattoo in Hebrew, Aramaic, or Greek, I charge now.” Dr. Jones in Old Testament World Volume 60.07 THE BAGPIPE NEWS 3 Bakertree Festival The Verdict CONTINUED FROM FRONT PAGE Even though Bakertree has been traditionally held in the spring, Covenant’s Campus Activities Board (CAB) decided to hold it during the fall this year.
Load more

Recommended publications
  • Constellation
    CONSTELLATION La critica musicale ha spesso identificato alcuni generi musicali con le città nelle quali si erano sviluppati, arrivando a far coincidere musica e toponomastica come nel caso del Canterbury sound o del Madchester. In realtà di solito si è trattato di un tentativo di semplificare la realtà per rendere intelligibili fenomeni la cui complessità sarebbe stata di difficile comprensione alla maggioranza dei lettori delle varie riviste del settore; basti pensare alla San Francisco psichedelica, al country di Nashville, all'elettronica berlinese, alla Seattle grunge o a Londra per il punk, ecc. Detto ciò, in pochi avrebbero immaginato che nel novero di queste “capitali” musicali sarebbe apparso il nome di Montreal, principale città del Quebec canadese. Eppure se dovessimo cercare una città con la quale identificare il post- rock degli anni Duemila non potremmo che guardare verso questa metropoli di più di un milione e mezzo di abitanti, se non altro per l’etichetta discografica indipendente Constellation records che vi ha sede. Nata nel 1997, la Constellation si è fin da subito caratterizzata per le “ostiche” scelte musicali e di marketing, dimostrando negli anni un'ammirevole coerenza che le ha permesso di intercettare le espressioni più avanzate e innovative del movimento post-rock canadese – ovvero il meglio del post-rock tout-court –, distinguendosi commercialmente dalle tante etichette indipendenti grazie a confezioni in digipack dominate da colori tenui e da un’originalità grafica e iconografica che diventa determinante nel trasmettere anche visivamente i contenuti musicali. Ma forse per comprendere il percorso qui proposto occorre partire dall’inizio, ovvero dalla definizione di Post-rock.
    [Show full text]
  • Delusion by Laurie Anderson
    CAL PERFORMANCES PRESENTS PROGRAM NOTES Friday, May 7, 2010, 8pm Saturday, May 8, 2010, 8pm Zellerbach Hall Delusion by Laurie Anderson with Special Guest Musicians Colin Stetson & Doug Wieselman Production Credits Laurie Anderson Music Text & Visual Design Colin Stetson Special Guest Musician Doug Wieselman Special Guest Musician Amy Khoshbin Video Design & Live Mix Rus Snelling Production & Lighting Dave Cook Front-of-House Audio Anderson Laurie Maryse Alberti Video Director of Photography Toshiaki Ozawa Additional Video ELUSION is a meditation on life and language. Bob Currie Story Team DConceived as a series of short mystery plays, Rande Brown Story Team Delusion jump-cuts between the everyday and the mythic. Combining violin, electronic puppetry, Shane Koss Audio Rig Design music and visuals, Delusion tells its story in the col- Konrad Kaczmarek Audio Software Design orful and poetic language that has become Laurie Ned Steinberger Violin Design Anderson’s trademark. Brad Hampton Tour Management “The electronically altered voice I have used for many years, the one that turns my voice into a World Premiere February 17, 2010, Cultural Olympiad, male voice, has been gradually evolving from a stock Vancouver, British Columbia voice of authority into a more nuanced one,” says Ms. Anderson. “I have written Delusion as a conver- sation between that voice and my own.” Delusion was commissioned by Vancouver 2010 Cultural Olympiad, Vancouver, and barbicanbite10, London. The stories inDelusion come from ma ny worlds — technical, scientific, personal and mythic—and from Additional support provided by BAM for the 2010 Next Wave Festival; Cal Performances; various states of consciousness, dream and medita- Stanford Lively Arts; and the generosity of Sarah Ratchye and Ed Frank.
