The Speakers and Chairs 2017
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Direito E Cinema Penal E Arte / Renato Bernardi, Daniela Aparecida Rodrigueiro, Fernanda De Matos Lima Madrid & Livia Carla Silva Rigão, Organizadores
1 ©2019 - Programa de Pós-Graduação em Ciência Jurídica da UENP Anais do V Simpósio Regional Direito e Cinema em Debate Renato Bernardi, Daniela Aparecida Rodrigueiro, Fernanda de Matos Lima Madrid & Livia Carla Silva Rigão (Coordenadores) Universidade Estadual do Norte do Paraná (Editor) Renato Bernardi Coordenador Geral do Simpósio Regional Direito e Cinema em Debate Comissão Científica do V DIRCIN Prof. Dr. Ricardo Pinha Alonso (UNIVEM) Prof. Me. Adriano Aranão (UNIFIO) Profª. Drª. Carla Bertoncini (UENP) Profª. Drª. Mércia Miranda Vasconcellos (FANORPI) Dados Internacionais de Catalogação na Publicação (CIP) ___________________________________________________________________________ Direito e Cinema Penal e Arte / Renato Bernardi, Daniela Aparecida Rodrigueiro, Fernanda de Matos Lima Madrid & Livia Carla Silva Rigão, organizadores. – 1. ed. – Jacarezinho, PR: UENP & PROJURIS, 2019. (Anais do V Simpósio Regional Direito e Cinema em Debate) Vários autores Bibliografia ISBN 978-85-62288-78-4 1. Direito e Cinema Penal e Arte CDU-34 Índice para catálogo sistemático 1. Ciências Sociais. Direito. Lei em geral, métodos jurídicos e ciências auxiliares. 34 As ideias veiculadas e opiniões emitidas nos capítulos, bem como a revisão dos mesmos, são de inteira responsabilidade de seus autores. É permitida a reprodução dos artigos desde que seja citada a fonte. SUMÁRIO A 13ª EMENDA COMO POLÍTICA CRIMINAL-ECONÔMICA DOS ESTADOS UNIDOS..7 Jocelino Junior da SILVA ABUTRES EM BUSCA DE SANGUE LUCRATIVO..................................................................19 -
Gavin Ames Avid Editor
Gavin Ames Avid Editor Profile Gavin is an exceptionally talented editor. Fast, creative, and very technically minded. He is one of the best music editors around, with vast live multi-cam experience ranging from The Isle of Wight Festival, to Take That, Faithless and Primal Scream concerts. Since excelling in the music genre, Gavin went on to develop his skills in comedy, editing Shooting Stars. His talents have since gone from strength to strength and he now has a wide range of high-end credits under his belt, such as live stand up for Bill Bailey, Steven Merchant, Ed Byrne and Angelos Epithemiou. He has also edited sketch comedy, a number of studio shows and comedy docs. Gavin has a real passion for editing comedy and clients love working with him so much that they ask him back time and time again! Comedy / Entertainment / Factual “The World According to Jeff Goldblum” Series 2. Through the prism of Jeff Goldblum's always inquisitive and highly entertaining mind, nothing is as it seem. Each episode is centred around something we all love — like sneakers or ice cream — as Jeff pulls the thread on these deceptively familiar objects and unravels a wonderful world of astonishing connections, fascinating science and history, amazing people, and a whole lot of surprising big ideas and insights. Nutopia for National Geographic and Disney + “Guessable” In this comedy game show, two celebrity teams compete to identify the famous name or object inside a mystery box. Sara Pascoe hosts the show with John Kearns on hand as her assistant. Alan Davies and Darren Harriott are the team captains, in a format that puts a twist on classic family games. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
Download the Report
