DOCSLIB.ORG

Enoch Light and the Light Brigade Pertinent Percussion Cha Cha's Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Enoch Light and the Light Brigade Pertinent Percussion Cha Cha's Mp3, Flac, Wma Enoch Light And The Light Brigade Pertinent Percussion Cha Cha's mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Latin Album: Pertinent Percussion Cha Cha's Country: US Style: Cha-Cha, Easy Listening MP3 version RAR size: 1239 mb FLAC version RAR size: 1748 mb WMA version RAR size: 1228 mb Rating: 4.6 Votes: 230 Other Formats: AHX APE ASF MIDI WAV AIFF VOC Tracklist Hide Credits Enjoy Yourself Cha Cha A1 2:46 Written-By – Sigman*, Magidson* I Could Have Danced All Night Cha Cha A2 2:25 Written-By – Lerner - Loewe* Moon Over Miami Cha Cha A3 2:52 Written-By – Leslie*, Burke* C'est Magnifique Cha Cha A4 2:23 Written-By – Porter* Ja Da Cha Cha A5 2:13 Written-By – Carleton* Night & Day Cha Cha A6 2:07 Written-By – Porter* Green Eyes Cha Cha B1 2:36 Written-By – Utrera*, Rivera*, Woods*, Menendez*, Gilberg* Volare Cha Cha B2 3:05 Written-By – Modugno*, Parish* Let's Fall In Love Cha Cha B3 2:30 Written-By – Arlen*, Koehler* Travel Now, Pay Next Year, Pleasure Cruise Cha Cha Cha B4 2:10 Written-By – Light*, Davies* The Night Is Young Cha Cha B5 1:54 Written-By – Rose*, Suesse*, Kahal* Charleston Cha Cha B6 2:30 Written-By – Mack*, Johnson* Companies, etc. Manufactured By – Grand Award Record Co., Inc. Credits Accordion – Charles Magnante, Dominic Cortese Art Direction – Charles E. Murphy Artwork [Cover Art] – Gerry Olin Bass – Bob Haggart Bongos – Willie Rodriguez Guitar – Tony Mottola Mastered By – George Piros Percussion – Artie Marotti Piano – Moe Wechsler Producer [Associate] – Julie Klages Producer, Directed By – Enoch Light Recorded By [Recording Chief] – Robert Fine Saxophone – Bernie Kaufman, Ezelle Watson, Milt Yaner, Pee Wee Erwin, Russ Banzer, Stanley Webb Trombone – Bobby Byrne Notes © 1960 Grand Award Record Co. Inc. Category on front cover RS 33-814 Category on back cover RS 814 SD Other versions Category Artist Title (Format) Label Category Country Year Enoch Light Pertinent RS 814 SD And The Percussion Cha Command RS 814 SD US 1960 Light Brigade Cha's (LP, Album) Pertinent Enoch Light Command, RS 814 SD, Percussion Cha RS 814 SD, And The His Master's Australia 1960 OCSD.7513 Cha's (LP, Album, OCSD.7513 Light Brigade Voice Gat) Pertinent Enoch Light Percussion Cha RS 33-814 And The Command RS 33-814 US 1960 Cha's (LP, Album, Light Brigade Mono) Enoch Light Pertinent Command, La RS 814 SD, RS 814 SD, And The Percussion Cha Voix De Son Europe Unknown CSDF 80003 CSDF 80003 Light Brigade Cha's (LP) Maître Enoch Light Pertinent Calendar SR66-9,169 And The Percussion Cha SR66-9,169 Australia Unknown Records Light Brigade Cha's (LP, Album) Related Music albums to Pertinent Percussion Cha Cha's by Enoch Light And The Light Brigade Enoch Light And The Light Brigade - Provocative Percussion 3 & 4 Enoch Light And The Light Brigade - Play Happy Cha Cha’s Volume 2 Enoch Light & The Light Brigade - Let It Be Enoch Light And The Light Brigade - Mack The Knife Cha Cha / Goodnight Sweetheart Cha Cha Enoch Light And The Light Brigade - Big Bold And Brassy Percussion In Brass Enoch Light And The Light Brigade - Provocative Percussion Vol. 3 Enoch Light And The Light Brigade - I Want To Be Happy Cha Cha's Enoch Light And The Light Brigade - The Private Life Of A Private Eye.
