DOCSLIB.ORG

Wedding Music Planner

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Page | 1 [email protected] Cell/ Text 843-412-4484 Lee Edwards Entertainment 19 National Awards for Excellence Page | 2 [email protected] Cell/ Text 843-412-4484 TABLE OF CONTENTS WEDDING DAY INFORMATION Page 3 One page confirms contact information and other important details as well. WEDDING RECEPTION INFORMATION Pages 4-6 The most important details of your wedding reception such as your 1st dance, parental dances, special requests, and other details that you desire for your wedding day. CEREMONY MUSICIANS: We only book the finest musicians Charleston has to offer: Page 7 YOUR WEDDING CEREMONY: Page 8 The details such as the prelude music, special selections for the seating of the mothers, bridesmaids, and most important of all, your processional! MUSIC LISTING: Pages 9-50 A sampling of the music that we have in our music libraries. Please keep in mind that the songs listed are not everything we have in our library. If you do not see a song that you would like played, please list it on page number 53. SPECIAL SONGS YOU WOULD LIKE ADDED: Page 53 THE DO NOT PLAY LIST: Page 54 Many of our clients have genres of music or specific song titles that they do not want to hear. This insures that only the music that you want will be played at your reception! OTHER SERVICES: Page 55 Many of our clients look to us for help with providing the music for the wedding rehearsal celebration, special lighting, and more. Find out how we can assist you! Page | 3 [email protected] Cell/ Text 843-412-4484 Wedding Day Information Bride’s Name & Cell Number: ___________________________________________________ Bride’s Email Address: ________________________________________________________ Groom’s Name & Cell Number: _________________________________________________ Groom’s Email Address: _______________________________________________________ Wedding Date: _______________________________________________________________ Time & Location of Ceremony: _________________________________________________ Time & Location of Reception:__________________________________________________ Arrival Time of Guests: ________________________________________________________ Arrival Time of Bridal Party: ____________________________________________________ Expected Number of Guests:___________________________________________________ Phone Number for Reception Facility: ___________________________________________ On-Site Reception Coordinator (if applicable): ____________________________________ Personal Coordinator & Phone (if applicable): ____________________________________ Catering Company: ___________________________________________________________ Catering Company Contact & Phone Number:_____________________________________ Photographer: _______________________________________________________________ Please share any other ‘Day Of’ details that you think might be helpful: _____________ 2 Page __________________________________________________________________________ Page | 4 [email protected] Cell/ Text 843-412-4484 Lee Edwards Entertainment Music & DJ Information This page is simply to give us an overview of the basic types of music you would like for your wedding reception and how you would like your DJ to be attired. Individual songs can be selected in our music directory. Additional songs that you do not see in the directory but want played can be added on page 51. In addition to your playlist, we understand that there may be styles of music as well as individual song selections that you do not want played. This information can be listed on page 52. Styles of music you prefer (by Y or N or leave blank) *______Beach/Shag*______Big Band *______Country *______ Dance*_____ Disco *______Island*_____Jazz *_____Oldies *______Hip Hop*______Rock *_____Slow Other (Please specify):*______________________________________________ __________________________________________________________________ Please indicate styles of music NOT to be played: ______________________________________________________________________ DJ Information Please select the attire for your Disk Jockey: *______ All Black *______Suit *______Coat & Tie *______Business Casual *______Casual Please select the interaction of your DJ: *_____ Quiet *_____ Specific Announcements Only *_____ Moderate *_____Full NOTE: We will need one 6 foot table, with linens and skirting, and an electrical receptacle within 20 feet of table. (Please advise if additional electrical cable will be required.) The sound system will be in place and checked at least thirty minutes prior to the arrival of your guests. If the sound system needs to be in place up to an hour early, we are happy to accommodate your needs at no additional charge. Page | 5 [email protected] Cell/ Text 843-412-4484 Introductions Announce the Bridal Party upon arrival? *_________________________________ (If No, do not complete the following section.) (If names are difficult to pronounce please spell phonetically in quotations.) Would you like a special song played?