DOCSLIB.ORG

D 9715 Paper III Rabindra Sangeet.Pmd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
D 9715 Paper III Rabindra Sangeet.Pmd Signature and Name of Invigilator OMR Sheet No. : .......................................................... 1. (Signature) (To be filled by the Candidate) (Name) Roll No. 2. (Signature) (In figures as per admission card) (Name) Roll No. D 9715 PAPER - III (In words) Time : 2½ hours] RABINDRA SANGEET [Maximum Marks : 150 Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75 Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ 1. Write your roll number in the space provided on the top of 1. §â ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ÙÕÚU çÜç¹°Ð this page. 2. This paper consists of seventy five multiple-choice type of 2. §â ÂýàÙ-Âæ ×𢠿ãæÚU Õãéçß·¤ËÂèØ ÂýàÙ ãñ´Ð questions. 3. ÂÚUèÿææ ÂýæÚUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU 3. At the commencement of examination, the question booklet ¥æ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çÙÙçÜç¹Ì Áæ¡¿ ·ð¤ çÜ° çÎØð will be given to you. In the first 5 minutes, you are requested ÁæØð¢»ð, çÁâ·¤è Áæ¡¿ ¥æ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ to open the booklet and compulsorily examine it as below : (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çÜ° ÂéçSÌ·¤æ ÂÚU Ü»è ·¤æ»Á ·¤è âèÜ ·¤æð (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept ȤæǸ Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢UÐ a booklet without sticker-seal and do not accept an open (ii) ·¤ßÚU ÂëDU ÂÚU ÀUÂð çÙÎðüàææÙéâæÚU ÂýàÙ-ÂéçSÌ·¤æ ·ð¤ ÂëDU ÌÍæ ÂýàÙô¢ ·¤è booklet. â¢Øæ ·¤ô ¥ÀUè ÌÚUã ¿ñ·¤ ·¤ÚU Üð¢U ç·¤ Øð ÂêÚðU ãñ¢UÐ ÎôáÂêæü ÂéçSÌ·¤æ (ii) Tally the number of pages and number of questions in çÁÙ×ð¢ ÂëDU/ÂýàÙ ·¤× ãô¢ Øæ ÎéÕæÚUæ ¥æ »Øð ãô¢ Øæ âèçÚUØÜU ×ð¢ Ù ãô¢ the booklet with the information printed on the cover ¥ÍæüÌ ç·¤âè Öè Âý·¤æÚU ·¤è æéçÅUÂêæü ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢U ÌÍæ page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other ©âè â×Ø ©âð ÜUõÅUæ·¤ÚU ©â·ð¤ SÍæÙ ÂÚU ÎêâÚUè âãè ÂýàÙ-ÂéçSÌ·¤æ Üð discrepancy should be got replaced immediately by a Üð¢Ð U §â·ð¤ çÜ° ¥æ·¤ô Âæ¡¿ ç×ÙÅU çÎØð ÁæØð¢»ðÐ ©â·ð¤ ÕæÎ Ù Ìô correct booklet from the invigilator within the period ¥æ·¤è ÂýàÙ-ÂéçSÌ·¤æ ßæÂâ Üè ÁæØð»è ¥õÚU Ù ãè ¥æ·¤ô ¥çÌçÚUQ¤ of 5 minutes. Afterwards, neither the Question Booklet â×Ø çÎØæ ÁæØð»æÐ will be replaced nor any extra time will be given. (iii) §â Áæ¡¿ ·ð¤ ÕæÎ ÂýàÙ-ÂéçSÌ·¤æ ·¤æ Ù´ÕÚU OMR Âæ·¤ ÂÚU ¥¢ç·¤Ì ·¤Úð¢U (iii) After this verification is over, the Test Booklet Number ¥UõÚU OMR Âæ·¤ ·¤æ Ù´ÕÚU §â ÂýàÙ-ÂéçSÌ·¤æ ÂÚU ¥¢ç·¤Ì ·¤ÚU Îð¢Ð should be entered on the OMR Sheet and the OMR Sheet Number should be entered on this Test Booklet. 