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100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
BIG BANDLEADERS’ PRIMARY INSTRUMENT TRIVIA QUIZ NEWSLETTER ★ LETTERS to the EDITOR About STUDIO ORCHESTRAS, SPIKE JONES, HERB JEFFRIES, and Others
IN THIS ISSUE: i f An interview with PEGGY LEE Reviews of BOOKS AND BIG RECORDS to consider about GEORGE WEIN, CRAIG RAYMOND, BAND KAY KYSER and others JUMP ★ A BIG BANDLEADERS’ PRIMARY INSTRUMENT TRIVIA QUIZ NEWSLETTER ★ LETTERS TO THE EDITOR about STUDIO ORCHESTRAS, SPIKE JONES, HERB JEFFRIES, and others BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE Atlanta, GA 30355 PAID Atlanta, GA Permit No. 2022 BIG BAND JIMP N EWSLETTER VOLUME LXXXVII_____________________________BIG BAND JUMP NEWSLETTER JULY-AUGUST 2003 lems than most of us experience. Later in life she took PEGGY LEE INTERVIEW engagements while requiring respirator treatments four times a day during ten years of her life. She played sold- out clubs with dangerously-high temperatures when she had to be carried off the stage to a hospital. She underwent open-heart surgery and suffered failing eye sight and a serious fall but continued to perform sitting in a chair until a few years before her death on January 21,2002 The Scene Veteran broadcaster and Big Band expert Fred Hall conducted the interview at Peggy Lee ’ s Bel Air home in the 1970s, at a time when she was still performing and still making records. The first question was about how her job with Goodman came about. BBJ: Did you j oin the Goodman band directly from singing in clubs? The cheerful Lee PL: Yes, I was singing in a club at that time I met him. Before that I had been singing on a radio The Background station in Fargo, North Dakota. -
Jo April 2019.PPP
An alphabetical listing of her studio recordings, including recording dates, matrix numbers and, when known, dates first issued. Compiled by Jim Marshall, and updated April 2019 I first produced a Jo Stafford discography ‘way back in 1995, encouraged by the late Tom Colborn who probably knew more about Jo’s career than the lady herself. Tom had already done much of the groundwork and, knowing that I’d acquired a computer - an early Amstrad - suggested that I take over the task. I was well into my research when the indispensable "In Tune" magazine started publishing its own in-depth listing of Jo’s huge catalogue of recordings. The work put into that by Brian Henson, Colin Morgan, Robert W. Rice and others was an immeasurable help. My thanks also go to Ken Seavor, John Ridgeway, Lucas Tuinstra, Jeff Lasbury and Ray Purslow plus, of course Jo Stafford and Paul Weston , all of whom contributed to Tom’s original research. More recently I’ve had important help from Michel Ruppli, Tim Weston, Robert Rice, Richard Weize and Adam Daff resulting in what I like to think is an almost “complete" alphabetical listing of Jo’s commercial recordings, including her work with the Pied Pipers and her alter egos, Cinderella G. Stump and Darlene Edwards, not forgetting Jonathan! (Apologies if I’ve forgotten anyone!) Apart from a handful of never-ever issued Capitol and Columbia tracks, almost all Jo’s studio recordings seem to have been reissued on CD and are probably still in print. In fact, the seemingly relentless reissue of Stafford CDs, mainly in the UK, is proof, if proof was needed, of the lady’s long-lasting popularity. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes Sabbath Chimes (Reverie) F