    [Show full text]
  • The Advent of an Artist-Composer Movement Exemplified by the Works of Saxophonists Colin Stetson, Evan Parker, and Contemporaries
    The Advent of an Artist-Composer Movement Exemplified by the Works of Saxophonists Colin Stetson, Evan Parker, and Contemporaries Item Type text; Electronic Dissertation Authors Herald, Christopher R. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 15:32:12 Link to Item http://hdl.handle.net/10150/625662 THE ADVENT OF AN ARTIST-COMPOSER MOVEMENT EXEMPLIFIED BY THE WORKS OF SAXOPHONISTS COLIN STETSON, EVAN PARKER, AND CONTEMPORARIES by Christopher R. Herald __________________________ Copyright © Christopher Herald 2017 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctoral Document Committee, we certify that we have read the document prepared by Christopher Herald, titled The Advent of an Artist-Composer Movement Exemplified by the Work of Saxophonists Colin Stetson, Evan Parker, and Contemporaries and recommend that it be accepted as fulfilling the document requirement for the degree of Doctor of Musical Arts. _______________________________________________________________________Date: 7/18/2017 Edward Goodman, DMA _______________________________________________________________________Date: 7/18/2017 Sara Fraker, DMA _______________________________________________________________________Date: 7/18/2017 Norman Weinberg, DMA Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College.
    [Show full text]
  • DVD #1 1. 2Cellos
    DVD #1 1. 2Cellos - Celloverse (Japan Edition) 2. 36 - Void Dance 3. A Swarm of the Sun - The Rifts 4. AaRON - We Cut The Night 5. Abigail's Ghost - Black Plastic Sun 6. Above and Beyond - We Are All We Need 7. Adele - 25 (Target Exclusive Deluxe Edition) 8. Adolf Plays The Jazz – Tinder 9. A-Ha - Cast In Steel (Deluxe Edition) 10. And So I Watch You From Afar – Heirs 11. Ane Brun - When I'm Free (Deluxe) 12. Anekdoten - Until All the Ghosts are Gone 13. Anna von Hausswolff - The Miraculous 14. Anoice - Into The Shadows 15. Antimatter - The Judas Table 16. April Rain - Leave Me No Light 17. Arca – Mutant 18. Arcane - Known – Learned 19. Archive – Restriction 20. Aristocrats - Tres Caballeros 21. Arstidir – Hvel 22. Avatarium - The Girl With The Raven Mask 23. AWOLNATION - Run 24. Baroness – Purple 25. Beach House - Depression Cherry 26. Beach House - Thank Your Lucky Stars 27. Beardfish - +4626-Comfortzone 28. Behaving – Behaving 29. Ben Salisbury & Geoff Barrow – Ex Machina OST 30. Beth Hart - Better Than Home 31. Björk – Vulnicura 32. Blanck Mass - Dumb Flesh 33. Blur - The Magic Whip DVD #2 1. Bon Jovi - Burning Bridges 2. Camouflage – Greyscale 3. Caspian - Dust And Disquiet 4. Chelsea Wolfe – Abyss 5. CHVRCHES - Every Open Eye 6. Circe – Circe 7. Coldplay- A Had Full Of Drams 8. Colin Stetson & Sarah Neufeld - Never Were The Way She Was 9. Courtney Barnett - Sometimes I Sit and Think, and Sometimes I Just Sit 10. Crippled Black Phoenix & Se Delan - Oh Ech-Oes 11. Danny Cavanagh - Memory And Meaning 12.
    [Show full text]
  • ESMERINE Lost Voices CD / 180Glp / DL RELEASE DATE: 16 OCTOBER 2015
    ESMERINE Lost Voices CD / 180gLP / DL RELEASE DATE: 16 OCTOBER 2015 Instrumental chamber rock ensemble feat. Bruce Cawdron (Godspeed You! Black Emperor), Rebecca Foon (Silver Mt. Zion) and Jamie Thompson (Unicorns, Islands) Follow-up to their 2014 Juno award-winning album Dalmak (Instrumental Record Of The Year) Montréal chamber rock ensemble Esmerine return with Lost Voices , the most dynamic CST 116 • CONSTELLATION • and incendiary record of the group’s career, following its acclaimed and Juno award- winning 2013 release Dalmak . Led by co-founders Bruce Cawdron (Godspeed You! Black Emperor) on mallet instruments and Rebecca Foon (Thee Silver Mt. Zion, ARTIST: ESMERINE Saltland) on cello, Esmerine also includes drummer Jamie Thompson (The Unicorns, Islands, Little Scream) and multi-instrumentalist Brian Sanderson. TITLE: Lost Voices Lost Voices is the result of multiple recording sessions led by Vid Cousins (Kid Koala, TRACKLIST: Amon Tobin, Colin Stetson) and was mixed/produced by Jace Lasek (The Besnard 01 The Neighbourhoods Rise Lakes) at his Breakglass Studio in Montréal. The album features several tracks that are 02 A River Runs Through This City hands down among the band’s most rocking, making newfound use of electric guitars 03 Pas Trop Pas Tropes (courtesy a variety of guest players) alongside the group’s nucleus of marimba, strings 04 19/14 and percussion. Esmerine also welcomes bassist Jeremi Roy (who began touring with 05 A Trick Of The Light the group in 2013) as an official member; his contrabass work adds potent low-end to 06 My Mamma Pinned A Rose On Me the heavier jams on the new album.