4. ÂýØð·¤ ÂýàÙ ·ð¤ çÜ° ¿æÚU ©æÚU çß·¤Ë (1), (2), (3) ÌÍæ (4) çÎØð »Øð ãñ¢Ð 4. Each item has four alternative responses marked (1), (2), (3) ¥æ·¤ô âãè ©æÚU ·ð¤ ßëæ ·¤ô ÂðÙ âð ÖÚU·¤ÚU ·¤æÜæ ·¤ÚUÙæ ãñ Áñâæ ç·¤ Ùè¿ð and (4). You have to darken the circle as indicated below on çιæØæ »Øæ ãñÐ the correct response against each item. ©ÎæãÚUæ Ñ ÁÕç·¤ (3) âãè ©æÚU ãñÐ Example : where (3) is the correct response. 5. ÂýàÙæ𴠷𤠩æÚU ·ð¤ßÜ ÂýàÙ ÂéçSÌ·¤æ ·ð¤ ¥ÎÚU çÎØð »Øð OMRU Âæ·¤ ÂÚU ãè 5. Your responses to the items are to be indicated in the OMR ¥´ç·¤Ì ·¤ÚUÙð ãñ´Ð ØçÎ ¥æ OMRU Âæ·¤ ÂÚU çÎØð »Øð ßëæ ·ð¤ ¥Üæßæ ç·¤âè Sheet given inside the Booklet only. If you mark your response at any place other than in the circle in the OMR ¥Ø SÍæÙ ÂÚU ©æÚU ç¿ãæ¢ç·¤Ì ·¤ÚUÌð ãñ´, Ìô ©â·¤æ ×êËUØ梷¤Ù Ùãè¢ ãô»æÐ Sheet, it will not be evaluated. 6. ¥ÎÚU çÎØð »Øð çÙÎðüàæô¢ ·¤ô ØæÙÂêßü·¤ Âɸð¢UÐ 6. Read instructions given inside carefully. 7. ·¤ææ ·¤æ× (Rough Work) §â ÂéçSÌ·¤æ ·ð¤ ¥çÌ× ÂëDU ÂÚU ·¤Úð¢UÐ 7. Rough Work is to be done in the end of this booklet. 8. ØçÎ ¥æ OMR Âæ·¤ ÂÚU çÙØÌ SÍæÙ ·ð¤ ¥Üæßæ ¥ÂÙæ Ùæ×, ÚUæðÜ ÙÕÚU, 8. If you write your Name, Roll Number, Phone Number or ȤæðÙ ÙÕÚU Øæ ·¤æð§ü Öè °ðâæ ç¿q çÁââð ¥æ·¤è Âã¿æÙ ãæð â·ð¤, ¥´ç·¤Ì ·¤ÚUÌð put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose ãñ´ ¥Íßæ ¥ÖÎý Öæáæ ·¤æ ÂýØæð» ·¤ÚUÌð ãñ´, Øæ ·¤æð§ü ¥Ø ¥Ùéç¿Ì âæÏÙ ·¤æ your identity, or use abusive language or employ any other ÂýØæð» ·¤ÚUÌð ãñ´, Áñâð ç·¤ ¥´ç·¤Ì ç·¤Øð »Øð ©æÚU ·¤æð ç×ÅUæÙæ Øæ âÈð¤Î SØæãè âð unfair means, such as change of response by scratching or ÕÎÜÙæ Ìæð ÂÚUèÿææ ·ð¤ çÜØð ¥ØæðØ ææðçáÌ ç·¤Øð Áæ â·¤Ìð ãñ´Ð using white fluid, you will render yourself liable to 9. ¥æ·¤ô ÂÚUèÿææ â×æ# ãôÙð ¤ÂÚU ×êÜ OMR Âæ·¤ çÙÚUèÿæ·¤ ×ãôÎØ ·¤ô ÜUõÅUæÙæ disqualification. ¥æßàØ·¤ ãñ ¥õÚU ÂÚUèÿææ â×æç# ·ð¤ ÕæÎ ©âð ¥ÂÙð âæÍ ÂÚUèÿææ ÖßÙ âð ÕæãÚU 9. You have to return the original OMR Sheet to the invigilators Ù Üð·¤ÚU ÁæØð¢Ð ãæÜæ´ç·¤ ¥æ ÂÚUèÿææ â×æç# ÂÚU ×êÜ ÂýàÙ-ÂéçSÌ·¤æ ÌÍæ OMR at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are Âæ·¤ ·¤è ÇéUÜè·ð¤ÅU ÂýçÌ ¥ÂÙð âæÍ Üð Áæ â·¤Ìð ãñ´Ð however, allowed to carry original question booklet and 10. ·ð¤ßÜ ÙèÜð/·¤æÜð ÕæÜU ßæ§ZÅU ÂðÙ ·¤æ ãè §SÌð×æÜ ·¤Úð¢UÐ duplicate copy of OMR Sheet on conclusion of examination. 11. ç·¤âè Öè Âý·¤æÚU ·¤æ ⢻淤 (·ñ¤Ü·é¤ÜðÅUÚU) UØæ Üæ» ÅðUÕÜ ¥æçÎ ·¤æ 10. Use only Blue/Black Ball point pen. ÂýØô» ßçÁüÌ ãñÐ 11. Use of any calculator or log table etc., is prohibited. 12. »ÜÌ ©æÚUæð´ ·ð¤ çÜ° ·¤æð§ü Ù·¤æÚUæ×·¤ ¥´·¤ Ùãè´ ãñ´Ð 12. There are no negative marks for incorrect answers. 