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Sabbath Chimes (Reverie) F. Henri Klickmann Harold Rossiter Music Co. 1913 Sack Waltz, The John A. Metcalf Starmer Eclipse Pub. Co. [1924] Sadie O'Brady Billy Lindemann Billy Lindemann Broadway Music Corp. 1924 Sadie, The Princess of Tenement Row Frederick V. Bowers Chas. Horwitz J.B. Eddy Jos. W. Stern & Co. 1903 Sail Along, Silv'ry Moon Percy Wenrich Harry Tobias Joy Music Inc 1942 Sail on to Ceylon Herman Paley Edward Madden Starmer Jerome R. Remick & Co. 1916 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailing Down the Chesapeake Bay George Botsford Jean C. Havez Starmer Jerome H. Remick & Co. 1913 Sailing Home Walter G. Samuels Walter G. Samuels IM Merman Words and Music Inc. 1937 Saint Louis Blues W.C. Handy W.C. Handy NA Tivick Handy Bros. Music Co. Inc. 1914 Includes ukulele arrangement Saint Louis Blues W.C. Handy W.C. Handy Barbelle Handy Bros. Music Co. Inc. 1942 Sakes Alive (March and Two-Step) Stephen Howard G.L. Lansing M. Witmark & Sons 1903 Banjo solo Sally in our Alley Henry Carey Henry Carey Starmer Armstronf Music Publishing Co. 1902 Sally Lou Hugo Frey Hugo Frey Robbins-Engel Inc. 1924 De Sylva Brown and Henderson Sally of My Dreams William Kernell William Kernell Joseph M. Weiss Inc. 1928 Sally Won't You Come Back? Dave Stamper Gene Buck Harms Inc. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
334 XIII. Revivals and Recreations; The
XIII. Revivals and Recreations; The Sociology of Jazz By the early 1970s, as we have seen, jazz was in a state of stylistic chaos. This was one reason why the first glimmers of “smooth jazz” came about as both an antidote to fusion and an answer to “outside jazz.” But classical music was also in a state of chaos. The majority of listen- ers had become sick of listening to the modern music that had come to dominate the field since the end of World War II and had only become more abrasive and less communicative to a lay audience. In addition, the influx of young television executives in that period had not only led to the cancellation of many well-loved programs who they felt only appealed to an older audience demographic, but also the chopping out of virtually all arts programming. Such long-running programs as The Voice of Firestone and The Bell Telephone Hour were already gone by then. Leonard Bernstein had been replaced at the New York Philharmonic by Michael Tilson Thomas, an excellent conductor but not a popular communicator, and thus CBS’s “Young People’s Con- certs” no longer had the same appeal. In addition, both forms of music, classical and jazz, were the victims of an oil shortage that grossly affected American pressings of vinyl LPs. What had once been a high quality market was now riddled with defective copies of discs which had blis- ters in the vinyl, scratchy-sounding surfaces and wore out quickly. Record buyers who were turned off by this switched to cassette tapes or, in some cases, the new eight-track tape format. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
Civilian Evacuation of Barcelona Ruled
*r- 7 v>r»* > ^-:: . r- -W THi: WBATHER Forecast of O. 8. Weather Boreoa AVERAOB daily cnCCLATION far the Moeia ot Deeembar, 1$M Inercastag rIowItacBS tonight, toL lowed by snow Toeaday; riatag tam 6.179 peratnrea late tonight and Tanadny. Member of Dm Audit Boieoa et Clreatattaas MANCHESTER — A VJTY OF VILLAGE ( HAKM PRICE THREE CENTS (lAtaeined Advertising on Page 12) MANCHESTER CONN„ MONDAY, JANUARY 23,1939 VOL. LVin., NO. 96 One Saved; One Lost HEALTH PLAN CIVILIAN EVACUATION HEAVY SEAS DEUY SENT SOLONS ARRIVAL OF PLANE ' B Y ROOSEVELT. OF BARCELONA RULED: SINKING SURVIVORS Report, Prepared By Com- mvie r ic Ans to leave 1 mittee Named In 1935, A tsso Baytown Not Expected Takes Nine Baths I Includes Proposal For LoyalisU Proclaim '‘State ^ United States Officials Ar- | Married to Prince At New York Until After Compulsory Insurance. ranging To Summon i War” Throaghoit G«r- 4 O’Qock This Afternoon; erument Spain h Lmk Washington, Jan. 23 — (API — Cnnser Omaha To Re* Drop Search For Misnng. President Roosevelt submitted to Congress for "careful study” today move Men From Danger Stand Defense Of Ca^iifc a comprehensive report recommend- New York. Jan. 23.