    [Show full text]
  • COLIN STETSON PROGRAM Saxophone
    Saxophone COLIN STETSON Visiting Artist Series presents ARTIST PARTNER PROGRAM November 9, 2017 . 8PM @ MilkBoy ArtHouse VISITINGVAS ARTIST 1SERIES The Clarice Smith Performing Arts Center's Visiting Artist Series presents COLIN STETSON PROGRAM Saxophone This performance will last approximately 1 hour. Join the artists for a conversation during the performance. Program to be selected from: Spindrift Judges Between Water and Wind All this I do for Glory The love it took to leave you In the clinches Strike your forge and grin 2 Colin Stetson was born and raised in Ann Arbor, spent a decade ABOUT THE ARTIST in San Francisco and Brooklyn honing his formidable talents as a horn player, eventually settling in Montreal in 2007. Over the years he has worked extensively live and in studio with a wide range of bands and musicians including Tom Waits, Arcade Fire, Bon Iver, TV On The Radio, Feist, Laurie Anderson, Lou Reed, Bill Laswell, Evan Parker, The Chemical Brothers, Animal Collective, Hamid Drake, LCD Soundsystem, The National, Angelique Kidjo, Fink, and David Gilmour. Meanwhile he has developed an utterly unique voice as a soloist, principally on saxophones and clarinets, his intense technical prowess matched by his exhilarating and emotionally gripping skills as a songwriter. Stetson’s astounding physical engagement with his instruments (chiefly bass and alto saxophones) produces emotionally rich and polyphonic compositions that transcend expectations of what solo horn playing can sound like. Stetson is equally at home in the avant jazz tradition of players who have pushed the boundaries of the instrument through circular breathing, embouchure, etc. (i.e.
    [Show full text]
  • Rebecca Foon Biography 2017
    REBECCA FOON BIOGRAPHY 2017 Cellist and composer Rebecca Foon has been a fixture of the Montréal music community for two decades, since moving to the city from her native Vancouver in the late 1990s. She co-founded the Juno Award- winning contemporary chamber group Esmerine in 2002 and was a core member of the celebrated cult post-punk band Thee Silver Mt. Zion Memorial Orchestra from 2001-2008 and the experimental instrumental collective Set Fire To Flames. Foon was also a founding member of the instrumental trios The Mile End Ladies String Auxiliary and Fifths of Seven. Alongside over a dozen albums as a composer and player with the aforementioned projects, Foon has a long list of recording and performing credits as a guest player, and several soundtrack projects under her belt (including the award-winning tar sands documentary H2Oil). Most recently, she has been a member of Colin Stetson’s acclaimed “Sorrow” orchestra (performing Gorecki’s 3rd Symphony) and part of the band for the live documentary performances of filmmakers Sam Green and Brent Green. Saltland is Foon’s ‘solo’ project, the seeds of which were planted with a series of local Montréal performances under her own name in 2010- 2011. As a first album took shape in 2012, Foon wished to give the music its own moniker and identity, and to leave room for the project to take on various members and configurations. Saltland’s 2013 debut record I Thought It Was Us But It Was All Of Us was released to broad critical acclaim and featured a long list of Foon’s friends and past collaborators as guest musicians, including Jamie Thompson (The Unicorns, Islands), Richard Reed Parry and Sarah Neufeld (Arcade Fire), Mishka Stein (Patrick Watson) and Laurel Sprengelmeyer (Little Scream).