13. In case of any discrepancy in the English and Hindi versions, 13. ØçÎ ¥´»ýðÁè Øæ çã´Îè çßßÚUæ ×ð´ ·¤æð§ü çßâ´»çÌ ãæð, Ìæð ¥´»ýðÁè çßßÚUæ ¥´çÌ× English version will be taken as final. ×æÙæ Áæ°»æÐ D-9715 !D-9715-PAPER-III! 1 P.T.O. RABINDRA SANGEET PAPER - III Note : This paper contains seventy five (75) objective type questions of two (2) marks each. All questions are compulsory. 1. Which opera is the second one written by Rabindra Nath Tagore ? (1) Kalmrigaya (2) Mayar Khela (3) Valmiki Prativa (4) Notir Puja 2. The Headquarter of Akashvani (All India Radio) is situated in : (1) Pune (2) Kanpur (3) Delhi (4) Kolkata 3. Tomar Sonar Thalay Sajabo Aj who sang this song in the play Rhinshodh : (1) Shekhar (2) Laksheswar (3) Vijayaditya (4) Sannyasi 4. Trace out the source of musical dialogue between Toper Taper Bandhon Katuk and Oi Ki Ele Akashpare : (1) Nataraj Riturangoshala (2) Shesh Barshan (3) Shravan Gatha (4) Barshamangal 5. Who did Eulogise Dinendranath as Utsavaraaj ? (1) Rabindranath (2) Abanindranath (3) Prashanta Chandra Mahalanabish (4) Pramathanath Bisht 6. Kartaveeryarjuna is an important reference point by Tagore as we find in : (1) Sangeet O Kabita (2) Antar Bahir (3) Alap Alochona (4) Sur O Sangati 7. Who wanted improvisation in Tagore song from Tagore himself ? (1) Shantidev Ghosh (2) Dilip Kumar Ray (3) Dhurjati Prasad Mukhopadhyay (4) Atul Prasad Sen D-9715 !D-9715-PAPER-III! 2 Paper-III ÚUÕèÎý â´»èÌ ÂýàÙ Âæ - III çÙÎðüàæ Ñ §â ÂýàÙ Âæ ×ð´ ¿ãæÚU (75) Õãé-çß·¤ËÂUèØ ÂýàÙ ãñ´Ð ÂýØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ´Ð âÖè ÂýàÙ ¥çÙßæØü ãñ´Ð 1. ÚUÕèÎýÙæÍ ÅñU»æðÚU mæÚUæ çÜç¹Ì ·¤æñÙ-âæ »èçÌ-ÙæÅ÷UØ ©Ù·¤æ ÎêâÚUæ »èçÌ-ÙæÅ÷UØ ãñ? (1) ·¤æÜ×ë»Øæ (2) ×æØÚU ¹ðÜæ (3) ßæË×èç·¤ ÂýçÌÖæ (4) ÙæòÅUèÚU ÂéÁæ 2. ҥ淤æàæßææèÓ (¥æòÜ §´çÇUØæ ÚðUçÇUØæð) ·¤æ ×éØæÜØ çSÍÌ ãñ Ñ (1) Âéæð ×ð´ (2) ·¤æÙÂéÚU ×ð´ (3) çÎËÜè ×ð´ (4) ·¤æðÜ·¤æÌæ ×ð´ 3. ÒÒÌæð×æÚU âæðÙæÚU ÍæÜæØð âÁæÕæð ¥æÁÓÓ Ò«¤æàææðÏÓ ÙæÅU·¤ ×𴠧⠻èÌ ·¤æð ç·¤âÙð »æØæ? (1) àæð¹ÚU (2) ÜÿæðàßÚU (3) çßÁØæçÎØ (4) â´Øæâè 4. ÒÒÌæðÂðÚU ÌæÂðÚU Õæ´ÏÙ ·¤æÌé·¤ÓÓ ¥æñÚU ÒÒ¥æð§ü ·¤è °Üð ¥æ·¤æàæÂæÚðUÓÓ ·ð¤ Õè¿ â´»èÌ â´ßæÎ ·¤æ dæðÌ çܹð´ Ñ (1) ÙÅUÚUæÁ «¤ÌéÚ´U»æðàææÜæ (2) àæðá Õáüæ (3) ææßæ »æÍæ (4) Õáü×´»Ü 5. çÎÙð´ÎýÙæÍ ·¤è Ò©âßÚUæÁÓ ·ð¤ M¤Â ×ð´ ç·¤âÙð Âýàæ´âæ ·¤è? (1) ÚUÕèÎýÙæÍ (2) ¥ÕÙèÎýÙæÍ (3) Âýàææ´Ì ¿´Îý ×ãÜæÙÕèàæ (4) Âý×ÍÙæÍ çÕcÅU 6. Ò·¤æÌüßèØü¥ÁéüÙæÓ ÅñU»æðÚU ·¤æ °·¤ ×ãßÂêæü â´ÎÖü çÕ´Îé ãñ, Áæð çÙÙ ×ð´ âð ç·¤â×ð´ ÂæØæ ÁæÌæ ãñ? (1) â´»èÌ ¥æð ·¤çÕÌæ (2) ¥´ÌÚU ÕæçãÚU (3) ¥æÜæ ¥æÜæð¿Ùæ (4) âéÚU ¥æð â´»çÌ 7. ·¤æñÙ ¿æãÌð Íð ç·¤ ÅñU»æðÚU ¹éÎ ¥ÂÙð »èÌæð´ ·¤æð ¥æñÚU ¥Ü´·ë¤Ì ÕÙæØð´? (1) àææ´çÌÎðß ææðá (2) çÎÜè ·é¤×æÚU ÚðU (3) ÏéÁüÅUè ÂýâæÎ ×é¹æðÂæØæØ (4) ¥ÌéÜ ÂýâæÎ âðÙ D-9715 !D-9715-PAPER-III! 3 Paper-III 8. Tagore, in his letter, used the term Hermaphroditic. To whom he wrote this letter ? (1) Einstein (2) Romain Rolland (3) Dhurjati Prasad Mukhopadhyay (4) Shailojaranjan Mojumder 9.