—(AP)—Buf- Rebel Armies Within tS feted by heavy seas, the tanker Rsso ing a long-range 1^50.000,000 Fed- Mr and Mrs. Donald Miller (above) of Uncoln, Neb., were Zone; Embassy Expected eral-state program'to Improve the Baytown moved alowly up the coast pass iigora on the British Imperial Airways flying boat Cavalier, nation’s health. Which sal down at sea 322 miles o(! the Jen ey coast. -
The 35Mm Album Master Fad
The 35mm Album Master Fad 135th AES Convention, 2013-10-19 © 2013 by Thomas Fine A Brief History of 35mm Magnetic Film • Post WWII – Magnetic tape recording migrated to the U.S. from Germany. • 1947 – DuPont produced 35mm magnetic film, RCA produced a conversion kit for the PR-23 optical recorder. • By 1951 – RCA produced 35mm recorders for 1, 2 and 3 tracks, and Westrex entered the business with magnetic recorders for 35mm and 17.5mm. • SMPTE Progress Report of 1952 stated that by the end of 1951, “approximately 75% of the original production recording, music scoring and dubbing in Hollywood was being done on magnetic recording equipment.” © 2013 by Thomas Fine RCA PR-23 Optical/Magnetic Film Recorder © 2013 by Thomas Fine Westrex RA-1231 Optical/Mag Recorder Westrex RA-1231 optical recorder with the magnetic conversion. It could be used for either optical or mag recording as long as the reel adapters were changed. Record head is on sound drum and play head is to the right. © 2013 by Thomas Fine Westrex RA-1231 Optical/Mag Recorder © 2013 by Thomas Fine Westrex Series 1000 Magnetic Recorder [ Note: Magnetic film in the U.S. was actually coated with iron oxide particles, not impregnated with them. ] © 2013 by Thomas Fine 35mm: 1950’s High-Resolution Medium • Film moves at 18 in/s, vs 15 in/s for tape. • Film stock’s base is 5 mil (acetate) or 3 mil (polyester), vs. 1.5 mil for 2500’ NAB reels of tape. Result: lower print-through for film. Some film types also had thicker magnetic layer. -
B E E N W E R E W E '
VOLUME XXXVI BIG BAND JUMP NEWSLETTER JANUARY-FEBRUARY 1995 UPCOMING BBJ PROGRAM TITLES Hackett plays his mellow cornet, combinations develop. The very best of Lionel Hampton both sings and plays the late 40’s Sauter-Finegan will be January 7-8,1995 (This list- sweet and swing, Bobby Haggart’s heard, some very old but very good VOCALISTS ing repeat- contributions include playing, writ Artie Shaw, Bobby Sherwood’s short 1936 TO 1948/ ed from ing and arranging, and Woody lived band will perform and to lighten PIANO PLAYERS previous Herman swings without restraint. issue for the overall sound, the talented George new subscriber convenience.) The vo- January 21-22, 1995 W hile we Shearing will contribute his excellent calists KEATING/ were piano magic. have al- KAEMPFERT/ checking w a y s KENTON & KRUPA out artists February 18-19, 1995 Truth is, been alphabeti BROWN/BARNET this foolin' with us, cally, we ran across four varied sounds BUTTERFIELD around in but they in the “K’s”. The seldom-heard Brit & BASIE the old were part ish orchestra of Johnny Keating, the r e c o r d ofthe Big German 60’s thumping recording of stacks in the back room is more fun Bands in Bert Kaempfert, the later 40’s Stan than an older adult ought to have. For the era Kenton from radio transcriptions, and this one we’ve teamed Les Brown, covered Gene Krupa’s excellent band, so often by this under-rated. This alphabetical tie-in is Charlie Barnet, Count Basie and the hour, not fun! seldom-heard Billy Butterfield. -