***___________________________________ Parents of Bride: _______________________________________________________ Parents of Groom: _____________________________________________________ Bridesmaid: _______________________ Escorted by: ________________________ Bridesmaid: _______________________ Escorted by: ________________________ Bridesmaid: _______________________ Escorted by: ________________________ Bridesmaid: _______________________ Escorted by: ________________________ Bridesmaid: _______________________ Escorted by: ________________________ Bridesmaid: _______________________ Escorted by: ________________________ Bridesmaid: _______________________ Escorted by: ________________________ Flower girl: ________________________ Ring Bearer: ________________________ Maid/ Matron of Honor: ______________________ Best Man: _______________________ Announce the Bride and Groom as: * ____________________________________________________________________________ Page | 6 [email protected] Cell/ Text 843-412-4484 Reception Information First dance is to be played when: _______________________________________________ First dance song title: ________________________Artist: ___________________________ Will anyone join you in your first dance? _________________________________________ The Father/Bride dance will be played when: ______________________________________ Song Title: _________________________________Artist: ___________________________ The Mother/Groom dance will be played when: ____________________________________ Song Title: _________________________________Artist: ___________________________ The meal will be: *____ Served *____Buffet *____Hors d’oeuvres Music style to be played during the meal: ________________________________________ Please indicate which of the following will be a part of your reception: *____ Toast The Toast will be: *____ Served *____ Pre-set *____ Self- Serve *____Cake Cutting *____Bouquet Toss *____Garter Toss Please list any other special events (i.e., Money Dance, Anniversary Dance): ____________________________________________________________________________ Please list any special song you wish to be played immediately before your departure: ____________________________________________________________________________ Is there anything else you would like us to know about your Special Day? ____________________________________________________________________________ Page | 7 [email protected] Cell/ Text 843-412-4484 Ceremony Musicians If you prefer the elegance of live music for your ceremony, consider artists who are masters of these instruments: Harp Classical Guitar Classical Guitar combined with a Violin or Flute Classical Trio comprised of a Cello, Violin, or Flute Or any other combination of Musicians that you may desire Contact Us To Learn More About Your Options! Page | 8 [email protected] Cell/ Text 843-412-4484 Your Ceremony Wedding Coordinator or contact person: _________________________________________ The Prelude: Appropriate music of your choosing will be played as your guests arrive and are seated. Please list any song preferences you may have: ___________________________________ The Ceremony Seating of Mothers (cue): _______Number of Mothers: _______ Grandmothers: ________ Song Title: _____________________Artist: _______________________________________ The Processional: Number of Bridesmaids: _____Junior Bridesmaids_____Ring Bearer_____Flower Girl:___ Song Title: _____________________Artist:________________________________________ The Bride: Song Title: _____________________Artist: _______________________________________ Interlude: Event:__________When:___________SongTitle:___________Artist:___________________ The Recessional: The last words the Officiate will say:_____________________________________________ Song Title: _____________________Artist:________________________________________ Traditional Wedding Ceremony Suggestions Mothers/Grandmothers The Bride Jesu, Joy of Man’s Desiring – Bach Canon in D Major – Pachelbel Ode to Joy – Beethoven Fanfare & Bridal Chorus – Wagner Ave Maria – Shubert Trumpet Tune – Purcell Ave Maria – Bach-Gounod Trumpet Voluntary – Clark Bridal Party The Recessional Canon in D Major – Pachelbel Hornpipe (Water Music) – Handel Dance of the Blessed Spirits – Gluck La Rejoissance (Water Music) – Handel Spring (Four Seasons) – Vivaldi Trumpet Tune & Air – Purcell Sheep May Safely Graze – Bach Wedding March – Mendelssohn
Recommended publications
  • Excesss Karaoke Master by Artist