Load more

Recommended publications
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004
    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
    [Show full text]
  • 334 XIII. Revivals and Recreations; The
    XIII. Revivals and Recreations; The Sociology of Jazz By the early 1970s, as we have seen, jazz was in a state of stylistic chaos. This was one reason why the first glimmers of “smooth jazz” came about as both an antidote to fusion and an answer to “outside jazz.” But classical music was also in a state of chaos. The majority of listen- ers had become sick of listening to the modern music that had come to dominate the field since the end of World War II and had only become more abrasive and less communicative to a lay audience. In addition, the influx of young television executives in that period had not only led to the cancellation of many well-loved programs who they felt only appealed to an older audience demographic, but also the chopping out of virtually all arts programming. Such long-running programs as The Voice of Firestone and The Bell Telephone Hour were already gone by then. Leonard Bernstein had been replaced at the New York Philharmonic by Michael Tilson Thomas, an excellent conductor but not a popular communicator, and thus CBS’s “Young People’s Con- certs” no longer had the same appeal. In addition, both forms of music, classical and jazz, were the victims of an oil shortage that grossly affected American pressings of vinyl LPs. What had once been a high quality market was now riddled with defective copies of discs which had blis- ters in the vinyl, scratchy-sounding surfaces and wore out quickly. Record buyers who were turned off by this switched to cassette tapes or, in some cases, the new eight-track tape format.
    [Show full text]
  • The Victor Black Label Discography
    The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black
    [Show full text]
  • The 35Mm Album Master Fad
    The 35mm Album Master Fad 135th AES Convention, 2013-10-19 © 2013 by Thomas Fine A Brief History of 35mm Magnetic Film • Post WWII – Magnetic tape recording migrated to the U.S. from Germany. • 1947 – DuPont produced 35mm magnetic film, RCA produced a conversion kit for the PR-23 optical recorder. • By 1951 – RCA produced 35mm recorders for 1, 2 and 3 tracks, and Westrex entered the business with magnetic recorders for 35mm and 17.5mm. • SMPTE Progress Report of 1952 stated that by the end of 1951, “approximately 75% of the original production recording, music scoring and dubbing in Hollywood was being done on magnetic recording equipment.” © 2013 by Thomas Fine RCA PR-23 Optical/Magnetic Film Recorder © 2013 by Thomas Fine Westrex RA-1231 Optical/Mag Recorder Westrex RA-1231 optical recorder with the magnetic conversion. It could be used for either optical or mag recording as long as the reel adapters were changed. Record head is on sound drum and play head is to the right. © 2013 by Thomas Fine Westrex RA-1231 Optical/Mag Recorder © 2013 by Thomas Fine Westrex Series 1000 Magnetic Recorder [ Note: Magnetic film in the U.S. was actually coated with iron oxide particles, not impregnated with them. ] © 2013 by Thomas Fine 35mm: 1950’s High-Resolution Medium • Film moves at 18 in/s, vs 15 in/s for tape. • Film stock’s base is 5 mil (acetate) or 3 mil (polyester), vs. 1.5 mil for 2500’ NAB reels of tape. Result: lower print-through for film. Some film types also had thicker magnetic layer.