Oregon Cultural Trust fy2011 annual report fy2011 annual report 1 Contents Oregon Cultural Trust fy2011 annual report 4 Funds: fy2011 permanent fund, revenue and expenditures Cover photos, 6–7 A network of cultural coalitions fosters cultural participation clockwise from top left: Dancer Jonathan Krebs of BodyVox Dance; Vital collaborators – five statewide cultural agencies artist Scott Wayne 8–9 Indiana’s Horse Project on the streets of Portland; the Museum of 10–16 Cultural Development Grants Contemporary Craft, Portland; the historic Astoria Column. Oregonians drive culture Photographs by 19 Tatiana Wills. 20–39 Over 11,000 individuals contributed to the Trust in fy2011 oregon cultural trust board of directors Norm Smith, Chair, Roseburg Lyn Hennion, Vice Chair, Jacksonville Walter Frankel, Secretary/Treasurer, Corvallis Pamela Hulse Andrews, Bend Kathy Deggendorfer, Sisters Nick Fish, Portland Jon Kruse, Portland Heidi McBride, Portland Bob Speltz, Portland John Tess, Portland Lee Weinstein, The Dalles Rep. Margaret Doherty, House District 35, Tigard Senator Jackie Dingfelder, Senate District 23, Portland special advisors Howard Lavine, Portland Charlie Walker, Neskowin Virginia Willard, Portland 2 oregon cultural trust December 2011 To the supporters and partners of the Oregon Cultural Trust: Culture continues to make a difference in Oregon – activating communities, simulating the economy and inspiring us. The Cultural Trust is an important statewide partner to Oregon’s cultural groups, artists and scholars, and cultural coalitions in every county of our vast state. We are pleased to share a summary of our Fiscal Year 2011 (July 1, 2010 – June 30, 2011) activity – full of accomplishment. The Cultural Trust’s work is possible only with your support and we are pleased to report on your investments in Oregon culture. -
Rise of the Empire 1000 Bby-0 Bby (2653 Atc -3653 Atc)
RISE OF THE EMPIRE 1003-980 B.B.Y. (2653-2653 A.T.C.) The Battle of Ruusan 1,000 B.B.Y.-0 B.B.Y. and the Rule of Two (2653 A.T.C. -3653 A.T.C.) 1000 B.B.Y. (2653 A.T.C.) “DARKNESS SHARED” Bill Slavicsek Star Wars Gamer #1 Six months prior to the Battle of Ruusan. Between chapters 20 and 21 of Darth Bane: Path of Destruction. 996 B.B.Y. (2657 A.T.C.) “ALL FOR YOU” Adam Gallardo Tales #17 Volume 5 The sequence here is intentional. Though I am keeping the given date, this story would seem to make more sense placed prior to the Battle of Ruusan and the fall of the Sith. 18 PATH OF DESTRUCTION with the Sith). This was an issue dealt with in the Ruusan Reformations, marking the Darth Bane beginning of the Rule of Two for the Sith, and Drew Karpyshyn the reformation of the Republic and the Jedi Order. This has also been borne out by the fact that in The Clone Wars, the members of the current Galactic Republic still refer to the former era as “The Old Republic” (an error that in this case works in the favor of retcons, I The date of this novel has been shifted around believe). The events of this graphic novel were somewhat. The comic Jedi vs. Sith, off of which adapted and overwritten by Chapters 26- it is based, has been dated 1032 B.B.Y and Epilogue of Darth Bane: Path of Destruction 1000 B.B.Y. -
Film, Television and Video Productions Featuring Brass Bands
Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Prolog: Vorbereitung Auf Den Aufprall
Ben Sherwood Wer überlebt? Warum manche Menschen in Grenzsituationen überleben, andere nicht Aus dem Englischen von Gisela Kretzschmar Die amerikanische Originalausgabe erschien 2009 unter dem Titel »The Survivors Club« bei Grand Central Publishing, New York. Copyright an dem Songtext »It’s All in a Nut« auf Seite 303 Joseph LeDoux, 2007. Umwelthinweis: Dieses Buch wurde auf 100 % Recyclingpapier gedruckt, das mit dem blauen Engel ausgezeichnet ist. Die Einschrumpffolie (zum Schutz vor Verschmutzung) ist aus umweltfreundlicher und recyclingfähiger PE-Folie. 1. Auflage Deutsche Erstausgabe © 2009 der deutschsprachigen Ausgabe Riemann Verlag, München in der Verlagsgruppe Random House GmbH © 2009 Ben Sherwood Lektorat: Ralf Lay, Mönchengladbach Satz: Barbara Rabus Druck und Bindung: GGP Media GmbH, Pößneck Printed in Germany ISBN 978-3-570-50087-3 www.riemann-verlag.de Für William Richard Sherwood Inhalt Prolog: Vorbereitung auf den Aufprall . 9 Einleitung: Der Club der Überlebenden . 17 T eil I Was man zum Überleben braucht 1. Eine Stricknadel durchs Herz Die drei Regeln des Clubs der Überlebenden . 