Load more

Recommended publications
  • Letter Correspondences of Rabindranath Tagore: a Study
    Annals of Library and Information Studies Vol. 59, June 2012, pp. 122-127 Letter correspondences of Rabindranath Tagore: A Study Partha Pratim Raya and B.K. Senb aLibrarian, Instt. of Education, Visva-Bharati, West Bengal, India, E-mail: [email protected] b80, Shivalik Apartments, Alakananda, New Delhi-110 019, India, E-mail:[email protected] Received 07 May 2012, revised 12 June 2012 Published letters written by Rabindranath Tagore counts to four thousand ninety eight. Besides family members and Santiniketan associates, Tagore wrote to different personalities like litterateurs, poets, artists, editors, thinkers, scientists, politicians, statesmen and government officials. These letters form a substantial part of intellectual output of ‘Tagoreana’ (all the intellectual output of Rabindranath). The present paper attempts to study the growth pattern of letters written by Rabindranath and to find out whether it follows Bradford’s Law. It is observed from the study that Rabindranath wrote letters throughout his literary career to three hundred fifteen persons covering all aspects such as literary, social, educational, philosophical as well as personal matters and it does not strictly satisfy Bradford’s bibliometric law. Keywords: Rabindranath Tagore, letter correspondences, bibliometrics, Bradfords Law Introduction a family man and also as a universal man with his Rabindranath Tagore is essentially known to the many faceted vision and activities. Tagore’s letters world as a poet. But he was a great short-story writer, written to his niece Indira Devi Chaudhurani dramatist and novelist, a powerful author of essays published in Chhinapatravali1 written during 1885- and lectures, philosopher, composer and singer, 1895 are not just letters but finer prose from where innovator in education and rural development, actor, the true picture of poet Rabindranath as well as director, painter and cultural ambassador.
    [Show full text]
  • Appellate Jurisdiction
    Appellate Jurisdiction Daily Supplementary List Of Cases For Hearing On Friday, 9th of July, 2021 CONTENT SL COURT PAGE BENCHES TIME NO. ROOM NO. NO. HON'BLE JUSTICE I. P. MUKERJI 3 On 09-07-2021 1 1 HON'BLE JUSTICE ANIRUDDHA ROY DB - II At 11:00 AM HON'BLE JUSTICE HARISH TANDON 28 On 09-07-2021 2 4 HON'BLE JUSTICE SUBHASIS DASGUPTA DB-III At 11:00 AM HON'BLE JUSTICE SOUMEN SEN 16 On 09-07-2021 3 57 HON'BLE JUSTICE HIRANMAY BHATTACHARYYA DB - IV At 11:00 AM HON'BLE JUSTICE SOUMEN SEN 17 On 09-07-2021 4 66 HON'BLE JUSTICE SAUGATA BHATTACHARYYA DB-IV At 11:00 AM HON'BLE JUSTICE SUBRATA TALUKDAR 11 On 09-07-2021 5 68 HON'BLE JUSTICE SAUGATA BHATTACHARYYA DB - V At 11:00 AM HON'BLE JUSTICE TAPABRATA CHAKRABORTY 30 On 09-07-2021 6 74 HON'BLE JUSTICE SUVRA GHOSH DB-VI At 11:00 AM HON'BLE JUSTICE ARINDAM SINHA 4 On 09-07-2021 7 80 HON'BLE JUSTICE BISWAJIT BASU DB-VII At 11:00 AM 5 On 09-07-2021 8 HON'BLE JUSTICE ARIJIT BANERJEE 89 SB At 11:00 AM 8 On 09-07-2021 9 HON'BLE JUSTICE DEBANGSU BASAK 94 SB II At 11:00 AM 9 On 09-07-2021 10 HON'BLE JUSTICE SHIVAKANT PRASAD 116 SB - III At 11:00 AM 13 On 09-07-2021 11 HON'BLE JUSTICE RAJASEKHAR MANTHA 124 SB - IV At 11:00 AM 7 On 09-07-2021 12 HON'BLE JUSTICE SABYASACHI BHATTACHARYYA 150 SB - V At 11:00 AM 26 On 09-07-2021 13 HON'BLE JUSTICE SHEKHAR B.
    [Show full text]
  • IP Tagore Issue
    Vol 24 No. 2/2010 ISSN 0970 5074 IndiaVOL 24 NO. 2/2010 Perspectives Six zoomorphic forms in a line, exhibited in Paris, 1930 Editor Navdeep Suri Guest Editor Udaya Narayana Singh Director, Rabindra Bhavana, Visva-Bharati Assistant Editor Neelu Rohra India Perspectives is published in Arabic, Bahasa Indonesia, Bengali, English, French, German, Hindi, Italian, Pashto, Persian, Portuguese, Russian, Sinhala, Spanish, Tamil and Urdu. Views expressed in the articles are those of the contributors and not necessarily of India Perspectives. All original articles, other than reprints published in India Perspectives, may be freely reproduced with acknowledgement. Editorial contributions and letters should be addressed to the Editor, India Perspectives, 140 ‘A’ Wing, Shastri Bhawan, New Delhi-110001. Telephones: +91-11-23389471, 23388873, Fax: +91-11-23385549 E-mail: [email protected], Website: http://www.meaindia.nic.in For obtaining a copy of India Perspectives, please contact the Indian Diplomatic Mission in your country. This edition is published for the Ministry of External Affairs, New Delhi by Navdeep Suri, Joint Secretary, Public Diplomacy Division. Designed and printed by Ajanta Offset & Packagings Ltd., Delhi-110052. (1861-1941) Editorial In this Special Issue we pay tribute to one of India’s greatest sons As a philosopher, Tagore sought to balance his passion for – Rabindranath Tagore. As the world gets ready to celebrate India’s freedom struggle with his belief in universal humanism the 150th year of Tagore, India Perspectives takes the lead in and his apprehensions about the excesses of nationalism. He putting together a collection of essays that will give our readers could relinquish his knighthood to protest against the barbarism a unique insight into the myriad facets of this truly remarkable of the Jallianwala Bagh massacre in Amritsar in 1919.
    [Show full text]
  • L'adieu a La Vie, 130 Alice in Wonderland, 33 Amiel's Journal, 33
    Index Abbott, Lyman, 16 Bauls,46 Achebe, Chinua, 141 Bedford Chapel, Bloomsbury, 11 L'Adieu ala Vie, 130 Beerbohm, Max, 18 African writers, 143 Bengal, 12, 13, 26, 27, 28, 51, 84, 88, Ajanta Cave paintings, 8, 113 100, 110, 145 Agriculture, 96 Bengal Academy, 145 Ahmedabad, 30 Bengal partition, 17 AJfano, Franco, 123 Bengal Renaissance, 50, 51, 52, 54 AJhambra Theatre, London, 123, Bengali language, 1, 8, 13, 27, 29, 35, 127 36,42,142 Alice in Wonderland, 33 Bengali literature, 3, 8, 9, 11, 14,29, Amiel's Journal, 33 33,35,36,37,38,39,42,114 Amritsar massacre, 128 Benjamin, Walter, 109 see also Jalianwalla Bagh Beowulf, 35 massacre, Berg,AJban, 131, 132, 133 Andersen, Hans Christian, 30 Berhampore Gessore), 27 Andrews, C. F., 63, 96, 99 Berlin, 133 Anderson, James Drummond, 8 Berlin Exhibition of Tagore's art, The Arabian Nights, 30, 79, 122 108 Argentina, 97 Bhanaphul (Wild Flower), 52 Aristotle, 38 Bhanusinha (pen-name of Aronson,AJex,l04 Rabindranath Tagore), 27 Art deco, 110 Bhiirati (Bengali journal), 31, 52 Art nouveau, 110 Bharatvasher Itihasha Dhara (A Vision The Artist, 115 of India's History), 58, 59 Asian languages, 142 Bhartrhari, 124 Asian literature, 143 Bhiisa Katha, 42 Asian Review, 20 Bhattacharya, Upendranath, 43 The Athenaeum (journal), 6, 17 Bidou, Henri, 106, 107 Attenborough, Richard, 153 Birdwood, Sir George, 7, 8 Aurobindo Ghose, 50 Birmingham Exhibition of Tagore's Art, 106 Bach, J. S., 106 Bisarjan (Sacrifice), 143 Baines, William, 127 see also Sacrifice Balak (Bengali journal), 31, 32 Blake, William, 6 Balej,
    [Show full text]
  • Rabindranath Thakur 1861—1941 Family and Bites.Org.Inmilieu Dwarakanath