    [Show full text]
  • B E E N W E R E W E '
    VOLUME XXXVI BIG BAND JUMP NEWSLETTER JANUARY-FEBRUARY 1995 UPCOMING BBJ PROGRAM TITLES Hackett plays his mellow cornet, combinations develop. The very best of Lionel Hampton both sings and plays the late 40’s Sauter-Finegan will be January 7-8,1995 (This list- sweet and swing, Bobby Haggart’s heard, some very old but very good VOCALISTS ing repeat- contributions include playing, writ­ Artie Shaw, Bobby Sherwood’s short­ 1936 TO 1948/ ed from ing and arranging, and Woody lived band will perform and to lighten PIANO PLAYERS previous Herman swings without restraint. issue for the overall sound, the talented George new subscriber convenience.) The vo- January 21-22, 1995 W hile we Shearing will contribute his excellent calists KEATING/ were piano magic. have al- KAEMPFERT/ checking w a y s KENTON & KRUPA out artists February 18-19, 1995 Truth is, been alphabeti­ BROWN/BARNET this foolin' with us, cally, we ran across four varied sounds BUTTERFIELD around in but they in the “K’s”. The seldom-heard Brit­ & BASIE the old were part ish orchestra of Johnny Keating, the r e c o r d ofthe Big German 60’s thumping recording of stacks in the back room is more fun Bands in Bert Kaempfert, the later 40’s Stan than an older adult ought to have. For the era Kenton from radio transcriptions, and this one we’ve teamed Les Brown, covered Gene Krupa’s excellent band, so often by this under-rated. This alphabetical tie-in is Charlie Barnet, Count Basie and the hour, not fun! seldom-heard Billy Butterfield.
    [Show full text]
  • Newsletter Volume Xxix Big Band Jump Newsletter November-December 1993
    BIG BAND JUMP NEWSLETTER VOLUME XXIX BIG BAND JUMP NEWSLETTER NOVEMBER-DECEMBER 1993 HENRY MANCINI INTERVIEW THE BACKGROUND The promotion people put us in touch with Henry Mancini as part of the advertising campaign for a concert tour he was making at the time. He talked on a “live” local radio program with Don Kennedy. Mancini and Kennedy grew up within twelve miles of each other in the steel-making area of Western Pennsylvania, just thirty miles from Pittsburgh, although separated in time by half a generation. Mancini was a contemporary of Kennedy’s older musician brothers, so there were some common memories tied with the stories of his early years playing in steel-town beer joints. THE SCENE Unlike some celebrities of Henry Mancini’s stature, the Mancini at work. interview wasn’t difficult to arrange. He is so approach­ able and unaffected by his success, however, that he has BBJ: What kind of musical experience did you have a tendency to be off-hand with his answers, resulting in there? an interview with shorter answers and in some instances less depth than most musical celebrities. Mancini’s HM: Every kind! (Laughs) I started playing flute when answer to a couple of questions was something such as I was a kid, when my Dad gave one to me. He was a flute “Oh, sure.” Some of those one and two word answers player, too. That was at the age of eight, and then I were edited out in places where Kennedy’s persistence started playing piano about eleven and then took up eventually resulted in a longer, more meaningful answer, arranging on my own at about fourteen.
