Miss: Jo's Scene of Founder's Day Monogram- Dance Forensic Honors
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The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Magic Carpet
Armed Forces Radio Service MAGIC CARPET TEEN TIMERS CLUB Edit and Preparation: Dennis M. Spragg Primary Documentation: Lothar Polomski Source Materials: Dr. Michael Arié Updated: May 17, 2017 GMA-22 TABLE OF CONTENTS 1. INTRODUCTION .......................................................................................................... 3 2. PROGRAMS .............................................................................................................. 10 3. ARTISTS .................................................................................................................. 175 4. LOCATIONS ............................................................................................................ 201 5. ISSUES .................................................................................................................... 212 6. GLENN MILLER ARCHIVE ..................................................................................... 230 7. STAR SPANGLED RADIO HOUR .......................................................................... 233 ACKNOWLEGMENTS This is the first comprehensive public catalog of the AFRS “Magic Carpet” series R-4 and AFRS “Teen Timers Club” series. It is being released in stages as the documentation of all the 1,020 “Magic Carpet” programs is completed for publication. The late Lothar Polomski of Berlin, Germany prepared comprehensive “Magic Carpet” and “Teen Timers Club” studies that he passed to Carl Hällström in 1977. Lothar’s study is the original basis for this report, which adds information -
The Ohio Archivist
VOL. 29 NO. 2 • FALL 1998 TheSodety ctaio lrvss The Ohio Archivist l..akewOod , Ohio n t· PHoro couRTEsv o a •ve and Oh,· U FOHIO UN/VE O gr, d Rsin- • a Uate Sammy-Kaye singing {sic!} with his band; sax section standing SOA meets in Cincinnati Sept. 24-25 The American Jewish Archives (on the campus of Hebrew plenary session on the Museum's activities in relation to Ohio Union College) is hosting the SOA fall meeting on Thursday history and documentation. and Friday, September 24 and 25, 1998. Topics covered There will be a Thursday evening reception at Mayerson include outreach (highlighting a Wright State program to Hall, located on the hills north of the city center near the familiarize potential users with archives), urban Appalachia, University of Cincinnati. The meeting venue was originally a ethnic Cincinnati (in particular the depiction of the city's ethnic Masonic temple and has been the object of a splendid renova- groups in caricature), electronic records (especially email as a tion project. For specific questions, call Kathy Spray at 513/ record), and the Underground Railroad. Randy Runyon of the 221-1875 x307 or email <[email protected]>. recently-established Underground Railroad Museum will give a • PRESIDENT'S COLUMN Thinking about SOA's role in the growth and development of the archival profession in Ohio At its most recent meeting on June 5, 1998, SOA work of the SOA committees, and to offer any Council discussed the Society's programs. Some ideas to help the Council better serve the of you have suggested that perhaps two meetings membership. -
Osborne Chosen for Ring Figure
Squadron Defeats Will Osborne To Play Indians For Ring 14-0 Figure Z-778 VOLUME XXXII SheLEXINGTON , VIRGINIA, TUESDAY, OCTOBER 25, 1938 NUMBER 6 U. of Illinois Gymkhana to Be Virginia Section ASCE Holds Fall Presente* d *I n '94 Hal* l Frida* y Meeting At VMI Osborne Chosen for Ring Figure October 22—'The Virginia section Troupe to Give Interesting Program of the American Society of Civil Engineers held Its fall meeting here Musw of Blue Barron's Orchestra Enjoyed At Opening Hops Under the auspices of the Intramural Council and the Department of yesterday with representatives from Physical Education, the University of Illinois Gymkhana Troupe of 25 the University of Virginia, VPI and college students will present the University of Illinois Gymkhana in the VMI attending. Several members of VMI Applauds Maestro of "Slide Music" main gym at 7:30 P. M. Friday, October 26. the adult society attended the Again Host To meeting as well as student members. This troufce is the only troupe of Opening Band Its kind in the United States, and First Horse Show General Anderson Speaks Hop Orchestra Includes some of the best college Colonel R. B. H. Begg of VPI pre- Priscilla Lane Adds Originator of Slide gymnastic talent in the country. Of Year Featured sided over the meeting and intro- The program, published elsewhere duced General J. A. Anderson, head Color To Dance Music Is Known Here in THE CADET, shows the varied of the VMI Civil Engineering De- With smooth tunes, smoother At Hop Week-End Oct. 22.—The 1938 Hop Commit- program of one hour and thirty partment, who stated that he had music, and swell novelties, Blue Oct. -
Jazzletter PO Box 240, Ojai CA 93024-0240 Jtdy 2004 Vol
GeneLe6/ldLibitum jazzletter PO Box 240, Ojai CA 93024-0240 jtdy 2004 Vol. 23 N0. 7 The Anchorite What you get, really, is the upper part of the harmony, and Part Two you cannot follow the lines in the voicings. When a local Ventura bandleader borrowed some ofthe charts to perform He recorded Begin the Beguine on July 24, 1938. It immedi- them in a concert, I attended the rehearsals with Artie. ately became the number one “platter” in the United States, He said, “Well, what do you think?” held that position for six weeks, and went right on selling. I said. “Now I could hear the bottom ofthe orchestra.” I Shaw’s income went to $30,000 per week. One reason he confessed that I was not all that excited about 1930s bands could earn such money was the sheer number of pavilions that contained only four saxes, two altos and two tenors. My and ballrooms in America. He told me that at the peak ofthe taste for big bands grew warmer when baritone saxophone big band era, a band could play a month of one-nighters in was added, as in the Goodman band with Mel Powell that Pennsylvania alone. recorded for Columbia. Furthermore’, you couldn’t hear the Begin the Beguine was an unconventional long-form tune bass player at all on a lot of early big-band recordings, and and its success amazed Shaw. In a 2002 interview with the without the bottom ofthe harmony, one doesn’t fully feel or Ventura Star (Shaw lived, as I do, in Ventura County) Shaw understand what is going on.