    [Show full text]
  • THE SUBURBS De ARCADE FIRE GAGNE LE PRIX DE MUSIQUE POLARIS 2011
    THE SUBURBS de ARCADE FIRE GAGNE LE PRIX DE MUSIQUE POLARIS 2011 Pour diffusion immediate Toronto, ON (19 septembre 2011) - Ce soir, au gala qui avait lieu à la maison-mère de MTV Canada, le hall de concert situé au Masonic Temple à Toronto, The Suburbs, de Arcade Fire (Montréal, Québec) a été couronné grand gagnant du Prix de musique Polaris 2011. Arcade Fire a remporté le prix de 30 000$ offert par le commanditaire présentateur: la radio satellite SiriusXM. Les neuf autres nommés de la courte liste se sont quant à eux mérité 2 000$ chacun, gracieuseté de Slaight Music. La cérémonie a présenté des prestations de Austra, Braids, Galaxie, Hey Rosetta!, Ron Sexmith et Timber Timbre, tous nommés à la courte liste. Certains membres d’Arcade Fire étaient aussi présents sur place (Win Butler, Jeremy Gara, Richard Reed Parry). À cette sixième édition du Polaris, Arcade Fire se joint aux rangs des grands gagnants des années précédentes dont Karkwa de Montréal (2010) pour Les Chemins De Verre, Fucked Up de Toronto (2009) pour The Chemistry Of Common Life, Caribou de Dundas (2008) pour Andorra, Patrick Watson de Montréal (2007) pour Close To Paradise et Final Fantasy de Toronto (2006) pour He Poos Clouds. « Nous sommes vraiment touchés de recevoir un prix choisi uniquement sur le mérite artistique. Nous croyons que composer des albums peut faire une différence et nous sommes reconnaissants envers le Prix de musique Polaris d'avoir reconnu nos efforts et ceux de tant d'artistes canadiens! » – Arcade Fire Les banlieues ont toujours tracé le chemin à des poètes qui fuient vers les grandes villes.
    [Show full text]
  • Black Mountain Songs Provided Lighting Designer Ben Stanton by Robert L
    BAM 2014 Next Wave Festival #BlackMountainSongs Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, Black President Joseph V. Melillo, Executive Producer Mountain Songs BAM Harvey Theater Nov 20—22 at 7:30pm; Nov 23 at 3pm Running time: one hour and 30 minutes, no intermission Brooklyn Youth Chorus Choral director and conductor Dianne Berkun-Menaker Creator Bryce Dessner Co-curators Bryce Dessner & Richard Reed Parry Director Maureen Towey Season Sponsor: Music composers Jherek Bischoff, Bryce Dessner, Tim Hecker, John King, Nico Muhly, Richard Reed Parry, Caroline Shaw, and Aleksandra Vrebalov Time Warner is the BAM 2014 Choreographer Jenny Shore Butler Next Wave Festival Sponsor Filmmaker Matt Wolf Set designer Mimi Lien Viacom is the BAM 2014 Music Sponsor Costume designer Sarah Maiorino Major support for Black Mountain Songs provided Lighting designer Ben Stanton by Robert L. Turner Sound designer Jamie McElhinney Video & projection designer Grant McDonald Support of works by women composers provided Dramaturgy Anne Erbe by Virginia B. Toulmin Foundation Leadership support for music at BAM provided by: Co-commissioned by BAM and Brooklyn Youth Chorus Frances Bermanzohn & Alan Roseman for the 2014 Next Wave Festival Pablo J. Salame This engagement is dedicated to the late Mary The 2014 Richard B. Fisher Next Wave Award honors Anne Yancey, former Board Chair of Brooklyn Brooklyn Youth Chorus and the production of
    [Show full text]
  • LAVENDER Production Notes
    LAVENDER Production Notes Starring: Abbie Cornish, Diego Klattenhoff, Justin Long and Dermot Mulroney Directed by: Ed Gass-Donnelly Written by: Colin Frizzell, Ed Gass-Donnelly Dish Exclusive: February 3, 2017 In Theaters, on VOD and Digital HD: March 3, 2017 Running Time: 92 Minutes Rated: Not rated Publicity Materials: https://www.dropbox.com/sh/0ywwhznh4ia8zzv/AABk6mJpAF02NgEBHsrP Q0XQa?dl=0 Facebook: https://www.facebook.com/lavenderthemovie Instagram: https://www.instagram.com/lavenderthemovie Website: www.lavenderthemovie.com PRESS CONTACTS: NY: Katrina Wan / [email protected] / 323-240-9996 ONLINE /LA: Camelia Adibi / [email protected] / 310-968-5735 SYNOPSIS When a photographer (Abbie Cornish) suffers severe memory loss after a traumatic accident, strange clues amongst her photos suggest she may be responsible for the deaths of family members she never knew she had. Justin Long plays a psychiatrist who helps her recover lost memories. DIRECTOR’S STATEMENT I love movies that make you sit forward and actively engage, that beg you to participate. The more grounded and authentic, the more they get beneath my skin. I grew up watching STAR WARS as much as Michael Haneke so I’d like to think I have pretty diverse tastes, but I find nothing more satisfying than a movie that can lure you in with the promise of genre then blow your mind with surprise, like a cinematic Trojan Horse. I see LAVENDER as a puzzle without a box; a protagonist blindly struggling to piece together a picture she cannot see. And we, the audience, stumbling through the dark, trying to solve the mystery alongside her.
