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The Byrds' Mcguinn at Joe College by Kent Hoover Rock in That Era
OUTSIDE WEATHER Temperatures in the 70s Baseball team loses to for Joe College Weekend, The Chronicle li ttle chance of rain today. Duke University Volume 72, Number 135 Friday, April 15,1977 Durham, North Carolina Search reopened for Trinity dean By George Strong to his discipline," Turner observed. The University is again searching for a "There is a real sense in which a staff replacement for David Clayborne, the as position is a detour for someone who is sistant dean of Trinity College who re getting started." signed last summer. In late March, Wright informed John George Wright, the history graduate Fein, dean of Trinity College, of Ken student hired several months ago to be an tucky's offer. "I felt obliged — though assistant dean beginning this fall, has ac regretful — to release him from his ob cepted a faculty position at the University ligation to Duke," Fein said. of Kentucky, his alma mater. "I don't know whether I expected this or His decision leaves Trinity College once not," commented Richard Wells, associate again without a black academic dean. dean of Trinity College. 1 thought maybe Wright maintained that neither qualms it would work out But good people are about the Duke administration nor finan always in demand" cial considerations had entered his de Wells is heading up the screening com cision. mittee for applicants to the vacated posi Couldn't refuse tion. Fein and Gerald Wison, coordinator 1 knew I would eventually move into for the dean's staff, join Wells on the com "What kind of kids eat Armour hot dogs?" Harris Asbeil, Joe College chef, my academic field," he said, "and once the mittee. -
Missouri Folklore Society Journal
Missouri Folklore Society Journal Special Issue: Songs and Ballads Volumes 27 - 28 2005 - 2006 Cover illustration: Anonymous 19th-century woodcut used by designer Mia Tea for the cover of a CD titled Folk Songs & Ballads by Mark T. Permission for MFS to use a modified version of the image for the cover of this journal was granted by Circle of Sound Folk and Community Music Projects. The Mia Tea version of the woodcut is available at http://www.circleofsound.co.uk; acc. 6/6/15. Missouri Folklore Society Journal Volumes 27 - 28 2005 - 2006 Special Issue Editor Lyn Wolz University of Kansas Assistant Editor Elizabeth Freise University of Kansas General Editors Dr. Jim Vandergriff (Ret.) Dr. Donna Jurich University of Arizona Review Editor Dr. Jim Vandergriff Missouri Folklore Society P. O. Box 1757 Columbia, MO 65205 This issue of the Missouri Folklore Society Journal was published by Naciketas Press, 715 E. McPherson, Kirksville, Missouri, 63501 ISSN: 0731-2946; ISBN: 978-1-936135-17-2 (1-936135-17-5) The Missouri Folklore Society Journal is indexed in: The Hathi Trust Digital Library Vols. 4-24, 26; 1982-2002, 2004 Essentially acts as an online keyword indexing tool; only allows users to search by keyword and only within one year of the journal at a time. The result is a list of page numbers where the search words appear. No abstracts or full-text incl. (Available free at http://catalog.hathitrust.org/Search/Advanced). The MLA International Bibliography Vols. 1-26, 1979-2004 Searchable by keyword, author, and journal title. The result is a list of article citations; it does not include abstracts or full-text. -
Safaris to the Heart of All That Jazz