    Excesss Karaoke Master by Artist

    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
  • 2021 Spring/Summer Series

    2021 Spring/Summer Series

    Dear Patrons, Welcome back to live events at the Bologna Performing Arts Center! We are excited to have artists returning to our stage, and look forward to inviting you to attend shows again. Things will be a little different this spring and summer. Due to the ongoing nature of the pandemic, we are going to put each show on sale individually, about 4-6 weeks before each event. This allows us to make sure we are following the most recent executive orders, including audience capacity guidelines. Please refer to the on-sale dates for each artist in this brochure. Seating has been reduced for our Spring/Summer Series, and is being sold in staggered pairs and groups. We ask that you purchase all of the seats in the grouping to ensure that patrons are comfortable being seated together. At this time, all patrons are required to wear masks during their visit to the Bologna Performing Arts Center. All of our staff and volunteers will also wear masks, and do daily temperature checks and symptom monitoring. We ask you to please monitor your own health, and stay home if you do not feel well. We have also increased our cleaning and sanitation regimens. We have invested in new cleaning systems to ensure that the theater is totally sanitized prior to every performance. We encourage you to call us at 662-846-4625 or visit our website www.bolognapac.com for the latest health and safety operating guidelines prior to your visit. We are eager to resume presenting live events with this Spring/Summer Series.
  • Marvin Gaye As Vocal Composer 63 Andrew Flory

    Marvin Gaye As Vocal Composer 63 Andrew Flory

    Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing
  • Finding Aid to the Historymakers ® Video Oral History with Martha Reeves

    Finding Aid to the Historymakers ® Video Oral History with Martha Reeves

    Finding Aid to The HistoryMakers ® Video Oral History with Martha Reeves Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Reeves, Martha Title: The HistoryMakers® Video Oral History Interview with Martha Reeves, Dates: January 20, 2005 Bulk Dates: 2005 Physical 5 Betacame SP videocasettes (2:21:02). Description: Abstract: Motown singer Martha Reeves (1941 - ) was the lead singer of the musical group Martha and the Vandellas, which recorded several hits for Motown Records, including "Dancing in the Streets”, “Nowhere to Run”, “Quicksand”, “My Baby Loves Me”, “I’m Ready for Love” and 1967’s “Jimmy Mack.” Reeves was interviewed by The HistoryMakers® on January 20, 2005, in Detroit, Michigan. This collection is comprised of the original video footage of the interview. Identification: A2005_022 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Martha Reeves, the earthy alto voice of Martha and the Vandellas, was born July 18, 1941, in Eufaula, Alabama. The eldest of eleven children, Reeves moved with her parents to Detroit, Michigan, before she was a year old. Reeves attended Russell Elementary School where Emily Wagstaff taught her vocals. A cheerleader who loved composition and music, Reeves studied voice with Abraham Silver at Northeastern High School. She was chosen to sing Bach’s Aria and she competed in talent shows. After graduating in 1959, Reeves worked in sales while performing with Rosalind Ashford and Annette Sterling as the Del- Phis and solo as Martha LaVille. In 1961, William “Mickey” Stevenson, head of the Artists and Repertoire department for Motown Records, noticed Reeves at Detroit’s Twenty Grand Club.
  • Top 200 Most Requested Songs

