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(Honours) in Music Under CBCS

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(Honours) in Music Under CBCS THE UNIVERSITY OF BURDWAN Rajbati,Burdwan West Bengal Curriculum for 3-Year B.A. (Honours) in Music under Choice Based Credit System (CBCS) w.e.f 2017-2018 Semester wise Distribution of Courses and Credits Structure of B.A. (Honours) in Music under CBCS Course / Se m I Se m II Sem III Se m IV Se m V Se m VI Total Total Credit No. of Credit Courses CC (6) CC-1: CC- 3 : CC- 5 : CC- 8 : CC- 11 : CC- 13 : 14 84 (Theoretical) (Theoretical) (Theoretical) (Theoretical) (Theoretical): (Practical) Elementay Introduction History of History of Theoretical Khyal Knowledge of of Rabindra Indian Music Indian Music aspects and Vilambit & Music : Sangeet and Ancient Modern Musical Drut Terminologies Theoretical Period and Period distinctivenes and Concepts knowledge of Medieval s of Rabindra CC- 14 : Ragas, Talas Period. CC- 9 : Sangeet (Practical) CC-2 : and Notations. (Practical) Rabindra- (Practical) CC- 6 : (Dhrupad & CC- 12 : nath’s Thata-Raga CC-4 : Kheyal Dhamar) (Practical) : Git inatya Swarnamalika (Practical) Vilambit and Different and Lakshmangiti Rabindra Drut CC- 10 : forms and Nrityanatya in different Sangeet : (Practical) Styles of Talas Themetic CC- 7: (Thumri & Rabindra Variation Bangla Gan Bhajan) Sangeet DSE (6) DSE- 1: DSE – 3 : 4 24 (Practical) (Practical) Knowledge Stage of Raga Demonstra- Tion - DSE – 2 : Khyal (Practical) Knowledge DSE - 4 of Tala and (Practical) Notation Stage reading Demonstra- Hindusthani tion - & Rabindra Akarmatrik Sangeet (Both) and Bengali Song GE (6) GE- 1: Any GE- 2: Any GE- 3: Any GE- 4: Any 4 24 subject other subject other subject other subject other than Music than Music than Music than Music AECC-1 ENVS Communica- 2 6 (4) & tive English/ AECC-2 MIL (2) SEC (2) SEC-1: SEC- 2 : 2 4 General Advanced Study of Study of Computer Computer and its application Total No. 4 4 5 5 4 4 26 of Courses per Sem. Total 22 20 26 26 24 24 142 Credit Per Sem. SYLLABUS B.A. (HONS) IN MUSIC SEMESTER - I CC- 1 :Elementary Knowledge of Music (Theoretical) Credit - 6 (Terminologies and Concepts): Full Marks : 75 1. Elementary study of sound : musical and non-mus ical. 2. Indian concept of nada. 3. Swara – suddha, komal and tibra, chal, achal. 4. Sruti - sruti and swarasthana (ancient and modern period) 5. Knowledge of the following musical terms : Sangit, varna, alankar, saptak, (mandra, madhya, tar) thata, raga, astak, murchhana, alap, tan, badi, sambadi, vivadi, anubadi, bandish, gayaki, nayaki, bagyeyakar, murki, jamjama. 6. Theory of mela, thata and raga I) Mela system as introduced by venkatmakhi. II) Thata system as introduced by v. N. Bhatkhande. III) Difference between thata and raga. RECOMMENDED BOOKS :- 1. V. N. Bhatkhande – Bhatkhande Sangeet Shastra, Part I – Ii 2. Dr. Indrani Chakravarti – Sangeet Manjusha. 