Safaris to the heart of all that jazz.... JoniMitchell.com 2014 Biography Series by Mark Scott, Part 6 of 16 In January of 1974, Joni began an extensive tour of North America with the L.A. Express, wrapping up with three concerts at the New Victoria Theatre in London, England. The final concert at the New Victoria was videotaped and an edited version was broadcast on the BBC television program The Old Grey Whistle Test in November of 1974. Larry Carlton and Joe Sample were playing with The Crusaders at the time and both opted not to go on the road with Joni and the L.A. Express. Guitarist Robben Ford replaced Larry Carlton and Larry Nash filled in for Joe Sample on piano. In a 2011 interview for JoniMitchell.com, Max Bennett said that although the pay was good for this tour, the musicians could have made more money playing gigs in L.A. and doing session work in the recording studios. Max said that the musicians loved the music, however, and that they were treated royally in every way throughout the tour. Excellent food, first class accommodations, limousines, private buses and private planes were all provided for the band’s comfort. Max also made a point of mentioning the quality of the audiences that attended the concerts. Attention was focused on the performances so completely that practically complete silence reigned in the theaters and auditoriums until after the last note of any given song was performed. For Max Bennett, “As far as tours go - I've been on several tours - this was the epitome of any great tour I've ever been on. -
Roger Mcguinn Cardiff Rose Mp3, Flac, Wma
Roger McGuinn Cardiff Rose mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cardiff Rose Country: Japan Released: 1976 Style: Folk Rock, Country Rock, Pop Rock MP3 version RAR size: 1409 mb FLAC version RAR size: 1401 mb WMA version RAR size: 1848 mb Rating: 4.1 Votes: 238 Other Formats: ADX APE ASF VOC XM TTA VOX Tracklist Hide Credits A1 Take Me Away 3:00 A2 Jolly Roger 4:56 A3 Rock And Roll Time 2:46 A4 Friend 2:07 A5 Partners In Crime 4:52 B1 Up To Me 5:36 B2 Round Table 4:05 Pretty Polly B3 3:17 Arranged By – Roger McGuinnWritten-By – Traditional B4 Dreamland 5:20 Companies, etc. Recorded At – Record Plant, Los Angeles Mastered At – Kendun Recorders Credits Bass, Percussion, Vocals – Rob Stoner Drums, Percussion – Howie Wyeth* Engineer – Gary Ladinsky Engineer [Assistant] – Rick Smith Guitar, Accordion, Piano, Organ, Harp, Percussion, Vocals – Mick Ronson Guitar, Steel Guitar, Mandolin, Violin, Banjo, Organ, Percussion – David Mansfield Guitar, Vocals – Roger McGuinn Producer – Mick Ronson Saxophone – Kim Hitchcroft* Vocals – Timmy Schmit* Other versions Title Category Artist Label Category Country Year (Format) Roger Cardiff Rose PC 34154 Columbia PC 34154 US 1976 McGuinn (LP, Album) Columbia, 510582 2, Cardiff Rose 510582 2, Roger Columbia, 5105822000, (CD, Album, 5105822000, Europe 2002 McGuinn Sony Music SMM 510582 2 RE) SMM 510582 2 Media Roger Cardiff Rose CK 34154 Columbia CK 34154 US Unknown McGuinn (CD, Album) Cardiff Rose Roger Music On MOVLP1022 (LP, Album, MOVLP1022 Netherlands 2014 McGuinn Vinyl RE, 180) Roger Cardiff Rose 81369 CBS 81369 UK 1976 McGuinn (LP, Album) Related Music albums to Cardiff Rose by Roger McGuinn Roger McGuinn's Thunderbyrd - Rockpalast: West Coast Legends Vol. -
October 2008
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news December 2008 www.sandiegotroubadour.com Vol. 8, No. 3 what’s inside Welcome Mat ………3 Mission Contributors HAT Awards 2008 Songs of Peace Benefit Concert Full Circle.. …………4 Roger McGuinn & John Sebastian Recordially, Lou Curtiss Front Porch... ………6 Slide Guitar Jim Hinton Celia Lawley Spreckels Organ Pavilion Parlor Showcase …10 Gilbert Castellanos Ramblin’... …………12 Bluegrass Corner The Zen of Recording Hosing Down Radio Daze Stages Highway’s Song. …15 Kelly Joe Phelps Of Note. ……………17 Laura Roppe Laura Kuebel Fiffin Market Chris Stuart Plow ‘Round About ....... …18 December Music Calendar The Local Seen ……19 Photo Page PHIL HARMONIC SEZ: “The chief stress of Jesus’ teaching was not laid upon poverty and humility. … The thing He taught mainly, first and last, was simple goodwill between man and man – simple friendliness, simple decency” — H.L. Mencken DECEMBER 2008 SAN DIEGO TROUBADOUR welcome mat Special Benefit Concert Celebrates Peace and Raises Funds for the Peace Alliance and RSAN ODUIEGBO ADOUR Americans for a Department of Peace Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news by Sue Trisler rate functions and charity events. 