    [Show full text]
  • Kilroy Entertainment 'Silver' Song List
    Kilroy Entertainment ‘Silver’ Song List www.kilroyent.com A 1) Andrews Sisters, The - Boogie Woogie Bugle Boy.mp3 2) Andrews Sisters, The - Don't Sit Under The Apple Tree.mp3 3) Andrews Sisters, The - Rum And Coca Cola.mp3 4) Andy Williams - Born Free.wma 5) Andy Williams - Can't Take My Eyes Off You.wma 6) Andy Williams - Danny Boy.wma 7) Andy Williams - Feelings.wma 8) Andy Williams - Hawaiian Wedding Song.wma 9) Andy Williams - Moon River.wma 10) Andy Williams - The Impossible Dream.wma B 11) Barry Manilow - Copa Cobana.mp3 12) Barry Manilow - Even Now.mp3 13) Barry Manilow - I Can't Smile Without You.mp3 14) Barry Manilow - I Write The Songs.mp3 15) Barry Manilow - Looks Like We Made It.mp3 16) Barry Manilow - Mandy.mp3 17) Barry Manilow - When Will I See You Again.mp3 18) Benny Goodman - Fascinating Rhythm.mp3 19) Benny Goodman - Let's Dance.mp3 20) Benny Goodman - Puttin' On The Ritz.mp3 21) Benny Goodman - Sing, Swing, Sing.mp3 22) Benny Goodman & Artie Shaw - And The Angels Sing.mp3 23) Benny Goodman & Peggy Lee - We'll Meet Again.mp3 24) Billy Vera & The Beaters - At This Moment.mp3 25) Bing Crosby & Andrews Sisters, The - Get Your Kicks On Route 66.mp3 26) Bobby Darin - Beyond the Sea.mp3 27) Bobby Darin - Mack The Knife.mp3 28) Bobby Vinton - Blue Velvet.wma 29) Bobby Vinton - I Love How You Love Me.wma 30) Bobby Vinton - Just As Much As Ever.wma 31) Bobby Vinton - Mr. Lonely.wma 32) Brian Setzer Orchestra - The Dirty Boogie - 01 - This Cat's On A Hot Tin Roof.mp3 33) Brian Setzer Orchestra - The Dirty Boogie - 02 - The Dirty
    [Show full text]
  • North Castle History Volume 12
    Armonk's Log Cabin gained greatest fame in Big Band Era. Vol 111 The North Castle Historical Society 1985 The Jazz World in Armonk North Castle's First Subdivision 1935 - 1942 North Castle's Early Transportation The xrth Castle Fstorical Society Bedford Road, Armonk, New York 10504 PRESIDENT'S MESSAGE Dear Members and Friends, The lifeblood of The North Castle Historical Society is the volunteer. Whatever success we have achieved in membership growth, fundmising, building restoration, educational programs, historical exhibitions, library services and a host of routine maintenance chores is primarily due to dedicated and available volunteers. The record of volunteer accomplishments is impressive and heartwarming. lmpressiue as the record is, thne are still uniimited horirons before us - horizons that can be yeached only with additional volunteer help. Whatever talents you have to offer, whatever time you want to contribute -somewhere in the Society's many endeavors and operations is a place where you can make a meaningful contribution. Come, join us! Make a commitment! If that is more than you are ready for now, how about a short-term trial? We would appreciate hearing from you. For more information, stop by the Tavern any Tuesday morning, or give me a call. Thank you. s7Y/9A Guy H. Papale THEJAZZ WORLD IN ARMONK - 1935-1942 By James D. Hopkins Photo: Collection of Sybil Hussar Big Band jazz flourished in the 19301s and early '40's all over the country. Jazz is of course the original contribution of America to the art of music. It was slow in coming, compounded as it was from the rhythm and blues of black sources, with additions of creole songs, Scotch-Irish folk ballads and country hoe-down.
    [Show full text]
  • Enoch Light & the Light Brigade
    Enoch Light & The Light Brigade The Best Of The Movie Themes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Stage & Screen Album: The Best Of The Movie Themes Country: US Released: 1970 Style: Theme MP3 version RAR size: 1336 mb FLAC version RAR size: 1419 mb WMA version RAR size: 1335 mb Rating: 4.6 Votes: 923 Other Formats: MPC ASF WMA FLAC MOD TTA ADX Tracklist Hide Credits Song From "The Wild Bunch" A1 2:34 Written-By – J. Fielding* Everybody's Talkin' A2 2:42 Written-By – F. Neil* Love Theme From "Romeo And Juliet" A3 3:05 Written-By – N. Rota* Alice's Restaurant A4 2:59 Written-By – A. Guthrie* True Grit A5 3:04 Written-By – D. Black*, E. Bernstein* Mah-Na Mah-Na A6 2:15 Written-By – P. Umiliani* The Day Of Anger B1 2:45 Written-By – R. Ortolani* Raindrops Keep Falling On My Head B2 2:45 Written-By – B. Bacharach, H. David* Jean B3 3:16 Written-By – R. McKuen* Summer Me, Winter Me B4 2:23 Written-By – M. & A. Bergman*, M. Legrand* Goodbye, Columbus B5 2:23 Written-By – J. Yester* The April Fools B6 3:13 Written-By – B. Bacharach, H. David* Credits Arranged By – Dick Hyman Co-producer [Associate] – Jeff Hest, Tony Mottola Concept By [Cover] – De Vries* Engineer [Recording] – Don Hahn Photography By [Pic] – Norman Trigg Producer – Enoch Light Notes This is a Cover variation: "QUADRAPHONIC/4 CHANNEL" at top and "NEW! 4 CHANNEL STEREO" sticker at bottom. No "1970" in title, Picture of Enoch Light inside gatefold.