30 2. Felsen in der Brandung Warum so viele Menschen sterben, die überleben könnten . 57 3. 90 Sekunden, um Ihr Leben zu retten Wie man bei einem Flugzeugabsturz falsch (und richtig) handelt . 86 4. Das Organkonzert Wer in der Notaufnahme überlebt und stirbt . 129 5. Der Überschall-Mensch Wie viel vom Leben (und Tod) haben wir wirklich unter Kontrolle? . 164 6. Gerettet aus den Fängen des Löwen Gebet, Wunder und die Macht des Glaubens . 189 7. Die Tänzerin und der Todesengel Wie haben Menschen den Holocaust überlebt? . 230 Inhalt 8. Die Wissenschaft vom Glück Warum immer denselben Leuten Gutes widerfährt . -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
Written Evidence Submitted by the BBC DCMS Select Committee Inquiry Into the Impact of Covid-19 on the DCMS Sectors
Written evidence submitted by the BBC DCMS Select Committee Inquiry into the Impact of Covid-19 on the DCMS Sectors Executive Summary 1. Covid-19 has had a substantial impact on the BBC’s ability to produce programmes and services. Following advice from the WHO, public health organisations and the Government, the BBC closed the production of many programmes and services across its TV and radio output. The cancellation of key broadcasting events, ceasing of productions, and changes to schedules will continue to have an impact on what audiences see and hear across the BBC across the coming months. 2. Like other organisations continuing to operate during this crisis, the BBC has faced operational challenges. We’ve experienced reduced levels of staffing and the huge increase in demand for the BBC’s internal network as over 15,000 colleagues work from home. For those unable to work from home, safety is paramount and we’ve followed Government advice. 3. The BBC Board took the decision to delay changes to the over-75s licence fee from 1 June to 1 August during an unprecedented time. The decision is to be kept under review. 4. In response to Covid-19, the BBC took swift action at the start of the pandemic to repurpose our services and programmes for the benefit of all audiences ensuring we kept the nation informed, educated and entertained. 5. The BBC enhanced our core role to bring trusted news and information to audiences in the UK and around the world in a fast-moving situation, and to counter confusion and misinformation. -
Russell Brand
Russell Brand Arena-level stand-up that asks us to think as well as laugh The Guardian Awards: • Winner: British Comedy Awards: Outstanding Contribution To Comedy 2011 • Winner: British Comedy Awards: Best Live Stand-Up 2008 • Winner: Television and Radio Awards: Best Television Performer in a Non-Acting Role • Winner: British Comedy Awards: Best Newcomer 2006 • Winner: Loaded Laftas: Best Stand-Up 2006 • Winner: Time Out: Best Stand-Up 2006 Russell Brand is an award-winning comedian, writer, actor and presenter. Russell initially rose to fame in 2003 for his work as a presenter on MTV and on Big Brother spin-off, Big Brother’s Big Mouth. Since then he has become one of the most recognisable and best-loved comedy performers in the world, with a series of sold-out tours, bestselling DVDs and a number of major film roles to his name. His first nationwide stand-up tour, 2006’s Shame, was a huge success, eventually being filmed at London’s iconic Shepherd’s Bush Empire and released as a bestselling DVD, entitled Russell Brand: Live. He followed that tour with 2007’s Only Joking (released on DVD as Doin’ Life) and in 2009 embarked on his debut series of US dates with Scandalous. His most recent stand-up show, 2013’s critically–acclaimed Messiah Complex, was also a major hit and again a bestselling DVD. Russell has enjoyed a wide-ranging and incredibly successful career in UK television. After concluding his stint on Big Brother’s Big Mouth in 2007, he went on to host his own chat shows, MTV’s 1 Leicester Square and Channel 4’s The Russell Brand Show, as well as the Bafta-nominated Ponderland, also for Channel 4.