2008 HAT Award Winners Sandi Kimmel is a singer-songwriter, music healer, and inspirational speaker, ISSION ONTRIBUTORS special benefit concert in support of M C called “a lifeguard in a sea of negativity.” To promote, encourage, and provide an the Peace Alliance and its San Diego FOUNDERS San Diego acoustic music is entirely unique Sandi writes positive songs intended to uplift alternative voice for the great local music that chapter, Americans for a Department Ellen and Lyle Duplessie and we all know someone who is active in the A and inspire, heal the heart, and soothe the is generally overlooked by the mass media; Liz Abbott of Peace (AFDOP), will be hosted by local namely the genres of alternative country, soul. -
Ebook Download up to Me Kindle
UP TO ME PDF, EPUB, EBOOK M. Leighton | 304 pages | 15 Aug 2013 | Hodder & Stoughton General Division | 9781444780215 | English | London, United Kingdom Bob Dylan: Up to Me () | Elsewhere by Graham Reid For more one-offs, oddities and songs with an interesting backstory go to From the Vaults. And there is a lot of Bob Dylan at Elsewhere, start here. What an absolute gem. It certainly stands with every other track on that fine album, I''ll go out on a limb and state that Bob didn't achieve this level of greatness again until Love and Theft. Join us inside Bob Dylan Music Box. Comments are restricted to registered users or subscribers only - make sure you enter an email address this site will recognise. American country-rocker Bobby Bare scored an unlikely hit with All American Boy back in '58 when his demo of the song for a friend Bill Parsons was chosen by the record company over Parson's The Album Considered. Leaving aside the Mob connection for the moment, let's just acknowledge that Tommy James and the Shondells out of Michigan delivered a wedge of great danceable, pop-rock singles in the early Britain's most popular serious performance poet for more than two decades, Benjamin Zephaniah, laughs as he recalls hating poetry as a kid. If you said you liked it, it was as if you were Never throw anything away, huh? And Bob Dylan's career, with the massive and on-going Bootleg Series , just keeps presenting outtakes, live material, different versions and sometimes many complete songs which went unreleased. -
CUPE Accepts Admin Offer
CUPE accepts admin offer The threat of a strike by UBC ment cutbacks in education should start negotiations again rate, or minimum increase wage that government cannot control support staff vanished Sunday spending," Andrews said. within three months and next offer, which would help bring up wages and prices equally. The real when union members voted 82 per He said unions on university March 31 (when the contract ex the wages of lower paid categories control just goes on wages. cent to accept an administration campuses are at a disadvantage in pires) if there's no contract, no of workers. "It's easy to control wages contract offer providing for a 7.5 negotiating contracts because they work." Andrews said food service because they're public and down in per cent wage increase. are in the position of negotiating He said CUPE representatives employees are an example black and white — but there's no Ken Andrews, president of the for money that would be taken out will meet with UBC's ad because they are among the way they can control prices the Canadian Union of Public Em of general education funds. ministration this week to formalize hardest working CUPE members same way." ployees, local 116, said Monday 810 Referring to the settlement, he the agreement, and added there but are in the lower end of the pay CUPE represents workers in of the union's 1,500 members at said "the thing that changed are several areas in which the scale. food services, residences, physical tended Sunday's membership people's minds was the fact that union will negotiate for im He also lashed out against the plant and UBC patrol. -