    [Show full text]
  • Ike Sturm John Clayton Ed Cherry Roseanna Vitro
    165201_HH_Jan_0 12/24/15 9:04 AM Page 1 THE LATIN SIDE OF HOT HOUSE P39 January 2016 www.hothousejazz.com Jazz at Kitano Page 21 The 9th Note Page 25 Roseanna Vitro Ed Cherry John Clayton Ike Sturm APAP Page 10 Saint Peter's Church Page 10 Where To Go & Who To See Since 1982 165201_HH_Jan_0 12/24/15 9:04 AM Page 2 2 165201_HH_Jan_0 12/24/15 9:04 AM Page 3 3 165201_HH_Jan_0 12/24/15 9:04 AM Page 4 4 165201_HH_Jan_0 12/24/15 9:04 AM Page 5 5 165201_HH_Jan_0 12/24/15 9:04 AM Page 6 WWW.BLUENOTEJAZZ.COM 6 165201_HH_Jan_0 12/24/15 9:04 AM Page 7 7 165201_HH_Jan_0 12/24/15 9:30 AM Page 8 8 165201_HH_Jan_0 12/24/15 9:04 AM Page 9 9 165201_HH_Jan_0 12/24/15 9:04 AM Page 10 WINNING SPINS By George Kanzler ITH MANY WAYS TO APPROACH tional spiritual at all, but Jerome Kern's the spiritual impulse in music, two "Old Man River" from the Broadway musi - bWassists take very different routes to reli - cal Showboat. Jones fashions an impro - gion-based music on the albums compris - vised intro over a repeating high range ing this Winning Spins. One is quite litur - ostinato from Clayton's bass, easing into gical, the other more homespun and folksy, the familiar melody in octaves and chords; but both are rooted in jazz. then the two weave improvised lines John Clayton enlists the late pianist around the tune in a fast repartee, each Hank Jones for a duet session dominated soloing before returning for a more skeletal by traditional Negro Spirituals, while Ike rendering of the refrain.
    [Show full text]
  • POSSESSION and SOUND DESIGN in HEREDITARY Presentation By
    1 TRIGGERING FEAR: POSSESSION AND SOUND DESIGN IN HEREDITARY presentation by Beth Kattelman for the national conference of the Popular Culture Association/American Culture Association in the Horror Studies Area, Washington DC, April 19, 2019 The horror film Hereditary, which premiered at the Sundance Film Festival in 2018, has received a lot of critical acclaim for its screenplay, its performances, and its sound design. The film was directed by Ari Aster and it tells the story of the Grahams, a family whose matriarch has just passed away as the film begins. Soon the surviving family members begin to experience unusual happenings that, it turns out, may be related to a cult with which the matriarch was associated. The soundscape consists of music, scored by Colin Stetson, and a soundtrack created by Supervising Sound Editor Lewis Goldstein and Director Ari Aster. Stetson’s score combines with Goldstein and Aster’s sound design to not only psychologically enhance the viewing experience, but also to cleverly impart narrative information and to trigger fear reactions. Elements such as the telltale “cloque” that Charlie makes to evince the presence of Paimon and the frantic banging on the attic door near the end of the film are just two examples of ways in which Aster plays with aural diegetic elements to elicit fear in both subtle and unsubtle ways. And Stetson’s unusual instrumentation also serves to unsettle and give the film an otherworldly feel. Drawing upon Michael Chion’s concept of “added value” this paper explores how direct and acousmatic sounds, and music are used in Hereditary to trigger fear and indicate possession/contagion within the narrative.
    [Show full text]