    bites.org.inRabindranath Thakur 1861—1941 Family and bites.org.inmilieu Dwarakanath Original family surname: Kushari Rarhi Brahmins, village: Kush, Burdwan district of Bengal Ancestors were “Pirali” Brahmins – Brahmins who had converted to Islam Dwarakanath Tagore – grandfather Well-versed in Bengali, English, Arabic, Farsi as well as legal matters bites.org.in Ventures in banking, insurance, shipping Very prominent citizen of Kolkata at that time [give years] Passed away in London Debendranath One of the founders of the Brahmo Samaj (1843) Deeply spiritual, but did not renounce his considerable material possessions Spirit of detachment bites.org.in Master of the Upanishads Milieu Family at the forefront of the Bengal Renaissance Literary magazines Dhrupad musicians, Western classical music performances at home – in bites.org.inthe courtyard Jorasanko Thakurbari The ancestral house bites.org.inof the Thakur-s bites.org.in Panoramic view Jorasanko Thakurbari The courtyard for bites.org.inperformances The Ambience Immersed in music, plays Brahmo Samaj meetings, in which prayer songs played a very big part bites.org.in Many prayer songs were written by father Debendranath bites.org.in Travels: India bites.org.inand England Awakening of the poet After Upanayan, left Kolkata with his father Shantiniketan, Amritsar, the hill station Dalhousie Acquaintance with the classical poetry of Kalidasa When he was 16, he completed a collection of poems called “Bhanusingher Podabolee” “Gahanakusumakunjamajhey” bites.org.in The story
    [Show full text]
  • Poets -Study Material
    Poets -Study Material About the Poets Rabindranath Tagore Rabindranath Tagore, also written Ravīndranātha Thākura, sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Born: May 7, 1861, Kolkata Died: August 7, 1941, Kolkata Awards: Nobel Prize in Literature Parents: DebendranathTagore, Sarada Devi Spouse: Mrinalini Devi Literary movement: Contextual Modernism Notable Works Gitanjali, Gora, Ghare-Baire, Jana Gana Mana, Rabindra Sangeet,Amar Shonar Bangla. Award: Noble Prize in Literature - 1913 Quotes I slept and dreamt that life was joy. I awoke and saw that life was service. I acted and behold, service was joy. Clouds come floating into my life, no longer to carry rain or usher storm, but to add color to my sunset sky. Faith is the bird that feels the light when the dawn is still dark. Henry Wadsworth Longfellow Born: Portland, Maine Died: 1882 Literary movement: Modernism Education Bowdoin College in Brunswick, Maine Spouse (s): Mary Potter, Frances Appleton First publication 1 Download Study Materials on www.examsdaily.in Follow us on FB for exam Updates: ExamsDaily Poets -Study Material He published Hyperion, a prose romance, then Voices of the Night (1839), his first book of poetry, followed by Ballads and Other Poems (1841). Further publications He published Evangeline in 1847, which achieved broad critical acclaim, and The Seaside and the Fireside in 1849. By this time he had begun to feel that his teaching career was hindering his writing, and he resigned from Harvard in 1854. In 1855 he published The Song of Hiawatha, followed by the The Courtship of Miles Standish (1858).
    [Show full text]
  • Appellate Jurisdiction
    Appellate Jurisdiction Daily Supplementary List Of Cases For Hearing On Monday, 19th of July, 2021 CONTENT SL COURT PAGE BENCHES TIME NO. ROOM NO. NO. HON'BLE JUSTICE I. P. MUKERJI 3 On 19-07-2021 1 1 HON'BLE JUSTICE ARINDAM MUKHERJEE DB At 11:00 AM HON'BLE JUSTICE HARISH TANDON 28 On 19-07-2021 2 6 HON'BLE JUSTICE SUBHASIS DASGUPTA DB-III At 11:00 AM HON'BLE JUSTICE SOUMEN SEN 16 On 19-07-2021 3 68 HON'BLE JUSTICE HIRANMAY BHATTACHARYYA DB - IV At 11:00 AM HON'BLE JUSTICE SUBRATA TALUKDAR 11 On 19-07-2021 4 76 HON'BLE JUSTICE SAUGATA BHATTACHARYYA DB - V At 11:00 AM HON'BLE JUSTICE TAPABRATA CHAKRABORTY 30 On 19-07-2021 5 83 HON'BLE JUSTICE SUVRA GHOSH DB-VI At 11:00 AM HON'BLE JUSTICE ARINDAM SINHA 4 On 19-07-2021 6 89 HON'BLE JUSTICE BISWAJIT BASU DB-VII At 11:00 AM 8 On 19-07-2021 7 HON'BLE JUSTICE DEBANGSU BASAK 100 SB II At 11:00 AM 9 On 19-07-2021 8 HON'BLE JUSTICE SHIVAKANT PRASAD 123 SB - III At 11:00 AM 13 On 19-07-2021 9 HON'BLE JUSTICE RAJASEKHAR MANTHA 132 SB - IV At 11:00 AM 7 On 19-07-2021 10 HON'BLE JUSTICE SABYASACHI BHATTACHARYYA 158 SB - V At 11:00 AM 26 On 19-07-2021 11 HON'BLE JUSTICE SHEKHAR B. SARAF 166 SB-VII At 11:00 AM 15 On 19-07-2021 12 HON'BLE JUSTICE RAJARSHI BHARADWAJ 181 SB - VIII At 11:00 AM 19 On 19-07-2021 13 HON'BLE JUSTICE SHAMPA SARKAR 184 SB - IX At 11:00 AM 10 On 19-07-2021 14 HON'BLE JUSTICE RAVI KRISHAN KAPUR 196 SB - X At 11:00 AM 23 On 19-07-2021 15 HON'BLE JUSTICE ARINDAM MUKHERJEE 207 SB - XI At 11:00 AM 24 On 19-07-2021 16 HON'BLE JUSTICE AMRITA SINHA 224 SB - XII At 11:00 AM 17 On 19-07-2021 17 HON'BLE JUSTICE ABHIJIT GANGOPADHYAY 230 SB - XIII At 11:00 AM SL NO.