Redalyc.CONOR MCPHERSON's the SEAFARER: TINKERING with TRADITION
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Ferreira da Rocha, Roberto CONOR MCPHERSON’S THE SEAFARER: TINKERING WITH TRADITION Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 358-380 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696017 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Conor McPherson's The Seafarer:... 357 CONOR MCPHERSON’S THE SEAFARER: TINKERING WITH TRADITION Roberto Ferreira da Rocha Universidade Federal do Rio de Janeiro Everything here is shame and reproach: Satan saying that the fire is worthless, that my anger is ridiculous and silly. (Arthur Rimbaud, A Season in Hell, Translated by Paul Schmidt) Abstract: A reading of The Seafarer (2007), the last published play by the Irish playwright Conor McPherson (1971- ), which aims to investigate the rich intertextuality that the work presents. The text echoes both canonic and popular renderings of the Faustian myth, those of Christopher Marlowe (c. 1564-1593) and Johann Wolfgang Goethe (1749-1832), as well as its folk rewritings. In The Seafarer McPherson conveys a complex portrait of a group of Irish working-class mates, who are enthralled in existential and gender conflicts. In this his fourth full-length ensemble play to reach both the London West End and New York Broadway (the first being The Weir of 1999) McPherson critically dialogues with the modernist and post- modernist dramatic tradition mainly through the works of John Middleton Synge (1871-1909), Samuel Beckett (1906-1989), Harold Pinter (1930- Ilha do Desterro Florianópolis nº 58 p. -
Roberto Ferreira Da Rocha Universidade Federal Do Rio De Janeiro
Conor McPherson's The Seafarer:... 357 CONOR MCPHERSON’S THE SEAFARER: TINKERING WITH TRADITION Roberto Ferreira da Rocha Universidade Federal do Rio de Janeiro Everything here is shame and reproach: Satan saying that the fire is worthless, that my anger is ridiculous and silly. (Arthur Rimbaud, A Season in Hell, Translated by Paul Schmidt) Abstract: A reading of The Seafarer (2007), the last published play by the Irish playwright Conor McPherson (1971- ), which aims to investigate the rich intertextuality that the work presents. The text echoes both canonic and popular renderings of the Faustian myth, those of Christopher Marlowe (c. 1564-1593) and Johann Wolfgang Goethe (1749-1832), as well as its folk rewritings. In The Seafarer McPherson conveys a complex portrait of a group of Irish working-class mates, who are enthralled in existential and gender conflicts. In this his fourth full-length ensemble play to reach both the London West End and New York Broadway (the first being The Weir of 1999) McPherson critically dialogues with the modernist and post- modernist dramatic tradition mainly through the works of John Middleton Synge (1871-1909), Samuel Beckett (1906-1989), Harold Pinter (1930- Ilha do Desterro Florianópolis nº 58 p. 357-380 jan/jun. 2010 358 Roberto Ferreira da Rocha 2008) and David Mamet (1947- ), without losing, however, a genuine sense of deep Irishness. Keywordsds: Conor McPherson (1971- ), The Seafarer (2007), Intertextuality, Modern and Post-Modern English-speaking Drama, Contemporary Irish Drama, Popular Irish Culture. Nothing more challenging than writing about the work of a contemporary dramatist. One has to explore a region which has not been mapped yet. -
BEAT, 60S/70S DEE-JAY DOO WOP SERIES SEIRESPOWOODYAJ