3. Indubhusan Roy – Sangeet Shastra. 4. Nilratan Bandhopadhyay – Sangeet Parichiti (Part I – Ii) 5. Debobrata Dutta – Sangeet Tattya. 6. Basant – Sangeet Visharad. 7. Amal Das Sharma – Sangeet Manisha. 8. S.S. Paranjape – Bhartiya Sangeet Ka Itihasa. 9. S.S. Paranjape – Sangeet Bodh. 10. Govind Rao Rajurkar – Sangeet Shastra Parag 11. Dr. Pannalal Madan – Sangeet Shastra Vigyan. CC- 2 : (PRACTICAL) Thata-Raga Swarnamalika Lakshman giti in different Talas Credit - 6 Full Marks : 75 *** (Playing of (manual) tanpura is compulsory) 1. Voice culture with the tanpura (manual) : suddha swaras, komal swaras, tebra swars. 2. Basic knowledge of tanpura and its tuning. 3. Voice culture according to the array of notes of 10 thatas / thata-ragas e.g. i. Bilabal ii. Bhairab iii. Bhairabi iv. Ashabari v. Tori vi. Marowa vii. Purabi viii. Kalyan / iman ix. Khambaj x. Kafi 4. A) alankar B) swaramalika in different talas (such as tintal, jhaptal, ektal) C) lakshman giti and drut kheyal of choosen prescribed ragas. Bhairab, Yaman, Bhupali, Bilawal SEMESTER - II CC- 3 : Introduction of Rabindra Sangeet and Theoretical Knowledge of Ragas, Talas and Notations ( Theoretical) : Credit – 6 Full Marks : 75 1. The knowledge and overview of Gitabitan and Swarabitan 2. Musical atmosphere of jorasanko tagore palace. 3. Introduction to the music masters of Rabindranath 4. Rabindranath’s life and creativity in short. 5. Knowledge of the following ragas : Bilawal Khambaj Iman Kafi Bhairab Bhairabi Behag Ashabari Jounpuri Jogiya 6. Knowledge of the following talas : Dadra Teora Rupak Kaharba Jhaptal Surtanktal Ektal Choutal Dhamar Trital 7. Talas introduced by Rabindranath. 8. Knowledge of notations Bhatkhande system & Akarmatrik system. Recommended Books : 1. Prabhat Kumar Mukhopadhyay – Rabindra Jiban Katha 2. Prabhat Kumar Mukhopadhyay – Rabindra Jibani (1-4) Visva Bharati 3. Prasanta Pal – Rabi Jiboni (1-9) Ananda Publishers 4. Gitabitan (Visva Bharati Publications) 5. Swarabitan (1-66) (Visva Bharati Publications) 6. Rabindranath Tagore – (Sangit Chinta ) (Visva Bharati Publications) 7. Santideb Ghosh – Rabindra Sangeet 8. Arun Kumar Basu – Bangla Kabya Sangit O Rabindra Sangeet 9. Bishnu Narayan Bhatkhande – Kramik Pustak Malika (Parts 1,2,3,4,5,6) 10.Dilip Kumar Mukhopadhyay – Bangalir Rag Sangit Charcha. [N.B. Other Books To Be Recommanded By Class Teachers] CC- 4 (PRACTICAL) : Rabindra Sangeet: Themetic Variations Credit - 6 Full Marks : 75 ANY 20 RABINDRA SANGEET FROM THE FOLLOWING LIST . ১. েহ সখা মম ২. েতামাির েগেহ পািলছ ে�েহ ৩. কা�া হািসর েদাল েদালােনা ৪. ত�িম েকমন কের গান কর েহ �িন ৫. সুেরর �� দাও েদা সুেরর দী�া ৬. বল দাও েমাের, বল দাও ৭. ব�থ � �ােনর আব �জনা পুিড়েয় েফল ৭. যিদ েতার ডাক �েন েকউ না আেস ৯. আিম ভূবন মনেমািহনী ১০. জনগনমন অিধনায়ক (পাঁচ�ট �বক) ১১. েতার আপন জেন ছাড়েব েতাের ১২. িবিধর বাঁধন কাটেব ত�িম ১৩. �ভকম � পেথ ধর িনভ�য় গান ১৪. আজ সবার রেঙ রঙ িমশােত হেব ১৫. এই কথা�ট মেন েরেখা ১৬. কেব ত�িম আসেব বেল ১৭. আিম েতামার সে� েবঁেধিছ আমার �ান ১৮. আমার মন মােন না ১৯. অজানা খিনর নূতন মিণর ২০. ৈবশাখ েহ েমৗনীতাপস ২১. এেসা, এেসা, এেসা েহ ৈবশাখ ২২. এেসা শ�ামল সু�র ২৩. েকান্ পুরাতন �ােনর টােন ২৪. ব�মািনক িদেয় গাঁথা ২৫. শরৎ েতামার অ�ণ আেলার অ�িল ২৬. আজ �থম ফুেলর পাব �সাদ খািন ২৭. েহমে� েকান্ বসে�ির বািন ২৮. িহেমর রােত ওই গােনর দীপ �িলের ২৯. শীেতর হাওয়ায় লাগল নাচন ৩০. শীেতর বেন েকান্ েয ক�ঠন ৩১. ওের গৃহবাসী েখাল �ার েখাল ৩২. ওের ভাই ফা�ন েলেগেছ বেন বেন ৩৩. নীল িদগে� ওই ফু েলর আ�ন ৩৪. েমারা সেত�র পের মন ৩৫. দুই হােত কােলর ম��রা েয ৩৬. মধুর মধুর �িন বােজ ৩৭. রা�ঙেয় িদেয় যাও যাও ৩৮. আমােদর শাি� িনেকতন ৩৯. অি�িশখা এস এস ৪০. ম� িবজেয়র েকতন উড়াও শূেণ� ৪১. আয় ের েমারা ফসল কা�ট ৪২. ওেহ নবীন অিতিথ ৪৩. েয তরনীখািন ভাসােল দুজেন ৪৪. সবাের কির আ�ান Generic Elective (For the Students of other Subjects) GE – 1: Elementary Knowledge of Music Credit- 6 Full Marks : 75 (Theoretical) 1. Brief knowledge of the following terms: Sangit , Nada, Sruti, Swara( suddha, komal, tibra, chal, Achal), Saptak, Astak, Varna, Alankar, Murchhanna, Alap, Tan, Badi, Sombadi, Vivdi, Anubadi, Arohan, Abhorahan, Pakad, jati; 2. Knowledge of the Ten Thata System of V.N Bhatkhand 3. Knowledge of the Mela System of Venkatmakhi. 4. Thata and its characteristics 5. Raga and its characteristics. 6. Biography with musical contribution in the following: Amir Khasru, Tansen, Rabindranath Tagore, Najrul Islam, Atul Prasad Sen, Dwijendralal Roy, Rajanikanta Sen. 7. Defination of Tal, Matra, Laya . 8. Knowledge of the following: Som, Khali, Tali, Bibhag, Sampadi, Bisampadi, Tal Jati, Laykari, Tihai, Abartan. Referenc e books i. V.N Bhatkhande – Sangeet Shastra – (Part I – II) ii. Dr. Indrani Chak raborty – Sangeet Manjusha . iii. Indubhusan Roy – Sangeet Shastra (Part I – II – III) i v. Nilratan Bandopadhyay – Sangeet Parichiti (Part I – II) v. Debobrata Dutta - Sangeet Tattya vi. Basant – Sangeet Visharad. GE- 2 : (Practical) Credit- 6 Full Marks : 75 KNOWLEDGE OF SWARA, RAGA AND OTHER SONGS ***Playing (manual) Tanpura is compulsory 1. Voice culture :- Suddha Swaras, Komal Swaras, Teebra Swaras . 2. 5 (five) Alankars 3. Drut Kheyal (any two) following Ragas; Bhairab , Bilabal, Yaman, Bhupali. 4. Rabindra Sangit (any four) i. েতামাির েগেহ পািলছ ে�েহ একতাল ( খা�াজ ) ii. েহ সখা মম �দেয় রহ ( ছায়ানট , একতাল ) iii. মন জাগ ম�ল েলােক ( ৈভরব , একতাল ) iv. অ�র মম িবকিশত কেরা ৈভরবী, একতাল ) v. আমার মাথা নত কের দাও েহ েতামার ( ইমন,েতওড়া) vi. ত� ি ম েকমন কের গান কেরা েহ �নী ( খা�াজ, কাহারবা ) 5. I. One song from Dwijendralal Roy . II. One song from Najrul Islam. III. One song from Atulprashad Sen . IV . One song from Rajanikanta Sen . GE- 3: History of Indian Music Credit- 6 Full Marks- 75 Theoretical 1) Music duri ng the Indus Valley Civilization. 2) Music in the Vedic Period. 3) Development of Dhrupad. 4) Development of Khyal. 5) Theoretical knowledge of Akar Matric Swaralipi System. 6) Theoretical knowledge of Hindusthani Notation S ystem.
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