    [Show full text]
  • Visva-Bharati, Santiniketan Title Accno Language Author / Script Folios DVD Remarks
    www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks CF, All letters to A 1 Bengali Many Others 75 RBVB_042 Rabindranath Tagore Vol-A, Corrected, English tr. A Flight of Wild Geese 66 English Typed 112 RBVB_006 By K.C. Sen A Flight of Wild Geese 338 English Typed 107 RBVB_024 Vol-A A poems by Dwijendranath to Satyendranath and Dwijendranath Jyotirindranath while 431(B) Bengali Tagore and 118 RBVB_033 Vol-A, presenting a copy of Printed Swapnaprayana to them A poems in English ('This 397(xiv Rabindranath English 1 RBVB_029 Vol-A, great utterance...') ) Tagore A song from Tapati and Rabindranath 397(ix) Bengali 1.5 RBVB_029 Vol-A, stage directions Tagore A. Perumal Collection 214 English A. Perumal ? 102 RBVB_101 CF, All letters to AA 83 Bengali Many others 14 RBVB_043 Rabindranath Tagore Aakas Pradeep 466 Bengali Rabindranath 61 RBVB_036 Vol-A, Tagore and 1 www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks Sudhir Chandra Kar Aakas Pradeep, Chitra- Bichitra, Nabajatak, Sudhir Vol-A, corrected by 263 Bengali 40 RBVB_018 Parisesh, Prahasinee, Chandra Kar Rabindranath Tagore Sanai, and others Indira Devi Bengali & Choudhurani, Aamar Katha 409 73 RBVB_029 Vol-A, English Unknown, & printed Indira Devi Aanarkali 401(A) Bengali Choudhurani 37 RBVB_029 Vol-A, & Unknown Indira Devi Aanarkali 401(B) Bengali Choudhurani 72 RBVB_029 Vol-A, & Unknown Aarogya, Geetabitan, 262 Bengali Sudhir 72 RBVB_018 Vol-A, corrected by Chhelebele-fef. Rabindra- Chandra
    [Show full text]
  • February 18, 2014 (Series 28: 4) Satyajit Ray, CHARULATA (1964, 117 Minutes)
    February 18, 2014 (Series 28: 4) Satyajit Ray, CHARULATA (1964, 117 minutes) Directed by Satyajit Ray Written byRabindranath Tagore ... (from the story "Nastaneer") Cinematography by Subrata Mitra Soumitra Chatterjee ... Amal Madhabi Mukherjee ... Charulata Shailen Mukherjee ... Bhupati Dutta SATYAJIT RAY (director) (b. May 2, 1921 in Calcutta, West Bengal, British India [now India]—d. April 23, 1992 (age 70) in Calcutta, West Bengal, India) directed 37 films and TV shows, including 1991 The Stranger, 1990 Branches of the Tree, 1989 An Enemy of the People, 1987 Sukumar Ray (Short documentary), 1984 The Home and the World, 1984 (novel), 1979 Naukadubi (story), 1974 Jadu Bansha (lyrics), “Deliverance” (TV Movie), 1981 “Pikoor Diary” (TV Short), 1974 Bisarjan (story - as Kaviguru Rabindranath), 1969 Atithi 1980 The Kingdom of Diamonds, 1979 Joi Baba Felunath: The (story), 1964 Charulata (from the story "Nastaneer"), 1961 Elephant God, 1977 The Chess Players, 1976 Bala, 1976 The Kabuliwala (story), 1961 Teen Kanya (stories), 1960 Khoka Middleman, 1974 The Golden Fortress, 1973 Distant Thunder, Babur Pratyabartan (story - as Kabiguru Rabindranath), 1960 1972 The Inner Eye, 1972 Company Limited, 1971 Sikkim Kshudhita Pashan (story), 1957 Kabuliwala (story), 1956 (Documentary), 1970 The Adversary, 1970 Days and Nights in Charana Daasi (novel "Nauka Doobi" - uncredited), 1947 the Forest, 1969 The Adventures of Goopy and Bagha, 1967 The Naukadubi (story), 1938 Gora (story), 1938 Chokher Bali Zoo, 1966 Nayak: The Hero, 1965 “Two” (TV Short), 1965 The (novel), 1932 Naukadubi (novel), 1932 Chirakumar Sabha, 1929 Holy Man, 1965 The Coward, 1964 Charulata, 1963 The Big Giribala (writer), 1927 Balidan (play), and 1923 Maanbhanjan City, 1962 The Expedition, 1962 Kanchenjungha, 1961 (story).
