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2017-Question Paper-STPGT-Music This Booklet con tains 32 printed pages. AF17—XVIII Ques tion Book let No. &Òü šøÅ—šìy 32> ³å[‰t¡ šõË¡à "àìá¡ú šøÅ—-šå[ÑzA¡à Î}J¸à EXAMINATION—STPGT SUBJECT : MUSIC Do not open this Question Booklet until you are asked to do so. &Òü šøÅ—šy ™t¡Û¡o Jåºìt¡ >à ¤ºà Òì¤ t¡t¡Û¡o š™¢”z Jåºì¤> >à¡ú Read care fully all the instruc tions given at the back page and on the front page of this Ques tion Book let. &Òü šøÅ—šìy¹ ëÅÈ šõË¡à * šø=³ šõË¡àÚ ëƒ*Úà γÑz [>샢Åऺ㠳ì>àì™àK ÎÒA¡àì¹ šØl¡æ>¡ú In struc tions for Candidates š¹ãÛ¡à=¢ã샹 \>¸ [>샢Åऺã 1. OMR 1. Use Black Ballpoint Pen only for writing &Òü šøÅ—šìy ëºJ๠\>¸ &¤} l¡üv¡¹šìy l¡üv¡¹ particulars of this Question Booklet and [W¡[Òû¡t¡ A¡¹ìt¡ Ç¡‹å³ày A¡àìºà A¡à[º¹ ¤ºšìÚ–i¡ A¡º³ marking responses on the OMR ¤¸¤Ò๠A¡¹ç¡>¡ú Answer Sheet. 2. &Òü š¹ãÛ¡à¹ Î³Ú 2 Qsi¡à 30 [³[>i¡¡ú š¹ãÛ¡àÚ ë³ài¡ 2. This test is of 2 hours and 30 minutes 150 [i¡ MCQ ‹¹ì>¹ šøÅ— =àA¡ì¤¡ú šø[t¡ šøìÅ—¹ ³èº¸àS¡ 1 duration and consists of 150 MCQ-type Ò줡ú questions. Each question carries 1 mark. 3. ®å¡º l¡üv¡ì¹¹ \>¸ ëA¡àì>à ˜¡oàuA¡ >´¬¹ =àA¡ì¤ >à¡ú 3. There is no negative marking for any wrong answer. 4. š¹ãÛ¡à=¢ãìA¡ ¹àó¡ *ÚàA¢¡ A¡¹ìt¡ Òì¤ Ç¡‹å³ày ëA¡àìÆW¡> ¤åA¡ìºìi¡ (šøÅ—šìy) [>[ƒ¢Ê¡ A¡¹à Ñ‚àì>¡ú 4. Rough work should be done only in the space provided in the Question Booklet. 5. šøìÅ—¹ l¡üv¡¹ Ç¡‹å³ày OMR l¡üv¡¹šìy [W¡[Òû¡t¡ A¡¹ìt¡ Ò줡ú l¡üv¡¹ [W¡[Òû¡t¡ A¡¹à¹ [¤ÈìÚ š¹ãÛ¡à=¢ãìA¡ Î줢àZW¡ Ît¡A¢¡t¡à 5. The answers are to be marked on the OMR "¤º´¬> A¡¹ìt¡ Ò줡ú šøìÅ—¹ l¡üv¡¹ &A¡¤à¹ [W¡[Òû¡t¡ A¡¹à ÒìÚ Answer Sheet only. Mark your responses ëKìº ëA¡àì>à "¤Ñ‚àìt¡Òü t¡àìA¡ š[¹¤t¢¡> ¤à Î}ìÅà‹> A¡¹à carefully since there is no chance of ™àì¤ >à¡ú alteration/correction. 6. A¡à[º-ë³àW¡>ãÚ Òüì¹\๠¤à Îàƒà t¡¹º-\àt¡ãÚ ¤Ññ¹ ¤¸¤Ò๠6. Use of eraser or whitener is strictly δšèo¢¹ê¡ìš [>[ȇý¡¡ú prohibited. 7. š¹ãÛ¡à=¢ã샹 ³ì> ¹àJìt¡ Òì¤ ë™ šøÅ—šìy¹ šøÅ—P¡[º 7. Candidates should not that each question is [‡-®¡à[ÈA¡ (Òü}¹à\ã * ¤à}ºà) Ò줡ú &Òü ëÛ¡ìy ®¡àÈà-³à‹¸³ given in bilingual form (English and Bengali). In case of any discrepancy or confusion in the ¤à ®¡àÈà-Î}ÑH¹ìo ëA¡àì>à ‹¹ì>¹ "ÎU[t¡ "=¤à ë¤àc¡à¹ medium/ version, the English Version will be "Îå[¤‹à l¡üšº§¡ Òìº Òü}¹à\ã Î}ÑH¹oìA¡Òü šøAõ¡t¡ Ç¡‡ý¡ ¤ìº treated as the authentic version. Ko¸ A¡¹ì¤>¡ú Name of the Can di date (in Cap i tals) : __________________________________________________________________________ š¹ãÛ¡à=¢ã¹ >à³ (¤Øl¡ "Û¡ì¹) Roll No. : ________________________________________________ OMR An swer Sheet No. : ____________________________ ë¹àº >´¬¹ OMR l¡üv¡¹šìy¹ >´¬¹ Full Sig na ture of the Can di date with date Sig na ture of the In vigi la tor with date š¹ãÛ¡à=¢ã¹ δšèo¢ ѬàÛ¡¹ t¡à[¹JÎÒ [>¹ãÛ¡ìA¡¹ ѬàÛ¡¹ t¡à[¹JÎÒ /9 Directions : Answer the following questions [>샢[ÅA¡à : Î[k¡A¡ l¡üv¡¹[i¡ [>¤¢àW¡> A¡ì¹ >ãìW¡¹ šøÅ—P¡[º¹ by selecting the correct option. l¡üv¡¹ ƒà*¡ú 1. In Indian classical music, the total 1. ®¡à¹t¡ãÚ ÅàÑ|ãÚ ÎUãìt¡ Åøç¡[t¡¹ ë³ài¡ Î}J¸à Òº number of Shrutis are (A) 20 (A) 20 (B) 21 (B) 21 (C) 22 (C) 22 (D) (D) None of the above l¡üšì¹¹ ëA¡à>[i¡Òü >Ú 2. What is the correct order for 2. l¡üƒàv¡, ">åƒàv¡ &¤} Ѭ[¹t¡ ë¤àc¡àì>๠\>¸ ‘Udatta’, ‘Anudatta’ and ‘Swarita’ [>³—[º[Jt¡ ëA¡à>ô yû¡³[i¡ Î[k¡A¡? respectively? (A) >ãWå¡, ³‹¸, l¡üòWå¡ (A) Lower, Middle, Upper (B) l¡üòWå¡, >ãWå¡, ³‹¸ (B) Upper, Lower, Middle (C) l¡üòWå¡, ³‹¸, >ãWå¡ (C) Upper, Middle, Lower (D) (D) None of the above l¡üšì¹¹ ëA¡à>[i¡Òü >Ú 3. The most prominent and very 3. ¹àìK ¤¸¤Òê¡t¡ Ѭ¹P¡[º¹ ³ì‹¸ ë™ Ñ¬¹[i¡ "[‹A¡ frequently used swara in a raga is š[¹³àìo šøìÚàK A¡¹à ÒÚ, t¡àìA¡ ¤ìº called (A) ¤àƒã Ѭ¹ (A) Vadi Swara (B) γ¤àƒã Ѭ¹ (B) Samvadi Swara (C) >¸àΠѬ¹ (C) Nyas Swara (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú (D) None of the above 4. 4. The third part of a song is known as Kàì>¹ t¡õt¡ãÚ [¤®¡àK[i¡ìA¡ ¤ºà ÒÚ (A) Sthayi (A) Ñ‚àÚã (B) Antara (B) "”z¹à (C) Sanchari (C) Îe¡à¹ã (D) None of the above (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú 5. Number of Vikrit Swaras in Indian 5. ®¡à¹t¡ãÚ ÅàÑ|ãÚ ÎUãìt¡ [¤Aõ¡t¡ Ѭ칹 Î}J¸à Òº classical music are (A) (A) five šòàW¡[i¡ (B) six (B) áÚ[i¡ (C) seven (C) Îàt¡[i¡ (D) None of the above (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú /9 2 6. Alapti is 6. "àº[œ¡ Òº (A) Sargam (A) ιK³ (B) Anibaddha Alap (B) "[>¤‡ý¡ "àºàš (C) Andolan (C) "àì–ƒàº> (D) None of the above (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú 7. The number of strings in a Tanpura 7. is/are t¡à>šå¹àÚ t¡àì¹¹ Î}J¸à Òº (A) one (A) &A¡[i¡ (B) two (B) ƒåÒü[i¡ (C) three (C) [t¡>[i¡ (D) None of the above (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú 8. Which musical instrument is 8. ‹øç¡šƒ &¤} ‹à³à¹ "ìU¹ Kàì>¹ ÎìU Î}Kìt¡¹ commonly used for accompaniment \>¸ Îà‹à¹ot¡ ëA¡à>ô ¤àƒ¸™”|[i¡ ¤¸¤Ò๠A¡¹à ÒÚ? with Dhrupad and Dhamar? (A) šàìJàÚà\ (A) Pakhwaj (B) (B) Ghatam Qi¡³ (C) (C) Sreekhol ÅøãìJຠ(D) None of the above (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú 9. A song composed in such a way 9. ë™ Kàì>¹ ®¡àÈàÚ ¹àìK¹ [¤[®¡Ä ºÛ¡oP¡[º šøA¡àÅ that it represents the various šàÚ, ëÎÒü Kà>ìA¡ ¤ìº characteristics of a Raga, is called (A) ºÛ¡oKãt¡ (A) Lakshan-geet (B) Ѭ¹³à[ºA¡à (B) Swarmalika (C) ëJÚຠ(C) Khayal (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú (D) None of the above 10. 