    Top 200 Most Requested Songs

    Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence® music request system at weddings & parties in 2013 RANK ARTIST SONG 1 Journey Don't Stop Believin' 2 Cupid Cupid Shuffle 3 Black Eyed Peas I Gotta Feeling 4 Lmfao Sexy And I Know It 5 Bon Jovi Livin' On A Prayer 6 AC/DC You Shook Me All Night Long 7 Morrison, Van Brown Eyed Girl 8 Psy Gangnam Style 9 DJ Casper Cha Cha Slide 10 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 11 B-52's Love Shack 12 Beyonce Single Ladies (Put A Ring On It) 13 Maroon 5 Feat. Christina Aguilera Moves Like Jagger 14 Jepsen, Carly Rae Call Me Maybe 15 V.I.C. Wobble 16 Def Leppard Pour Some Sugar On Me 17 Beatles Twist And Shout 18 Usher Feat. Ludacris & Lil' Jon Yeah 19 Macklemore & Ryan Lewis Feat. Wanz Thrift Shop 20 Jackson, Michael Billie Jean 21 Rihanna Feat. Calvin Harris We Found Love 22 Lmfao Feat. Lauren Bennett And Goon Rock Party Rock Anthem 23 Pink Raise Your Glass 24 Outkast Hey Ya! 25 Isley Brothers Shout 26 Sir Mix-A-Lot Baby Got Back 27 Lynyrd Skynyrd Sweet Home Alabama 28 Mars, Bruno Marry You 29 Timberlake, Justin Sexyback 30 Brooks, Garth Friends In Low Places 31 Lumineers Ho Hey 32 Lady Gaga Feat. Colby O'donis Just Dance 33 Sinatra, Frank The Way You Look Tonight 34 Sister Sledge We Are Family 35 Clapton, Eric Wonderful Tonight 36 Temptations My Girl 37 Loggins, Kenny Footloose 38 Train Marry Me 39 Kool & The Gang Celebration 40 Daft Punk Feat.
  • 80S 697 Songs, 2 Days, 3.53 GB

    80S 697 Songs, 2 Days, 3.53 GB

    80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr.
  • Songs by Artist

    Songs by Artist

    DJ Song list Songs by Artist DJ Song list Title Versions Title Versions Title Versions Title Versions -- 360 Ft Pez 50 Cent Adam & The Ants Al Green -- 360 Ft Pez - Live It Up DJ 21 Questions DJ Ant Music DJ Let's Stay Together We -- Chris Brown Ft Lil Wayne Candy Shop DJ Goody Two Shoes DJ Al Stuart -- Chris Brown Ft Lil Wayne - DJ Hustler's Ambition DJ Stand And Deliver DJ Year Of The Cat DJ Loyal If I Can't DJ Adam Clayton & Larry Mullen Alan Jackson -- Illy In Da Club DJ Theme From Mission DJ Hi Chattahoochee DJ -- Illy - Tightrope (Clean) DJ Just A Li'l Bit DJ Impossible Don't Rock The Jukebox DJ -- Jason Derulo Ft Snoop Dog 50 Cent Feat Justin Timberlake Adam Faith Gone Country DJ -- Jason Derulo Ft Snoop Dog DJ Ayo Technology DJ Poor Me DJ Livin' On Love DJ - Wiggle 50 Cent Feat Mobb Deep Adam Lambert Alan Parsons Project -- Th Amity Afflication Outta Control DJ Adam Lambert - Better Than I DJ Eye In The Sky 2010 Remix DJ -- Th Amity Afflication - Dont DJ Know Myself 50 Cent Ft Eminem & Adam Levin Alanis Morissette Lean On Me(Warning) If I Had You DJ 50 Cent Ft Eminem & Adam DJ Hand In My Pocket DJ - The Potbelleez Whataya Want From Me Ch Levine - My Life (Edited) Ironic DJ Shake It - The Potbelleez DJ Adam Sandler 50Cent Feat Ne-Yo You Oughta Know DJ (Beyonce V Eurythmics Remix (The Wedding Singer) I DJ Baby By Me DJ Alannah Myles Sweet Dreams DJ Wanna Grow Old With You 60 Ft Gossling Black Velvet DJ 01 - Count On Me - Bruno Marrs Adele 360 Ft Gossling - Price Of DJ Albert Lennard Count On Me - Bruno Marrs DJ Fame Adele - Skyfall DJ Springtime In L.A.
  • Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship

    Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship

    DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves.
  • View Entire Issue As