    [Show full text]
  • Http//:Daathvoyagejournal.Com Editor: Saikat Banerjee Department Of
    http//:daathvoyagejournal.com Editor: Saikat Banerjee Department of English Dr. K.N. Modi University, Newai, Rajasthan, India. : An International Journal of Interdisciplinary Studies in English ISSN 2455-7544 www.daathvoyagejournal.com Vol.2, No.1, March, 2017 A Journey: From Nostohnirh to Charulata Shubhendu Shekhar Naskar Assistant Professor Department of English Basirhat College Email- [email protected] Abstract: Rabindranath Tagore and Satyajit Ray are two high-flying names in the sky of art, culture and literature. They have glorified Bengal as well as India in the sphere of whole universe. Tagore wrote many legendary novels which were later taken as the scripts of Indian films. Such an epoch making novel of Tagore was Nostonirh (The Broken Nest) which was transformed into a film in the hand of renowned director, Satyajit Ray. Ray not only took the story, he also mixed the plot with his imagination. This compilation leads the novel to become almost a similar famous film in Bengali, ‘Charulata’. My article will try to highlight this artistic approach of Ray along with his adoption of the novel. Key words: Tagore, Ray, Nostonirh, Charulata, Bhupati, Amal. Rabindranath Tagore's stories exemplify his remarkable abilities to enter into the complexities of human relationships profoundly. Within the seemingly simple plots, he could explore the psychological aspects of his characters properly. They seem to be the true representatives of their time. As a result they bring out the sociological aspects of the then Bengali society. In his highly acclaimed novel Nostonirh (The Broken Nest), Tagore simply portrays with extraordinary compassion and lyricism the predicament of women in traditional Bengali contexts, through the loneliness of an intelligent, beautiful woman who is neglected by her husband.
    [Show full text]
  • Elective English - III DENG202
    Elective English - III DENG202 ELECTIVE ENGLISH—III Copyright © 2014, Shraddha Singh All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara SYLLABUS Elective English—III Objectives: To introduce the student to the development and growth of various trends and movements in England and its society. To make students analyze poems critically. To improve students' knowledge of literary terminology. Sr. Content No. 1 The Linguist by Geetashree Chatterjee 2 A Dream within a Dream by Edgar Allan Poe 3 Chitra by Rabindranath Tagore 4 Ode to the West Wind by P.B.Shelly. The Vendor of Sweets by R.K. Narayan 5 How Much Land does a Man Need by Leo Tolstoy 6 The Agony of Win by Malavika Roy Singh 7 Love Lives Beyond the Tomb by John Clare. The Traveller’s story of a Terribly Strange Bed by Wilkie Collins 8 Beggarly Heart by Rabindranath Tagore 9 Next Sunday by R.K. Narayan 10 A Lickpenny Lover by O’ Henry CONTENTS Unit 1: The Linguist by Geetashree Chatterjee 1 Unit 2: A Dream within a Dream by Edgar Allan Poe 7 Unit 3: Chitra by Rabindranath Tagore 21 Unit 4: Ode to the West Wind by P B Shelley 34 Unit 5: The Vendor of Sweets by R K Narayan 52 Unit 6: How Much Land does a Man Need by Leo Tolstoy 71 Unit 7: The Agony of Win by Malavika Roy Singh 84 Unit 8: Love Lives beyond the Tomb by John Clare 90 Unit 9: The Traveller's Story of a Terribly Strange Bed by Wilkie Collins 104 Unit 10: Beggarly Heart by Rabindranath Tagore 123 Unit 11: Next Sunday by
    [Show full text]
  • (Honours) in Music Under CBCS
    THE UNIVERSITY OF BURDWAN Rajbati,Burdwan West Bengal Curriculum for 3-Year B.A. (Honours) in Music under Choice Based Credit System (CBCS) w.e.f 2017-2018 Semester wise Distribution of Courses and Credits Structure of B.A. (Honours) in Music under CBCS Course / Se m I Se m II Sem III Se m IV Se m V Se m VI Total Total Credit No. of Credit Courses CC (6) CC-1: CC- 3 : CC- 5 : CC- 8 : CC- 11 : CC- 13 : 14 84 (Theoretical) (Theoretical) (Theoretical) (Theoretical) (Theoretical): (Practical) Elementay Introduction History of History of Theoretical Khyal Knowledge of of Rabindra Indian Music Indian Music aspects and Vilambit & Music : Sangeet and Ancient Modern Musical Drut Terminologies Theoretical Period and Period distinctivenes and Concepts knowledge of Medieval s of Rabindra CC- 14 : Ragas, Talas Period. CC- 9 : Sangeet (Practical) CC-2 : and Notations. (Practical) Rabindra- (Practical) CC- 6 : (Dhrupad & CC- 12 : nath’s Thata-Raga CC-4 : Kheyal Dhamar) (Practical) : Git inatya Swarnamalika (Practical) Vilambit and Different and Lakshmangiti Rabindra Drut CC- 10 : forms and Nrityanatya in different Sangeet : (Practical) Styles of Talas Themetic CC- 7: (Thumri & Rabindra Variation Bangla Gan Bhajan) Sangeet DSE (6) DSE- 1: DSE – 3 : 4 24 (Practical) (Practical) Knowledge Stage of Raga Demonstra- Tion - DSE – 2 : Khyal (Practical) Knowledge DSE - 4 of Tala and (Practical) Notation Stage reading Demonstra- Hindusthani tion - & Rabindra Akarmatrik Sangeet (Both) and Bengali Song GE (6) GE- 1: Any GE- 2: Any GE- 3: Any GE- 4: Any 4 24 subject other subject other subject other subject other than Music than Music than Music than Music AECC-1 ENVS Communica- 2 6 (4) & tive English/ AECC-2 MIL (2) SEC (2) SEC-1: SEC- 2 : 2 4 General Advanced Study of Study of Computer Computer and its application Total No.
    [Show full text]