10. Jhala is associated with c¡àºà ëA¡à>ô ¤àƒ¸™ì”|¹ ÎìU ™åv¡û¡? (A) Tabla (A) t¡¤ºà (B) Sitar (B) ëÎt¡à¹ (C) Pakhwaj (C) šàìJàÚà\ (D) None of the above (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú /9 3 [ P.T.O. 11. Kaida is played on which musical 11. A¡àÚƒà ëA¡à>ô ¤àƒ¸™ì”| ¤à\àì>à ÒÚ? instrument? (A) ëÎt¡à¹ (A) Sitar (B) Îì¹àƒ (B) Sarod (C) t¡¤ºà (C) Tabla (D) (D) None of the above l¡üšì¹¹ ëA¡à>[i¡Òü >Ú 12. According to modern scholars, the 12. "à‹å[>A¡ š[r¡t¡ìƒ¹ ³ìt¡, ë™ Åøç¡[t¡¹ l¡üš¹ ‘Îà’ Shruti on which ‘Sa’ is placed is Ñ‚à[št¡, ëÎ[i¡ Òº (A) Kumudvati (A) A塳å‡t¡ã (B) Manda (B) ³–ƒà (C) Dayavati (C) ƒÚà¤t¡ã (D) None of the above (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú 13. How many types of Saptaks are there? 13. Îœ¡A¡ A¡Ú šøA¡à¹? (A) Four (A) W¡à¹ (B) Five (B) šòàW¡ (C) Six (C) áÚ (D) None of the above (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú 14. The process where the Swaras of 14. ¹àìK¹ Ѭ¹P¡[º >ãWå¡ šƒ¢à ë=ìA¡ yû¡³à>åÎàì¹ l¡üòWå¡ a Raga are sung serially in an ascending order is known as šƒ¢àÚ ™à¤à¹ K[t¡ìA¡ ¤ìº (A) Aroha (A) "àì¹àÒ (B) Abroha (B) "¤ì¹àÒ (C) Pakad (C) šA¡Øl¡ (D) None of the above (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú 15. Hiding the main ‘Swaroop’ of a Raga 15. ³èº ¹àK ë=ìA¡ Îì¹ [KìÚ ">¸ ¹àìK¹ Ѭ¹ by deviating from the Raga and ¤¸¤Ò๠A¡ì¹ ³èº ¹àìK¹ Ѭ¹ê¡šìA¡ áà[šìÚ using Swaras of a different Raga is ™à*ÚàìA¡ ¤ìº termed as (A) (A) Abirbhav "à[¤®¢¡à¤ (B) Tirobhav (B) [t¡ì¹à®¡à¤ (C) Alap (C) "àºàš (D) None of the above (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú /9 4 16. The reference of Veena, Mridanga, 16. ëA¡à>ô ë¤ìƒ ¤ãoà, ³õƒU, ¤}Åã, l¡³¹ç¡ šø®õ¡[t¡ Flute, Damru and other musical ¤àƒ¸™ì”|¹ l¡üìÀJ šà*Úà ™àÚ? instruments are found in which Veda? (A) ˜¡Aô¡ì¤ìƒ (A) Rigveda (B) Îà³ì¤ìƒ (B) Samaveda (C) "=¤¢ì¤ìƒ (C) Atharvaveda (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú (D) None of the above 17. ‘³Ò஡à¹t¡’ ³ÒàA¡à줸 ëA¡à>ô Nøàì³¹ ¤o¢>à šà*Úà 17. The epic Mahabharata contains the ™àÚ? description of which Grama? (A) ÈØl¡\ Nøà³ (A) Sharaj Grama (B) ³‹¸³ Köà³ (B) Madhyam Grama (C) KàÞê¡à¹ Nøà³ (C) Gandhar Grama (D) l¡üšì¹¹ ëA¡à>[i¡Òü >Ú (D) None of the above 18.
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