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002E]
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002e] January 26, 1947 [Sunday]: Jerry Gray arranged tunes made famous by Glenn Miller for New York City-based “Here’s To Ya” broadcast over the CBS radio network, January 26, 1947, 2:30 – 3:00 pm local time, performed by the Phil Davis Orchestra [including Trigger Alpert and Bernie Privin] and the Hires Hands vocal group [including Bill Conway]. Sponsored by Hires Root Beer. Moonlight Serenade – arranged by Jerry Gray Don’t Sit Under The Apple Tree – arranged by Jerry Gray Moonlight Cocktail – arranged by Jerry Gray A String Of Pearls – arranged by Jerry Gray Serenade In Blue – arranged by Jerry Gray In The Mood – arranged by Jerry Gray Chattanooga Choo Choo – arranged by Jerry Gray _______________ Harrisburg Telegraph [Harrisburg, Pennsylvania], Jan 18, 1947, Page 19: NEW SUNDAY MUSICAL SHOW HEARD ON WHP ‘Here’s To Ya’ Opens Jan. 26; Stars Louise Carlyle, Phil Hanna, Phil Davis “Here’s To Ya,” sparkling half-hour of popular and familiar music, featuring Contralto Louise Carlyle, Baritone-Emcee Phil Hanna, Phil Davis’ orchestra, and the Hires Hands singing group, starts on the Columbia network and WHP Sunday, January 26, 2:30-3 p.m. “Here’s To Ya” will be the first of a series of new shows to be added to the WHP schedule during the first few weeks of 1947 daytime schedule. Time and all information on the new programs will be announced in the near future on this page. Louise Carlyle, feminine star of “Here’s To Ya,” got her first big break several years ago as vocalist with her brother Russ’ orchestra. -
Miss: Jo's Scene of Founder's Day Monogram- Dance Forensic Honors
EDITORIALS: DON'T MISS THE -THAT QUESTION AGAIN MONOGRAM CLUB'S -WHO'S INTERESTED? DANCE HERE TONIGHT -USE A SYSTEM Fublished Weekly by the StU~ents of Wake Forest College Z-538 '4, 1939 Ten Cents Per Copy Vol. XXII. No. 14 WAKE FOREST, N.C., SATURDAY, .• . PRESIDES Phis, Eus Divide PLAYING FOR MONOGRAM CLUB DANCE HERE TON~QHT Miss: Jo's Scene of Founder's Day Monogram- Dance Forensic Honors ·------------------------ Capture Debates, Phis Vanden Dries Plays For Oratory, In Morning Dance Tonight Mter DR.ARTOM DELAYED Convocations · s:c. Game Dr. Camillo Artom, interna NECROLOGY IS REAli ADMISSIQN: 49c A COUPLE tionally-known Italian bio •· chemist, is expected to arrive Founder's Day, commemorating in Wake Forest within the Tonight· will ~ark the first time the 105th anniversary of the in the history of!Wake Forest Col- next week or two to assume founding of Wake Forest College, . lege that a dane~ open.. to the stu his duties as the newly-elect was commemorated in two sepa. dent body, has ever been held with- ed professor of biochemistry rate convocations Wednesday and in the sphere coi:nmonly known as in the local school of medi Thursday mornings, Feb. 1-2, and the Wake l!'orest College campus. featured inter - society forensic ' Sp-onsored by, the Monogram cine~ contests and the reading of the Clu]l, the frolic · will be held in Dr. Artom is expecting his necrology by Dr. Thurman D. Miss ,Jo Willwns' Cafeteria, and leave from his native land to Kitchin. Robert Helm, Jr., presi will begin immediately after the '' be permanent, and thus it is d~nt of the Euzelian society, _pre basketball gam~· .