    View Entire Issue As

    Storm Prince@AOL. Manitowoc Co. farm- Handsome, in a James (414) 8706184 [2] com, or send responses boy. Computers inter- Dean way, athlete, bar- to Quest (#50), P.O. net, old cars, travel in ber, butch, wants to hear 37 y.o. CWM 5'10", Box 1961, Green Bay, upper midwest & from real gay men not 195 lbs .„ blfor lkg for VI 54305 Canada, camping & afraid of being physical friendship/relationship. outdoor activities. in a very intense way. Have speech handicap. CWM, 54, 200 lbs., Prefer mederately jhairy Get to know me. Write: Will relocate. Mark average build. Enjoy well-endowed bottom, Charles Yeder, PO Box Schicker, N83W 15776 cuddling, walks in the must be HIV-. No fats, 900-I, Sturtevant, WI Apple Valley' woods, outdoors...Ikg ferns, dniggies or heavy 53177-09cO [2] Menomonee Falls, WI for friendship & maybe drinkers. Smokers OK. 53051. (414) 253-0921. more, Eastern Shawano E-mail: willkapp@net- Very good looking 21- No games [1 ] Co. (rural). Write PO net.net ... or Boxholder, yr.-old seeks a sugar Box 238, Shawano, WI TRY IT FREE! Meet PO 9582, Green Bay, daddy (ies). 5'10", 130 54166 [2] local gayfoi singles by WI 54308-9582. [2] lbs., br. hair, bl. eyes, phone on Milw. hottest ORAL MAJORITY! dating service! Listen to Record, listen, respond 100's of messages from to personals Free! local single men who C o nf i d e n i i a I want to meet you...for Co„„ccfl.o# (414) 224- dating, sex or just con- 5431 -18+ Use free versation.
  • Country Update

    Country Update

    Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 24, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] It’s Sam Hunt, Country Radio Seminar: An Older Folks >page 4 Medium Looks For Youthful Passion Positive Thoughts From CRS Mickey Guyton has yet to earn a hit record, but she still reaches the masses, remaining the most-listened-to media, >page 10 commandeered a standing ovation from broadcasters with a but the actual time spent listening is dwindling, and 18- to new song that was widely regarded as the stand-out musical 34-year-old country fans now devote more time to streaming moment of Country Radio Seminar. in an average week than they do to traditional broadcast radio. Was it a breakthrough moment? That can only be assessed by Additionally, programmers’ beliefs about the audience have not A Drink And A Nod programmers’ responses in the weeks and months ahead, but it kept up with changes in the playing field, or even their customers’ To Warner subtly pointed to radio’s current challenge: Do broadcasters play definition of radio. >page 11 it safe in a crowded media field? Or do they take a chance on a Younger listeners no longer view radio as a place that transmits talented artist who took her own risk on a song music from a tower, researcher Mark Ramsey that has the potential to change a listener’s life? said while unveiling a study of how consumers’ Guyton belted a gut-wrenching piano ballad, perceptions of broadcasting differ with PDs’ Big Machine’s New “What Are You Gonna Tell Her,” during the expectations.
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004

    The Sam Eskin Collection, 1939-1969, AFC 1999/004

    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
  • 334 XIII. Revivals and Recreations; The

    334 XIII. Revivals and Recreations; The

    XIII. Revivals and Recreations; The Sociology of Jazz By the early 1970s, as we have seen, jazz was in a state of stylistic chaos. This was one reason why the first glimmers of “smooth jazz” came about as both an antidote to fusion and an answer to “outside jazz.” But classical music was also in a state of chaos. The majority of listen- ers had become sick of listening to the modern music that had come to dominate the field since the end of World War II and had only become more abrasive and less communicative to a lay audience. In addition, the influx of young television executives in that period had not only led to the cancellation of many well-loved programs who they felt only appealed to an older audience demographic, but also the chopping out of virtually all arts programming. Such long-running programs as The Voice of Firestone and The Bell Telephone Hour were already gone by then. Leonard Bernstein had been replaced at the New York Philharmonic by Michael Tilson Thomas, an excellent conductor but not a popular communicator, and thus CBS’s “Young People’s Con- certs” no longer had the same appeal. In addition, both forms of music, classical and jazz, were the victims of an oil shortage that grossly affected American pressings of vinyl LPs. What had once been a high quality market was now riddled with defective copies of discs which had blis- ters in the vinyl, scratchy-sounding surfaces and wore out quickly. Record buyers who were turned off by this switched to cassette tapes or, in some cases, the new eight-track tape format.