    [Show full text]
  • Wedding Music Planner
    Page | 1 [email protected] Cell/ Text 843-412-4484 Lee Edwards Entertainment 19 National Awards for Excellence Page | 2 [email protected] Cell/ Text 843-412-4484 TABLE OF CONTENTS WEDDING DAY INFORMATION Page 3 One page confirms contact information and other important details as well. WEDDING RECEPTION INFORMATION Pages 4-6 The most important details of your wedding reception such as your 1st dance, parental dances, special requests, and other details that you desire for your wedding day. CEREMONY MUSICIANS: We only book the finest musicians Charleston has to offer: Page 7 YOUR WEDDING CEREMONY: Page 8 The details such as the prelude music, special selections for the seating of the mothers, bridesmaids, and most important of all, your processional! MUSIC LISTING: Pages 9-50 A sampling of the music that we have in our music libraries. Please keep in mind that the songs listed are not everything we have in our library. If you do not see a song that you would like played, please list it on page number 53. SPECIAL SONGS YOU WOULD LIKE ADDED: Page 53 THE DO NOT PLAY LIST: Page 54 Many of our clients have genres of music or specific song titles that they do not want to hear. This insures that only the music that you want will be played at your reception! OTHER SERVICES: Page 55 Many of our clients look to us for help with providing the music for the wedding rehearsal celebration, special lighting, and more. Find out how we can assist you! Page | 3 [email protected] Cell/ Text 843-412-4484 Wedding Day
    [Show full text]
  • Big Band & Swing & Waltz
    30s 40s 50s.txt ALPERT, HERB - NEVER ON A SUNDAY ALPERT, HERB - ZORBA THE GREEK AMES BROTHERS - RAG MOP AMES BROTHERS - SENTIMENTAL ME AMES BROTHERS - YOU YOU YOU ANDERSON, LEROY - BLUE TANGO ANDREWS SISTERS - BEAT ME DADDY EIGHT TO THE BAR ANDREWS SISTERS - BEER BARREL POLKA ANDREWS SISTERS - BEI MIR BIST DU SCHON ANDREWS SISTERS - BOOGIE WOOGIE BUGEL BOY ANDREWS SISTERS - DADDY ANDREWS SISTERS - DONT SIT UNDER THE APPLE TREE ANDREWS SISTERS - FERRY BOAT SERENADE ANDREWS SISTERS - HOLD TIGHT (SEAFOOD MAMA) ANDREWS SISTERS - I CAN DREAM CAN'T I ANDREWS SISTERS - OH JOHNNY OH JOHNNY OH ANDREWS SISTERS - OLD PIANO ROLL BLUES ANDREWS SISTERS - PENNSYLVANIA POLKA ANDREWS SISTERS - RUM AND COCA COLA ANDREWS SISTERS - RUM BOOGIE ANDREWS SISTERS - SHOO SHOO BABY ANDREWS SISTERS - THREE LITTLE FISHIES ANDREWS SISTERS & GORDON JENKINS - I WANNA BE LOVED ANTHONY, RAY - DRAGNET ANTHONY, RAY - HOKEY POKEY ARMSTRONG, LOUIS - A KISS TO BUILD A DREAM ON ARMSTRONG, LOUIS - ALL OF ME ARMSTRONG, LOUIS - HELLO DOLLY ARMSTRONG, LOUIS - JEEPERS CREEPERS ARMSTRONG, LOUIS - STAR DUST ARMSTRONG, LOUIS - WHAT A WONDERFUL WORLD ARMSTRONG, LOUIS - YOU RASCAL YOU ASTAIRE, FRED - A FINE ROMANCE ASTAIRE, FRED - CHANGE PARTNERS ASTAIRE, FRED - CHEEK TO CHEEK ASTAIRE, FRED - I'M PUTTING ALL MY EGGS IN ONE BASKET ASTAIRE, FRED - NICE WORK IF YOU CAN GET IT ASTAIRE, FRED - PUTTIN ON THE RITZ ASTAIRE, FRED - THE WAY YOU LOOK TONIGHT ASTAIRE, FRED - THEY CANT TAKE THAT AWAY FROM ME ATKINS, CHET - HOT TODDY AYRES, MITCHELL - MAKE BELIEVE ISLAND BARNETT, CHARLIE - WHERE WAS I BARNETT, CHARLIE - CHEROKEE BARNETT, CHARLIE - POMPTON TURNPIKE BARNETT, CHARLIE - THAT OLD BLACK MAGIC BARTON, EILEEN - IF I KNEW YOU WERE COMING I'D HAVE BAKED A CAKE BAXTER, LES - UNCHAINED MELODY Page 1 30s 40s 50s.txt BAXTER.
    [Show full text]
  • Pittsburgh Vinyl Records
    Use Command F (⌘F) or CTRL + F to search this document Call Number Composer / Group /Artist Conductor / Title Contents Format Album Year Director and/or Notes Info r RECORD AL 16043 8th Street Rox Live from the corner of rock 12” LP Decade 1987 & roll (stereo) Disc DDR- 3000 r RECORD AL 16042 ACDA Eastern Division Mack, Gerald ACDA Eastern Division recorded at 12” LP Mark MC- 1978 Honors Choir Honors Choir Wm. Penn (stereo) 9176 Hotel, Pgh., February 25, 1978 r RECORD AL 13869 Adams-Michaels Band WDVE Pittsburgh rocks analog, 33 Nova BMC- 1980 album 1/3 rpm, 80102 stereo. ; 12 in. r RECORD AL 16037 Affordable Floors, The Pittsburgh Sound Tracks 12" LP Itzy [198-?] (stereo) Records NR16371 (r) RECORD AL 15963 Alcoa Singers Glockner, An old-fashioned Christmas analog, 33 Aluminum 1979 Eleanor 1/3 rpm, Company stereo.; 12 of America in. 44-4184-J r RECORD AL 15973 All-City Senior High Schools Levin, Stanley 1965 Spring Music Festival Recorded May analog, 33 Century 1965 Orchestra of the Pittsburgh H. concert 13, 1965, in 1/3 rpm ; 12 Records Public Schools Carnegie Music in. 22274 Hall. r RECORD AL 16442 All-City Senior High Schools Levin, Stanley 1963 Spring Music Festival Recorded May analog, 33 Century 1963 Orchestra of the Pittsburgh H. concert 16, 1963, in 1/3 rpm ; 12 Records Public Schools ; Bell-Aires Carnegie Music in. 17141 Hall. r RECORD AL 16454 Allderdice Concert Band Annual spring concert 12" LP Engle [1970?] stereo Associates Recording r RECORD AL 15906 Allderdice High School DiPasquale, 1971 spring concert analog, 33 Conducto [1971] Concert Band Henry J.
    [Show full text]