DEE-JAY DOO WOP SERIES 183 TEEN SCENE CD BB 55113 € 15.34 WINCHELL : Don’t Make Small Talk Baby RICKY SHAW : The Riddle TOMMY BIENER & WENDY &...: The Top 40 DOVERS: Alice My SEVEN TEENS: Steady Guy AUGIE RIOS : Augie Stay Home CURT Love PAUL GRIF FIN : Ragdoll Baby LEE PARKER : Sand Dance JENSEN : Bobbie CHARLES DELL : I’m Here To Tell You (What MELLODEERS: The Letter DOVERS: A Lonely Heart RALPH DE Ronnie Couldn ’t..) RONI POWERS : Any Friend Of Henry’s RICKY MARCO : Donna MELODEERS: Born To Be Mine GINO: I’m A Boy SHAW : I Got A Girl GINO & THE DELLS: Baby Don’t Go Now In Love ANDY & GINO: Love Is Love (All Around The World) DONNY LEE MOORE : You Left Me Standing There AUGIE RIOS : DANNY WINCHELL : Sugar Baby RICKY & ROBBY: Suzzanne No One CHARLES DELL : Let’s Tell Him Now BIG BOB AUGIE ROSE : Lullaby ANDY ROSE & THE THORNS: Just For Fun DOUGHERTY : Bang Bang RICKY & ROBBY: Purple Pedal Pushers MONTELLS: My Prince Will Come (And He Will Be The One) DICK HEARTHERTON : Hey! Travelin’ Man ANGELA MARTIN : Two Pairs Of Shoes JAN TOBER : Just Married ANDY ROSE : Hey Scooter AUGIE RIOS & NOTA TIONS: There’s A Girl Down The Way CHESS MEN: Prayer Of Love DANNY BEAT, 60s/70s 13TH FLOOR ELEVATORS Willow Weep For Me- Yours Until Tomor row- Simon Smith And The Amaz ing Dancing Bear- Tickle Me 8 PARA DISE LOST 2-CD CD LSR 19630 € 24.90 CD-1:- Gloria- You’re Gonna Miss Me- Tried To Hide- Splash One- ALLMAN BROS You Can’t Hurt Me Anymore- Make That Girl Your Own- Before You UNIVER SAL MASTER Accuse Me- Fire In My Bones- Monkey Island- Thru The Rhythm- -
Dave Hartl's 2014 Top Ten (Or So) Most Influential Albums
Dave Hartl’s 2014 Top Ten (or so) Most Influential Albums Another year slips by and I’m still listening to a lot of music. But for the first time in many years I’m looking backwards. The best bumper sticker of the year? “It’s not that I’m old… your music really does suck.” What is new amongst this year’s offerings is still rooted in the past, deeply. But inspiration is to be found, nonetheless. As always, here’s the Top 10 musical things that influenced me the most this year. If you’d like to respond, write to [email protected] and your contribution will be added to this document online for future downloads. In this way, we all get turned on to great music and cut through the jungle of A&R crap and hype that still remains out there. Enjoy, I did! 1.) John Coltrane: Offering: Live at Temple University Back in 1966, Temple University Radio WRTI was on the edge of the black free jazz scene as well as everything else that was happening (as opposed to its current conservative stance on music). John Coltrane’s concert at Temple in November that year was taped by WRTI and has lain dormant, becoming the stuff of legend in its real absence. The teenage Michael Brecker who witnessed the event decided that night to become a tenor sax player, much to the world’s benefit. The reports of Coltrane beating on his chest and bellowing like a wounded animal gave credence to the viewpoint that the far-out explorations he undertook in the last 2 years of his life, driving his famous quartet out of the picture, were the symptoms of madness, pain, or possible LSD experimentation. -
The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Singer-songwriters 1970-74 (These are excerpts from my book "A History of Rock and Dance Music") The New York archetype 1970-72 TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. For mysterious reasons, James Taylor (1), of all people, became the prototype for the erudite and creative singer-songwriter of the 1970s. Despite occasional (and half-hearted) nods to jazz and rhythm'n'blues, Taylor did not introduce significant innovations, and even his best album, Sweet Baby James (dec 1969 - feb 1970), hardly compares with the masterpieces of the era. Ditto for veteran songwriter Carole King (1), whose solo album Tapestry (jan 1971 - mar 1971) was hailed as a revolution when, in fact, was still a collection of melodic pop songs. Even more over-rated was Carly Simon, whose No Secrets (sep/oct 1972 - nov 1972) propelled her to the top of the musical and the feminist movement. On the other hand, Phoebe "Snow" Laub was the "real thing", a folk-jazz-blues contralto who seasoned the ballads of Phoebe Snow (? 1972/? 1973 - jul 1974) with scat and melisma. Detroit's gospel singer Laura Lee explored the female condition on Women's Love Rights (jul/aug 1971 - oct 1971), alternating singing and rap monologues.